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Tag: arts organizations

  • Why storytelling drives nonprofit fundraising and advocacy | Long Island Business News

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    In Brief:
    • Nonprofits use to cut through message overload and emotionally engage donors and policymakers.
    • are pairing personal narratives with economic data to demonstrate measurable community impact.
    • Disability and rely on personal stories to build trust and strengthen fundraising.
    • Combining data with lived experience boosts fundraising success and legislative advocacy.

    Storytelling is not just for : It’s the lifeblood of organizations.

    As people are inundated with endless messaging all around them, capturing anyone’s attention is more challenging than ever.

    Pulling at people’s heartstrings through a compelling narrative can be key to successful fundraising.

    Linking the economic impact to the arts

    LAUREN WAGNER: ‘Creative work is lived experience; it’s expression. And impact has been the way that the arts have led their storytelling for a very long time.’

    The arts sector has historically relied on impact narrative, notes Lauren Wagner, executive director of the Long Island Arts Alliance, a regional arts service organization advocating to make arts accessible throughout Nassau and Suffolk counties.

    “The arts are inherently story-driven,” Wagner said. “Creative work is lived experience; it’s expression. And impact has been the way that the arts have led their storytelling for a very long time.”

    For many years, those stories have been told in isolation, without data anchoring them to their value to the community.

    “One of the things that I try and tackle on a daily basis is shifting the narrative from the arts are a luxury to the arts are essential,” she said.

    Most people don’t think of connecting arts with dollar figures, but Wagner argues that they are integrally linked.

    “My core fundraising philosophy is no story without a number and no number without a story, because I think it’s really important to be able to tell your story in both ways,” said Wagner, adding that when she informed legislators that the arts have had a $330 million impact on Nassau and Suffolk, it got their attention.

    Having participated in the Arts & Economic Prosperity Study a few years ago, Long Island Arts Alliance can provide organizations with individualized impact statements, notes Wagner.

    For example, in a meeting with New York Gov. Kathy Hochul,  the Patchogue Arts Council shared stories of their work and how many kids they reach, demonstrating the direct economic impact on the community.

    “That was really what led to their multi-million dollar grant that they got from the governor’s office,”  Wagner said.

    Sharing a personal story

    WALTER STOCKTON: ‘We really don’t get enough money from the government to keep the homes up the way we expect them to be. Fundraising money becomes very important for that.’

    For Kinexion, a management service organization for nonprofits that provide support for people living with disabilities, programs are funded 100 percent by the government, notes Walter Stockton, president and CEO.

    “Even if you get 100 percent funding by the government, it’s never really enough,” said Stockton, noting that they need to keep each of their 185 group homes in top shape. “We really don’t get enough money from the government to keep the homes up the way we expect them to be. Fundraising money becomes very important for that.”

    For Kinexion, golf outings and dinners are more like “friend-raisers,” as opposed to fundraisers.

    “That’s where you get to tell the story. You tell the story to people about how you got here, what you’re doing, how important the world is of what you’re providing,” he said.

    When a board member has a friend who is interested in the nonprofit field, Stockton will meet with them, sometimes bringing along parents of a child who they helped moved from an impersonal institution into a supportive residence.

    “When you have a child with a disability, you have no preparation for that,” Stockton said. “There’s no class you took in school to teach you how to take care of or even how to emotionally deal with that. So those stories are very, very pertinent to the kinds of things people want to hear when they want to support that.”

    The power of narrative

    DAVID NEMIROFF: ‘People, I believe, want to help their neighbors and sometimes they just need a really good story to help make that happen.’

    Anybody can recite statistics, but telling a story can move policymakers, donors and community members, avers David Nemiroff, president and CEO of Harmony Healthcare Long Island, which has six separate centers and four school-based locations in Nassau County.

    “The story of what’s going on in our communities has significant impact on people and makes people feel a certain way,” Nemiroff said. “And it’s really important for us as executives of nonprofits to be able to share what those dollars are doing for our community.”

    For example, Harmony Healthcare raises funds for “Baby Bundles,” essentials for new moms like car seats, pack & plays and diapers, to help ensure healthy outcomes for babies.

    “Depending on who our audience is, we tell that story in such a way that it definitely drives donors to support it,” Nemiroff said.

    They now offer scholarships for kids who were patients in their school-based health centers and are interested in pursuing careers in healthcare.

    “Storytelling to me is important because it connects our feelings with our actions and it helps give people a reason to give and support,” Nemiroff said. “People, I believe, want to help their neighbors and sometimes they just need a really good story to help make that happen.”

    For their Perinatal and Infant Community Health Collaborative, in which they care for moms and their babies for the first two years, Harmony Healthcare shares graduation pictures and speeches with board members and others so they could see how their dollars are spent.

    “Telling the stories that try to help one another is very positive because it humanizes what we sometimes take for granted when you just see a headline,” Nemiroff said.

    Storytelling can also be very effective in trying to sway legislators for support.

    “When we go to Albany or D.C., if we can bring a patient or board member, we do,” he said. “We’ll  say: ‘This is what you’ve done for me.’ And I think it’s very powerful when they can hear directly from a constituent.”


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    ARLENE GROSS, LIBN CONTRIBUTING WRITER

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  • NYS arts and culture grants boost Long Island arts organizations | Long Island Business News

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    THE BLUEPRINT:

    • NYS distributes over $63M statewide to more than 2,400 and artists, including on Long Island

    • More than half of the organizational grants went to nonprofits with budgets under $500,000, expanding support for smaller community arts groups

    • New $80M Arts Capital Projects Fund now accepting applications

    For Port Washington–based , a $10,000 grant from the New York State Council on the Arts () is intended to help the organization enrich lives through performing arts and community services as well as educational and social programs.

    For the , a $40,000 NYSCA grant is designed to help the organization with its mission, which includes sparking imagination and fostering learning for children of all backgrounds and abilities.

    These awards are just two of more than 2,400 distributed by NYSCA, totaling over $63 million to support arts and culture organizations and individual artists across New York State. The grants were announced Tuesday.

    “New York’s arts and culture sector is a cornerstone of the state’s identity, and we’re making bold investments to ensure it remains strong,” Gov. Kathy Hochul said in a news release about the grants.

    “These grants will lift up artists and organizations in every region, fueling local economies and expanding access to the arts,” Hochul said, adding  that the talent and dedication of the grantees “help power New York’s future.”

    The arts contributed $330 million to the Long Island economy, supporting 4,905 jobs, according to a 2023 study shared by the  Alliance.

    This year’s NYSCA grants are in four categories: Support for Organizations, Support for Artists, Targeted Opportunities, and Regrants and Services. More than half of the Support for Organization grants were awarded to arts and culture nonprofits with budgets below $500,000, and 71 percent went to institutions statewide with budgets under $1 million, according to the state.

    “During these challenging times, the New York State Council on the Arts has been a stalwart and innovative funder,” New York State Council on the Arts Executive Director Erika Mallin said in the news release.

    “These grants will serve artists and organizations in every region and county, fueling our economy and serving our communities,” Malin added. “We know this support isn’t just an investment in the arts; it’s an investment in New York’s future.”

    The full list of grantees is available here.

    NYSCA is now accepting applications for its $80 million Arts Capital Projects Fund, with a deadline of Jan. 13, at 5 p.m. The fund supports capital facilities and expansion projects for cultural nonprofit organizations that advance accessibility, diverse programming, environmental sustainability and other community-focused priorities. This investment aims to help protect and create jobs that strengthen New York’s arts and tourism sectors. The NYSCA website offers more details.


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    Adina Genn

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  • Cape Ann School of painters still going strong

    Cape Ann School of painters still going strong

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    J.P. Boudreau of Folly Cove Fine Art in Rockport has always known the allure of the Cape Ann School of painters for collectors around the country.

    But he did not expect to be contacted by the brother of a collector in the Albany, New York area who has a 350 Cape Ann School artworks. The Cape Ann School refers to past masters of this historic style of plein air painting who were drawn to Cape Ann.

    The collection of David J. Nyhan included the leading artists of the day almost a century ago, such as Frederick Mulhaupt, Emile Gruppe, Lester Stevens, and Harry Vincent among many others.

    In fact, Boudreau recently drove to Minnesota to deliver a large painting by Gruppe purchased by another collector of the Cape Ann School.

    The gallery, which he runs with Jill Guthrie, specializes in the Cape Ann School, but offers a mix of other celebrated schools such as the Hudson River School and the New York Ten, as well as living artists.

    When asked about the continued popularity of the Cape Ann School, Boudreau noted that these artists’ works capture the beauty of Cape Ann, which continues to draw artists to these shores even today.

    Perhaps that is why Cape Ann is home to three thriving historic art organizations: the Rockport Art Association & Museum, North Shore Arts Association, and the Rocky Neck Art Colony in Gloucester.

    “What attracted these artists to this area is the same reason that continues to attract artists today — the scenic nature of Cape Ann,” said Boudreau, who serves on the Board of Governors of the Rockport Art Association.

    The Rockport Art Association’s current show, the American Impressionist Society’s 25th annual National Juried Exhibition, has 16 artist members of the Folly Cove Gallery represented among the 206 artworks in the show, which runs through Oct. 26.

    Raised in Hamilton and Cape Ann, Boudreau has worked many jobs on the waterfront, from commercial fishing to sailing on schooners — often the subjects of these painters.

    His fascination with historic things began when he was a child, always in search of items of interest, and he began collecting paintings. Now he has a headquarters at the gallery at 41 Main St. in downtown Rockport.

    He grew up surrounded by art from Cape Ann, whether in his home or in the countless homes of Cape Ann that have historic artworks hanging on their walls.

    “This area is — and long has been — a mecca of art for both historic and living artists alike,” he said.

    His work and interest with artists of the Cape Ann School continues to grow. Boudreau is now handling the estates of two renowned artists, Paul Strisik (1918-1998) and Don Stone (1929-2015), both of whom achieved the status of National Academician, as well as Robert Gruppe, a Rocky Neck artist and third-generation artist.

    Gail McCarthy may be contacted at 978-675-2706, or gmccarthy@northofboston.com.

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    By Gail McCarthy | Staff Writer

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