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Tag: atlantic records

  • Hilary Duff’s Pop Resurgence Is Coming—Warm Up With These 5 Classics

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    Sure, the announcement dropped—but let’s be honest, it felt like something was missing: Lizzie McGuire herself, that bobble-headed, cartoon blonde forever perched as this Y2K queen’s sparkly mini-me. Picture her twirling a bite-sized disco ball around her finger, cherries within arm’s reach, haloed by glittering sparkles (all emojis straight out of Hilary Duff HQ’s Instagram 🪩✨🍒, because yes—the resurgence has officially begun). Cue the puff of pink clouds and fresh brand iconology: Hilary has signed with Atlantic Records, and excitement levels are off the charts. Even better? An intimate docuseries is on the way, directed by pop-girlie whisperer Sam Wrench (yes, the same mastermind behind Taylor Swift: The Eras Tour and A Nonsense Christmas with Sabrina Carpenter). But until the new era officially lands, we’re leaning into nostalgia—with a mini five-song playlist of Hilary bops to tide us all over.

    ‘All About You’

    It’s been a decade-long trek through the Hilary music desert, but remember the last oasis? Breathe In. Breathe Out.—a 17-track diary that sparkled with pop confessions and heartbreak ballads, all while sneaking in a twangy, country-folk treasure called ‘All About You.’ Produced by Carl Falk (the icon who also handed hits to One Direction and 5 Seconds of Summer), it marked Hilary’s true glow-up era: mature, self-assured, and finally stepping into the spotlight with a cheeky little shoulder shimmy.

    ‘Wake Up’

    Serving as the perfect GPS to figure out if you’re in “London, Paris, or maybe Tokyo,” this track has Dead Executives’ fingerprints all over it (yes, that era when the Madden Brothers were firmly tangled in Hilary’s sonic web). With both producer and co-writer credits, it’s basically an invitation to ditch the stuffy co-workers and their boxed-in perceptions, and instead hunt down the nearest dance floor on a gloriously sticky Saturday night.

    ‘Someone’s Watching Over Me’

    Hilary booked Raise Your Voice (2004)—and booked it hard. The film gave us one of her most unexpectedly emotional performances, melting hearts with the aching, grief-stricken tones of ‘Someone’s Watching Over Me.’ It’s a rare moment in her discography where she leans into darker themes of loss and resilience, though, true to Hilary’s form, it’s still wrapped up in a glossy, motivational pop bow. The track itself carries that mix of fragility and fight—like a diary entry sung out loud, but dressed for radio.

    Behind the scenes, it had a powerhouse pedigree: produced by John Shanks (the same hitmaker who helped Miley Cyrus scale ‘The Climb’ and steered Kelly Clarkson through ‘Breakaway’) and co-written with pop architect Kara DioGuardi. Together, they built a ballad that stood out not only in the film, but also in Hilary’s catalogue as a rare, emotionally raw gem—proof that even a teen pop queen could channel heartbreak with surprising depth.

    ‘With Love’

    If you weren’t spritzing Hilary’s With Love perfume while belting this Vada Nobles–produced number (behind Rihanna’s ‘Pon de Replay’), then were you really living the authentic experience? This was her moment of parking the squeaky-clean Disney persona at the gates of a theme park and stepping into something far more sultry. The music video doubled down on the glow-up: Hilary struts through it in a jet-black wig, eyes smoldering, while a pre-Twilight Kellan Lutz can’t help but trail after her—until, of course, the two collide in an elevator for a smoky, slow-burn rendezvous. It’s Hilary unbottling her grown-up side, spritz by sultry spritz.

    ‘Why Not’

    ‘Why Not’ wrap things up on a Lizzie McGuire note? It doesn’t get much more iconic than this—one of Hilary’s earliest defining tracks and the very first of her videos to land on MTV, officially crowning her as more than just a Disney darling. The pop-rock anthem became a rite of passage for a generation, equal parts carefree and cathartic, like shouting your diary entries from the rooftops.

    What makes ‘Why Not’ even more legendary is its shapeshifting journey. Version one: the definitive single from The Lizzie McGuire Movie soundtrack, a glittery send-off for the character that made her a star. Version two: a reworked take with a brand-new first verse for Metamorphosis, signaling Hilary’s leap into full-fledged pop stardom. And then version three: a remixed, polished-up entry on Most Wanted, a greatest-hits-meets-reinvention collection. Three versions, same irresistible message—because, honestly, why not?

    So, what’s your ultimate Hilary anthem—the one that has you belting into a hairbrush before tripping straight into the bathtub because, of course, your meddling sibling can’t resist stealing the spotlight? Tell us on Twitter, Instagram, or Facebook, and we’ll keep you floating in that nostalgic glitter bubble just a little longer…at least until new music comes along to pop it. 

    TO LEARN MORE ABOUT HILARY DUFF:
    FACEBOOK | INSTAGRAM | TWITTER | WEBSITE | YOUTUBE

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    Rachel Finucane

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  • 4 Atlantic Records Artists We’d Love To Hear ROSÉ Collab With

    4 Atlantic Records Artists We’d Love To Hear ROSÉ Collab With

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    We’re beyond ecstatic to see what the next chapter holds for BLACKPINK, and we’ll get to see what it holds for ROSÉ very soon! She just signed a global deal with the iconic Atlantic Records with THEBLACKLABEL handling management. Does this mean we’ll be getting new music shortly…? We have all of our fingers crossed! 

    Rosé also recently announced her fandom name, Number Ones (what a coincidence, supporting her is one of our number one priorities), and her @vampirehollie Finsta page to share more exclusive content with fans. So much is coming and we can’t wait to learn more! While we wait, let’s celebrate her Atlantic Records signing by imagining the perfect collabs with her new labelmates. 

    Bruno Mars

    Much like Bruno Mars, we feel that Rosé has a timeless voice that could fit all sorts of retro vibes. Whether it’s a ballad like his Lady Gaga-assisted ‘Die With A Smile’ or an upbeat song like ‘Locked Out Of Heaven,’ we know they’d make a great pair! Their voices would be such a beautiful complement to each other and we’ll be dreaming of hearing them together until it happens.

    Cardi B 

    Okay, we know we’ve technically gotten a Rosé x Cardi link-up because of BLACKPINK’s ‘Bet You Wanna,’ but let us dream a bit! We’d love to hear Rosie and Cardi team up again, especially if Rosé is going with a different sound for her solo work than we usually hear from her. The possibilities would be endless with these two talented ladies! We think a song about finding who you are and staying true to your most confident self would be fantastic, especially now that we’ll be meeting new sides of Rosé as a soloist.

    Coldplay

    Consider this our official petition to get one of Rosé’s ‘Viva La Vida’ covers out on streaming services. Or better yet, give us an official remix adding her vocals to Coldplay’s classic. Orrr give us a new song that has Rosie trading lines with Chris Martin. We’re not picky, we just want to hear them sing together! They can each move audiences so easily with their music, so a collab between them would change the world.

    Kelly Clarkson

    Much like Rosé, part of why we love Kelly Clarkson so much is because she’s a master at capturing emotion with her voice! A collab between these two would easily become one of our all-time favorite songs. We’d imagine it as a passionate, lower-tempo track like ‘GONE,’ which would let them show off their vocal and storytelling talents so well. And then we could get a Rosé appearance on The Kelly Clarkson Show to see them sing it together!

    Which of these collabs would you be most excited to hear? Do you have any predictions for Rosé’s upcoming music with Atlantic Records? Let us know in the comments below or hit us up on Facebook, Instagram, and Twitter!

    Check out more sweet ROSÉ content! 

    TO LEARN MORE ABOUT ROSÉ:
    INSTAGRAM | VAMPIREHOLLIE INSTAGRAM | TIKTOK | WEBSITE | YOUTUBE

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    Madison Murray

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  • Chloe Chaidez, Sugar Pit, and the Wild World of PSY Sound

    Chloe Chaidez, Sugar Pit, and the Wild World of PSY Sound

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    For many, Chloe Chaidez is the force behind beloved power pop band Kitten, known for underground hits like “G#” and “Memphis.” She’s recently focused on developing other artists through PSY Sound, a music and arts collective based in Los Angeles. It serves as her record label and production company.

    PSY events are known for bizarre, high energy shows in suburban backyards, local businesses, and rehearsal spaces. From the costumed hijinks of Joy and Bob to Chaidez’s all-female Body Party, the group of misfits straddles the line between music and performance art.

    One PSY artist who’s gained a strong following is Kian Stevens-Winston, who performs under the name Sugar Pit. Although he recently signed with Atlantic Records, his brand of zany energetic pop hasn’t changed. The latest Sugar Pit single, “Sex Party,” is just as unhinged as his viral hit “Customer Service.” Sugar Pit is also the cover boy for the new PSY Sound magazine.

    Watch Demi Ramos talk to Chaidez and Stevens-Winston about making music together and the community they’ve built around PSY.

    For more from Chloe Chaidez, follow her on Instagram and TikTok

    For more from Sugar Pit, follow him on Instagram and TikTok.

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    Staff

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  • Raiche Drops New Single ‘Making Room’

    Raiche Drops New Single ‘Making Room’

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    Interview and Photos by Jordan Edwards

    Today, Raiche released her first new solo music of 2024, the single “Making Room.” It’s a breakup song with a throwback vibe. Like previous tracks “Pick A Side” and “Big Daddy,” it show’s off the singer’s ability to sound new and classic at the same time. Rather than relying on samples and premade beats, she favors more complex arrangements. Think Erykah Badu meets Meghan Trainor.

    Although she’s received recent media attention for her romance with Teddy Swims, Raiche has been making her name as a vocalist for nearly a decade. She listens to everything from modern R&B to classic rock, and it shows. Last year’s Loveland moves effortlessly from one style to another.

    We met up with her in LA to talk about her influences and recent music.


    The lyrics for your new single “Making Room” are pretty intense. Is it about a real life situation?
    Yeah, at the time of writing it, I was going through a break up—a real intense break up.

    Musically, the background vocals and layering sound really cool. How did that part of the song come together?
    I worked with an incredible artist/producer, Steve Russel, who is in the R&B group Troop. He helped with vocal arrangements. The harmonies and stacks were influenced by the legendary band Queen.

    Jordan Edwards

    Stylistically, your catalog is really diverse. Are your influences from all over the place?
    I definitely have a broad taste in music. No specific genre, I just love good music.

    You collaborated with Ty Dolla $ign on a remix of “Pick A Side.” What was it like to work with him and revisit that track?
    It was a beautiful moment. I’m really grateful for the opportunity. He’s a great and talented guy.

    Do you have a favorite vocalist?
    I could listen to Yebba Smith sing night and day

    A couple of years ago, you were featured on the EDM track “Pull It” with Vedo and Benny Benassi. Could you see yourself making more of that type of music?
    I would love to make more global EDM/house music.

    Jordan Edwards

    How do you feel about your first release from 2016? I think it sounds pretty good, especially considering you were just starting out.
    Thank you! I’m proud of everything that I’ve done. I’m always growing and to believe in yourself is not an easy task. You have to give yourself grace and just keep improving.

    For your visuals, you go for more of a more vintage aesthetic. What’s your favorite era for fashion?
    I can’t say I have a favorite. I like to play with them all!

    What are your plans for the rest of the summer?
    Singing, traveling and putting out more music. Preparing to go on tour in the fall. I’m so grateful to be living this life!

    For more from Raiche, follow her on Instagram and TikTok.

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    Staff

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  • Here Comes Chappell: The Meteoric Rise Of The Next Blockbuster Popstar

    Here Comes Chappell: The Meteoric Rise Of The Next Blockbuster Popstar

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    Popstars have been the backbone of the music industry for decades upon decades. There were OG divas like Whitney Houston and Britney Spears. There were Taylor Swift, Lady Gaga, Ariana Grande, and Rihanna. But it felt like we were in need of a fresh sound.

    Most of our original pop girls are onto ventures like starting beauty lines, starring in films, writing books, and starting families. There wasn’t an immediate need to release albums or tour anymore. So the takeover of male artists on Billboard charts ensued.

    Of course, the shine to Taylor Swift will blaze on. But the world grows tired of hearing the same few artists over and over. As always, there’s a bright new, shiny Next Big Thing on the horizon.

    The summer of 2024 proves that you don’t necessarily need to be a “new” artist to rise to superstardom. Ever since Coachella, it has become clear that there are two Next Big Things in the realm of pop music:
    Sabrina Carpenter and Chappell Roan.

    Both Carpenter and Roan signed to labels when they were young. You may know Carpenter from opening for Swift on
    The Eras Tour or her stint as a Disney star. And you may know Chappell as the opener for Olivia Rodrigo on The Guts Tour.

    About Chappell Roan

    @1824official @chappell roan is taking coachella by storm with these insane vocals 👏🏼👏🏼 #chappellroan #coachella #chappell #goodluckbabe #coachella2024 ♬ original sound – 1824

    Chappell has been signed to Atlantic Records since she was 17 – back when she uploaded an original song called “Die Young” to YouTube. Under Atlantic, Chappell released an EP and eventually, in 2020, released “Pink Pony Club.” Not long after, she was dropped.

    Everything shifted in September 2023. After being dropped from the label, she remained independent until releasing her debut album,
    The Rise and Fall of a Midwest Princess, through Island Records.

    Come 2024, Chappell toured the album in two parts, captivating fans’ hearts with her wit, her live vocal ability, and her homemade tour outfits that were equally as camp as her music.

    In the meantime, she remained in control of her social media accounts. Regularly posting funny TikTok anecdotes, capturing more fans in her web along the way. Although Chappell’s album was receiving rave reviews, we were still a little ways away from the world finding her.

    Once she joined friend Olivia Rodrigo on
    The Guts Tour (previously appearing as The SOUR Tour opener), Roan’s streams saw a 32% increase. But this was only the beginning.

    April 2024 marks the complete juggernaut of Chappell Roan’s career. She’s no longer a best-kept secret. Chappell Roan – who sings candidly about sexuality and celebrates being gay in her drag-inspired makeup, her wild red hair, and her Lady Gaga-esque dedication to dramatics – was about to become the next mega-popstar.

    The Rise Of Chappell Roan

    In early April, Chappell released “Good Luck Babe” as the next single from
    The Rise and Fall of a Midwest Princess. It felt like the start of the rest of her career. Her way of telling the world: here I am to give you the latest, refreshing pop music. And while I’m at it, shine light on the LGBTQ+ community.

    The song received 7 million streams in the first week, “Good Luck Babe” became her fastest song to reach 100 million streams in no time. And then came the Coachella performance.

    Chappell was set to perform in the Gobi tent. If you’re clued in to Coachella lore, the tents are generally smaller venues compared to the stages. It’s not typically reserved for bigger artists because they draw larger crowds.

    However, during Chappell Roan’s Weekend I set, the Gobi tent overflowed with fans and new listeners alike. The world was watching on the Coachella livestream. And thanks to social media, thousands of TikToks and Instagram Reels were sourced and shared to
    millions of viewers.

    @chappellroan It’s me, Karma @coachella ♬ original sound – chappell roan

    Chappell Roan caught the world’s attention by being true to herself. Her humility and humor make her relatable – she often displays emotions on stage no matter what they are. Her avant-garde makeup and outfits pay homage to fabulous drag queens and are reminiscent of Lady Gaga in 2010.

    And of course, her music brings back a sense of fun to the world. Each song is catchy, daring, and reveals Roan’s true colors. After Coachella, her monthly listener count on Spotify saw a 500% increase to 7 million.

    The Year Of Chappell Roan Continues

    Since then, the world’s attention is on Chappell Roan. Her monthly listener count sits at over 24 million. She’s dined with new friend Elton John, who shared her album with Ed Sheeran, who also adores it.

    @chappellroan @Elton John this was such an honor to talk to you. I look up to you so much and what you’ve done for our community. Thank you #rockethour podcast for having me ♡‧₊˚ full interview in my bios #queertok #artistsoftiktok #eltonjohn ♬ original sound – chappell roan

    She took the stage at Gov Ball 2024 inside an apple, dressed as the Statue of Liberty, holding a massive joint…to a massive crowd – bigger than the headliners. She’s as in-demand as it gets right now…publicly declaring she turned down a visit to the White House until there’s liberty and justice for all.

    In an audacious performance, Chappell Roan declares herself as “your favorite artist’s favorite artist.” And she’s not wrong anymore. It’s no longer simply an outrageous statement. Simply put. Chappell Roan is a sensation.

    She receives acclaim from Lady Gaga, Ariana Grande, SZA, Sabrina Carpenter, Olivia Rodrigo, and so many more. And has been candid about struggling with her recent rapid rise to the top – breaking down onstage, sharing with viewers on TikTok that many pop girls are really just as nice as they seem.

    @chappellroan♬ original sound – chappell roan

    As she continues to grow and flourish in the public eye, Chappell Roan’s bearing up under the burden of pop princess. It’s something she has in common with another rising star, Sabrina Carpenter – who often goes viral for her off-the-cuff comments and sexual innuendos.

    A new voice of our generation – Chappell Roan is a breath of fresh air. The people love honesty, they love personality, and they love fine music. Thank goodness Chappell Roan has all three.

    You can stream Chappell’s The Rise and Fall of a Midwest Princess here:


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    Jai Phillips

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  • Backstage with Josh Levi

    Backstage with Josh Levi

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    Interview and Photos by Jordan Edwards

    This past week, Josh Levi released a cover of “Let It Snow,” the Christmas classic made famous by Boyz II Men. The track is faithful to the original while adding his own modern touch and updated production.

    The single caps a busy year for Levi, which has also included a “scratched up” version of his DISC TWO EP as well as the singles “EGO” and “Birthday Dance.”

    Levi first gained attention for his run as Darius in the beloved Friday Night Lights TV series. While he’s done some acting, he’s stuck mostly to music over the last few years. Last year, Levi combined both. Pixar fans might recognize his voice as 4*TOWN member Aaron Z. from the animated feature Turning Red.

    Before a recent show at The Sun Rose in West Hollywood, we met up with Levi for some photos and a conversation about his music.

    Why did you decide to cover “Let It Snow?”
    So many reasons. “Let It Snow” was my dad’s favorite when I was growing up, so this song is engrained in my brain cells. Also, Boyz II Men is my favorite group. So it was my favorite Christmas song, plus my favorite group, and it just meant a lot to me.

    How did you approach it to make sure it sounded different than the Boy II Men original?
    I think I wanted to keep it as close as I could to the original because it’s such a classic, but I changed a few of the notes in the harmonies. Louie Lastic, the producer, worked with me to choose nostalgic and modern sounds to bring it to life, while still keeping in the elements that made the song what it is. Believe the snare and the high hats are different!

    When you were a little kid, who did you want to sing like?
    A few people actually—definitely Michael Jackson, Brandy, Stevie Wonder, and Jazmine Sullivan. They are my Avengers team!

    You don’t have a lot of collabs in your discography. Would you like to do more of that in the future?
    1000%, I’m super selective with who I collaborate with, but I have a long list of people I’m burning to work with. There will definitely be collaborations on my album!

    What’s your favorite song to perform live?
    Right now, it’s gotta be between “SEE LOW” and “NOSEBLEED.” Those songs have a special energy in them that feels really good to me live! Also, the lyrics are some of my favorite to perform and watch the fans sing back at me. They always have so much attitude and energy, with really all my songs—but I love when they sing those lyrics back to me.

    How do you prepare for a vocal session?
    I drink a lot of water, I don’t eat, I drink throat coat tea, and I take a two-hour shower for the steam haha.

    What was it like to be part of an animated boy band?
    It was really dope, I’m a huge fan of Pixar and The Incredibles is actually probably in my top 5 movies of all time, so it felt full circle. Watching my character come to life through animation was also cool. I loved that he was black and had brown skin and textured hair!

    Your personal style has a ’90s vibe. What influences your taste in fashion?
    I really just dress how I feel. Every day, when I go to my closet or am planning looks for something, it first starts with a feeling. I think I’ve also gotten a chance to learn my body and know what fits me best. My influences change all the time. Right now, I’m inspired by New York fashion.

    What’s the best Christmas present you’ve ever received?
    This probably sounds random but one of my favorites was some Ugg slides (haha) from my sister! I wear them all the time and they are comfortable. I also got an egg nog-scented candle once, which was very creative and specific to me (an egg nog lover)!

    For more from Josh Levi, follow him on Instagram and TikTok.

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    Staff

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  • Get to Know Honey Bxby

    Get to Know Honey Bxby

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    Interview and Photos by Jordan Edwards

    In an industry full of manufactured stories and personas, Honey Bxby is unapologetically herself. Raised in New Jersey, she attended cosmetology school and spent time in a strip club before her dreams started coming true. It’s like the plot of a Netflix or HBO movie, and it’s real.

    Musically, she’s a bit of a throwback. Influenced by 2000s R&B queens, she doesn’t hide behind overproduced beats. Her vocals are smooth and out front. When she sings, you can tell she believes the lyrics. They’re not just words someone has handed her.

    All the hustle is now paying off. She recently signed to Atlantic Records and released her debut EP 3 Words, 8 Letters. Standout tracks include the single “Touchin’” and “Trouble,” which should appeal to SZA fans.

    We met up with Honey Bxby in Los Angeles to talk about her rise and plans for the future.

    Jordan Edwards/Popdust

    Last month you released your debut EP 3 Words, 8 Letters. What does that collection of songs represent to you?
    The collection of songs definitely represents the different feelings someone you’re dealing with can bring you. This is where the title came from, 3 Words, 8 Letters, “I love you; I hate you.” It’s also just about romantic relationships in general. It starts off being so in tune with someone, that you want them to take all of you with songs like “Poseidon.” It then goes to wanting to resort to violence when your heart is played with, with songs like “Trouble” and “Get Your Lick Back.” It’s really songs that can get you through tough situations or songs that speak to you in good situations.

    Are you already working on new music? Are you one of those people who’s always writing?
    I never stop working on new music. I love being in the studio and being able to bring things to life with music. I can’t wait to showcase what I’ve been working on. I love writing. I have a lot of songs written in my notes. If I have a melody or flow or words popping up in my head, I will make sure to get it down in my voice memos or notes, so it doesn’t get lost. My brain is always wired up and running.

    How did your father influence and encourage your music career?
    My father has always been heavy into music. He had his own home studio set up and he always kept me in the loop with what he had going on music-wise. I always wanted to be in the loop, I always loved music. He would have me write music or he would write for me for me at such a young age, I’m talking 5 to 6 years old. He had me recording or singing for his friends and our family. Always telling me and everyone around him, how I was meant to be a superstar and how music was going to be my way out of where we come from.

    Honey Bxby by Jordan EdwardsJordan Edwards/Popdust

    You’ve been compared to Keyshia Cole, and you remind me a little of Faith Evans. Who do you look up to vocally?
    Vocally I look up to some of the greats. I grew up in the early 2000s era, Keyshia Cole, Alicia Keys, Beyoncé, you know they were really big. I don’t have a specific person as far as whom I model my voice after vocally, but if I had to pick someone, it would be Bey. She goes crazy! It’s absolutely hypnotizing what she can do; her range is sick.

    You’ve only been recording for a few years, but how do you feel like you’ve grown as an artist since you started?
    I feel like I take a lot more time now with my craft now. When I first started taking music more seriously, I didn’t know how to go about it. I was just writing and recording; my recording process was hilarious at first. I was so nervous then, but now I’ve just become a lot more confident with my voice and lyrics.

    You haven’t collaborated much with other artists yet. Would you like to do that more in the future?
    I would love to collaborate with more artists! I have yet to do any features honestly and there are so many talented artists out right now, so I’m definitely looking forward to more collaborations.

    How do you like LA? Do you think you could live out here?
    I love LA, it was amazing and so pretty. I would only be able to live there for a little bit though. It’s much slower than the East Coast.

    What’s the perfect summer song?
    “Touchin’” by Honey Bxby.

    For more from Honey Bxby, follow her on Instagram and TikTok.

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    Staff

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  • The Demi Ramos Show: Catie Turner

    The Demi Ramos Show: Catie Turner

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    The last time we talked to Catie Turner, she had just released her breakout single “God Must Hate Me.” Since then, she’s added singles like “Step Mom” and “Easy” to her catalog, demonstrating the emotional center and lyricism of a complete artist. Five years removed from American Idol, her appearance on the show is now the beginning of the story, not the main part.

    Favorites and new tracks make up her latest project, Comedy & Tragedy. Act 1, which includes “God Must Hate Me” and five other songs, arrived on June 9. The second volume will be out later this year. To support the release, Turner starts a headlining tour tonight in Chicago with best friend Sophie Holohan opening.

    Watch Demi Ramos talk to Turner about Comedy & Tragedy, life on tour, and how she feels about her experience on Idol.

    Catie Turner | The Demi Ramos Show

    For more from Catie Turner, follow her on Instagram and TikTok.

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  • Joe P On His New EP “French Blonde” And Headline Tour

    Joe P On His New EP “French Blonde” And Headline Tour

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    You’ve most likely heard – or seen – Joe P’s song “Off My Mind” on TikTok – he’s always sharing clips of him singing alone in his backyard, no matter the weather.

    A homegrown New Jersey artist, Joe P caught the attention of millions with his relatable lyrics and catchy tunes. Now, he’s back with his new EP French Blonde for a more polished sound.

    Notoriously making beats and refining records in his basement, Joe P took this body of work to the studio. With songs he’s genuinely proud of and a sound he’s constantly mastering, he’s quickly emerged as one of music’s hidden talents. His single off the EP, “All Day I Dream About,” is an upbeat pop-rock lovesick anthem with word plays on brands like Adidas.

    Having opened for a few acts already, Joe P is taking his talents on the road for his first headline tour ever set to start in April. His strong vocals and personalized promotions have already won fans over, but now we get to see him like never before. You can listen to his EP here:

    Recently, Joe P sat down with Popdust to talk about everything from his EP French Blonde and upcoming tour to his favorite things about New Jersey.

    Congratulations on your new EP, French Blonde. Your single “All Day I Dream About” is a fun play on brands like Adidas and mentions Gucci as well. What was the inspiration behind the song?

    That one, weirdly, was like the weirdest song I ever made because it just had stream-of-conscious type lyrics which I usually don’t do that much. I kind of had these lines all Frankenstein’d together and they still sort of fit well. That one is a lot of my placeholder lyrics that I just kept because I liked how unique this whole brand thing was and it’s one of my only fast songs on the album.

    How do you decide which of your songs becomes a single?

    For me, I just kind of go off what I like the best and usually, it’s the opposite of that. I usually like my slower songs that are normally 5-6 minutes long, so it just doesn’t make sense as a single. “All Day I Dream About” made sense because it was super upbeat and it had this big chorus which I usually don’t do.

    For me, a single is one to push out the overall body of work, like what this EP is. “All Day I Dream About” is a perfect mix of everything on the record regarding the sound, quality, and ideas. Obviously, every song is different, but it felt like a good way to give you a preview of the entire thing.

    What was your inspiration for French Blonde?

    The inspiration behind it was to make a departure from the way I used to record things. The way I record is usually in my basement or the Atlantic studio in New York City. The first EP I did was very much in my basement and it kind of sounds like it – it still sounds good, but I wanted more “shinier” sounds and proper sounding recording.

    The first EP is more demos I pushed a little harder into songs and these are more songs I pushed into good songs and recordings. It felt like a bump-up as far as quality goes across the board in all categories. It’s the first thing I’ve made full-on where I’m happy with everything on it, which usually doesn’t happen.

    There’s always something on a record or within songs where I’m like “ah, hate this part,” or “I wish I recorded this differently,” but I actually really like everything on this EP. I want that to be the standard moving forward.

    One of your earlier singles “Off My Mind” caught a lot of attention via TikTok. How has the app helped you reach more listeners?

    It’s the greatest and worst thing in the world because it’s weird knowing you have this tool out there that can change how many people hear your record. It’s good because it’s so easy to use, but bad because it’s so easy to get lost in. People feel like “I have to post this,” or “I have to post like this,” or “people like this video so I should make another video.”

    I try to just treat it like it’s anything else. It’s not going to help you write a better song or anything like that. I kind of view TikTok as a window into the voice memos on my phone or my notes rather than a promotional tool.

    I try to treat it as – “here’s me playing my songs, and if you like it, you like it. And if you don’t, you don’t.”

    Joe P

    Joe P / Atlantic Records

    You’ve done fun promos like sending VHS tapes of your videos or sending out handwritten lyrics. What’s been your favorite so far?

    It was the best connection that I could make with people listening to my music. At times I was literally going out, printing the posters, and slicing them myself. It was way too much work for what was coming back to it. But again, I love doing that stuff.

    Those are the things that are my favorite. I don’t know if least successful is the best word, but things that take more work and usually don’t do as much as a two-second TikTok would do. I like more personal things that go further with an individual person and aren’t going to reach as many as a TikTok video.

    A person who gets handwritten lyrics is more likely to come to a show than the person who comes across your TikTok.

    You’re looking forward to your first headline tour ever. What are you most excited about?

    I’ve always opened, so I’m just excited to not open. It’s insane. When you’re opening, you just have to win people over. It’s easy to do because they can take it or leave it anyway, so you can kind of go out there with nothing to lose. When people have paid to see you, it changes everything because now people are already like, “Hey, you’re good. We like you. Be good.” It’s very different.

    What can fans expect from a Joe P show?

    I don’t even know, that’s what’s crazy! I think it’ll be similar to what I’ve always done, but between songs, I want to give some backstory – what’s behind the song or project. Usually, you get 30 minutes to just play songs and get out of there. So I’m excited to go into the songs and what the projects stand for. Talk about stuff I never really had the chance to.

    I’ve never thought too much about the show, pre-planning. I’m just as eager to find out as the people coming, so it should be interesting.

    You mention your hometown, New Jersey, in many of your songs. What’s your favorite thing to do when you’re there?

    I really like going to the boardwalk during the winter or any time that’s not summer. There’s something about it that’s really unique to the New Jersey area. I don’t think you can get in LA, or anywhere it’s nice and warm or bright and shiny regardless of the time of year.

    In the winter in New Jersey, everything is kind of just dark and there’s like a fog over everything. It sounds terrible and that’s why people hate New Jersey, but I don’t know. I like that part of it with the ocean being right there, it kind of gives you that giant, but tiny feeling all at once.

    On your past few bodies of work, you’ve had an “Emily Can’t Sing” track, with presumably a clip of Emily singing your single. Will this become a tradition moving forward?

    I want it to be. But, it’s gonna be hard because I need to keep finding ways to trick her into not knowing I’m recording. That’s the hard part. The first one she was sleeping so it was easy. The second one she was genuinely humming and singing this song so I snuck it in.

    Now I have to keep praying for those moments when she’s humming because she’s definitely on to me. But I would definitely like to keep that as a tradition.

    What are your top two songs on French Blonde if you could pick?

    I’m gonna say the song “French Blonde” and “Kids In The Summer.” So the crazy one and the slow one.

    What’s next for you? Is another album in the works already?

    Well, I’m literally at the studio so I can’t lie about that. Yes, definitely working on a bunch of new stuff. When I’m not doing that, I’m traveling around. I’m doing some touring kicking off April 15th on the East Coast. So there’s a tour in April, and some new music probably very shortly after that. Hopefully some video stuff, but that’s really it.

    I’m in crazy creative mode right now trying to record and write songs nonstop. It’s tough because I’m interrupted by flying and balancing. I try to get stuff done in a hotel room. But it’s nice when I come to Atlantic in New York because it’s not a basement or a hotel. Those are nice in their own way, but sometimes I need to come to a nice studio solely for music.

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    Jai Phillips

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