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Tag: armani

  • A First-Timer’s Guide to the Dolomites

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    Where to stay in the Dolomites

    The Dolomites have no shortage of extraordinary accommodations, where design-forward hotels often become the destinations themselves. Forestis, perched 6,000 feet above sea level in Brixen, is a sanatorium-turned-five-star hotel with a minimalist aesthetic that embraces its surroundings. The Dolomites provide a breathtaking backdrop, visible through every angle, including the hotel’s floor-to-ceiling lobby windows or from the outdoor bed of a Tower Suite—the property’s signature among its 62 guest rooms. Daily wellness programming includes sound baths, guided Wyda forest walks inspired by Celtic wisdom, and Aufguss rituals, a 10-20 minute sauna experience where an Aufguss Master pours essential oils over hot stones and skillfully twirls a towel to circulate the air, all set to the rhythm of the music. This summer, Forestis quietly debuted Yera, the 14-course (cellphone-free) multi-sensory dining experience paired with housemade, fermented alcohol-free drinks, all set inside a cave. 

    About 90 minutes east in Avelengo, Italy’s German-speaking region, Chalet Mirabell feels like a whimsical fairytale. Anchored by a natural swimmable pond and roaming alpacas, the family-owned five-star resort caters to both families and couples with dedicated dining areas and pools for each. Adults can enjoy the variety of wellness programming offered daily, retreat to one of three pools, or head to the 65,000-square-foot spa at the heart of the property. 

    The hotel’s 70 cozy guest rooms blend natural wood and modern accents with plush furnishings in warm tones. Many of the guest rooms are equipped with fireplaces, free-standing tubs, and private balconies overlooking the mountains. For large groups or multi-generational families, choose from one of three mountain villas that can accommodate up to 12 guests. This winter, the sister property Chalet Zuegg debuts, with ski-in, ski-out access to Merano 2000, the town’s premier ski area.
    In Pinzolo (population: 3,000), Lefay Resort & Spa Dolomiti is the only five-star resort in Madonna di Campiglio. The nearly 54,000-square-foot spa is the resort’s crown jewel, with nine saunas and steam rooms spread out across three floors. Of the resort’s 88 alpine guest rooms and 21 residences, the Exclusive Spa Suites elevate your wellness experience to the next level. At just over 1,000 square feet, each suite features a massive whirlpool, private sauna and walk-in wardrobe for all your cozy mountain layers, hiking gear and après-ski essentials.

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    Leila Najafi

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  • It Was Champagne and Cigarettes at Armani’s Star-Studded Academy Museum Gala After-Party

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    On Saturday night, a crowd gathered outside the Chateau Marmont. It wasn’t to get in—there was an unsaid understanding between those on the Marmont Lane sidewalk that the Chateau, already known as one of the hardest doors in Hollywood, was firmly closed tonight. The only way for it to open? If you were on a list carefully, cutthroating-ly curated by Giorgio Armani. Instead, the crowd was there to watch who did.

    Their dedication to people-watching paid off. SUV after SUV pulled up, dropping off names more glamorous than the next: Zoë Kravitz, Charli XCX, Olivia Rodrigo, Demi Moore. “Turn around for the camera, gorgeous!” A paparazzo shouted at Laura Harrier, who acquiesced after several more shouted similar sentiments. “Yes, love you Laura!” A fan added from a distance.

    She was heading inside to a party thrown by the Italian house for their Armani/Archivo initiative, an ambitious project that aims to create a publicly-accessible digital archive of the designs of the late and legendary founder of the house, Giorgio Armani. It was an event that would have attracted a starry crowd regardless—Armani, a brand known for their glamorous eveningwear, has long been a red carpet favorite for celebrities from Cate Blanchett, to Elle Fanning, to Selena Gomez. Yet tonight was also the Academy Award Museum Gala. With Armani’s late start time at 10 p.m, word quickly spread through the Academy crowd that the Chateau Marmont would be the unofficial after party.

    Olivia Rodrigo.

    Courtesy of Giorgio Armani

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    Elise Taylor

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  • Julia Roberts Loaned Her Legendary 1990 Armani Suit to Her Son

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    “I love those ’90s Armani suits. They are simply the best,” Edebiri, who wore a Louis Vuitton look inspired by the Roberts classic to the 2025 Golden Globes, where she scooped up a statue of her own, said.

    Turns out, Roberts is willing to loan the suit outside the bounds of her family, upping the ante for her co-star, saying, “I’m going to bring it to work tomorrow and I want you to wear it.”

    The suit isn’t just on offer for friends and family: Roberts herself wore a similar look this week, donning a dark two-piece ensemble for her guest slot on The Late Show With Stephen Colbert on October 1.

    Elizabeth Stewart, Roberts’ longtime stylist, told Vanity Fair that the star’s latest menswear moment was the result of a collision of nostalgic sartorial and personal influences.

    “The suit is from Salon 1884 and they were inspired by Julia’s wardrobe in My Best Friend’s Wedding and I was inspired by Julia in the ’90s, so it was the perfect storm,” she said via email.

    Decades later, the dapper silhouette—paired Wednesday with a steely top and skinny floral-embellished necktie—still suits her.

    Julia Roberts is seen leaving “The Late Show With Stephen Colbert” at Ed Sullivan Theater on October 1, 2025 in New York City.Gilbert Carrasquillo

    Originally published on Vanity Fair Italia with additional reporting by Kase Wickman.

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    Alfredo Toriello, Kase Wickman

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  • Inside Giorgio Armani’s Private Paris

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    Clever, elegant, and cautious, Giorgio Armani arranged for the muse-turned-activist to meet his architect. Three years later, on Boulevard Saint-Germain, he unveiled his Armani Casa boutique, offering Japanese lanterns in Murano glass, boxes covered in shagreen, furniture in iroko wood, or upholstered in parchment. His businesses are still there, and the Michelin-starred restaurant bearing his name is now one of the best Italian restaurants in Paris.

    It has to be said that the couturier-entrepreneur, the first to launch into the lifestyle spaces that all his competitors eventually emulated, sensed the moods of the city since he first got to know it.

    “In the 1970s and early 1980s, haute couture was in decline,” he said. “Those of us who worked in ready-to-wear were resolutely opposed to it. But I remember some breathtaking Saint Laurent shows that left a lasting impression on me, and the wonders that Karl Lagerfeld did at Chanel. And, although far removed from my own aesthetic, I admired the talent and creativity of Christian Lacroix at Patou. It’s thanks to these designers that haute couture has regained its place,” he told us at the time. And when he himself launched himself into this highly codified and magical discipline at the dawn of the new millennium, it was of course in Paris that he decided to show his work.

    He swore: “I didn’t decide to go into haute couture on a whim. I had an established, demanding clientele, and many women were asking me for more exclusive, personalized pieces. The next logical step was to create a collection.”

    Paris opened its arms to him, though the relationship between Armani and the city had its occasional friction over half a century, such as the 1998 fashion show at Place Saint-Sulpice, to which the 1,500 guests were denied access for “security reasons.” La Reppublica thundered “Paris ‘expels’ Italy,” and Le Monde wrote of “the affront to Giorgio Armani.” The couturier took his revenge in a series of interview in the media, but it did nothing, in the end, to dent his love affair with the capital, where his couture is showcased in the most important addresses on both shores. “I’ve had the privilege of exhibiting my creations in exceptional places, from the Italian Embassy to the Petit Palais.”

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    Pierre Groppo

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  • Giorgio Armani’s Greatest Red-Carpet Looks Over the Years

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    As the world remembers Giorgio Armani, whose death at age 91 was announced Thursday, his legacy as a red-carpet revolutionary lives on.

    Utilizing the red carpet as a powerful tool to showcase his designs, a series of indelible looks would cement his status as a fashion powerhouse. At the 50th Academy Awards in 1978, Diane Keaton made history as the first person to wear Armani on the red carpet. She wore an Armani ensemble that featured a tailored double-breasted jacket, and won the Oscar for Best Actress in a Leading Role for Annie Hall.

    Then, in 1990, Julia Roberts immortalized herself in fashion history when she wore an off-the-rack men’s Armani suit to the Golden Globes, putting a playful spin on women in menswear. “This was one of my all-time favorite outfits,” Roberts told Vogue last year. “I didn’t even know that people wore really fancy gowns to the Golden Globes the way they do now. I could not have known that it was going to become this, like, statement outfit. I just thought I looked fabulous, and I still have that suit.”

    From suiting to gowns, revisit some of Mr. Armani’s most unforgettable red carpet looks below:

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    Maggie Coughlan

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  • Inside Emily Blunt’s Bombshell Transformation for the Critics Choice Awards 2024

    Inside Emily Blunt’s Bombshell Transformation for the Critics Choice Awards 2024

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    When the Barbenheimer phenomenon vaulted two summer movies to blockbuster glory, it was clear how the films diverged when it came to the trajectories of their female characters. Stereotypical Barbie, played by Margot Robbie in Greta Gerwig’s candy-bright confection, winds up trading the plasticine perfection of her Malibu Dreamhouse for the mixed-bag freedoms of the real world. In the case of Kitty Oppenheimer—wife to the so-called American Prometheus, brought to simmering life by Emily Blunt in Christopher Nolan’s biopic—she is still, in the metaphorical sense, confined to the box. A biologist who winds up relegated to the roles of wife and mother, she remains unfulfilled, “bristling against the constraints of womanhood at that time,” Blunt says in a video about her Oppenheimer performance, which has garnered a raft of best-supporting-actress nominations. Kitty is a “really brilliant brain that kind of went to waste at the ironing board, and she suffered for it.”

    Blunt slips into her Giorgio Armani Privé dress with help from stylist Jessica Paster.

    By Jenna Jones.

    If Kitty has the force of an undetonated weapon, what Blunt unleashed at Sunday’s Critics Choice Awards 2024 was pure bombshell—red paillettes glowing like fire under the lights. “We were going for a modern twist on Old Hollywood,” stylist Jessica Paster says by phone, shortly after Blunt decamped for the carpet. (She joined her Oppenheimer cast members onstage to accept the award for best acting ensemble.) “The minute I saw that dress, I knew that I wanted it for Emily. I said, ‘Please put it on hold—I just don’t know for what!’” Such was the coup de foudre sparked last July when the one-shoulder Giorgio Armani Privé look appeared on the runway. “The movie is set in the ’40s and ’50s, and that’s what I love about this silhouette,” Paster says. “More important,” she adds, “it has the femininity, but it’s a very strong dress.”

    Makeup artist Jenn Streicher swatched countless lipsticks seeking this precise shade of red—Chanels 31 Le Rouge in Rouge...

    Makeup artist Jenn Streicher swatched countless lipsticks, seeking this precise shade of red—Chanel’s 31 Le Rouge in Rouge Privé.

    By Jenna Jones.

    Much of that magnetism—glamour at its most grounded—is due to Blunt’s personality, funny and cerebral and warm. Another quotient is her bedrock team. “We’re all in tune with each other,” says Paster, speaking about the others in the creative triumvirate: Jenn Streicher on makeup, Laini Reeves on hair. Streicher comes to the phone, tracing their origin story to the 2007 awards season following The Devil Wears Prada. “I had actually been working with her husband, John [Krasinski], and they had just started dating,” the makeup artist recalls. “I was like, ‘Yeah, if you ever need anybody, just let me know.’” The next week, Blunt called up about the SAG Awards. “John always says that she stole me from him,” Streicher says with a laugh. 

    The red shoes are by Alexandre Birman hairstylist Laini Reeves working with the hairhealth line Burgeon secures the...

    The red shoes are by Alexandre Birman; hairstylist Laini Reeves, working with the hair-health line Burgeon, secures the rosette-like buns.

    By Jenna Jones.

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    Laura Regensdorf

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  • How to Score a Sick Vintage Tie for $20

    How to Score a Sick Vintage Tie for $20

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    Suits, you may have heard, are back. In the post-pandemic era, when most folks are still working from home and you can wear jeans to a wedding, there are fewer occasions than ever that actually demand a two-piece. Which is exactly why we’re pumped to wear them. These days, suits have transcended their stultifying background to becoming something much rarer: a righteous flex, and the easiest way to distinguish yourself from the sheeple in head to toe fleece. It’s no surprise brands like Fear of God have made swaggering, languorous tailoring a cornerstone of American luxury fashion—or that designers like Anthony Vaccarello have supercharged age-old European maisons by doing the same.

    Ties, on the other hand—well, ties have had a rougher go of it. (With a few notable exceptions.) Even for the most zealous tailoring nerds, ties can feel a step too far removed from the current moment, the final vestige of menswear’s before times. That ends today. Because, we’re thrilled to report, ties have never looked cooler. Already mastered the blazer-and-jeans mashup? Salute—now try the tie-with-rumpled-striped-shirt combo. Do you really need to wear one, in the same way you do a hardy tweed sportcoat when the weather takes a dip? No! And that’s the fun of it.

    Better yet, some of the raddest ties around are next-to-nothing on the vintage market. Think about it: guys have been wearing them for so long, and so consistently, that our tie-less reality has given way to a glut of extremely rad options (from some seriously flashy names) for pennies on the dollar. So we tapped two of the savviest suiting gurus in our rolodex to weigh in on the best places to scoop a neckful of sick silk accessories—and the brands to set an eBay alert for. Keep your eyes peeled, fellas.

    The Godfather of Italian Fashion: Giorgio Armani

    Giorgio Armani’s louche ‘80s-era tailoring has taken on a new relevance in 2023, says Peter Zottolo, US Director for Plaza Uomo—and the designer’s ties help explain why. “He always chose such wonderfully unique and airy fabrics, like texturetastic woven stripes or ‘50s geometric throwback prints in crepe silk,” Zottolo says. “Some are a bit boardroom, others a bit more abstract, but [they’re] always tasteful.” What better way to spice up your ginormous suit than with a tie from the label that made them a bona fide thing?

    The All-American Classics: Brooks Brothers, Paul Stuart, and Ralph Lauren

    Polo Ralph Lauren

    Handmade In Italy Silk Necktie

    Polo Ralph Lauren

    Handmade In Italy Silk Necktie

    Armani’s breakout era not quite your speed? Classic American labels like Ralph Lauren, Brooks Brothers, and Paul Stuart are always a good bet. Sean Crowley, the founder of Crowley Vintage, favors the trio of Americana masters for their quality, taste, and sheer ubiquity. “They’re available, they’re always going to be good, and there’s enough of them that, even though prices have gone up, you can still find them.” Pro tip: Look for ties that boast a ‘Made in U.S.A.’ or ‘Made in Italy’ label.

    The Fun, Freaky Innovator: Rooster

    Crowley also points to the now-defunct label Rooster, especially if you’re after vintage ties with a kookier bent. In contrast to the ties churned out by Ralph Lauren and Brooks Brothers during their heydays, Rooster’s can be experimental and downright weird—a welcome shift away from the stodgier styles that dominated menswear in the ‘60s. “Rooster was this wild card that was just novel and fun and whimsical,” Crowley says. The brand didn’t invent the square-end tie, but they damn-near perfected it, a “new and irreverent” flourish Crowley still appreciates today. Over half a century on, the square-end remains a low-key way to flex your menswear chops—and it looks fresh as ever.

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    Gerald Ortiz

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  • Sydney Sweeney Has a Nose for Wanderlust

    Sydney Sweeney Has a Nose for Wanderlust

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    It’s fitting that Sydney Sweeney is stationed someplace vacation-worthy. In season one of The White Lotus, her character Olivia—Gen Z angel of disdain—endures a Hawaiian family trip by thumbing through Nietzsche and Lacan. Lately, the actor’s location is similarly cinematic, albeit with less ennui. “I’m in Rome. Rome, Italy,” the Idaho native says on a recent video call, as if dispelling any confusion about the same-named cities in Alabama or Iowa or New York. There’s a rap on her hotel room door. Housekeeping has arrived, which sends Sweeney into gracious-guest mode. “Can you come back later, please?” she says, pivoting back to me with a bright apology. A deadpan voice off-screen issues her fate: “No turndown service tonight, Sydney.”

    I joke that I half-expected her to trot out some Italian, given the subject of the afternoon’s conversation. Today, the 25-year-old joins Giorgio Armani as the face of its latest fragrance, My Way Parfum, putting her in the company of such fellow ambassadors Cate Blanchett, Tessa Thompson, and Adria Arjona. “I have only been here for three days now, so I haven’t picked it up yet. But that is my goal,” Sweeney says of her language studies. “I’ve downloaded Duolingo!”

    Sweeney appreciates the sense of autonomy in My Way Parfum (launching January 30). It’s a slogan, she says, “but it also means so much, and it could inspire so much.”

    Courtesy of Giorgio Armani.

    The Armani announcement comes on the heels of a momentous year for the actor, whose performance in Euphoria—playing the determined, shatteringly vulnerable Cassie Howard—earned her one of two Emmy nominations in 2022. (Her work in The White Lotus also got a nod.) If the Nirvana generation seemed to know what teen spirit smelled like, what does Sweeney make of it? “I don’t really think that scent correlates with age,” she muses, shrugging off the idea that demographics shape a perfume—here, a Carlos Benaïm creation that blends iris pallida (powdery, with depth), Indian tuberous (bright and enveloping), Calabrian bergamot oil (for zing), and vanilla (from a sustainable operation in Madagascar). Instead, she says, fragrance is rooted in the “feelings it evokes and the memories that it may bring to you or to others.”

    In the case of My Way, which took Sweeney for the first time to Morocco, the campaign shoot delivered on the perfume’s tagline: I am what I live. “I love traveling—it’s one of my favorite things in the whole wide world,” the actor says, her side-parted waves reflecting a buoyancy in her real-life demeanor. “The wanderlust and excitement that you see in my face was truly what I was experiencing in the moment.” Less a Sinatra reference, the name My Way for her speaks to independence. “It means determination and curiosity and adventure,” says Sweeney, whose offbeat hobbies include restoring a cherry-red vintage Bronco. “It means being yourself and not letting anyone get in your path.” 

    The fourth addition to the My Way collection, the Parfum continues in an eco-minded direction, with refillable bottles and raw materials sourced from sustainable operations.

    Courtesy of Giorgio Armani.

    That spirit of self-direction carries over to Sweeney’s current stint in Italy, where she is filming Immaculate, a psychological horror set at a countryside convent. She plays a devout woman headed for an unsettling turn of events; off-camera, Sweeney is a co-producer. Next up: a return to set for Euphoria’s anticipated third season, which will send the actor back into Cassie mode, luminous and fragile. The character’s obsessive beauty regimen was a collective flashpoint last season. “A lot of the tools that were used for her 4 a.m. routine were tools that I brought from home,” Sweeney recounts, singling out the ice roller she took to Rome (handy for depuffing en route to the makeup trailer) and a “floppy” LED mask that has a meditative benefit alongside its purported youth-preserving one. “I find that I can’t see my phone because of the light, so I’m just kind of taking a second for myself.” 

    While Sweeney professes to be less intense with self-care, she and Cassie do see eye to eye on Armani’s Luminous Silk foundation. “I make all my characters use it because it’s the best—but I also think that she would choose it herself,” the actor says, imagining her alter-ego in Neo Nude blush and a pink shade of Lip Power. Fragrance is another matter. “Cassie definitely wears perfume for others. She will put on whatever she thinks the guy she’s in love with at the time wants her to smell like,” Sweeney says. In a way, that plays out in a tear-strewn scene from season 2 as an overdose of rose—gifts from her clandestine lover. “I loved it because I love floral [scents],” says Sweeney, remembering a current of wind on set that magnified the heady effect. “It was honestly a beautiful, surreal moment.”

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    Laura Regensdorf

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  • The Best Celeb Selected Gifts From Vogue’s Beauty Secrets

    The Best Celeb Selected Gifts From Vogue’s Beauty Secrets

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    Before there was TikTok, there was YouTube. The old me would sit down with a snack and watch storytimes, challenges, moving out videos, makeup tutorials, cooking shows, you name it. I ended my nights with budding influencers Emma Chamberlain, Tana Mongeau, James Charles, and David Dobrik.

    To me, YouTube videos always felt a bit more intimate. Instead of a few minutes, an average YouTube storytime could go as long as an hour. And, although TikTok has ruined the attention spans of many, it was almost always captivating.

    One of the best – and longest running – series on YouTube is Vogue’s Beauty Secrets. With over 275 episodes, you get the chance to sit down and watch a celebrity get ready in their bathroom. There’s something so wholesome about some of the biggest names in Hollywood telling you what makes them feel beautiful.

    Better yet, you get to see what products your fave celeb is using. Some of them are clearly plugging their own brands or partnerships, but lately, it’s become the standard to recommend somewhat affordable products so everyone watching can buy, too.

    Vogue’s got supermodels like Kendall Jenner and Hailey Bieber, rising stars like Euphoria’s Storm Reid and White Lotus’ Haley Lu Richardson, and even icons like Zoë Kravitz and Alicia Keys. While everyone has jotted down HB’s Kosas recs from her segment, I’ve gone and done research for the rest.

    This year, if you’re struggling to find a gift for someone who loves all things beauty but has everything already, see what products their fave celebs are using. Confidence comes from within, but using the same cleanser as Ciara can’t hurt it either.

    I’ve sat down and watched almost every Vogue Beauty Secrets from the past year and rounded up the best products you won’t want to miss out on. Let’s dig in.

    Ciara 

    <span class=”redactor-invisible-space”></span>

    Nobody has skin quite like R&B royalty, Ciara – she even got her husband, Denver Broncos QB Russell Wilson, into skincare. Luckily for the general public, she takes us through her glowy routine.

    If you want to get rid of dark spots, even out your skin tone, and brighten your complexion, try her go-to OAM Vitamin C Cleanser. OAM, founded by Ciara, is affordable with quality ingredients so you aren’t getting scammed by celeb skincare.

    Maude Apatow

    One of our favorite nepo babies and Euphoria breakout star, Maude Apatow has one of the trendiest skincare and makeup routines I’ve seen. Filled with NARS, Charlotte Tilbury, Armani, and Laura Mercier, her routine is accessible and damn good.

    My favorite tip of hers is that she uses two types of concealer: NARS Radiant Concealer and the NARS Soft Matte Complete Concealer. I swear by the matte version, and the little pot lasts forever.

    Kate Hudson

    Seemingly ageless and always gorgeous, Kate Hudson’s Beauty Secrets video is seriously relaxing. She’s so casual about getting ready that it feels like you’re in the room with her. Her key to beautiful skin? Sleep, water, and supplements.

    Her InBloom Beauty Aura supplements contain Marine Collagen for the ultimate hair, skin, and nail vitamin. Beauty really starts from within.

    Natalia Bryant

    Model and daughter of the late NBA star, Kobe Bryant, Natalia shares her skincare routine for those with sensitive skin. She uses a lash serum which is such an underrated product in the beauty community, but one of the few products that deliver genuine results in no time.

    Cheaper than the average lash growth serum, her rec is Velour Lashes Long & Strong Lash Serum. It’s $42, cruelty free, and a great gift.

    Kate Moss 

    Kate Moss is the OG It-Girl. She has a surprisingly minimalistic routine, but the perfect gift here is the Droplette Microinfusion Device. This cool skincare gadget dissolves capsuled skincare ingredients that transform into a mist on your face and set them deep in your skin.

    Another favorite is the Hourglass Ambient Lighting Palette, which you’ve probably heard of from TikTok. This adorable palette has everything a makeup lover can ask for: contour, blush, and highlight in gorgeous, glowing shades.

    Billie Eilish

    I couldn’t write about
    Vogue Beauty Secrets without including my queen, Billie Eilish. Billie’s on-tour skincare routine is mostly Biba de Sousa, an LA-based skincare brand that bridges luxury and clinical skincare.

    I noticed that both Billie and Kate Moss recommend two products that we all know and love:
    Kosas Cloud Setting Powder and Saie Hydrabeam Concealer. I have no choice but to purchase.

    All products featured are independently selected by our editors. Things you buy through our links may earn us a commission.

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    Jai Phillips

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