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Tag: arts education

  • OPINION: Beyond DEI offices, colleges are dismantling all kinds of programs related to equity

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    It started with Harvard University. Then Notre Dame, Cornell, Ohio State University and the University of Michigan. 

    Colleges are racing to close or rename their diversity, equity and inclusion (DEI) offices, which serve as the institutional infrastructure to ensure fair opportunity and conditions for all. The pace is disorienting and getting worse: since last January, 181 colleges in all.  

    Often this comes with a formal announcement via mass email, whispering a watered-down name change that implies: “There is nothing to see here. The work will remain the same.” But renaming the offices is something to see, and it changes the work that can be done. 

    Colleges say the changes are needed to comply with last January’s White House executive orders to end “wasteful government DEI programs” and “illegal discrimination” and restore “merit-based opportunity,” prompting them to replace DEI with words like engagement, culture, community, opportunity and belonging. 

    One college went even further this month: The University of Alabama ended two student-run magazines because administrators perceived them to be targeting specific demographics and thus to be out of compliance with Attorney General Pamela Bondi’s anti-discrimination guidance. Students are fighting back while some experts say the move is a blatant violation of the First Amendment. 

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    With the one-year mark of the original disruptive executive orders approaching, the pattern of response is nearly always the same. Announcements of name changes are followed quickly by impassioned pronouncements that schools should “remain committed to our long-standing social justice mission.” 

    University administrators, faculty, students, supporters and alumni need to stand up and call attention to the risks of this widespread renaming.  

    True, there are risks to not complying. The U.S. State Department recently proposed to cut research funding to 38 elite universities in a public-private partnership for what the Trump administration perceived as DEI hiring practices. Universities removed from the partnership will be replaced by schools that the administration perceives to be more merit-based, such as Liberty University and Brigham Young University.  

    In addition to the freezing of critical research dollars, universities are being fined millions of dollars for hiring practices that use an equity lens — even though those practices are merit-based and ensure that all candidates are fairly evaluated.  

    Northwestern University recently paid $75 million to have research funding that had already been approved restored, while Columbia University paid $200 million. Make no mistake: This is extortion. 

    Some top university administrators have resigned under this pressure. Others seem to be deciding that changing the name of their equity office is cheaper than being extorted.  

    Many are clinging to the misguided notion that the name changes do not mean they are any less committed to their equity and justice-oriented missions.  

    As a long-standing faculty member of a major public university, I find this alarming. In what way does backing away from critical, specific language advance social justice missions? 

    In ceding ground on critical infrastructure that centers justice, the universities that are caving are violating a number of historian and author Timothy Snyder’s 20 lessons from the 20th century for fighting tyranny.  

    The first lesson is: “Do not obey in advance.” Many of these changes are not required. Rather, universities are making decisions to comply in advance in order to avoid potential future conflicts.  

    The second is: “Defend institutions.” The name changes and reorganizations convey that this infrastructure is not foundational to university work.  

    What Snyder doesn’t warn about is the loss of critical words that frame justice work.  

    The swift dismantling of the infrastructures that had been advancing social justice goals, especially those secured during the recent responses to racial injustice in the United States and the global pandemic, has been breathtaking.  

    Related: Trump administration cuts canceled this college student’s career start in politics 

    This is personal to me. Over the 15 years since I was hired as a professor and community health equity researcher at Chicago’s only public research institution, the university deepened its commitment to social justice by investing resources to address systemic inequities. 

    Directors were named, staff members hired. Missions were carefully curated. Funding mechanisms were announced to encourage work at the intersections of the roots of injustices. Award mechanisms were carefully worded to describe what excellence looks like in social justice work.  

    Now, one by one, this infrastructure is being deconstructed.  

    The University of Illinois Chicago leadership recently announced that the Office of the Vice Chancellor for Equity and Diversity will be renamed and reoriented as the Office of the Vice Chancellor for Engagement. The explanation noted that this change reflects a narrowed dual focus: engaging internally within the university community and externally with the City of Chicago. 

    This concept of university engagement efforts as two sides of one coin oversimplifies the complexity of the authentic, reciprocal relationship development required by the university to achieve equity goals.  

    As a community engagement scientist, I feel a major loss and unsettling alarm from the renaming of “Equity and Diversity” as “Engagement.” I’ve spent two decades doing justice-centered, community-based participatory research in Chicago neighborhoods with community members. It is doubtful that the work can remain authentic if administrators can’t stand up enough to keep the name. 

    As a professor of public health, I train graduate students on the importance of language and naming. For example, people in low-income neighborhoods are not inherently “at risk” for poor health but rather are exposed to conditions that impact their risk level and defy health equity. Health is “a state of complete physical, mental and social well-being,” while health equity is “the state in which everyone has the chance to attain full health potential.” Changing the emphasis from health equity to health focuses the system’s lens on the individual and mutes population impact.  

    Similarly, changing the language around DEI offices is a huge deal. It is the beginning of the end. Pretending it is not is complicity.  

    Jeni Hebert-Beirne is a professor of Community Health Sciences at the University of Illinois Chicago School of Public Health and a public voices fellow of The OpEd Project. 

    Contact the opinion editor at opinion@hechingerreport.org. 

    This story about colleges and DEI was produced by The Hechinger Report, a nonprofit, independent news organization focused on inequality and innovation in education. Sign up for Hechinger’s weekly newsletter. 

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    Liz Willen
    Editor in chief

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    Jeni Hebert-Beirne

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  • Advocates form Long Island Arts Education Coalition |

    Advocates form Long Island Arts Education Coalition |

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    To advance arts education and help students thrive, New York State Regent Roger Tilles and the Long Island Arts Alliance have announced the formation of the Long Island Arts Education Coalition (or LIAEC).

    LIAEC is a network of people from Nassau and Suffolk counties who aim to advance arts education on Long Island and across New York State.  As of Tuesday, as many as 30 organizations joined the coalition.

    The founder of the Long Island Arts Alliance, Tilles has long supported arts education, pointing out that it fosters critical thinking, a highly sought after trait in the business world.

    Now, he is chairing LIAEC, whose network comprises arts administrators, arts educators, college and university leaders, and state agency representatives. They share a common goal of building capacity within and across the arts education field, and affecting policy change in ways that benefit all youth on Long Island.

    By joining an increasing number of regional and statewide coalitions, the LIAEC will work to ensure that the state’s elected officials are aware of the “essential need for every school to provide opportunities for kids to express themselves through study in the arts,” according to a news release announcing the coalition

    As LIAEC points out, in areas with thriving arts programs, students “are learning in the arts with high engagement, expressing ideas in a variety of arts languages, and engaging in creative and reflective work.” And students also learn through the arts, meeting the course objectives of the arts curricula, and those of other subjects.

    Now, advocates say these arts programs need support, something the coalition is ready to provide.

    “I believe in grass roots advocacy,” Tilles said in a statement.

    “The most effective tool for action is to galvanize leading citizens to affect change as advocates of a common mission,” he added.

    Tilles said that he has “seen in Albany that the loudest voices are those best positioned to win the day. At this crucial time, when our representatives are setting educational policy with long term implications, it is our intent to join with counties across New York to guarantee that children will continue to enjoy the peace and fulfillment that the arts can bring to their lives. We can do no less.”

    The LIAEC looks to develop systems and infrastructure that expand and sustain accessible arts education for all students, of all ages, within all of Long Island’s 125 public school districts. It will focus on building and strengthening partnerships and collaborations between schools and arts and culture programs that are led by local arts organizations and artists.

    “Members of Long Island’s arts community have long been champions for arts education in our schools and beyond,” Dale Lewis, vice chair of Long Island Arts Alliance, and a member of LIAEC.

    “They have done so as individual advocates and as heads of organizations large and small. Now, a coalition of arts partners will allow our community to speak with one voice,” Lewis added. “We will do so to advance a mission of equity in state and school district funding for performing, visual and digital arts programming.”

    LIAA and LIAEC are hosting a free webinar on Wednesday at 4 p.m. for arts educators, school administrators, teaching artists, and local cultural institutions. The webinar will present the Arts Education Data Project, a free resource that has gathered data on arts education availability and participation across New York State and transformed it into a publicly available interactive dashboard. Advocates say this work is “vital in the conversation about the importance of arts education, providing factual evidence in order for educators to develop programs, enhance curriculum and produce authentic measures that support arts programs.”

    For more information and to register for the webinar, click here.

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    Adina Genn

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  • Dance Education Documentary PS DANCE! Is Nominated for a New York Emmy

    Dance Education Documentary PS DANCE! Is Nominated for a New York Emmy

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    PS DANCE!, an inspirational film about dance education in New York City public schools, has been nominated for a New York Emmy in the Documentary category. The New York Emmy Awards will be held on Saturday, March 19, 2016.

    PS DANCE! showcases the profound effects of consistent and sequential dance education programs in five NYC public schools. It debuted on public television on THIRTEEN/WNET, WLIW21 and NJTV in May 2015 and has been broadcast on public television channels across the nation.

    PS DANCE!, an inspirational film about dance education in New York City public schools, has been nominated for a New York Emmy in the Documentary category. The New York Emmy Awards will be held on Saturday, March 19, 2016.

    PS DANCE! showcases the profound effects of consistent and sequential dance education programs in five NYC public schools. It debuted on public television on THIRTEEN/WNET, WLIW21 and NJTV in May 2015 and has been broadcast on public television channels across the nation including stations in Denver, Tampa, Rochester, Miami, Boston, Albany, Orlando, Detroit, San Francisco, Phoenix, Cleveland, New York and New Jersey.

    After the initial broadcast, the full film became available for online viewing at http://www.thirteen.org/programs/thirteen-specials/ps-dance. PS DANCE! was a featured screening at Dance Films Association’s 2016 Dance on Camera Festival and has been discussed on panels during Dance/NYC’s 2016 Symposium, the 2015 National Dance Education Organization conference, and more.

    Hosted by veteran TV journalist Paula Zahn and filmed in the classrooms of five NYC public school full-time certified dance educators, this film reveals the impact that dance instruction has on students’ aesthetic, artistic and expressive development. While every child is born with the innate inclination to create, imagine and dance, PS DANCE! highlights how the Blueprint for Teaching and Learning in Dance, PreK-12, supports dance teachers in developing these qualities. The Blueprint, used by dance teachers citywide, frames this documentary created by Executive Producer Jody Gottfried Arnhold, Director and Producer Nel Shelby, and Dance Education Consultant Joan Finkelstein. The film was developed in collaboration with the NYC Department of Education Office of Arts and Special Projects.

    The documentary captures a typical day in the classrooms of five extraordinary master dance educators: Catherine Gallant (Pre-K-5), Battery Park City’s P.S. 89; Ana Nery Fragoso (K-5), the current NYCDOE Director of Dance, P.S 315 in Midwood; Michael Kerr (6-8), Brooklyn’s New Voices School of Academic & Creative Arts; Patricia Dye (9-12), Science Skills Center High School for Science, Technology and the Creative Arts in Downtown Brooklyn; and Ani Udovicki (9-12), Frank Sinatra School of the Arts, in Long Island City.

    After the film’s release, Arnhold, Shelby and Finkelstein launched an organization with the mission: Dance for Every Child. Dance education enthusiasts can submit their details at psdancenyc.com and join in advocating for more dance in schools. The movement will empower implementation of quality dance programs in schools across the nation.

    PS DANCE! is available on DVD distributed by First Run Features and for rent or purchase on Vimeo. All proceeds from the sale of the film will go to The Fund for Public Schools for dance education programs in NYC Public Schools.

    JOIN THE MOVEMENT: DANCE FOR EVERY CHILD
    Visit psdancenyc.com to join the movement to bring dance to every child and follow the discussion on social media on Facebook,  Twitter and Instagram or by using the hashtags #psdancenyc and #danceforeverychild.

    ABOUT THE FILMMAKERS

    Jody Gottfried Arnhold is a passionate dance advocate and educator. She taught dance in NYC public schools for over twenty years, founded Dance Education Laboratory 92Y (DEL), supports the dance program at NYC Dept. of Education, created the Arnhold Graduate Dance Education Program at Hunter College, and supported and mentored countless dance teachers many of whom now lead the field. She champions and supports NYC dance companies including Ballet Hispanico where she is Honorary Chair. Arnhold serves on the Board at 92Y, Harkness Foundation for Dance, Hunter College, Chairs Hunter’s Dance Advisory Committee, and is on Dance/NYC’s Advisory Committee. She has received the National Dance Education Organization’s Visionary Award, Teachers College Distinguished Alumni Award, the New York State Dance Education Association 2015 Outstanding Leadership Award, Dance Films Association’s 2016 Dance in Focus Award, and was honored by the NYC Arts in Education Roundtable and Lincoln Center Education for her commitment to dance education. She holds a B.A. from the University of Wisconsin, Madison, and M.A. in Dance Education from Teachers College, Columbia University, and is a Certified Movement Analyst. Arnhold continues these efforts as the Executive Producer of the NY Emmy nominated documentary, PS DANCE!, to raise awareness and advocate for her mission Dance for Every Child. It is not just a movie. It is a movement – and Arnhold leads it!

    Nel Shelby, Director and Producer of PS DANCE! and founder and principal at dance film production company Nel Shelby Productions, is deeply dedicated to the preservation and promotion of dance through documentation of live performance, creative video marketing and original filmmaking. Her NYC-based video production company, Nel Shelby Productions, has grown to encompass a long and diverse list of dance clients, and her team has filmed performances at venues throughout the greater New York area and beyond. Shelby serves as Festival Videographer for the internationally celebrated Jacob’s Pillow Dance Festival each summer and is also Resident Videographer at the Vail International Dance Festival. Her longer-form, half-hour documentary on Vail’s festival, The Altitude of Dance, debuted on Rocky Mountain PBS in May 2013. In 2016, she will have a premiere screening of a new half-hour dance documentary featuring Nejla Y. Yatkin that she filmed in Central America in 2010. Shelby created four short films for Wendy Whelan’s Restless Creature, and she collaborated with Adam Barruch Dance on a short film titled “Folie a Deux,” which was selected and screened at the Dance on Camera Festival in New York City and San Francisco Dance Film Festival. She has a long personal history with movement – in addition to her degree in broadcast video, she holds a B.F.A. in dance and is a certified Pilates instructor.

    Joan Finkelstein, Dance Education Consultant for PS DANCE! and Executive Director of the Harkness Foundation for Dance, performed professionally in modern, ballet and Afro-Caribbean dance companies and in RAGS on Broadway, choreographed for the Atlanta Ballet and the Dayton Contemporary Dance Company, and has taught children and adults across the nation. She directed the 92Y Harkness Dance Center from 1992-2004, overseeing classes, the 92Y Dance Education Laboratory (DEL) teacher-training program, performances, workshops, lectures, and social dances. As Director of Dance for the New York City Department of Education from 2004-2014, she spearheaded the Blueprint for Teaching and Learning in Dance PreK-12 and ongoing professional development for dance teachers. A member of the Dance Writing Task Force that created the new National Core Arts Standards in Dance, she received the National Dance Education Organization’s 2009 Leadership Award and the New York State Dance Education Association’s 2014 Outstanding Leadership Award. Finkelstein holds a BFA (Dance Performance) and MFA (Choreography) from NYU Tisch School of the Arts.

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