ChatGPT-maker OpenAI and The Associated Press said Thursday that they’ve made a deal for the artificial intelligence company to license AP’s archive of news stories.
“The arrangement sees OpenAI licensing part of AP’s text archive, while AP will leverage OpenAI’s technology and product expertise,” the two organizations said in a joint statement.
Financial terms of the deal were not disclosed.
The U.S. Federal Trade Commission has launched an investigation into ChatGPT creator OpenAI and whether the artificial intelligence company violated consumer protection laws by scraping public data and publishing false information through its chatbot.
Google says it’s rolling out its AI-powered chatbot Bard across Europe and in Brazil, expanding its availability to hundreds of millions more users.
Elon Musk is finally starting to talk about the artificial intelligence company he founded to compete with ChatGPT-maker OpenAI.
Ask ChatGPT about comedian Sarah Silverman’s memoir “The Bedwetter” and the artificial intelligence chatbot can come up with a detailed synopsis of every part of the book.
OpenAI and other technology companies must ingest large troves of written works, such as books, news articles and social media chatter, to improve their AI systems known as large language models. Last year’s release of ChatGPT has sparked a boom in “generative AI” products that can create new passages of text, images and other media.
The tools have raised concerns about their propensity to spout falsehoods that are hard to notice because of the system’s strong command of the grammar of human languages. They also have raised questions about to what extent news organizations and others whose writing, artwork, music or other work was used to “train” the AI models should be compensated.
This week, the U.S. Federal Trade Commission told OpenAI it had opened an investigation into whether the company had engaged in unfair or deceptive privacy or data security practices in scraping public data — or caused harm by publishing false information through its chatbot products. The FTC did not immediately reply to a request for comment on the investigation, which The Washington Post was first to report.
Along with news organizations, book authors have sought compensation for their works being used to train AI systems. More than 4,000 writers — among them Nora Roberts, Margaret Atwood, Louise Erdrich and Jodi Picoult — signed a letter late last month to the CEOs of OpenAI, Google, Microsoft, Meta and other AI developers accusing them of exploitative practices in building chatbots that “mimic and regurgitate” their language, style and ideas. Some novelists and the comedian Sarah Silverman have also sued OpenAI for copyright infringement.
“We are pleased that OpenAI recognizes that fact-based, nonpartisan news content is essential to this evolving technology, and that they respect the value of our intellectual property,” said a written statement from Kristin Heitmann, AP senior vice president and chief revenue officer. “AP firmly supports a framework that will ensure intellectual property is protected and content creators are fairly compensated for their work.”
The two companies said they are also examining “potential use cases for generative AI in news products and services,” though didn’t give specifics. OpenAI and AP both “believe in the responsible creation and use of these AI systems,” the statement said.
OpenAI will have access to AP news stories going back to 1985.
The AP deal is valuable to a company like OpenAI because it provides a trove of material that it can use for training purposes, and is also a hedge against losing access to material because of lawsuits that have threatened its access to material, said Nick Diakopoulos, a professor of communications studies and computer science at Northwestern University.
“In order to guard against how the courts may decide, maybe you want to go out and sign licensing deals so you’re guaranteed legal access to the material you’ll need,” Diakopoulos said.
The AP doesn’t currently use any generative AI in its news stories, but has used other forms of AI for nearly a decade, including to automate corporate earnings reports and recap some sporting events. It also runs a program that helps local news organizations incorporate AI into their operations, and recently launched an AI-powered image archive search.
The deal’s effects could reach far beyond the AP because of the organization’s size and its deep ties to other news outlets, said news industry analyst Ken Doctor.
When AP decided to open up its content for free on the internet in the 1990s, it led many newspaper companies to do the same, which “turned out to be a very bad idea” for the news business, Doctor said.
He said navigating “a new, AI-driven landscape is deeply uncertain” and presents similar risks.
“The industry is far weaker today. AP is in OK shape. It’s stable. But the newspaper industry around it is really gasping for air,” Doctor said. “On the positive side, AP has the clout to do a deal like this and can work with local publishers to try to assess both the potential and the risk.”
___
Associated Press writer David Bauder contributed to this report.
In the new car market, there exist some hidden gems — excellent vehicles with a lot to offer that are overlooked by many shoppers. These vehicles provide a distinct combination of qualities that make them an attractive choice. They may be underappreciated because of branding misconceptions or vehicle type or overshadowed by popular models, but they can potentially please savvy shoppers who want to stand out from the usual mainstream choices. Edmunds explores five of these hidden gems, shedding light on the X factor that makes them special. We list our choices by price and include destination.
MAZDA 3 HATCHBACK
Mazda’s compact 3 isn’t a top seller, but it offers a trio of qualities that most small cars don’t: distinctive styling, a refined interior and a pleasing driving experience. Its somewhat high price tag is one reason for its low sales, but we think you’re truly getting your money’s worth here.
The Mazda 3’s base engine makes a respectable 191 horsepower, and there’s an optional turbocharged unit that churns out up to 250 horsepower. This turbo engine comes standard with weather-beating all-wheel drive, too. Pick the hatchback version of the 3 and you also get a helpful amount of practicality to go along with this car’s style and personality.
Christian and Muslim leaders in Kenya are urging President William Ruto to repeal a finance bill whose new taxes have sparked protests and police killings of civilians.
Moldovan Prime Minister Dorin Recean says that he accepted the resignations of three ministers including the interior minister.
Hollywood actors are joining screenwriters in the first dual strike from the two unions in more than six decades, with huge consequences for the film and television industry.
American Airlines and JetBlue say they will end their partnership in New York and Boston next week. The decision announced Friday comes after a federal judge ruled that the alliance antitrust law.
Starting hatchback price: $26,855
HYUNDAI SANTA CRUZ
Many people are unaware that Hyundai produces a truck, even though the Santa Cruz has been on the market for over a year and competes with the Ford Maverick, the only other compact truck. The Santa Cruz is more of a lifestyle vehicle than a true pickup truck because it’s essentially an SUV with a bed. This crossover design offers the best of both worlds, providing a pickup truck’s versatility and practicality while maintaining an SUV’s comfort and maneuverability.
The Santa Cruz has an available turbocharged engine that packs plenty of power and sports a stylish interior with excellent tech. Its bed is small but adds a lot of utility and has a handy in-bed trunk with a drain. The truck’s distinctive look isn’t for everyone, but it definitely stands out.
Starting price: $27,035
KIA STINGER
Without its badging, the Stinger would be mistaken for a premium sport sedan by anyone who drove it or saw it passing by. But the Stinger is often overlooked either because people don’t associate it with the Kia brand or because luxury shoppers don’t want to be seen in a Kia. Yet the reality is that the Stinger is more fun to drive than many European luxury sedans and is nearly as nice.
The Stinger has a low-slung design but its hatchback body style actually provides a spacious cargo area. It also boasts a premium-looking interior. For the most thrilling driving experience, choose the optional 368-horsepower turbocharged V6. Kia is discontinuing the Stinger after the 2023 model year so now’s the time to pick one up before it’s gone.
Starting price: $37,865
CHEVROLET TAHOE AND SUBURBAN
You might be wondering why we would pick such popular SUVs, but we’re not talking about just any Tahoe or Suburban. Our hidden gem pick for these big SUVs is to get them with the optional turbodiesel engine. Along with the related Cadillac Escalade and GMC Yukon, the Tahoe and Suburban are the only large SUVs to offer one.
Packing one of these SUVs with the diesel engine has some benefits. Depending on the model, the diesel is 5-7 mpg more efficient than the base 5.3-liter V8. That means you can travel longer distances on a tank and visit the pump less often. And if you plan on towing, you’ll love the diesel’s robust 460 lb-ft of torque that complements a generous towing capacity. Chevrolet charges $995 more than the base engine but you should be able to make that back after just a couple of years of driving.
Starting Tahoe price with the diesel: $60,090
VOLVO V60
Wagons aren’t popular in the United States, and the elegant and luxurious V60 is no exception. Americans prefer high-riding SUVs and sedans. But hidden among those beasts of burden is the Volvo V60 and its unique blend of performance, high fuel efficiency and utility.
Unlike the more affordable V60 Cross County, a slightly raised, more rugged version of the wagon, the regular V60 is a traditional wagon with something special under the hood. It’s only available as a T8 Polestar Engineered performance model, which means the V60 packs a muscular 455-horsepower plug-in hybrid powertrain, all-wheel drive and a sport-tuned suspension. When it’s time to dial back your driving enthusiasm, you can charge up the hybrid battery and drive an EPA-estimated 41 miles on all-electric power.
Starting price: $72,540
EDMUNDS SAYS:
If you’re willing to take a chance on an overlooked vehicle, these less common choices could provide a unique and rewarding ownership experience.
Street artists performed across the Romanian capital, French protesters burned buses after a teenager was shot by police, Russia continued to attack Ukraine, Palestinians buried their dead after Israeli soldiers drove thousands form their homes, and people tried to stay out of the sun on the hottest days on human record.
In the world of sports, cycles wizzed through forests on their Tour de France.
Fire crews continue to battle a blaze in a cargo ship docked at the East Coast’s biggest port, days after the blaze claimed the lives of two New Jersey firefighters and injured five others.
Hundreds of divers and snorkelers listened to an underwater concert that advocated coral reef protection in the Florida Keys.
Greece’s conservative government has won a vote of confidence in Parliament to start its second four-year term.
A federal judge has found Washington state in contempt and ordered it to pay more than $100 million for failing to provide timely psychiatric services to mentally ill people who must wait in jails for weeks.
This photo gallery highlights some of the most compelling images from around the world made or published by the Associated Press in the past week.
The selection was curated by AP photo editor Leslie Mazoch in Mexico City.
JACKSON, Miss. (AP) — An off-duty police officer participated in a raid where two Black men say deputies beat and sexually assaulted them before shooting one of them in the mouth, a Mississippi police chief said Monday.
The announcement comes less than a week after Rankin County Sheriff Bryan Bailey said all five deputy sheriffs tied to the Jan. 24 episode had been fired or resigned. Michael Corey Jenkins and his friend Eddie Terrell Parker said deputies burst inside a home without a warrant and subjected them to 90 minutes of abuse. The men said deputies beat them, assaulted them with a sex toy, shocked them repeatedly with Tasers and shouted racial epithets at them.
The announcement also comes days after The Associated Press sought public records related to the episode from the Richland Police Department, which is in Rankin County. In February, the allegations sparked a still-ongoing Justice Department civil rights probe.
The U.S. Supreme Court says it will not stop Mississippi from removing voting rights from people convicted of certain felonies — a practice that originated in the Jim Crow era with the intent of stopping Black men from influencing elections.
A federal judge has temporarily blocked a new Mississippi law that requires people to get permission from state police before protesting near government buildings in the capital city of Jackson.
A white Mississippi district attorney whose practice of excluding Black people from juries caused the U.S.
The U.S. Labor Department says 44 farms in Mississippi exploited local Black workers by paying higher wages to immigrants on temporary work visas.
Jason Dare, an attorney representing the Rankin County Sheriff’s Office, said the department knew of five deputies who conducted the Jenkins raid. But since Jenkins and Parker came forward with their allegations in February, they have maintained that six police officers carried out the raid. The claim appeared to have been corroborated Monday.
In a statement posted online shortly after 5 p.m. the day before the Fourth of July holiday, Richland police Chief Nick McLendon said one of his officers had joined the five Rankin County deputies while off-duty.
“Joshua Hartfield, while off duty, has been implicated in an incident occurring in Rankin County, Mississippi on January 24, 2023,” McLendon wrote. “We must express our deepest disappointment that a member of our department is claimed to be involved in a situation that goes against our department’s commitment to serve and protect the public.”
McLendon, who could not immediately be reached for follow-up questions, said Hartfield was placed on administrative leave and resigned after the department learned of allegations against him. He did not say when exactly he learned of the allegations or from whom. He also did not mention Jenkins and Parker in his statement.
The recent announcements follow an AP investigation that linked several deputies involved with the episode to at least four violent encounters with Black men since 2019 that left two dead and another with lasting injuries. Deputies who had been accepted to the sheriff’s office’s Special Response Team — a tactical unit whose members receive advanced training — were involved in each of the four encounters, the AP found.
Deputies had claimed the raid was prompted by a report of drug activity at the home.
Alongside the Justice Department, the Mississippi Bureau of Investigation is conducting a separate probe of the episode.
Jenkins and Parker have filed a federal civil rights lawsuit and are seeking $400 million in damages. In a joint statement Tuesday, Malik Shabazz and Trent Walker, attorneys representing Jenkins and Parker, said the police officers involved should be criminally charged.
“All citizens of Mississippi regardless of race, creed, or color are repudiating the criminal acts of these rogue deputies,” the attorneys said. “No decent law enforcement officer wants to be affiliated with the horrific, malicious, and sadistic acts which occurred against Michael Jenkins and Eddie Parker.”
___
Michael Goldberg is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues. Follow him on Twitter at https://twitter.com/mikergoldberg.
SHAMOKIN, Pa. (AP) — Deep in Pennsylvania coal country, the Daniels drag family is up to some sort of exuberance almost every weekend.
They’re hosting sold-out bingo fundraisers at the Nescopeck Township Volunteer Fire Co.’s social hall, packed with people of all ages howling with laughter and singing along. Or they’re lighting up local blue-collar bars and restaurants with Mimosas & Heels Drag Brunches for bridal parties, members of the military, families and friends.
Or they’re reading in gardens to children dressed in their Sunday best — Dolly Parton’s “Coat of Many Colors” is a favorite book for performers and kids alike.
In a string of towns running along a coal seam, the sparkle of small-town drag queens and kings colors a way of life rooted in soot, family and a conservative understanding of the world.
Here two very old traditions mingle — and mostly happily, it seems, in contrast to the fierce political winds ripping at drag performances and the broader rights of LGBTQ+ people in red states from Utah and Texas to Tennessee and Florida.
One tradition is the view of family as mom, dad and kids, plain and simple.
The other, back to before Shakespearian times, is drag, a loud, proud and seismically flamboyant artistic expression of gender fluidity. Not plain, not simple, but also bedrock, rising above ground only in culturally adventurous cities.
Yet the Daniels drag family is firmly woven in the fabric of the larger community in this area, where voters went solidly for Donald Trump, a Republican, in the last election. Their trouble is more apt to come from politicians who are increasingly passing laws restricting what they can do.
Alexus Daniels, the matriarch, was the child of a coal miner and a textile worker who was “born with a female spirit.” She works at the local hospital as an MRI aide tech.
1 of 7 |
Drag queen Alexus Daniels, wearing a Diana Ross T-shirt, removes makeup for the ride home after performing at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. Alexus removed makeup to pump gas without drawing unwelcome attention. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
2 of 7 |
Drag queen Alexus Daniels reads “My Little Golden Book About Dolly Parton” to children at “Drag Storytime!” in Mt. Carmel, Pa., in the garden at the Pink Moon Collective, Saturday, May 6, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
3 of 7 |
Drag queen Alexus Daniels reads “Coat of Many Colors” by Dolly Parton to children, their families, and friends at “Drag Storytime!” in Mt. Carmel, Pa., in the garden at the Pink Moon Collective, Saturday, May 6, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
4 of 7 |
The audience sings along and holds up cash tips for drag queen Alexus Daniels at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
5 of 7 |
Drag queen Alexus Daniels, dressed as Tina Turner, is reflected in a makeup mirror as she counts tips in the dressing area during the “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
6 of 7 |
Drag queen Alexus Daniels, dressed as Dolly Parton, poses for selfie photos with audience members as she performs at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
7 of 7 |
Drag queen Alexus Daniels is reflected in a mirror applying makeup, or “painting” at home in Coal Township, Pa., Saturday, May 6, 2023. Alexus is preparing for her first “Drag Storytime!” in Mt. Carmel, Pa., at the Pink Moon Collective to read “My Little Golden Book About Dolly Parton” and “Coat of Many Colors” to children, family, and friends. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
1 of 7 |
Drag queen Alexus Daniels, wearing a Diana Ross T-shirt, removes makeup for the ride home after performing at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. Alexus removed makeup to pump gas without drawing unwelcome attention. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
1 of 7
Drag queen Alexus Daniels, wearing a Diana Ross T-shirt, removes makeup for the ride home after performing at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. Alexus removed makeup to pump gas without drawing unwelcome attention. (AP Photo/Carolyn Kaster)
2 of 7 |
Drag queen Alexus Daniels reads “My Little Golden Book About Dolly Parton” to children at “Drag Storytime!” in Mt. Carmel, Pa., in the garden at the Pink Moon Collective, Saturday, May 6, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
2 of 7
Drag queen Alexus Daniels reads “My Little Golden Book About Dolly Parton” to children at “Drag Storytime!” in Mt. Carmel, Pa., in the garden at the Pink Moon Collective, Saturday, May 6, 2023. (AP Photo/Carolyn Kaster)
3 of 7 |
Drag queen Alexus Daniels reads “Coat of Many Colors” by Dolly Parton to children, their families, and friends at “Drag Storytime!” in Mt. Carmel, Pa., in the garden at the Pink Moon Collective, Saturday, May 6, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
3 of 7
Drag queen Alexus Daniels reads “Coat of Many Colors” by Dolly Parton to children, their families, and friends at “Drag Storytime!” in Mt. Carmel, Pa., in the garden at the Pink Moon Collective, Saturday, May 6, 2023. (AP Photo/Carolyn Kaster)
4 of 7 |
The audience sings along and holds up cash tips for drag queen Alexus Daniels at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
4 of 7
The audience sings along and holds up cash tips for drag queen Alexus Daniels at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
5 of 7 |
Drag queen Alexus Daniels, dressed as Tina Turner, is reflected in a makeup mirror as she counts tips in the dressing area during the “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
5 of 7
Drag queen Alexus Daniels, dressed as Tina Turner, is reflected in a makeup mirror as she counts tips in the dressing area during the “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
6 of 7 |
Drag queen Alexus Daniels, dressed as Dolly Parton, poses for selfie photos with audience members as she performs at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
6 of 7
Drag queen Alexus Daniels, dressed as Dolly Parton, poses for selfie photos with audience members as she performs at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
7 of 7 |
Drag queen Alexus Daniels is reflected in a mirror applying makeup, or “painting” at home in Coal Township, Pa., Saturday, May 6, 2023. Alexus is preparing for her first “Drag Storytime!” in Mt. Carmel, Pa., at the Pink Moon Collective to read “My Little Golden Book About Dolly Parton” and “Coat of Many Colors” to children, family, and friends. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
7 of 7
Drag queen Alexus Daniels is reflected in a mirror applying makeup, or “painting” at home in Coal Township, Pa., Saturday, May 6, 2023. Alexus is preparing for her first “Drag Storytime!” in Mt. Carmel, Pa., at the Pink Moon Collective to read “My Little Golden Book About Dolly Parton” and “Coat of Many Colors” to children, family, and friends. (AP Photo/Carolyn Kaster)
Jacob Kelley, who performs as drag queen Trixy Valentine, is an LGBTQ+ activist and educator with a master’s in human sexuality.
Harpy Daniels, Trixy’s twin, is a U.S. Navy sailor who’s had three deployments on the aircraft carrier USS Ronald Reagan. Soon that seaman, Petty Officer 1st Class Joshua Kelley, who just reenlisted, moves from a base in Norfolk, Virginia, to one in Spain, with plans to pack a wig “and maybe one or two cute outfits but nothing over the top” for Harpy-style shore leave.
Apart from the twins, the drag performers in this circle are family by choice, not genes. Theirs is an oasis of belonging.
“I never had a person like me growing up,” Trixy said, “and now I get to be that for everyone else.
“There was a curse being a queer person in a rural town — the curse is that we’ll move … because there’s no one like us here, there’s no one that can understand us.
“And drag now can be a place or a thing to show people like you that you don’t have to go to the cities. It’s here in your backyard.”
The Associated Press followed the Daniels family for more than a year. Among them:
Drag queen Alexus Daniels lip-syncs to “Heart of Glass” by Blondie as she sits on the lap of a smiling and consenting audience member and others take photos during the “Daniels Family Values” drag show at the Heritage Restaurant in Shamokin, Pa., Saturday, April 16, 2022. Daniels, the drag family matriarch, was the child of a coal miner and textile worker who was “born with a female spirit.” She works at the local hospital as an MRI aide tech. (AP Photo/Carolyn Kaster)
Alexus Daniels, drag queen
Daniels’ first memory is of her great-grandmother’s jewelry box. With Cyndi Lauper and the Pointer Sisters blasting, she would wrap herself in knitted blankets to lip-sync and dance for her family. “I had no idea that it was drag or gay,” she says. “I was just having a day!”
Alexus hit high school and upped her Halloween game. She soon entered her first drag performance in the small Pennsylvania coal town of Weishample.
“I still was not out at this point,” Alexus says. “I wasn’t even sure if I was gay. I knew I was attracted to boys and loved all things feminine! I kept this side of me to myself and my best friends growing up, who really didn’t see anything strange about it.”
Trixy Valentine, aka Jacob Kelley, performs to “The Devil Went Down to Georgia” by the Charlie Daniels Band during the “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. Kelley is an LGBTQ+ activist and educator with a masters in human sexuality. (AP Photo/Carolyn Kaster)
Trixy Valentine, aka Jacob Kelley, drag queen
In their teens, Joshua was the first to turn to drag. Jacob started about six months later, in a white Marilyn Monroe dress at an amateur pageant in 2014.
Trixy’s drag style is eclectic, but whether silly or fierce, there’s glitter: “I just want to shine when the light hits me.”
“I came out as non-binary a few years ago because I started learning, like, what do I love so much about drag?” Kelley says. “It’s that femininity, that so-simple touch.”
“I’m not a man,” Kelley says. “I never will see myself as a man. And I don’t see myself as a woman, either. But I see myself as beyond that.”
In March, the Daniels drag family hosted bingo at the Nescopeck fire hall, packed with more than 300 people in a fund-raiser for a nearby theater.
1 of 6 |
Drag queen Trixy Valentine’s eye makeup of fake lashes, rhinestones and glitter is reflected in a bathroom mirror at the Washington Marriott Georgetown, in Washington, Wednesday, May 31, 2023. Trixy, aka Jacob Kelley, and twin Harpy Daniels, aka Joshua Kelley, are performing at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar across town. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
2 of 6 |
Drag queen Trixy Valentine, aka Jacob Kelley, in a red wig and finished makeup at the Washington Marriott Georgetown, in Washington, Wednesday, May 31, 2023. Trixy and twin Harpy Daniels, aka Joshua Kelley, are performing at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar across town. Kelley is an LGBTQ+ activist and educator with a masters in human sexuality. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
3 of 6 |
Drag queen Trixy Valentine, aka Jacob Kelley, dresses in a side storage room during the sold-out “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023, to raise money for a new roof for the Berwick Theater and Center for Community Arts, in Berwick, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
4 of 6 |
Drag queen Trixy Valentine, aka Jacob Kelley, pauses before entering to perform her drag story mix at a “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023, to raise money for a new roof for the Berwick Theater and Center for Community Arts, in Berwick, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
5 of 6 |
Drag queen Trixy Valentine, aka Jacob Kelley, cries in the arms of DJ Corrine after performing their drag story mix at a “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023. Trixy’s emotional performance received a standing ovation. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
6 of 6 |
Trixy Valentine, aka Jacob Kelley, brings wigs and a suitcase full of outfits to the car after performing at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
1 of 6 |
Drag queen Trixy Valentine’s eye makeup of fake lashes, rhinestones and glitter is reflected in a bathroom mirror at the Washington Marriott Georgetown, in Washington, Wednesday, May 31, 2023. Trixy, aka Jacob Kelley, and twin Harpy Daniels, aka Joshua Kelley, are performing at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar across town. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
1 of 6
Drag queen Trixy Valentine’s eye makeup of fake lashes, rhinestones and glitter is reflected in a bathroom mirror at the Washington Marriott Georgetown, in Washington, Wednesday, May 31, 2023. Trixy, aka Jacob Kelley, and twin Harpy Daniels, aka Joshua Kelley, are performing at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar across town. (AP Photo/Carolyn Kaster)
2 of 6 |
Drag queen Trixy Valentine, aka Jacob Kelley, in a red wig and finished makeup at the Washington Marriott Georgetown, in Washington, Wednesday, May 31, 2023. Trixy and twin Harpy Daniels, aka Joshua Kelley, are performing at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar across town. Kelley is an LGBTQ+ activist and educator with a masters in human sexuality. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
2 of 6
Drag queen Trixy Valentine, aka Jacob Kelley, in a red wig and finished makeup at the Washington Marriott Georgetown, in Washington, Wednesday, May 31, 2023. Trixy and twin Harpy Daniels, aka Joshua Kelley, are performing at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar across town. Kelley is an LGBTQ+ activist and educator with a masters in human sexuality. (AP Photo/Carolyn Kaster)
3 of 6 |
Drag queen Trixy Valentine, aka Jacob Kelley, dresses in a side storage room during the sold-out “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023, to raise money for a new roof for the Berwick Theater and Center for Community Arts, in Berwick, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
3 of 6
Drag queen Trixy Valentine, aka Jacob Kelley, dresses in a side storage room during the sold-out “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023, to raise money for a new roof for the Berwick Theater and Center for Community Arts, in Berwick, Pa. (AP Photo/Carolyn Kaster)
4 of 6 |
Drag queen Trixy Valentine, aka Jacob Kelley, pauses before entering to perform her drag story mix at a “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023, to raise money for a new roof for the Berwick Theater and Center for Community Arts, in Berwick, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
4 of 6
Drag queen Trixy Valentine, aka Jacob Kelley, pauses before entering to perform her drag story mix at a “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023, to raise money for a new roof for the Berwick Theater and Center for Community Arts, in Berwick, Pa. (AP Photo/Carolyn Kaster)
5 of 6 |
Drag queen Trixy Valentine, aka Jacob Kelley, cries in the arms of DJ Corrine after performing their drag story mix at a “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023. Trixy’s emotional performance received a standing ovation. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
5 of 6
Drag queen Trixy Valentine, aka Jacob Kelley, cries in the arms of DJ Corrine after performing their drag story mix at a “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023. Trixy’s emotional performance received a standing ovation. (AP Photo/Carolyn Kaster)
6 of 6 |
Trixy Valentine, aka Jacob Kelley, brings wigs and a suitcase full of outfits to the car after performing at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
6 of 6
Trixy Valentine, aka Jacob Kelley, brings wigs and a suitcase full of outfits to the car after performing at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
A small group of protesters could be watched on social media from the bingo hall, holding signs and praying the rosary across from the theater. Trixy addressed the bingo crowd.
“There’s hundreds of us in this room and only nine of them on that street,” Trixy said. “So all I have to say is I don’t care what you believe in. But do not force it down my throat and tell me I shouldn’t be here because you think I’m wrong.
“The Lord gave birth to me, too.”
Trixy was in a long blue wig and Morgan Wells catsuit with an overskirt, a raised fist in the colors of the Pride flag on the chest.
“Alright, let’s call some numbers!” Trixy said. “Let’s play some bingo!” The crowd cheered.
Harpy Daniels, aka Joshua Kelley, U.S. Navy petty officer first class, drag queen
A waitress pauses with plates of food as drag queen Harpy Daniels, aka Joshua Kelley, poses for a photograph taken by Ryan Geiger, right, before the “Daniels Family Values” drag show at the Heritage Restaurant in Shamokin, Pa., Saturday, April 16, 2022. A petty officer first class, Kelley was named a “digital ambassador” by the U.S. Navy to do outreach to the LGBTQ+ community. (AP Photo/Carolyn Kaster)
Until 2011, the armed forces applied the “don’t ask, don’t tell” policy, which accepted LGBTQ+ people only if they stayed mum about their sexual orientation.
But after Kelley enlisted in 2016, he encountered the opposite — call it “ask and tell.” A commander asked what pronoun they prefer. Joshua, relieved by the acceptance implied by the question, told him any pronoun will do.
1 of 7 |
Drag queen Harpy Daniels, aka U.S. Navy Yeoman 1st Class Joshua Kelley, wraps their head and short Navy haircut in duct tape to use as an anchor for bobby pins to secure a wig to perform at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
2 of 7 |
Drag queen Harpy Daniel, aka Joshua Kelley, performs at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
3 of 7 |
Drag queen Harpy Daniels, aka Joshua Kelley, mingles between songs at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
4 of 7 |
Harpy Daniels, aka Joshua Kelley, collects tips from a cheering audience during the “Daniels Family Values” drag show at the Heritage Restaurant in Shamokin, Pa., Saturday, April 16, 2022. Performances by the drag family are popular in bars, restaurants, bingo halls and garden parties in this slice of coal country even as politicians act to restrict them. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
5 of 7 |
Drag queen Harpy Daniels, aka Joshua Kelley, performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag brunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
6 of 7 |
Drag queen Harpy Daniels, aka Joshua Kelley, performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag brunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
7 of 7 |
Drag queen Harpy Daniels, aka Joshua Kelley, applies hairspray before leaving the dressing area to perform at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
1 of 7 |
Drag queen Harpy Daniels, aka U.S. Navy Yeoman 1st Class Joshua Kelley, wraps their head and short Navy haircut in duct tape to use as an anchor for bobby pins to secure a wig to perform at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
1 of 7
Drag queen Harpy Daniels, aka U.S. Navy Yeoman 1st Class Joshua Kelley, wraps their head and short Navy haircut in duct tape to use as an anchor for bobby pins to secure a wig to perform at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
2 of 7 |
Drag queen Harpy Daniel, aka Joshua Kelley, performs at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
2 of 7
Drag queen Harpy Daniel, aka Joshua Kelley, performs at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
3 of 7 |
Drag queen Harpy Daniels, aka Joshua Kelley, mingles between songs at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
3 of 7
Drag queen Harpy Daniels, aka Joshua Kelley, mingles between songs at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
4 of 7 |
Harpy Daniels, aka Joshua Kelley, collects tips from a cheering audience during the “Daniels Family Values” drag show at the Heritage Restaurant in Shamokin, Pa., Saturday, April 16, 2022. Performances by the drag family are popular in bars, restaurants, bingo halls and garden parties in this slice of coal country even as politicians act to restrict them. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
4 of 7
Harpy Daniels, aka Joshua Kelley, collects tips from a cheering audience during the “Daniels Family Values” drag show at the Heritage Restaurant in Shamokin, Pa., Saturday, April 16, 2022. Performances by the drag family are popular in bars, restaurants, bingo halls and garden parties in this slice of coal country even as politicians act to restrict them. (AP Photo/Carolyn Kaster)
5 of 7 |
Drag queen Harpy Daniels, aka Joshua Kelley, performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag brunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
5 of 7
Drag queen Harpy Daniels, aka Joshua Kelley, performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag brunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
6 of 7 |
Drag queen Harpy Daniels, aka Joshua Kelley, performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag brunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
6 of 7
Drag queen Harpy Daniels, aka Joshua Kelley, performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag brunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
7 of 7 |
Drag queen Harpy Daniels, aka Joshua Kelley, applies hairspray before leaving the dressing area to perform at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
ASSOCIATED PRESS
7 of 7
Drag queen Harpy Daniels, aka Joshua Kelley, applies hairspray before leaving the dressing area to perform at the Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
Now, the sailor is a social media sensation who was named a “digital ambassador” by the Navy, doing outreach to the LGBTQ+ community and others who have been marginalized: “I’m very proud to wear this uniform.”
Cash tips are stuffed into the bustier of drag queen Kitty DeVil’s, aka Emily Poliniak, as she performs at “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
Kitty DeVil, aka Emily Poliniak, drag queen
Kitty, a trans woman, describes her drag style as “punk and a lot of storytelling.” Her inspiration: Adore Delano, a 2014 finalist on “RuPaul’s Drag Race.”
“She was what I wanted to be — this badass punker chick looking gorgeous without sacrificing her style,” Kitty says.
Kitty says her performances are high-energy fun but also “a lighthouse.”
“Because even in our LGBTQ community, there are outcasts and people who don’t feel like they’re like anybody else,” Kitty says. “So I wanted to make a beacon for all those people who feel weird and feel different and can’t really find their place in society.”
Drag king Xander Valentine, aka Gwen Bobbie, performs during the “Daniels Family Values” drag show at the Heritage Restaurant in Shamokin, Pa., Saturday, April 16, 2022. (AP Photo/Carolyn Kaster)
Xander Valentine, aka Gwen Bobbie, drag king
More than a decade after she was transfixed by seeing her first drag show, Xander was invited by Trixy to join the drag family.
Xander has an energetic, family-friendly side as well as a sexy, sultry side. Confusing people about gender is intentional, a barrier-breaker.
“I try to create a consistent theme of masculinity in my performances,” Xander says. “Although I paint my face, wear wigs and adorn myself with rhinestones, I usually perform to songs sung by men and tailor my costumes more toward suits and ties.
“My personal goal as a king is to have the audience question my off-stage gender identity.”
Why? It’s to convey the message, Xander says, that “it’s OK to not immediately know how a person identifies or who they are attracted to, and still be kind to them.
“It’s OK to accept someone as different, even if you don’t fully understand it.”
Woodward reported from Washington. Associated Press writer Lynn Berry contributed to this report from Washington.
Drag queen Tequila Daniels, aka Tony Nahodil, poses for a photograph before the “Daniels Family Values” drag show at the Heritage Restaurant in Shamokin, Pa., Saturday, April 16, 2022. Tequila talks about her drag daughters, “I was lucky to befriend and become the drag mother of the most talented and humble girls I know, Harpy Daniels and Trixy Valentine. It took me a while to find someone who showed they had the drive, the talent, and still able to be humble. My goal is for everyone in the Daniels family to never forget our roots.” (AP Photo/Carolyn Kaster)
Baby Angel, performs a “death drop” during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster) –
Carolyn Kaster/AP
Baby Angel, performs a “death drop” during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster) –
Carolyn Kaster/AP
Javon Love, right, performs with Baby Angel, doing the splits, during “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster)
Sweet Pickles performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster) –
Carolyn Kaster/AP
Carlos Ova-Dupree performs during the “Mimosas & Heels Drag Brunch” at the Public House, Sunday, March 5, 2023, in Norfolk, Va. The drag bunch was hosted by Harpy Daniels and Javon Love. (AP Photo/Carolyn Kaster) –
Carolyn Kaster/AP
Ticket holders line up before the doors open for the sold-out “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023, to raise money for a new roof for the Berwick Theater and Center for Community Arts, in Berwick, Pa. (AP Photo/Carolyn Kaster)
From left, Tequila Daniels, aka Tony Nahodil; Alexus Daniels; Kitty DeVil, aka Emily Poliniak, and Trixy Valentine, aka Jacob Kelley, talk to the audience during “Spring Fever Drag Brunch,” Sunday, March 26, 2023, at the Kulpmont Winery in Kulpmont, Pa. (AP Photo/Carolyn Kaster)
Ryan Geiger holds a rainbow “Love is Love” fan as drag queens Harpy Daniels, aka Joshua Kelley, left, and twin Trixy Valentine, aka Jacob Kelley, right, prepare to perform at Rainbow Special Interest Group of NAFSA: Association of International Educators reception at Pitchers and a League of Her Own bar in Washington, Wednesday, May 31, 2023. (AP Photo/Carolyn Kaster)
Drag king Xander Valentine, aka Gwen Bobbie, performs “The Greatest Show” from the movie “The Greatest Showman” for the sold-out “Drag Bingo” fundraiser at the Nescopeck Township Volunteer Fire Company Social Hall, in Nescopeck, Pa., Saturday, March 18, 2023, to raise money for a new roof for the Berwick Theater and Center for Community Arts, in Berwick, Pa. (AP Photo/Carolyn Kaster)
WASHINGTON (AP) — The next big fight over college admissions already has taken hold, and it centers on a different kind of minority group that gets a boost: children of alumni.
In the wake of a Supreme Court decision that strikes down affirmative action in admissions, colleges are coming under renewed pressure to put an end to legacy preferences — the practice of favoring applicants with family ties to alumni. Long seen as a perk for the white and wealthy, opponents say it’s no longer defensible in a world with no counterbalance in affirmative action.
President Joe Biden suggested colleges should rethink the practice after the court’s ruling, saying legacy preferences “expand privilege instead of opportunity.” Several Democrats in Congress demanded an end to the policy in light of the court’s decision to remove race from the admissions process. So did Republicans including Sen. Tim Scott of South Carolina, who is vying for the GOP presidential nomination.
“Let’s be clear: affirmative action still exists for white people. It’s called legacy admissions,” Rep. Barbara Lee, a California Democrat, said on Twitter.
For critics of legacy admissions, the renewed debate over fairness in admissions has offered a chance to swing public sentiment behind their cause.
As colleges across the U.S. pledge their commitment to diversity following the court’s ruling, activists have a simple response: prove it. If schools want to enroll more Black, Hispanic and Indigenous students, activists say, removing legacy preferences would be an easy first step.
“Now more than ever, there’s no justification for allowing this process to continue,” said Viet Nguyen, a graduate of Brown and Harvard who leads Ed Mobilizer, a nonprofit that has fought legacy preferences since 2018. “No other country in the world does legacy preferences. Now is a chance to catch up with the rest of the world.”
Using the Supreme Court decision as a catalyst, Nguyen’s group is rallying the alumni of top colleges to press their alma maters to end the practice. The goal is to get graduates of the 30 schools to withhold donations until the policy ends. The schools include Harvard and the University of North Carolina, which were at the center of the court case, along with the rest of the Ivy League and the University of Southern California.
It builds on other efforts taking aim at the practice. Colorado banned it at public universities in 2021, and lawmakers in Connecticut, Massachusetts and New York have introduced similar bills. In Congress, Rep. Jamaal Bowman of New York and Sen. Jeff Merkley of Oregon, both Democrats, are reviving legislation that would forbid it at all universities that accept federal money.
Legacy preferences have become an easy target in the wake of a Supreme Court decision that hinged on questions of merit in the college application process, said Julie Park, who studies college admissions and racial equity at the University of Maryland. Instead of getting in on their own merit, she said, legacy students are just “standing on their parents’ shoulders.”
“It’s just low-hanging fruit,” she said. “People want something to do, and there’s a strong rationale to get rid of it.”
Secretary Miguel Cardona urged colleges to “ask themselves the tough questions,” adding that legacy admissions and other types of special treatment “have long denied well-qualified students of all backgrounds a level playing field.”
“In the wake of this ruling, they could further tip the scales against students who already have the cards stacked against them,” Cardona said in a statement to The Associated Press.
In the hazy world of college admissions, it’s unclear exactly which schools provide a legacy boost and how much it helps. In California, where state law requires schools to disclose the practice, USC reported that 14% of last year’s admitted students had family ties to alumni or donors. Stanford reported a similar rate.
At Harvard, which released years of records as part of the lawsuit that ended up before the Supreme Court, legacy students were eight times more likely to be admitted, and nearly 70% were white, researchers found.
Supporters of the policy say it builds an alumni community and encourages donations. A 2022 study of an undisclosed college in the Northeast found that legacy students were more likely to make donations, but at a cost to diversity — the vast majority were white.
Some prestigious colleges have abandoned the policy in recent years, including Amherst College and Johns Hopkins University. In the first year after dropping it, Amherst saw its share of legacy students in the freshman class fall by about half, while 19% of first-year students were the first in their families to attend college, the most in the school’s history.
Some colleges argue that, as their student bodies become more racially diverse, the benefits of legacy status will extend to more students of color. Opponents argue that white families still have an advantage, with generations of relatives who had access to any college.
Ivory Toldson went to college at Louisiana State University, but it wasn’t an option for his parents in the Jim Crow South.
“My parents couldn’t legally go to LSU. Discrimination is a lot more recent in our history than a lot of people seem to understand,” said Toldson, a Howard University professor and the director of education, innovation and research for the NAACP.
Toldson said there’s growing awareness of the irony that preferences for athletes and legacy students are still allowed, while race must be ignored.
In May, an AP-NORC poll found that few Americans think legacy admissions or donations should play much of a role in college admissions. Just 9% say it should be very important that a family member attended and 18% say it should be somewhat important. Likewise, only 10% say donations to the school should be very important and 17% say that should be somewhat important.
That same poll found that most Americans support affirmative action in higher education but think race should play a small role. Sixty-three percent said the Supreme Court should not block colleges from considering race in admissions, but 68% said it should not be a big factor.
Several colleges declined to say whether they will continue providing a boost for legacy students next year, including Cornell and the University of Notre Dame.
Meanwhile, Nguyen said he’s more optimistic than ever. In the past, colleges have been reluctant to be among the first to make the change, he said. Now he thinks that’s changing.
“In the next few months, I think the hesitancy will actually be who will be the last,” he said. “No university wants to be the last.”
___
The Associated Press education team receives support from the Carnegie Corporation of New York. The AP is solely responsible for all content.
PILTON, England (AP) — Brittney Denise Parks, better known as Sudan Archives, is an avant-garde violinist and singer-songwriter who describes her style as “fiddle soft punk.”
Late last month, she made her debut at the Glastonbury Festival in the U.K. After a shaky start, the packed crowd danced around in the afternoon sun as she rapped and played the violin in a corset of red leather belts and buckles, cowboy boots, violin bow strapped to her back like Robin Hood.
“At first my mic wasn’t working, so the crowd was like, We can’t hear you. and I was like, Really? They’re like, No! So then once we figured that out, then it was amazing!” she told The Associated Press backstage.
Now based in Los Angeles, Sudan Archives taught herself the violin as a child in Ohio. She’s been making waves with her exploration of non-Western string traditions, unconventional pop and R&B melodies as well as rap inspired by her collaborator and boyfriend, Nocando.
Her second breakthrough album “Natural Brown Prom Queen,” recorded in the couple’s home studio during the pandemic, was released in 2022. The track “Home Maker” subsequently made Barack Obama’s favorite music of 2022 playlist.
The following interview has been condensed for brevity and clarity.
AP: What was your starting point with the violin?
Sudan Archives: I didn’t start classical, but I just was really into fiddle music. So I started just trying to learn fiddle music. And there was an after-school program called Fiddle Club, so we learned a lot of Irish music and stuff, but when I moved to a different school, there wasn’t an orchestra or any after-school program. So I just taught myself more in church how to play by ear.
And then since I didn’t really have any training, I didn’t really have the training and skills to pursue college and go to school like that. But I basically started to incorporate electronic music with the violin. And I remember when they first started making electric violins, I had bought my first electric violin and plugged in to guitar pedals. And I started making strange sounds and making music.
AP: The violin does have a particular image, was that something you were conscious of?
Sudan Archives: Yeah, I was. I think, all over, there’s a very Western view of the violin. But there’s so many other cultures that play violin. But for some reason, when you think of violin, you think of maybe classical orchestra. But I was just in Istanbul, and I just bought one of the first traditional violins from Turkey. And when I was in Ghana, I bought a Hausa violin. So basically I feel like my goal is to show the Black roots of the violin.
AP: What made you want to mix the violin with rap?
Sudan Archives: I think it works because it hasn’t been done a lot and I really want to be unique. So I started dating my boyfriend and he’s a really good rapper. So I feel like when you’re around rappers, something clicked and I was like, “Wait a minute, maybe I should play violin and rap too.”
AP: And what have people from the rap scene made of that and made of you?
Sudan Archives: I think they like it. I feel like I consider myself soft punk. Like it’s not punk. It’s not, like, crazy. I’m not going to smash my violin, but I might scream and rap. It’s like, a fiddle soft punk.
AP: You have dates in Japan and Australia coming up. Do you like the travel?
Sudan Archives: I kind of like it. I don’t know why because sometimes I get bored and I just feel when you travel a lot, you just never get bored.
AP: Especially if you get to spend time in a place?
Sudan Archives: Yeah. I make sure that I have off days in really cool places. So I had three days off in Istanbul and I really wanted to stay there because they have a lot of string instruments. So when I have an off day in Japan, I’m going to go get a string instrument there.
AP: How many violins have you bought altogether?
Sudan Archives: I probably have like six.
AP: And do you use them all when you perform?
Sudan Archives: I don’t have enough money to be like “I have a violin tech. They carry all my violins” and I can only bring one or maybe two if a friend is coming and then I make them take it on the plane.
AP: But one day, one day you’ll have the entourage.
Sudan Archives: One day, I’ll have five violins on stage with different effects.
Biden’s original plan would have canceled up to $20,000 in federal student loans for 43 million people. Of those, 20 million would have had their remaining student debt erased completely.
With repayments set to begin in October, many borrowers are wondering if they still have to pay. Here’s what to know about where the new Biden plan stands.
An order by a Louisiana federal judge sets up a high-stakes legal battle over how the Biden administration can interact with social media platforms.
President Joe Biden has been briefed on the investigation into the discovery of cocaine on the lobby floor of the White House West Wing, and thinks it is “incredibly important” for the Secret Service to determine how it got there.
A preliminary test has shown that a suspicious substance found at the White House on Sunday was cocaine. That’s according to two law enforcement officials.
President Joe Biden has long struggled to neatly summarize his sprawling economic vision. It’s been hard for voters to digest the mix of infrastructure spending, tax hikes on companies, tax credits for parents, tax breaks for renewable energy, grants to build computer chip factories, insulin price c
WHAT IS THE NEW PLAN AND HOW IS IT DIFFERENT?
Under the proposed approach, the White House is now planning to use the Higher Education Act of 1965 — a sweeping federal law that governs the student loan program — to bring about relief for student borrowers.
Biden said the authority of the act will provide “the best path that remains to provide as many borrowers as possible with debt relief.”
The law includes a provision giving the education secretary authority to “compromise, waive or release” student loans.
In its previous attempt to forgive student loans, Biden’s White House appealed to a bipartisan 2003 law dealing with national emergencies, known as the HEROES Act, for the authority to cancel the debt. The court’s 6-3 decision, with conservative justices in the majority, said the administration needed Congress’ endorsement before undertaking so costly a program.
WHO WILL BE ELIGIBLE AND HOW MUCH DEBT WILL BE CANCELED?
So far, it remains unclear which loan holders will qualify and how much of their debt will be forgiven. To figure it out, the Education Department will go through a process known as negotiated rulemaking.
SHOULD BORROWERS STILL MAKE LOAN PAYMENTS?
Hours after the Supreme Court decision, President Joe Biden announced a 12-month grace period to help borrowers who struggle after payments restart. Biden said borrowers can and should make payments during the first 12 months after payments resume, but, if they don’t, they won’t be at risk of default and it won’t hurt their credit scores. Interest will resume in September, however, and it will accrue whether borrowers make payments or not. Biden reiterated that it is not the same as the student loan pause, adding that “if you can pay your monthly bills, you should.”
Experts at the Student Borrower Protection Center and Institute of Student Loan Advisors encourage borrowers not to begin to make payments again until the fall, when interest starts up again and the pause lifts, since there is no penalty for not doing so during the freeze. Instead, any savings that would have gone to payments can earn interest in those remaining few months.
Finally, after the year-long grace period, if you’re in a short-term financial bind, you may qualify for deferment or forbearance — allowing you to temporarily suspend payment.
To determine whether deferment or forbearance are good options for you, contact your loan servicer. One thing to note: Interest still accrues during deferment or forbearance. Both can also affect future loan forgiveness options. Depending on the conditions of your deferment or forbearance, it may make sense to continue paying the interest during the payment suspension.
Following the year-long on-ramp offered by the Biden administration, if you don’t make student loan payments, you’ll risk delinquency and default, which will harm your credit score and potentially lock you out of other aid and benefits down the line.
WHAT ABOUT DECLARING BANKRUPTCY?
The Biden administration is also working to make a clearer path for borrowers considering bankruptcy.
In November, the Justice Department announced a process with new guidelines for students with federal loans who are unable to pay. Under the new guidance, debtors will fill out an “attestation form,” which the government will use to determine whether or not to recommend a discharge of debt. If borrowers’ expenses exceed their income and other criteria are met, the government will be more likely to recommend a full or partial discharge of loans.
HOW SOON COULD THE NEW PLAN HAPPEN?
Get ready to wait.
The overall idea is to create a new federal rule by gathering together lots of people with different views and hashing out the details. The goal is to reach a consensus, but the Education Department doesn’t need it to move forward.
It’s possible the Biden administration will go through the process, fail to reach a consensus but still proceed with whatever it decides is the best cancellation plan.
Still, this could take a long time. The absolute minimum for something like this would be about a year, according to Michael Brickman, who was part of multiple rounds of negotiated rulemaking as an education official for the Trump administration. There’s bureaucratic red tape to navigate, and the process is designed to slow things down and force a deliberate negotiation.
The process of negotiated rulemaking requires a period for written feedback from the public, a public hearing (a virtual hearing is scheduled for July 18) and negotiating sessions.
Given that the administration is just starting the process, Brickman said it’s possible it could take up to two years.
Asked why the Education Department didn’t try this route from the start, Secretary Miguel Cardona acknowledged Friday that it “does take longer.”
IS THIS PLAN ON FIRMER LEGAL GROUND?
That’s up for debate.
In a 2021 memo, the former top education lawyer for the Obama administration cast doubt on the president’s authority to enact mass student loan cancellation. The memo, from Charlie Rose, first reported by The Wall Street Journal and obtained by the AP, warned that “the more persuasive analyses tend to support the conclusion that the Executive Branch likely does not have the unilateral authority to engage in mass student debt cancellation.” Instead, it found that the education secretary’s authority is “limited to case-by-case review and, in some cases, only to nonperforming loans.”
Some advocates had been urging Biden go this route all along, and the White House says it’s confident the plan will work. But it’s almost certain to face legal challenges. The Education Department has used the Higher Education Act to cancel student loans before, but never at the scale being discussed now. Backers including Sen. Elizabeth Warren have said the legal authority is clear, but lawyers for the Trump administration concluded in 2021 that mass student loan forgiveness was illegal. It could wind up being a gray area that courts need to sort out.
Brickman, who is now an adjunct fellow at AEI, a conservative think tank, predicts a similar fate to Biden’s previous plan. “The Supreme Court has told them no, and yet they’re undeterred,” he said. “I’m sure there’s a population out there that really admires that. But at some point the Constitution is the Constitution, and you have to just kind of accept that.”
____
The Associated Press receives support from Charles Schwab Foundation for educational and explanatory reporting to improve financial literacy. The independent foundation is separate from Charles Schwab and Co. Inc. The AP is solely responsible for its journalism.
NEW YORK (AP) — Indiana Jones. Karen Allen always knew he’d come walking back through her door.
Since 1981’s “Raiders of the Lost Ark,” Allen has been only a sporadic presence in the subsequent sequels. But the glow of the freckled, big-eyed actor who so memorably played Marion Ravenwood has only grown stronger over time.
Indiana Jones may be one of the movies’ most iconic characters, but he’s always needed a good foil. It was Kate Capshaw and Ke Huy Quan in “Temple of Doom” and Sean Connery in “The Last Crusade.” Yet none could top, or out drink, Allen’s Marion, a wisecracking, naturalistic beauty and swashbuckling heir to screwball legends like Katharine Hepburn and Irene Dunne.
Allen’s place in the latest and last “Indiana Jones,” the just-released “Dial of Destiny,” has long been a mystery. Now that the movie is in theaters — spoiler alert — we can finally let the cat out of the bag. Allen returns. And while her role isn’t large — tragedy has driven Marion and Indiana apart — it’s extremely poignant in how she figures into Harrison Ford’s swan song as Indiana Jones.
“Secrets,” Allen chuckled in a recent interview, “are not my specialty.”
Allen, 71, was a magnetic presence in some memorable 1970s and ‘80s films, including 1978’s “Animal House” (the performance that caught Steven Spielberg’s eye), 1984’s “Starman” and 1988’s “Scrooged.” But while she’s steadily worked ever since, the era’s male-dominated Hollywood often seemed to squander her talent. Allen has lived for decades in the Berkshires, where she opened a textiles and clothing boutique and has frequently performed at Tanglewood.
Allen also returned to Marion in 2008’s “Indiana Jones and the Kingdom of the Crystal Skull.” But as much as “Dial of Destiny” signifies the end of Ford’s run as Indy, it’s also Allen’s goodbye to her most beloved character. This time, Indiana’s sidekick went to Phoebe Waller-Bridge, the “Fleabag” creator and star. Allen, praising Waller-Bridge as a strong woman, approves.
“If it wasn’t going to be me,” said Allen, “I’m glad it was her.”
ALLEN: There was a period of time when Steven was going to direct the film. It was my understanding — although I never read any of those scripts — that it was being developed very much as a still-ongoing Marion-and-Indy story. When Steven decided to step down and James took over and brought in new writers, I knew it was going into a different direction. Having not even known what it was before, it was even more mysterious after they took it over. So I really didn’t know anything for a long period of time until they had a script. And I have to confess, I was a bit disappointed that she wasn’t more woven throughout the story and didn’t have more of an ongoing trajectory. However, the way in which she does come back into the story was very satisfying. I just thought, “OK, I’m just going to embrace this.” I certainly would have been wildly disappointed had Marion just sort of vanished into the ether.
AP: Did you always think Marion and Indiana were destined for each other? You don’t exactly get a sense of permanence between them in “Raiders.”
ALLEN: It’s funny. When I first started working on it, I just decided that Indy was the love of her life. I just decided to make a deep commitment to that and to play through “Raiders of the Lost Ark” with the feeling they’re soulmates. When we end up married in “Crystal Skull,” I wept when I read that script.
AP: “Indiana Jones” could be a boys world but you were such a spirited force of nature.
ALLEN: Well, Steven and George had this experience as young boys with these Saturday afternoon matinee serial films. They were just a little bit older than I am, so I kind of missed that. I don’t have a reference point for that. So I don’t think that I necessarily understood the genre of film we were making. I thought we were making “Casablanca.” I really, truly did. So I sort of defined my character in that sort of genre — which I think weirdly enough works quite well for the film. I never imagined Marion as a damsel in distress in any sort of way. I was always pushing back against that, and in the end, Steven was supportive of that.
AP: Do you ever wish you had gotten the chance to star in more Hollywood films?
ALLEN: I make movies all the time, although I have tended in the last 10 or 15 years to focus more on indie films. In truth, the kinds of roles I’m really hungry to play, particularly for someone my age, they’re written more in the indie world. People kind of think, “Where have you been?” There were times I was raising my son but I often do at least two films a year. They’re very satisfying, probably more satisfying than the sort of roles I would be offered. A lot of times I turned down things. There’s a lot of thankless roles for women in bigger budget films.
AP: What has Marion meant to you?
ALLEN: She’s sort of at the core of my growth as an actor and certainly my relationship to the world. As I move through the world, I’ve become very identified with that character. There was maybe a brief period of time where I found it annoying. But that passed and now it’s just this character that I love. I can’t imagine anything more satisfying to have had the chance in life to create a character that has some meaning for people.
AP: What was it like to shoot your scenes with Ford in “Dial of Destiny”?
ALLEN: It was fantastic. We shot it all in one day or maybe two days. To just imagine these two people that have been wrenched apart through grief and loss and then she’s coming back with this hope that they can move forward. When we played the scene, that was very, very affecting. We were both very affected by it and a little teary. And the crew was a little teary.
AP: How has it been keeping your role in the film secret?
ALLEN: It’s been excruciating. (Laughs) I never have to do anything like this again. People have come up to me and they’ve been so upset because they didn’t see my name on IMDb. People would be so mad I’d have to stand there and just be like, “What do I say? Do I say, ‘Yeah, isn’t that a drag?’ or ‘You never never know — wink, wink.’” I’ve had to say I just can’t answer any questions about “Indiana Jones” — which I feel like is sort of saying that I’m in the film. It’s a lose-lose situation. (Laughs)
AP: Does playing Marion one last time cap anything for you?
ALLEN: More so for Harrison than for me. He’s such a fully developed character and has done all five of these. With Marion, I’ve kind of come and gone. But she will always be a character that moves through life with me. I don’t know if I really have a sense of it being over. There always was a sense that one more would be done, even if it took 20 years. Now, they’ve been very clear that this is the last one. So it is a letting go.
The summer movie season goes into high-gear in July, with the arrival of the seventh “Mission: Impossible” movie followed by the “Oppenheimer” and “Barbie” showdown on July 21.
Not that you have to choose one or the other — as Tom Cruise said on Twitter, “I love a double feature, and it doesn’t get more explosive (or more pink) than the one with Oppenheimer and Barbie.”
August also promises a new take on the Teenage Mutant Ninja Turtles and introduces a new DC superhero, Blue Beetle.
Moviegoers were only moderately interested in going to the theater to say goodbye to Harrison Ford’s archaeologist character in “Indiana Jones and the Dial of Destiny.”
Indiana Jones. Karen Allen always knew he’d come walking back through her door. Since 1981’s “Raiders of the Lost Ark,” Allen’s Marion Ravenwood has been only a sporadic presence in the subsequent sequels.
An international film festival in the Czech spa town of Karlovy Vary has kicked off its 57th edition with an award planned for Oscar-winning actor Russell Crowe.
A London prosecutor says Oscar-winning actor Kevin Spacey is a “sexual bully” who assaults other men and doesn’t respect personal boundaries.
Here’s a month-by-month guide of this summer’s new movies. Keep scrolling for more info and review links for May and June’s releases.
July 7
” Insidious: The Red Door ” (Sony, theaters): Patrick Wilson and Rose Byrne are back to scare everyone in the fifth edition.
“ Joy Ride ” (Lionsgate, theaters): Adele Lim directs this raucous comedy about a friends trip to China to find someone’s birth mother, starring Ashley Park, Stephanie Hsu, Sherry Cola and Sabrina Wu.
“ The Lesson ” (Bleecker Street, theaters): A young novelist helps an acclaimed author in this thriller with Richard E. Grant.
“ Biosphere ” (IFC, theaters and VOD): Mark Duplass and Sterling K. Brown are the last two men on Earth.
“ Earth Mama ” (A24, theaters): This acclaimed debut from Savannah Leaf focuses on a woman, single and pregnant with two kids in foster care, trying to reclaim her family in the Bay Area.
July 14
“ Mission: Impossible-Dead Reckoning Part I” (Paramount, theaters, on July 12): Tom Cruise? Death-defying stunts in Venice? The return of Kittridge? What more do you need?
“ Theater Camp ”(Searchlight, theaters): Musical theater nerds (and comedy fans) will delight in this loving satire of a childhood institution, with Ben Platt and Molly Gordon.
“ The Miracle Club ” (Sony Pictures Classics, theaters): Lifetime friends (Kathy Bates, Maggie Smith, Agnes O’Casey) in a small Dublin community in 1967 dream of a trip to Lourdes, a town in France where miracles are supposed to happen. Laura Linney co-stars.
“ 20 Days in Mariupol ” (in theaters in New York): AP’s Mstyslav Chernov directs this documentary, a joint project between The Associated Press and PBS “Frontline,” about the first weeks of the Russian invasion of Ukraine, in which Chernov, photographer Evgeniy Maloletka, and field producer Vasilisa Stepanenko, became the only international journalists operating in the city. Their coverage won the Pulitzer Prize for Public Service.
“ Afire ” (Janus Films, theaters): This drama from German director Christian Petzold is set at a vacation home by the Baltic Sea where tensions rise between a writer, a photographer and a mysterious guest (Paula Beer) as a wildfire looms.
“ They Cloned Tyrone ” (Netflix): John Boyega, Teyonah Parris and Jamie Foxx lead this mystery caper.
July 21
“ Oppenheimer ” (Universal, theaters): Christopher Nolan takes audiences into the mind of the “father of the atomic bomb,” J. Robert Oppenheimer ( Cillian Murphy ) as he and his peers build up to the trinity test at Los Alamos.
“ Barbie ” (Warner Bros., theaters): Margot Robbie plays the world’s most famous doll (as do many others) opposite Ryan Gosling’s Ken in Greta Gerwig’s comedic look at their perfect world.
“ Stephen Curry: Underrated ” (Apple TV+): Peter Nicks directs a documentary about the four-time NBA champion.
“ The Beanie Bubble ” (in select theaters; on Apple TV+ on July 28): Zach Galifianakis stars as the man behind Beanie Babies in this comedic drama, co-starring Elizabeth Banks, Sarah Snook and Geraldine Viswanathan.
July 28
“ Haunted Mansion ” (Disney, theaters): A Disney ride comes to life in with the help of Rosario Dawson, Tiffany Haddish, Owen Wilson and Danny DeVito.
“ Talk to Me ” (A24, theaters): A group of friends conjure spirits in this horror starring Sophie Wilde and Joe Bird.
“ Happiness for Beginners ” (Netflix, on July 27): Ellie Kemper is a newly divorced woman looking to shake things up.
“ Sympathy for the Devil ” (RLJE Films): Joel Kinnaman is forced to drive a mysterious gunman (Nicolas Cage) in this thriller.
“ Kokomo City ” (Magnolia): A documentary following four Black transgender sex workers. One of the subjects, Koko Da Doll, was shot and killed in April.
August 4
“ Teenage Mutant Ninja Turtles: Mutant Mayhem ” (Paramount, theaters): This animated movie puts the teenage back in the equation with a very funny voice cast including Seth Rogen and John Cena as Bebop and Rocksteady.
“ Shortcomings ” (Sony Pictures Classics, theaters): Randall Park directs this adaptation of Adrian Tomine’s graphic novel about Asian American friends in the Bay Area starring Sherry Cola as Alice, Ally Maki as Miko and Justin H. Min as Ben.
“ Meg 2: The Trench ” (Warner Bros., theaters): Jason Statham is back fighting sharks.
“ Passages ” (Mubi): The relationship of a longtime couple (Franz Rogowski, Ben Whishaw) is thrown when one begins an affair with a woman (Adèle Exarchopoulos).
“ A Compassionate Spy ” (Magnolia): Steve James’ documentary about the youngest physicist on the Manhattan Project who fed information to the Soviets.
“Dreamin’ Wild” (Roadside Attractions): Casey Affleck stars in this film about musical duo Donnie and Joe Emerson.
“ Problemista ” (A24, theaters): Julio Torres plays an aspiring toy designer in this surreal comedy co-starring Tilda Swinton that he also wrote, directed and produced.
August 11
“ Gran Turismo ” (Sony, theaters): A gamer gets a chance to drive a professional course in this video game adaptation starring David Harbour and Orlando Bloom.
“ The Last Voyage of the Demeter ” (Universal, theaters): This supernatural horror film draws from a chapter of “Dracula.”
“ Heart of Stone ” (Netflix): Gal Gadot played an intelligence operative in this action thriller, with Jamie Dornan.
“The Eternal Memory” (MTV Documentary Films): This documentary explores a marriage and Alzheimer’s disease.
“The Pod Generation” (Vertical, theaters): Emilia Clarke and Chiwetel Ejiofor star in this sci-fi comedy about a new path to parenthood.
“Jules” (Bleecker Street, theaters): Ben Kingsley stars in this film about a UFO that crashes in his backyard in rural Pennsylvania.
August 18
“ Blue Beetle ” (Warner Bros., theaters): Xolo Maridueña plays the DC superhero Jaime Reyes / Blue Beetle in this origin story.
“ Strays ” (Universal, theaters): Will Ferrell and Jamie Foxx voice dogs in this not-animated, R-rated comedy.
“birth/rebirth” (IFC, theaters): A woman and a morgue technician bring a little girl back to life in this horror.
“ White Bird ” (Lionsgate, theaters): Helen Mirren tells her grandson, expelled from school for bullying, a story about herself in Nazi-occupied France.
“Landscape with Invisible Hand” (MGM, theaters): Teens come up with a unique moneymaking scheme in a world taken over by aliens.
“The Hill” (Briarcliff Entertainment): This baseball drama starring Dennis Quaid is based on the true story of Rickey Hill.
August 25
“They Listen” (Sony, theaters): John Cho and Katherine Waterston lead this secretive Blumhouse horror.
“Golda” (Bleecker Street): Helen Mirren stars in this drama about Golda Meir, the Prime Minister of Israel during the Yom Kippur War.
“ Bottoms ” (MGM, theaters): Two unpopular teenage girls (Rachel Sennott and Ayo Edebiri) start a fight club to impress the cheerleaders they want to lose their virginity to in this parody of the teen sex comedy.
“The Dive” (RLJE Films): In this suspense pic about two sisters out for a dive, one gets hurt and is trapped underwater.
“Scrapper” (Kino Lorber, theaters): A 12-year-old girl (Lola Campbell) is living alone in a London flat until her estranged father (Harris Dickinson) shows up.
“Fremont” (Music Box Films, theaters): A former army translator in Afghanistan (Anaita Wali Zada) relocates to Fremont, California and gets a job at a fortune cookie factory. “The Bear’s” Jeremy Allen White co-stars.
September 1
“ The Equalizer 3 ” (Sony, theaters): Denzel Washington is back as Robert McCall, who is supposed to be retired from the assassin business but things get complicated in Southern Italy.
ALREADY IN THEATERS AND STREAMING
“ Guardians of the Galaxy Vol. 3 ” (Disney/Marvel): Nine years after the non-comic obsessed world was introduced to Peter Quill, Rocket, Groot and the rest of the Guardians of the Galaxy, the misfits are closing out the trilogy and saying goodbye to director James Gunn, who is now leading rival DC. ( AP’s review.)
“ What’s Love Got to Do with It? ” (Shout! Studios): Lily James plays a documentary filmmaker whose next project follows her neighbor (Shazad Latif) on his road to an arranged marriage in this charming romantic comedy.
“ Love Again ” (Sony): Priyanka Chopra Jonas plays a woman mourning the death of her boyfriend who texts his old number not knowing it belongs to someone new (Sam Heughan). Celine Dion (and her music) co-star in this romantic drama.
“ Monica ” (IFC): A transgender woman, estranged from her family, goes home to visit her dying mother in this film starring Tracee Lysette and Patricia Clarkson.
“ The Starling Girl ” (Bleecker Street): Eliza Scanlen plays a 17-year-old girl living in a fundamentalist Christian community in Kentucky whose life changes with the arrival of Lewis Pullman’s charismatic youth pastor.
“ Fool’s Paradise ” (Roadside Attractions): Charlie Day writes, directs and plays dual roles in this comedic Hollywood satire.
“ Hypnotic ” (Ketchup Entertainment): Ben Affleck plays a detective whose daughter goes missing in this Robert Rodriguez movie.
“ Fast X ” (Universal): In the tenth installment of the Fast franchise, Jason Momoa joins as the vengeful son of a slain drug lord intent to take out Vin Diesel’s Dom. ( AP’s review.)
“ White Men Can’t Jump ” (20th Century Studios, streaming on Hulu): Sinqua Walls and Jack Harlow co-star in this remake of the 1992 film, co-written by Kenya Barris and featuring the late Lance Reddick. ( AP’s review.)
“ Master Gardener ” (Magnolia): Joel Edgerton is a horticulturist in this Paul Schrader drama, co-starring Sigourney Weaver as a wealthy dowager. ( AP’s review.)
“ Sanctuary ” (Neon): A dark comedy about a dominatrix (Margaret Qualley) and her wealth client (Christopher Abbott).
“ The Little Mermaid ” (Disney): Halle Bailey plays Ariel in this technically ambitious live-action remake of a recent Disney classic directed by Rob Marshall (“Chicago”) and co-starring Melissa McCarthy as Ursula. ( AP’s review.)
“ You Hurt My Feelings ” (A24): Nicole Holofcener takes a nuanced and funny look at a white lie that unsettles the marriage between a New York City writer (Julia Louis-Dreyfus) and a therapist (Tobias Menzies). ( AP’s review.)
“ About My Father ” (Lionsgate): Stand-up comic Sebastian Maniscalco co-wrote this culture clash movie in which he takes his Italian-American father (Robert De Niro) on a vacation with his wife’s WASPy family. ( AP’s review.)
“ Victim/Suspect ” ( Netflix ): This documentary explores how law enforcement sometimes indicts victims of sexual assault instead of helping.
“ The Machine,” (Sony): Stand-up comedian Bert Kreischer brings Mark Hamill into the fray for this action-comedy.
“ Kandahar ” (Open Road Films): Gerard Butler plays an undercover CIA operative in hostile territory in Afghanistan.
“ Spider-Man: Across the Spider-Verse ” (Sony): Miles Morales (Shameik Moore) is back, but with things not going so well in Brooklyn, he opts to visit the multiverse with his old pal Gwen Stacy (Hailee Steinfeld), where he encounters the Spider-Society. ( AP’s review.)
“ The Boogeyman ” (20th Century Studios): “It’s the thing that comes for your kids when you’re not paying attention,” David Dastmalchian explains to Chris Messina in this Stephen King adaptation.
“ Past Lives ” (A24): Already being hailed as one of the best of the year after its Sundance debut, Celine Song’s directorial debut is a decades and continent-spanning romance about two friends separated in childhood who meet 20 years later in New York. ( AP’s review.)
“Flamin’ Hot” ( Hulu, Disney+): Eva Longoria directs this story about Richard Montañez, a janitor at Frito-Lay who came up with the idea for Flamin’ Hot Cheetos. ( AP’s review.)
“ Blue Jean ” (Magnolia): It’s 1988 in England and hostilities are mounting towards the LGBTQ community in Georgia Oakley’s BAFTA-nominated directorial debut about a gym teacher (Rosy McEwan) and the arrival of a new student. ( AP’s review.)
“Daliland” (Magnolia): Mary Harron directs Ben Kingsley as Salvador Dalí.
“ The Flash ” (Warner Bros.): Batmans past Ben Affleck and Michael Keaton assemble for this standalone Flash movie directed by Andy Muschietti and starring Ezra Miller as the titular superhero. ( AP’s review.)
“ Elemental ” (Pixar): In Element City, residents include Air, Earth, Water and Fire in the new Pixar original, featuring the voices of Leah Lewis, Mamoudou Athie and Catherine O’Hara. ( AP’s review.)
“ Extraction 2 ” ( Netflix ): Chris Hemsworth’s mercenary Tyler Rake is back for another dangerous mission. ( AP’s review.)
“ Asteroid City ” (Focus Features): Wes Anderson assembles Tom Hanks, Scarlett Johansson, Jason Schwartzman and Jeffrey Wright for a stargazer convention in the mid-century American desert. ( AP’s review.)
“ The Blackening ” (Lionsgate): This scary movie satire sends a group of Black friends including Grace Byers, Jermaine Fowler, Melvin Gregg and X Mayo to a cabin in the woods.
“ Indiana Jones and the Dial of Destiny ” (Lucasfilm): Harrison Ford puts his iconic fedora back on for a fifth outing as Indy in this new adventure directed by James Mangold and co-starring Phoebe Waller-Bridge. ( AP’s review.)
“ Every Body ” (Focus Features): Oscar-nominated documentarian Julie Cohen turns her lens on three intersex individuals in her latest film. ( AP’s review.)
“ Ruby Gillman, Teenage Kraken ” (Universal): Lana Condor (“To All the Boys I’ve Loved Before”) lends her voice to this animated action-comedy about a shy teenager trying to survive high school as a part-Kraken. (AP’s review.)
NEW YORK (AP) — You’re handed an LED wristband as you enter “Once Upon a One More Time,” a musical on Broadway stuffed with Britney Spears songs. But the gift is strangely inert for the whole show, only coming to life and gleaming at the curtain call. It’s not a wristband — it’s a metaphor. It glows in the end because you are free. Free of this bombastic, patronizing, clumsy, lazy show.
“Once Upon a One More Time,” which opened Thursday at the Marquis Theatre, is pure summer dumb — it’s got smoke machines working overtime, weird dance breaks, tons of glitter and every song ends with a manufactured IMAX-level sonic boom. One of the main characters actually swings on a chandelier.
Everything about it seems recycled: A fractured fairy tale that is a tired concept by now — no less a giant than Andrew Lloyd Webber failed with it with “Bad Cinderella” this spring. It’s also a safe feminist story about women writing their own story led by a creative team led mostly by men, an enduring problem on Broadway but very awkward for a story about princesses seizing their narrative.
The musical has a story written by Jon Hartmere about classic fairy tale princesses — Cinderella, Snow White, Rapunzel and the Little Mermaid, among them, (gathered just as they were in the movie “Ralph Breaks the Internet”) — who are transformed after reading “The Feminine Mystique,” a landmark feminist text. Betty Friedan’s book helped launch the women’s movement by depicting women as prisoners of a culture that made a fetish out of motherhood and housework.
Why Friedan has been brought low here is unclear, or even why a post-conservatorship Spears authorized this unsubtle musical, which includes many of her hits like “Oops!… I Did It Again,” “Lucky,” “Stronger” and “Toxic.” The creators have hollowed out the original song’s lyrics to shoehorn a narrative they are not suited for. They’ve then added them to a script that mixes a threesome joke, drunk princesses and references to Howard Stern with lines like “You’re not pulling my slipper?”
Adam Godley is delightful as the droll, fussy Narrator, who is like the backstage ringmaster of fairy tales, ordering about the princesses — “Ready the wedding scene!” — and standing in the way of change or growth. “Real quick, though, this is happy ever after — right?” asks Cinderella. “Of course,” he answers. It’s not.
The musical is directed and choreographed by husband-and-wife pair Keone and Mari Madrid, who have gone viral on YouTube for their dance videos, but here seem fascinated by weird, jerky arm movements that suggest the performer is having a seizure. For “One More Time,” they go overboard on index fingers pointing.
That’s not to take anything from the two leads — Briga Heelan as Cinderella and former “American Idol” contestant Justin Guarini as Prince Charming — who use their pipes, physical comedy skills and tenderness to sell a script many levels below their capabilities. They are truly fairy tale heroic.
It is a story that veers in tone from glib satire to sugary sentimentality, trying to establish a sisterhood it hasn’t earned and adding a gay-rights story that seems tacked on and distracting. There’s a remarkable shift in Act 2 that remakes the Narrator into a horrific Marvel Cinematic Universe-level villain who murders all who disobey him. A desperate attempt to make a coherent happy ending fails.
It certainly is Spears’ moment on Broadway, since many of her hits are also in “& Juliet” — a jukebox musical now on Broadway that celebrates one of her writing partners and producers, Max Martin — including her “… Baby One More Time” and “Stronger.” That show is in every way better than “Once Upon a One More Time,” which is clearly designed to be a pre-teen magnet and sell T-shirts. Only one Spears show on Broadway is truly “Toxic.”
Real-life Ron DeSantis was here, finally. In the fidgety flesh; in Iowa, South Carolina, and, in this case, New Hampshire. Not some distant Sunshine State of potential or idealized Donald Trump alternative or voice in the far-off static of Twitter Spaces. But an actual human being interacting with other human beings, some 200 of them, packed into an American Legion hall in the town of Rochester.
“Okay, smile, close-up,” an older woman told the Florida governor, trying to pull him in for another photo. DeSantis and his wife, Casey, had just finished a midday campaign event, and the governor was now working a quick rope line—emphasis on quick and double emphasis on working. The fast-talking first lady is much better suited to this than her halting husband. He smiled for the camera like the dentist had just asked him to bite down on a blob of putty; like he was trying to make a mold, or to fit one. It was more of a cringe than a grin.
“Governor, I have a lot of relatives in Florida,” the next selfie guy told him. Everybody who meets DeSantis has relatives in Florida or a time-share on Clearwater Beach or a bunch of golf buddies who retired to the Villages. “Wow, really?” DeSantis said.
He was trying. But this did not look fun for him.
Retail politicking was never DeSantis’s gift. Not that it mattered much before, in the media-dominated expanse of Florida politics, where DeSantis has proved himself an elite culture warrior and troller of libs. DeSantis was reelected by 19 points last November. He calls himself the governor of the state “where woke goes to die,” which he believes will be a model for his presidency of the whole country, a red utopia in his own image.
What does the on-paper promise of DeSantis look like in practice? DeSantis has performed a number of these in-person chores in recent days, after announcing his presidential campaign on May 24 in a glitchy Twitter Spaces appearance with Elon Musk.
As I watched him complete his rounds in New Hampshire on Thursday—visits to a VFW hall, an Elks Club, and a community college, in addition to the American Legion post—the essential duality of his campaign was laid bare: DeSantis is the ultimate performative politician when it comes to demonstrating outrage and “kneecapping” various woke abuses—but not so much when it comes to the actual in-person performance of politics.
The campaign billed his appearance in Rochester as a “fireside chat.” (The outside temperature was 90 degrees, and there was no actual fire.) The governor and first lady also held fireside chats this week at a welding shop in Salix, Iowa, and at an event space in Lexington, South Carolina. The term conjures the great American tradition started by President Franklin D. Roosevelt during the Great Depression. Those were scary times—grim visages of malnourished kids and food riots and businessmen selling pencils on the street. FDR’s cozy evenings around the radio hearth were meant to project comfort and avuncular authority.
Sitting on gray armchairs onstage in Rochester—Casey cross-legged and Ron man-spread—the DeSanti reassured their audience that the Florida governor was the candidate best equipped to protect Americans from contemporary threats no less serious than stock-market crashes and bank closures. He was focused on a distinct set of modern menaces: “woke indoctrination” and “woke militaries” and “woke mind viruses” and “woke mobs” that endanger every institution of American life. He used woke more than a dozen times at each event (I counted).
Also, DeSantis said he’s a big supporter of “the death penalty for pedophiles” (applause); reminded every audience that he’d sent dozens of migrants to “beautiful Martha’s Vineyard” (bigger applause); and promised to end “this Faucian dystopia” around COVID once and for all (biggest applause).
Casey talked at each New Hampshire stop about the couple’s three young children, often in the vein of how adorably naughty they are—how they write on the walls of the governor’s mansion with permanent markers and leave crayon stains on the carpets. Ron spoke in personal terms less often, but when he did, it was usually to prove that he understands the need to protect kids from being preyed upon by the various and ruthless forces of wokeness. One recurring example on Thursday involved how outrageous it is that in certain swim competitions, a girl might wind up being defeated by a transgender opponent. “I’m particularly worried about this as the father of two daughters,” DeSantis told the Rochester crowd.
This played well in the room full of committed Republicans and likely primary voters, as it does on Fox. Clearly, this is a fraught and divisive issue, but one that’s been given outsized attention in recent years, especially in relation to the portion of the population it directly affects. By comparison, DeSantis never mentioned gun violence, the leading cause of death for children in this country, including many in his state (the site of the horrific Parkland massacre of 2018, the year before he became governor). DeSantis readily opts for the culture-war terrain, ignoring the rest, pretty much everywhere he goes.
His whole act can feel like a clunky contrivance—a forced persona railing against phony or hyped-up outrages. He can be irascible. Steve Peoples, a reporter for the Associated Press, approached DeSantis after a speech at a VFW hall in Laconia and asked the governor why he hadn’t taken any questions from the audience. “Are you blind?” DeSantis snapped at Peoples. “Are you blind? Okay, so, people are coming up to me, talking to me [about] whatever they want to talk to me about.”
No one in the room cared about this little outburst besides the reporters (who sent a clip of it bouncing across social media within minutes). And if the voters did care, it would probably reflect well on DeSantis in their eyes, demonstrating his willingness to get in the media’s face.
Journalists who managed to get near DeSantis this week unfailingly asked him about Donald Trump, the leading GOP candidate. In Rochester, NBC’s Gabe Gutierrez wondered about the former president’s claim that he would eliminate the federal government’s “administrative state” within six months of a second term. “Why didn’t you do it when you had four years?” DeSantis shot back.
In general, though, DeSantis didn’t mention Trump without being prompted—at least not explicitly. He drew clear, if barely veiled, contrasts. “I will end the culture of losing in the Republican Party,” he vowed Thursday night in Manchester. Unsaid, obviously, is that the GOP has underperformed in the past three national elections—and no one is more to blame than Trump and the various MAGA disciples he dragged into those campaigns.
“Politics is not about building a brand,” DeSantis went on to say. What matters is competence and conviction, not charisma. “My husband will never back down!” Casey added in support. In other words: He is effective and he will follow through and actually do real things, unlike you-know-who.
“Politics is not about entertainment,” DeSantis said in all of his New Hampshire speeches, usually at the end. He might be trying to prove as much.
In October of 1858, John Stuart Mill and his wife, Harriet, were traveling near Avignon, France. She developed a cough, which seemed like just a minor inconvenience, until it got worse. Soon Harriet was racked with pain, not able to sleep or even lie down. Mill frantically wrote to a doctor in Nice, begging him to come see her. Three days later her condition had worsened further, and Mill telegraphed his forebodings to his stepdaughter. Harriet died in their hotel room on November 3.
Explore the June 2023 Issue
Check out more from this issue and find your next story to read.
Mill sat alone with her body in their room for a day. He was despondent over the loss of his marriage: “For seven and a half years that blessing was mine. For seven and a half years only!”
Later that same month, he sent a manuscript to his publisher, which opened with a lavish dedication to Harriet. He subsequently wrote that she had been more than his muse; she had been his co-author. The book was, he said, “more directly and literally our joint production than anything else which bears my name, for there was not a sentence of it that was not several times gone through by us together.” The book’s “whole mode of thinking,” he continued, “was emphatically hers.”
The book was called On Liberty. It is one of the founding documents of our liberal world order. Individuals, the Mills argued, have the right to be the architect of their own life, to choose whom to marry, where to live, what to believe, what to say. The state has no right to impinge on a citizen’s individual freedom of choice, provided that the person isn’t harming anyone else.
A society organized along these lines, the Mills hoped, would produce a rich variety of creative and daring individuals. You wouldn’t have to agree with my mode of life, and I wouldn’t have to agree with yours, but we would give each other the space to live our fullest life. Individual autonomy and freedom of choice would be the rocks upon which we built flourishing nations.
The liberalism that the Mills championed is what we enjoy today as we walk down the street and greet a great variety of social types. It’s what we enjoy when we get on the internet and throw ourselves into the messy clash of ideas. It is this liberalism that we defend when we back the Ukrainians in their fight against Russian tyranny, when we stand up to authoritarians on the right and the left, to those who would impose speech codes, ban books, and subvert elections.
After he sent in the manuscript, Mill bought a house overlooking the cemetery where Harriet was buried, filled it with furniture from the room in which she’d died, and visited every year for the rest of his life. It’s a sad scene to imagine—him gazing down at her grave from the window—but the couple left us an intellectual legacy that has guided humanity another step forward in civilization’s advance.
Many good ideas turn bad when taken to their extreme. And that’s true of liberalism. The freedom of choice that liberals celebrate can be turned into a rigid free-market ideology that enables the rich to concentrate economic power while the vulnerable are abandoned. The wild and creative modes of self-expression that liberals adore can turn into a narcissistic culture in which people worship themselves and neglect their neighbors.
These versions of liberalism provoke people to become anti-liberal, to argue that liberalism itself is spiritually empty and too individualistic. They contend that it leads to social breakdown and undermines what is sacred about life. We find ourselves surrounded by such anti-liberals today.
I’d like to walk with you through one battlefield in the current crisis of liberalism, to show you how liberalism is now threatened by an extreme version of itself, and how we might recover a better, more humane liberalism—something closer to what the Mills had in mind in the first place.
In 2016, the Canadian government legalized medical assistance in dying. The program, called MAID, was founded on good Millian grounds. The Canadian Supreme Court concluded that laws preventing assisted suicide stifled individual rights. If people have the right to be the architect of their life, shouldn’t they have the right to control their death? Shouldn’t they have the right to spare themselves needless suffering and indignity at the end of life?
As originally conceived, the MAID program was reasonably well defined. Doctors and nurses would give lethal injections or fatal medications only to patients who met certain criteria, including all of the following: the patient had a serious illness or disability; the patient was in an “advanced state” of decline that could not be reversed; the patient was experiencing unbearable physical or mental suffering; the patient was at the point where natural death had become “reasonably foreseeable.”
To critics who worried that before long, people who were depressed, stressed, or just poor and overwhelmed would also be provided assistance to die, authorities were reassuring: The new law wouldn’t endanger those who are psychologically vulnerable and not near death. Citing studies from jurisdictions elsewhere in the world with similar laws, Prime Minister Justin Trudeau declared that this “simply isn’t something that ends up happening.”
But the program has worked out rather differently. Before long, the range of who qualifies for assisted suicide was expanded. In 2021, the criterion that natural death must be “reasonably foreseeable” was lifted. A steady stream of stories began to appear in the media, describing how the state was granting access to assisted suicide to people who arguably didn’t fit the original criteria.
If you are having thoughts of suicide, please know that you are not alone. If you’re in danger of acting on suicidal thoughts, call 911. For support and resources, call the National Suicide Prevention Lifeline at 988 or text 741741 for the Crisis Text Line.
For example, the Associated Press reported on the case of Alan Nichols. Nichols had lost his hearing in childhood, and had suffered a stroke, but for the most part was able to live independently. In June 2019, at age 61, he was hospitalized out of concern that he might be suicidal. He urged his brother Gary to “bust him out” of the facility as soon as possible. But within a month, he applied for a physician-assisted death, citing hearing loss as his only medical condition. A nurse practitioner also described Nichols’s vision loss, frailty, history of seizures, and general “failure to thrive.” The hospital told the AP that his request for a lethal injection was valid, and his life was ended. “Alan was basically put to death,” his brother told the AP.
In The New Atlantis, Alexander Raikin described the case of Rosina Kamis, who had fibromyalgia and chronic leukemia, along with other mental and physical illnesses. She presented these symptoms to the MAID assessors and her death was approved. Meanwhile, she wrote in a note evidently meant for those to whom she had granted power of attorney: “Please keep all this secret while I am still alive because … the suffering I experience is mental suffering, not physical. I think if more people cared about me, I might be able to handle the suffering caused by my physical illnesses alone.” She was put to death on September 26, 2021, via a lethal injection, at the age of 41.
In The Free Press, Rupa Subramanya reported on the case of a 23-year-old man named Kiano Vafaeian, who was depressed and unemployed, and also had diabetes and had lost vision in one eye. His death was approved and scheduled for September 22, 2022. The doctor who was to perform the procedure emailed Vafaeian clear and antiseptic instructions: “Please arrive at 8:30 am. I will ask for the nurse at 8:45 am and I will start the procedure at around 9:00 am. Procedure will be completed a few minutes after it starts.” Vafaeian could bring a dog with him, as long as someone would be present to take care of it.
About two weeks before the appointment, Vafaeian’s 46-year-old mother, Margaret Marsilla, telephoned the doctor who was scheduled to kill her son. She recorded the call and shared it with The Free Press. Posing as a woman named Joann, she told the doctor that she wanted to die by Christmas. Reciting basic MAID criteria, the doctor told her that she needed to be over 18, have an insurance card, and be experiencing “suffering that cannot be remediated or treated in some way that’s acceptable to you.” The doctor said he could conduct his assessment via Zoom or WhatsApp. Marsilla posted on social media about the situation. Eventually, the doctor texted Marsilla, saying that he would not follow through with her son’s death.
Personally, I don’t have great moral qualms about assisted suicide for people who are suffering intensely in the face of imminent death. These cases are horrible for individuals and families. What’s important here is that the MAID program has spilled beyond its original bounds so quickly.
When people who were suffering applied to the MAID program and said, “I choose to die,” Canadian society apparently had no shared set of morals that would justify saying no. If individual autonomy is the highest value, then when somebody comes to you and declares, “It’s my body. I can do what I want with it,” whether they are near death or not, painfully ill or not, doesn’t really matter. Autonomy rules.
Within just a few years, the number of Canadians dying by physician-assisted suicide ballooned (the overwhelming majority of them by lethal injection). In 2021, that figure was more than 10,000, one in 30 of all Canadian deaths. The great majority of people dying this way were elderly and near death, but those who seek assisted suicide tend to get it. In 2021, only 4 percent of those who filed written applications were deemed ineligible.
If autonomy is your highest value, these trends are not tragic; they’re welcome. Death is no longer the involuntary, degrading end of life; it can be a glorious act of self-expression. In late 2022, the Canadian fashion retailer La Maison Simons released a branding video that paid tribute to the assisted suicide of a 37-year-old woman afflicted with Ehlers-Danlos syndrome, which affects the body’s connective tissue. The video, titled “All Is Beauty,” was released the day after the woman’s death. In a series of lush images of her on tourist-destination beaches and at a dinner party, the video portrayed her death as “the most beautiful exit”—a sort of rich, Instagram-ready consumer experience that you might get from a five-star resort.
Back in 2016, critics of the MAID law saw this coming. They warned that soon enough, people in anguish and near death wouldn’t be the only ones given assistance to die. That warning turned out to be understated. Within a few years, Canada went from being a country that had banned assisted suicide to being one of the loosest regimes in the world.
Some people leading pathos-filled lives have begun to see assisted suicide as a release from their misery. Michael Fraser, though not terminally ill at age 55, had become unable to walk and suffered from an array of medical problems—liver disease and incontinence, as well as mental-health issues after what he described as prolonged sexual abuse as a child. His monthly check from the Ontario Disability Support Program was barely enough to live on. “Some of the struggles he talked to me about was this feeling of not being worthy,” the doctor who gave Fraser a lethal injection on July 2, 2022, told the Toronto Star. “There’s a social aspect to poverty, a hierarchy, that affected his psyche. He told me that it did.”
Vartika Sharma
As assisted suicide has become an established part of Canadian society, the complex moral issues surrounding the end of life have drifted out of sight. Decisions tend to be made within a bureaucratic context, where utilitarian considerations can come to dominate the foreground. Or as the president of the Quebec College of Physicians, which regulates medical practice in the province, put it, assisted suicide “is not a political or moral or religious issue. It is a medical issue.” A materialist cost-benefit analysis, for some people, crowds out affirmations that life is sacred, and socioeconomic burdens weigh heavily in the balance.
Tyler Dunlop is a physically healthy 37-year-old man who suffers from schizoaffective disorder and PTSD, and has no job or home or social contact. “When I read about medically assisted dying,” he told a local news website earlier this year, “I thought, well, logistically, I really don’t have a future.” Knowing that “I’m not going anywhere,” as he put it, he has started the process for approval under MAID. The New Atlantis published slides from a Canadian Association of MAID Assessors and Providers seminar, in which a retired care coordinator noted that a couple of patients had cited poverty or housing uncertainty, rather than their medical condition, as their main reason for seeking death.
Health-care costs also sometimes come into play. According to the Associated Press, Roger Foley, a patient at a hospital in Ontario who has a degenerative brain disorder, was disturbed enough by how often the staff talked about assisted dying that he began recording their conversations. The hospital’s director of ethics informed Foley that if he were to stay in the hospital, it would cost Foley “north of $1,500 a day.” Foley replied that he felt he was being coerced into death. “Roger, this is not my show,” the ethicist replied. “I told you my piece of this was to talk to you about if you had an interest in assisted dying.” (The hospital network told The Atlantic that it could not comment on specific patients for privacy reasons and added that its health-care teams do not discuss assisted dying unless patients express interest in it.)
These trends have not shocked Canadian lawmakers into tightening the controls on who gets approved for MAID, or dramatically ramping up programs that would provide medical and community-based help for patients whose desperation might be addressed in other ways. On the contrary, eligibility may expand soon. On February 15, a parliamentary committee released a set of recommendations that would further broaden MAID eligibility, including to “mature minors” whose death is “reasonably foreseeable.” The influential activist group Dying With Dignity Canada recommends that “mature minors” be defined as “at least 12 years of age and capable of making decisions with respect to their health.” Canada is scheduled to move in 2024 to officially extend MAID eligibility to those whose only illness is a mental disorder.
The frame of debate is shifting. The core question is no longer “Should the state help those who are suffering at the end of life die?” The lines between assisted suicide for medical reasons, as defined by the original MAID criteria, and straight-up suicide are blurring. The moral quandary is essentially this: If you see someone rushing toward a bridge and planning to jump off, should you try to stop them? Or should you figure that plunging into the water is their decision to make—and give them a helpful shove?
I don’t mean to pick on Canada, the land of my birth. Lord knows that, in many ways, Canada has a much healthier social and political culture—less bitter and contentious—than the United States does. I’m using the devolution of the MAID program to illustrate a key feature of modern liberalism—namely, that it comes in different flavors. The flavor that is embedded in the MAID program, and is prevalent across Western societies, is what you might call autonomy-based liberalism.
Autonomy-based liberalism starts with one core conviction: I possess myself. I am a piece of property that I own. Because I possess property rights to myself, I can dispose of my property as I see fit. My life is a project that I am creating, and nobody else has the right to tell me how to build or dispose of my one and only life.
The purpose of my life, in this version of liberalism, is to be happy—to live a life in which my pleasures, however I define them, exceed my pains. If I determine that my suffering outweighs my joys, and that things will never get better, then my life isn’t working. I have a right to end it, and the state has no right to prevent me from doing so; indeed, it ought to enable my right to end my life with dignity. If you start with autonomy-based liberalism, MAID is where you wind up.
But there is another version of liberalism. Let’s call this gifts-based liberalism. It starts with a different core conviction: I am a receiver of gifts. I am part of a long procession of humanity. I have received many gifts from those who came before me, including the gift of life itself. The essential activity of life is not the pursuit of individual happiness. The essential activity of life is to realize the gifts I’ve been given by my ancestors, and to pass them along, suitably improved, to those who will come after.
Gifts-based liberals, like autonomy-based liberals, savor individual choice—but our individual choices take place within the framework of the gifts we have received, and the responsibilities to others that those gifts entail. (This understanding of choice, I should note, steers a gifts-based liberal away from both poles in the American abortion debate, endorsing neither a pure abortion-rights stance rooted in bodily autonomy, nor a blanket ban that ignores individual circumstances and pays no heed to a social consensus.) In our lives, we are citizens and family members, not just individuals and property owners. We have obligations to our neighbors as well as to those who will come after us. Many of those obligations turn out to be the sources of our greatest joy. A healthy society builds arrangements and passes laws that make it easier to fulfill the obligations that come with our gifts. A diseased society passes laws that make it easier to abandon them.
I’m going to try to convince you that gifts-based liberalism is better than autonomy-based liberalism, that it rests on a more accurate set of assumptions about what human life is actually like, and that it leads to humane modes of living and healthier societies.
Let me start with four truths that gifts-based liberalism embraces and autonomy-based liberalism subverts:
You didn’t create your life. From the moment of your birth, life was given to you, not earned. You came out bursting with the gift of being alive. As you aged, your community taught you to celebrate the prodigality of life—the birds in their thousands of varieties, the deliciousness of the different cheeses, the delightful miracle of each human face. Something within us makes us desperately yearn for longer life for our friends and loved ones, because life itself is an intrinsic good.
The celebration of life’s sacredness is so deeply woven into our minds, and so central to our civilization, that we don’t think about it much until confronted with shocking examples of when the celebration is rejected. For example, in the early 2000s, a German man named Armin Meiwes put an ad online inquiring whether anybody would like to be killed and eaten. A man came by and gave his consent. First, Meiwes cut off the man’s penis, and the two men attempted to eat it together. Then Meiwes killed and butchered him; by the time of his arrest, he had consumed more than 40 pounds of his flesh. Everything was done with the full consent of both participants, but the extreme nature of the case forced the German court system not only to sentence Meiwes to life in prison, but to face an underappreciated yet core pillar of our civilization: You don’t have the right to insult life itself. You don’t have the right to turn yourself or other people into objects to be carved up and consumed. Life is sacred. Humanity is a higher value than choice.
You didn’t create your dignity. No insignificant person has ever been born, and no insignificant day has ever been lived. Each of us has infinite dignity, merely by being alive. We can do nothing to add to that basic dignity. Getting into Harvard doesn’t make you more important than others, nor does earning billions of dollars. At the level of our intrinsic dignity, all humans are radically equal. The equal dignity of all life is, for instance, the pillar of the civil-rights movement.
Once MAID administrators began making decisions about the life or death of each applicant based on the quality of their life, they introduced a mode of thinking that suggests that some lives can be more readily extinguished than others—that some lives have more or less value than others. A human being who is enfeebled, disabled, depressed, dwindling in their capacities is not treated the same way as someone who is healthier and happier.
When such a shift occurs, human dignity is no longer regarded as an infinite gift; it is a possession that other humans can appraise, and in some cases erase. Once the equal and infinite dignity of all human life is compromised, everything is up for grabs. Suddenly debates arise over which lives are worth living. Suddenly you have a couple of doctors at the Quebec College of Physicians pushing the envelope even further, suggesting that babies with severe deformations and limited chances of survival be eligible for medically assisted death. Suddenly people who are ill or infirm are implicitly encouraged to feel guilty for wanting to live. Human dignity, once inherent in life itself, is measured by what a person can contribute, what level of happiness she is deemed capable of enjoying, how much she costs.
You don’t control your mind. “From its earliest beginning,” Francis Fukuyama writes, “modern liberalism was strongly associated with a distinctive cognitive mode, that of modern natural science.” In liberal societies, people are supposed to collect data, weigh costs and benefits, and make decisions rationally. Autonomy-based liberalism, with its glorification of individual choice, leans heavily on this conception of human nature.
Gifts-based liberals know that no purely rational thinker has ever existed. They know that no one has ever really thought for themselves. The very language you think with was handed down as a gift from those who came before. We are each nodes in a network through which information flows and is refracted. The information that is stored in our genes comes from eons ago; the information that we call religion and civilization comes from thousands of years ago; the information that we call culture comes from distant generations; the information that we call education or family background comes from decades ago. All of it flows through us in deep rivers that are partly conscious and partly unconscious, forming our assumptions and shaping our choices in ways that we, as individuals, often can’t fathom.
Gifts-based liberals understand how interdependent human thinking is. When one kid in high school dies by suicide, that sometimes sets off a contagion, and other kids in that school take their own life. Similarly, when a nation normalizes medically assisted suicide, and makes it a more acceptable option, then more people may choose suicide. A 2022 study in the Journal of Ethics in Mental Health found that in four jurisdictions—Switzerland, Luxembourg, the Netherlands, and Belgium—where assisted dying is legal, “there have been very steep rises in suicide,” including both assisted and unassisted suicide. The physician who assists one person to die may be influencing not just that suicide but the suicides of people he will never see.
Gifts-based liberals understand the limitations of individual reason, and have a deep awareness of human fallibility. Gifts-based liberals treasure having so many diverse points of view, because as individuals, we are usually wrong to some degree, and often to a very large degree. We need to think together, over time, in order to stumble toward the truth. Intellectual autonomy is a dangerous exaggeration.
Gifts-based liberals understand that at many times in life, we’re just not thinking straight—especially when we are sick, in pain, anxious, or depressed. My friend the Washington Post columnist Michael Gerson, who died of cancer last year, once said, “Depression is a malfunction of the instrument we use to determine reality.” When he was depressed, lying voices took up residence there, spewing out falsehoods he could scarcely see around: You are a burden to your friends; you have no future; no one would miss you if you died. This is not an autonomous, rational mind. This is a mind that has gone to war with its host.
In these extreme cases, human fallibility is not just foolish; it is potentially fatal. To cope with those cases, societies in a gifts-based world erect guardrails, usually instantiated in law. In effect the community is saying: No, suicide is out of bounds. It’s not for you to decide. You don’t have the freedom to end your freedom. You don’t have the right to make a choice you will never be able to revisit. Banish the question from your mind, because the answer is a simple no. Individual autonomy is not our ultimate value. Life and belonging are. We are responsible for one another.
You did not create your deepest bonds. Liberal institutions are healthiest when they are built on arrangements that precede choice. You didn’t choose the family you were born into, the ethnic heritage you were born into, the culture you were born into, the nation you were born into. As you age, you have more choices over how you engage with these things, and many people forge chosen families to supplant their biological ones. But you never fully escape the way these unchosen bonds have formed you, and you remain defined through life by the obligations they impose upon you.
Autonomy-based liberals see society as a series of social contracts—arrangements people make for their mutual benefit. But a mother’s love for her infant daughter is not a contract. Gifts-based liberals see society as resting on a bedrock of covenants. Rabbi Jonathan Sacks once captured the difference this way: “A contract is a transaction. A covenant is a relationship. Or to put it slightly differently: a contract is about interests. A covenant is about identity. It is about you and me coming together to form an ‘us.’ ”
A society constructed on gifts-based liberalism does everything it can to strengthen the bedrock layer of covenants. The MAID program, by contrast, actively subverts them. It has led a mother to plead with a doctor not to end her son’s life. It has left a man enraged, feeling that he and his other family members were shut out of the process that led to the killing of his brother. The state, seeing people only as autonomous individuals, didn’t adequately recognize family bonds.
Families have traditionally been built around mutual burdens. As children, we are burdens on our families; in adulthood, especially in hard times, we can be burdens on one another; and in old age we may be burdens once again. When these bonds have become attenuated or broken in Western cultures, many people re-create webs of obligation in chosen families. There, too, it is the burdening that makes the bonds secure.
I recently had a conversation with a Canadian friend who told me that he and his three siblings had not been particularly close as adults. Then their aging dad grew gravely ill. His care became a burden they all shared, and that shared burden brought them closer. Their father died but their closeness remains. Their father bestowed many gifts upon his children, but the final one was the gift of being a burden on his family.
Autonomy-based liberalism imposes unrealistic expectations. Each individual is supposed to define their own values, their own choices. Each individual, in the words of Supreme Court Justice Anthony Kennedy in Planned Parenthood v. Casey, is left to come up with their own “concept of existence, of meaning, of the universe, of the mystery of human life.” If your name is Aristotle, maybe you can do that; most of us can’t. Most of us are left in a moral vacuum, a world in which the meaning of life is unclear, unconnected to any moral horizon outside the self.
Autonomy-based liberalism cuts people off from all the forces that formed them, stretching back centuries, and from all the centuries stretching into the future. Autonomy-based liberalism leaves people alone. Its emphasis on individual sovereignty inevitably erodes the bonds between people. Autonomy-based liberalism induces even progressives to live out the sentence notoriously associated with Margaret Thatcher: “There is no such thing as society.” Nearly 200 years ago, Alexis de Tocqueville feared that this state of affairs not only makes
men forget their ancestors, but also clouds their view of their descendants and isolates them from their contemporaries. Each man is forever thrown back upon himself alone and there is a danger that he may be shut up in the solitude of his own heart.
As Émile Durkheim pointed out in 1897, this is pretty much a perfect recipe for suicide. We now live in societies in which more and more people are deciding that death is better than life. In short, autonomy-based liberalism produces the kind of isolated, adrift people who are prone to suicide—and then provides them with a state-assisted solution to the problem it created in the first place.
Gifts-based liberalism, by contrast, gives you membership in a procession that stretches back to your ancestors. It connects you to those who migrated to this place or that, married this person or that, raised their children in this way or that. What you are is an expression of history.
This long procession, though filled with struggles and hardship, has made life sweeter for us. Human beings once lived in societies in which slavery was a foundational fact of life, beheadings and animal torture were popular entertainments, raping and pillaging were routine. But gradually, with many setbacks, we’ve built a culture in which people are more likely to abhor cruelty, a culture that has as an ideal the notion that all people deserve fair treatment, not just our kind of people.
This is progress. Thanks to this procession, each generation doesn’t have to make the big decisions of life standing on naked ground. We have been bequeathed sets of values, institutions, cultural traditions that embody the accumulated wisdom of our kind. The purpose of life, in a gifts-based world, is to participate in this procession, to keep the march of progress going along its fitful course. We may give with our creativity, with our talents, with our care, but many of the gifts people transmit derive from deeper sources.
A few years ago, the historian Wilfred McClay wrote an essay about his mother, a mathematician, in The Hedgehog Review. One day he mentioned to her that H. L. Mencken had suffered a stroke late in life that left him unable to read or write and nearly unable to speak. His mother coolly remarked that if such a fate ever befell her, he should not prolong her life. Without a certain quality of life, she observed, there’s no point in living.
A couple of years later, she suffered a near-fatal stroke that left her unable to speak. She cried the most intense sobs of grief McClay had ever heard. It might have appeared that her life was no longer worth living. But, McClay observed, “something closer to the opposite was true. An inner development took place that made her a far deeper, warmer, more affectionate, more grateful, and more generous person than I had ever known her to be.”
Eventually McClay’s mother moved in with his family. “It wasn’t always easy, of course, and while I won’t dwell on the details, I won’t pretend that it wasn’t a strain. But there are so many memories of those years that we treasure—above all, the day-in-and-day-out experience of my mother’s unbowed spirit, which inspired and awed us all.”
She and her family devised ways to communicate, through gestures, intonations, and the few words she still possessed. She could convey her emotions by clapping and through song. “Most surprisingly, my mother proved to be a superb grandmother to my two children, whom she loved without reservation, and who loved her the same way in return.” McClay noted that her grandkids saw past her disability. They could not have known how they made life worth living for her, but being around her was a joy. After she died, McClay writes that “it took a long time to adjust to the silence in the house.” He concluded, “Aging is not a problem to be solved, my mother taught us. It is a meaning to be lived out.”
Sometimes the old and the infirm, those who have been wounded by life and whose choices have been constrained, reveal what is most important in life. Sometimes those whose choices have been limited can demonstrate that, by focusing on others and not on oneself, life is defined not by the options available to us but by the strength of our commitments.
If autonomy-based liberals believe that society works best when it opens up individual options, gifts-based liberals believe that society works best when it creates ecologies of care that help people address difficulties all along the path of life. Autonomy-based liberalism is entrenching an apparatus that ends life. Gifts-based liberalism believes in providing varieties of palliative care to those near death and buttressing doctors as they forge trusting relationships with their patients. These support structures sometimes inhibit choices by declaring certain actions beyond the pale. Doctors are there for healing, at all times and under all pressures. Patients can trust the doctor because they know the doctor serves life. Doctors can know that, exhausted and confused though they might be while attending to a patient, their default orientation will be to continue the struggle to save life and not to end life.
John Stuart and Harriet Taylor Mill believed in individual autonomy. But they also believed that a just society has a vision not only of freedom but also of goodness, of right and wrong. Humans, John Stuart Mill wrote, “are under a moral obligation to seek the improvement of our moral character.” He continued, “The test of what is right in politics is not the will of the people, but the good of the people.” He understood that the moral obligations we take on in life—to family, friends, and nation, to the past and the future—properly put a brake on individual freedom of action. And he believed that they point us toward the fulfillment of our nature.
The good of humanity is not some abstraction—it’s grounded in the succession of intimates and institutions that we inherit, and that we reform, improve, and pass on. When a fellow member of the procession is in despair, is suffering, is thinking about ending their life, we don’t provide a syringe. We say: The world has not stopped asking things of you. You still have gifts to give, merely by living among us. Your life still sends ripples outward, in ways you do and do not see. Don’t go. We know you need us. We still need you.
This article appears in the June 2023 print edition with the headline “The Canadian Way of Death.” When you buy a book using a link on this page, we receive a commission. Thank you for supporting The Atlantic.
INDIANAPOLIS (AP) — Indiana lawmakers on Thursday gave their final approval to a bill that could make it easier to ban books from public school libraries.
The bill would require school libraries to publicly post a list of books they offer and provide a complaints process for community members. Schools and librarians could also no longer argue, as a legal defense, that the texts in their libraries have “educational” value. The law would still allow them to argue the text has literary, artistic, political or scientific value.
“That’s how I would describe educational, by the way,” GOP Rep. Martin Carbaugh said before the House voted 70-27 in favor of it.
The language was derived from a Senate proposal that passed in February and had come up in various other bills this session. It was added Thursday to a House bill related to student assessments and received quick approval from the House and Senate. The bill now heads to to Republican Gov. Eric Holcomb.
Those who supported the legislation expressed concern that sexually inappropriate or “pornographic” materials are available to children. Critics, however, said the legislation could open the door to banning books simply because some people don’t like the topics, as well as criminal prosecutions of educators for providing such books.
“Do we really want some parents choosing books for what other kids are reading or not reading?” Democratic Sen. J.D. Ford, the state’s only openly gay legislator, said Thursday. “I still think it’s a slippery slope.”
Republican state Rep. Becky Cash insisted the bill “protects the schools.”
“I hope that as this plays out, people will realize that,” she told The Associated Press.
“Why, Leah, do you write these books?” Pack said she asked her daughter, whose book is about a Black girl who falls for her competition for prom queen.
Pack said her daughter’s response was that “it was horrible and confusing, growing up and not seeing me and who I was represented in literature. So this is my way of letting young people know you are not alone, no matter what anybody tells you.”
The bill was subsequently approved by the Senate 39-10.
Attempted book bans and restrictions on libraries have surged, setting a record in 2022, according to a recent report by the ALA. The vast majority of complaints have come from conservatives, directed at works with LGBTQIA+ or racial themes, according to Deborah Caldwell-Stone, who directs the ALA’s Office for Intellectual Freedom.
“We all know, in this room, there is no pornography in our schools,” Indiana Democratic Rep. Matt Pierce said Thursday. “What it is, is young adult fiction that talks about lesbians and gays and people that are different than some of us, and it’s giving us a realistic portrayal of the challenges and the burdens and the struggles that those minorities face.”
Arleigh Rodgers is a corps member for the Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues. Follow her on Twitter at https://twitter.com/arleighrodgers.
PHOENIX (AP) — A giant red spoon that was stolen from an Arizona Dairy Queen and sparked a mystery on social media was found Monday morning, and it’s partly thanks to Pokémon GO.
Michael Foster, 52, was playing the outdoor mobile game when he spotted the 15-foot (4.5-meter) spoon around 7 a.m. It was lying on the ground behind a fence that surrounds a Phoenix middle school baseball field, just 2 miles (3 kilometers) from the scene of the heist.
“The first thing I did was send a picture to my wife and I said, ‘It’s the spoon.’ She said call the police,” Foster told The Associated Press.
“I can confirm the Dairy Queen ‘red spoon’ was located and recovered this morning,” Sgt. Brian Bower said in an email Monday.
Detectives are continuing to search for the suspects who took the spoon, he added. Police are encouraging the public to submit any tips.
A school maintenance man came over and pushed it over the fence to Foster, who handed it to Phoenix police.
“I set it down. They actually did the lifting after we got it over the fence,” Foster said. “They strapped it to the top of a police cruiser.”
Foster said nobody else was around and the school was just opening when he saw it.
“I did kind of look around and was like ‘What?’ One guy did finally come by and was like, ‘Is that what I think it is?’ Yeah, that’s the spoon,” Foster said.
This photo provided by Michael Foster shows a Phoenix police officer strapping down a 15-foot red spoon to his police cruiser in Phoenix on Monday, April 3, 2023. Foster found the giant red spoon while playing Pokemon GO. It was stolen from an Arizona Dairy Queen on March 25 and sparked a mystery on social media. (Michael Foster via AP)
Phoenix police over the weekend released surveillance footage from March 25 that showed two men and one woman get the spoon out of its base and put it on a large flatbed connected to a pickup truck.
Owners Raman and Puja Kalra said last week that they hoped to get it back. Getting another spoon made, delivered and then installed would cost over $7,000. They even resorted to creative strategies such as printing T-shirts for staff that said “Where’s My Spoon?”
Raman Kalra confirmed Monday in an email he was on his way to pick up the spoon from police.
“We are happy to have our spoon back and we are looking forward to the neighborhood creating more smiles and stories with this now world-famous spoon,” he said.
Dairy Queen is known for doling out plastic red spoons with their soft serve Blizzards. The Dairy Queen where the theft happened is the only Arizona location with a large red spoon. It’s been a popular Instagram photo spot.
The couple, who own 34 locations, also offered a reward of free Blizzard treats for anyone who helped facilitate the spoon’s return.
Foster said he doesn’t need a reward.
“Honestly, we’re just glad they’re gonna get their spoon back,” he said.
ASPEN, Colorado (AP) — Snow falls thick as skiers shed their gear and duck into the Sundeck Restaurant, one of the first certified energy efficient buildings in the U.S. – this one at 11,200 feet (3,413 meters) above sea level atop Aspen Mountain in Colorado.
INDIANAPOLIS (AP) — Federal agents confiscated a loaded gun found in the hand luggage of actor and comedian Mike Epps, who was trying to board a flight at Indianapolis International Airport, airport police said.
Transportation Security Administration officers discovered the Smith & Wesson .38-caliber pistol Sunday morning inside Epps’ backpack, airport police said. Epps, 52, told agents at the TSA checkpoint that he forgot he had the weapon in his bag.
Agents seized the weapon but did not arrest Epps. Airport officials did not say where Epps was flying to or if he was travelling alone. The TSA forwarded the case to the Marion County prosecutor’s office to consider if charges are necessary.
Spokesman Michael Leffler said Wednesday that the prosecutor’s office is reviewing the case.
“These matters rarely result in criminal charges,” Leffler said.
“I think it is important to note that the burden of proof required by statute and case law requires you to prove whether an individual knowingly or intentionally brought the firearm,” he added. “Generally speaking, the most common circumstance is that firearms located by TSA or airport police are unintentionally left in bags.”
The Associated Press sent an email seeking comment from an Epps representative Wednesday.
Epps, an Indianapolis native, has starred in movies including “The House Next Door: Meet the Blacks 2,” “Next Friday” and “Friday After Next.” He appears in the upcoming Marvel movie “Madame Web” starring Dakota Johnson, and the Apple TV+ series “Lady in the Lake” starring Natalie Portman.
Last year, the Transportation Security Administration seized a record 6,542 guns at airports around the country. Most people who are stopped for having a gun at an airport checkpoint say they forgot they had the weapon with them.
NASHVILLE, Tenn. (AP) — One of Tennessee’s most influential Republican lawmakers says the state should stop accepting the nearly $1.8 billion of federal K-12 education dollars that help provide support for low-income students, English learners and students with disabilities.
House Speaker Cameron Sexton told The Associated Press that he has introduced a bill to explore the idea during this year’s legislative session and has begun discussions with Gov. Bill Lee and other key GOP lawmakers.
“Basically, we’ll be able to educate the kids how Tennessee sees fit,” Sexton said, pointing that rejecting the money would mean that Tennessee would no longer have “federal government interference.”
To date, no state has successfully rejected federal education funds even as state and local officials have long grumbled about some of the requirements and testing that at times come attached to the money. The idea has also come up elsewhere in recent months among GOP officials, including in Oklahoma and South Carolina.
Many Republican politicians and candidates at the federal level have also made a habit of calling for the outright elimination of the U.S. Department of Education.
According to Sexton, Tennessee is currently in the financial position to use state tax dollars to replace federal education funds. He pointed to the $3.2 billion in new spending outlined in Gov. Lee’s recent budget proposal for the upcoming fiscal year as proof that the state could easily cover the federal government’s portion.
Federal dollars make up a small slice of Tennessee’s K-12 education funding, which had an almost $8.3 billion budget as of fiscal year 2023. Yet the federal money is seen as a key tool to supporting schools in low-income areas and special education.
Sexton says he has been mulling the proposal for a while, but this week, he publicly touted the idea in front of a packed room full of lawmakers, lobbyists and other leaders at the Tennessee Farm Bureau luncheon on Tuesday.
“We as a state can lead the nation once again in telling the federal government that they can keep their money and we’ll just do things the Tennessee way,” Sexton said at the event. “And that should start, first and foremost, with the Department of Education.”
Spokespersons for both Gov. Lee and Sen. Randy McNally appeared open to entertaining Sexton’s proposal.
“Although we haven’t seen the details of the legislation yet, the governor is always interested in working with the speaker to ensure Tennessee students have the best access to a high-quality education,” said Lee’s spokesperson, Jade Byers.
McNally said he was open to the proposal, saying that “federal mandates in the area of education can be overly burdensome.”
“McNally thinks a discussion about forgoing this money, a relatively small part of overall education funding, in order to maintain more control over how we educate our Tennessee students is a constructive conversation to have,” spokesperson Adam Kleinheider said.
Democratic Rep. Bo Mitchell said he had several concerns about forgoing federal education funding, particularly knowing that the money currently goes to support students with disabilities and low-income students.
“I’m concerned about their rights and Tennessee being able to provide those services and uphold their rights,” Mitchell said.
In Republican-dominant Tennessee, GOP lawmakers have increasingly become more skeptical and combative over what is taught inside public classrooms — particularly over race and gender issues — and the policies surrounding what services schools offer to students.
To push back against these attacks, advocates have generally leveraged various federal funds the state receives as grounds to block or challenge various school-related bans. This has resulted in state and federal education officials often being at odds with each other.
For example, last September, the U.S. Department of Education reprimanded Tennessee for how it was carrying out statewide testing, saying its problems “impact the state’s ability to provide clear and transparent information to the public about school performance, but also result in the state using information that is not comparable across schools.”
Meanwhile, Tennessee was among the states to sue President Joe Biden ’s administration over a U.S. Department of Agriculture school meal program that prohibits discrimination based on sexual orientation and gender identity.
The lawsuit came after the USDA announced in May that it would include discrimination based on sexual orientation and gender identity as a violation of Title IX, the sweeping 1972 law that guarantees equity between the sexes in “any education program or activity receiving Federal financial assistance.”
And in 2021, the federal department opened investigations into Tennessee and four other Republican-led states that have banned or limited mask requirements in schools, saying the policies could amount to discrimination against students with disabilities or health conditions.
Yet it’s unclear whether Tennessee would have fewer conflicts with the federal government if the state chose to forgo the education funding. While the U.S. Constitution says public education is a state responsibility, states are still required to follow federal laws.
Separately, in January, Tennessee sparked national attention when state’s Department of Health announced it was walking away from nearly $9 million in federal funding designed to prevent and treat HIV.
In a letter sent to providers, the state announced that it believes “it is in the best interest of Tennesseans for the state to assume direct financial and managerial responsibility for these services.”
SPRINGDALE, Ark., January 30, 2023 (Newswire.com)
– Jane See White died January 11, 2023. She was 72. The Mexico, Missouri native had an award-winning 40-plus year career in newspaper and magazine journalism, including national reporting and editing with the Associated Press, and teaching journalism as part of the University of Arizona School of Journalism.
White was the daughter of Robert Mitchell White II and Barbara Whitney Spurgeon.
At the age of nine White began a dedicated journalism career as the founding Editor and Publisher of The Mexico (Missouri) Junior Ledger. The summer weekly newspaper covered neighborhood news, but ceased publication when White began spending her summers at Camp Bryn Afon in Rhinelander, Wisconsin.
She graduated from Mexico High School, then in 1972, from Hollins College with honors and a BA in History and American Studies.
Upon graduation from Hollins College, White spent two years as a reporter for The Roanoke Times then moved back to Missouri as a feature writer for The Kansas City Star. There she earned awards for an investigative series regarding state-run schools for the mentally disabled, and another related to state psychiatric hospitals.
In 1976 she transitioned to the Associated Press in New York City as an editor on the World Desk. From 1978 to 1981 she was also part of an AP six-person national writing team, writing feature news stories for datelines around the country. Her work included covering the Love Canal toxic crisis, exposing and examining the early controversy over the health effects of exposure to Agent Orange.
Peter Arnett, awarded the 1966 Pulitzer Prize in International Reporting, and known broadly for his coverage of the Vietnam and Gulf Wars, was a colleague of White’s at the Associated Press. “I had the good fortune to be based in AP Headquarters as a Special Correspondent during the 1970s when Jane was steadily building her journalism career,” Arnett recently wrote. “. . . touching tributes to Jane White on her purposeful life in journalism and her recent untimely death brought back memories of not only working with her, but also of Jane’s sparkling personality and her moxie, a very American word of that era used to describe courage and determination.”
White joined Medical Economics magazine as a writer in 1982. Her progression with the publication included Professional Editor, News / Bureaus Editor and Head of the Editorial Division for the national bi-weekly non-clinical publication.
In 1987, her passion for newspaper journalism led her back to Virginia and The Roanoke Times and World News where she was the Deputy City Editor, then City Editor. Her responsibilities included daily and Sunday news coverage by 40 reporters and six assistant city editors.
White moved to Arizona in 1991, holding various writing and editing roles for The Phoenix Gazette and The Arizona Republic, including Features Editor and Assistant Managing Editor.
From 2006 until her retirement in 2014, White was an Editor and editorial writer for The Arizona Daily Star. Editorials White researched and wrote won first-place prizes from the Arizona Press Club, the Arizona Newspapers Association, and were included in nomination for the Pulitzer Prize.
Between 1997 and 2014, White also shared her expertise and passion for journalism with future journalists, as an adjunct Professor with the University of Arizona School of Journalism.