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  • Namasteak, USA

    Namasteak, USA

    As many Indian restaurants worldwide consider serving beef taboo, chef Sujan Sarkar savored the rare opportunity to taste quality meat. Beef from Nebraska was considered a specialty at one of the Michelin-starred restaurants he worked at in London, Galvin at Windows, a French spot formerly inside the Hilton Park Lane in London. Sarkar, chef at IndienneChicago’s lone Michelin-starred Indian restaurant, and one of only three that have earned that status in the United States, says British beef couldn’t compete with USDA prime cuts.

    Beef is expensive, not widely available in all parts of India, and is considered holy in many sects of Hinduism. However, in the U.S., non-Indian Americans tend to associate Indian cuisine only with that singular cultural practice. It’s such a widespread perception that English speakers, like Chicago baseball announcer Harry Caray, even have an expression tied to it — holy cow! Chicago Seven member Abbie Hoffman turned it into an anti-authority metaphor and is credited with saying “sacred cows make the tastiest burger.” UHF features “Weird Al” Yankovic’s playful portrayal of Gandhi in 1989 while ordering a medium-rare steak. The first wave of Indian restaurants in America brought the cultural norms of the early 1900s with them and shunned beef. Tandoori chicken was positioned in the ’60s as the Indian American counterpart to the showstopping Beijing duck popular at Chinese American restaurants. Lamb curries and kabobs emerged as stand-ins to satiate America’s beef lovers.

    But decades later that Puritan image of India is fading in America, and it appears Chicago, with its storied meatpacking history, has become the center for a new style of Indian dining that embraces the beef. One tell is Sarkar who says one of his favorite restaurants is Asador Bastian, a well-regarded Basque steakhouse that’s a short walk from Indienne. Though Indienne proudly features vegetables in all menus — not just the vegetarian option — Sarkar has been experimenting with a beef dish. For private events only, he’s serving a short rib braised with a Madras curry inspired by black peppercorn sauce. It makes sense, after all, black pepper originated in India.

    “Some people are cooking camel, ostrich,” Sarkar says. ”We don’t have to do it here, because that’s not from here. But in America, beef is one of the main sources of protein, and people like that — and it’s good.” These days, seeing beef on an Indian menu is hardly shocking. The protein has earned a place in prominent Indian restaurants across America like Dhamaka in New York; Rania in Washington, D.C.; and BadMaash in LA.

    The beef brisket at Indus in suburban Chicago is stellar.

    Beef can be found in India, but diners need to be in the know. It might have different names. Sarkar remembers seeing it called water buffalo. Vinod Kalathil of Thattu has memories of attending engineering school in India and seeing the reactions from his Northern India classmates when they saw beef served at the dining hall: “They were absolutely shocked,” Kalathil recalls. And Sheal Patel of Dhuaan BBQ remembers walking through night markets in Mumbai and Delhi and seeing plenty of street vendors selling beef and pork dishes.

    Patel represents a wave of second-generation chefs all over America who have experimented with their home spice pantries, livening American staples from burgers to omelets to pizzas. Patel says TikTok has played a role with desis sharing techniques and photos from their travels. “I don’t think 10 years ago this would be a very welcome topic,” Patel says. Patel calls Dhuaan a tribute to the food his mother cooked as well as his visits to Central Texas where barbecue — particularly beef — is king. His brisket and masala beef cheesesteaks have popped up at bars across Chicago.

    Kalathil, who grew up in India, would see beef labeled as “mutton sukka” (dry beef) offered at restaurants in the South Indian state of Kerala, where it’s more common to find beef. Kalathil and his wife, chef Margaret Pak, have served beef at Thattu, their lauded Keralan restaurant, from day one. Inspired by Pak’s Korean heritage, they use short rib in their beef fry — slow-roasted thin slices of meat fried with coconut oil and flavored with curry leaves and onions.

    “We want to make sure the food is for everybody,” Kalathil says — Thattu has plenty of vegetarian options, too. “And if some people don’t want to eat that, that’s perfectly fine.” However, he says beef is essential to Keralan culture.

    Thattu is playing with different cuts of beef as short rib is expensive, and while Western restaurants may use the bones for stock for soups or sauces, there’s little history of utilizing scraps in South Asian cuisines. They may even switch to boneless lamb in their biryani as some guests have expressed a preference. Pak and her kitchen crew are also tweaking a new beef burger offering.

    A watershed moment in Indian American history may have occurred in 2015 when Lucky Peach, the defunct food magazine ran a recipe for tandoori steak using thick beef ribeyes as opposed to the thin cuts found in traditional South Asian beef dishes. That begot a steak pop-up run by chefs Dave Chang and Akhtar Nawab and cheekily named Ruth Krishna’s Steakhouse, though Ruth’s Chris Steakhouse attorneys quickly hit the effort with a cease and desist letter.

    Flash forward to 2023 when Diaspora Spices began selling Steak Masala as a competitor to McCormick’s Montreal Steak Seasoning. Diaspora founder Sana Javeri Kadri, who grew up eating beef — she’s Hindu, Jain, and Muslim — says the spice mix, which went through four or five recipes, is a top seller that customers use on vegetables and meats alike. She says Diaspora has received zero negative feedback. The mix is made with Diaspora’s Surya Salt, Aranya Black Pepper, Sirārakhong Hāthei Chillies, Pahadi Pink Garlic, Hariyali Fennel, and Wild Ajwain.

    Steaks going into an oven.

    Highland Park’s Indus also serves a wagyu beef steak.

    A slice steak on a wooden plate.

    A 12-ounce American wagyu ribeye from Vander Farms comes with spiced herb butter, “chimmichutney,” and nizaami dum aloo.

    “This myth that India is vegetarian is obviously the voices of few speaking louder than the country at large,” Javeri Kadri says. “It’s a very Hindu, upper-caste take — most lower-caste folks don’t have the privilege of not eating meat.”

    Chicago should be used to religious and class restrictions. Blue laws, which date back to the late 1800s, were Catholic doctrines that prohibited activities like going to the movies, traveling, or selling anything on Sundays. Even as laws loosened, some operators continued to keep restrictions. In the ’80s, many Chicago grocery stores would cover their meat coolers with a blue wrap to prevent customers from putting beef into their shopping carts.

    Earlier this year in suburban Chicago, a new contemporary Indian restaurant, Indus, debuted featuring a wagyu beef ribeye and brisket cooked in a pellet smoker (Indus also smokes vegetarian dishes, like daal, with tasty results). Indus is one of the few Indian restaurants around Chicago that brings out steak knives. Owners Sukhu and Ajit Kalra say the brisket is so popular they’ve been getting requests from Jewish customers who wanted it for their High Holidays. It wouldn’t be the first Jewish-Indian crossover. In August while at the Democratic National Convention in Chicago, as his wife prepared to accept the Democratic presidential nomination, Doug Emhoff complimented his wife Vice President Kamala Harris saying she “makes a mean Passover brisket.”

    A fine dining steak dish with edible flowers.

    This beef dish from Michelin-starred Indienne is available for private events only and made with American wagyu, a short rib kofta, tomato pachadi, varuval, and curry leaf.
    Indienne

    However, many restaurants remain uncomfortable discussing the topic of beef. Some chefs around the country declined to comment for this story. They didn’t want to alienate customers with strong opinions about beef. It’s still a sensitive subject and one that drifts into politics, with Hindu nationalism driving narratives. Rakesh Patel of Patel Brothers, the world’s largest South Asian grocer, founded in 1974 in Chicago, says his company has never carried beef. He says it was challenging enough to hear objections from vegetarians when the chain began carrying fish, though frozen fish is one of the chain’s biggest money makers.

    But some see the subject as a matter of hospitality. In years past, James Beard-recognized chef Zubair Mohajir has shied away from serving beef at Coach House, his tasting menu restaurant. Mohajir is Muslim, so beef isn’t prohibited, but he’s avoided it to offend any customers. It’s a form of respect. At his new restaurant, Mirra, which blends Mexican and Indian flavors, there’s a carne asada dish that, according to co-chef Rishi Manoj Kumar, is as much a tribute to Mexican cuisine as it is a way to honor Chicago’s steakhouse culture and history of meatpacking.

    But as India isn’t a monolith, neither is South Asia. Chicago is no stranger to dishes like frontier beef. Local Pakistani restaurant, Khan BBQ, has served the item and other beef options like chapli kebab for more than two decades along Devon, Chicago’s main South Asian hub. A newer entry, Tandoor Char House in Lakeview — a Pakistani Indian fusion spot — has long embraced beef with items like beef seekh kebab and beef nihari. Owner Faraz Sardharia says his father being from India and his mother being from Pakistan granted him the freedom to design a menu without boundaries.

    However, many Pakistani and Bangladeshi American restaurants (and other countries within the South Asian diaspora) still label themselves as “Indian” for marketing purposes — it was easier to conflate rather than to explain nuance to American diners Googling “butter chicken near me.” Beef is often absent from these restaurant menus to avoid sounding off any alarms. Others, however, were bolder, sneaking beef onto the menus — dishes like Bangladeshi beef tehari — to pique the interest of non-South Asian customers.

    Indian American chef Hetal Vasavada, a recipe developer and writer, competed on Season 6 of MasterChef when Gordon Ramsay and the gang made her recreate the chef’s famous beef Wellington. Vasavada, a vegetarian, rose to the challenge. She read through Reddit threads full of comments from uneducated viewers who weren’t familiar with India’s diversity, attempting to pigeonhole her. She had never cooked or tasted beef in her life, and the show’s fans saw that as a liability. They wanted her off the show. She relished her success in that environment. When it comes to celebrating holidays like Diwali, which is traditionally vegetarian, Vasavada keeps an open mind.

    “I think because India is so vast and everyone celebrates it so differently, it’s hard to say what’s right and wrong. In the end, I truly do not care what you eat,” she says. “Practicing as a Hindu, an Indian American, I don’t eat meat, but if you want to eat meat, go for it — I am unbothered. Celebrate and eat however you choose. And I think we just need to be a little bit more open-minded and less pushy about our beliefs on others.”

    Many objections to serving beef at Indian restaurants in America come from immigrants who long left South Asia and believe their hometowns or villages have stayed the same since they’ve left, Kalathil says. He wants to see more restaurants serve beef and pork. That philosophy is shared by many of his colleagues, including Sarkar. The old-fashioned mindset poses a danger to creativity.

    “That is with all Indian food — not only the beef,” Sarkar says. “People still have an outdated understanding of how things should be.”

    Ashok Selvam

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  • ‘Disclaimer’ Series Premiere: Cate Blanchett and Alfonso Cuarón Are Here for the Prestige Crown

    ‘Disclaimer’ Series Premiere: Cate Blanchett and Alfonso Cuarón Are Here for the Prestige Crown

    Joanna Robinson and Rob Mahoney beware of narrative and form to recap the two-episode premiere of Disclaimer, the Apple TV+ miniseries starring Cate Blanchett. They discuss Alfonso Cuarón as a filmmaker, his history of loosely adapting works, and the decision to utilize narration throughout the story (1:29). Along the way, they talk about how the show leans into suspense instead of surprise, as well as its stunning visual style (18:41). Later, they break down how each of the main characters are initially presented to the audience (35:02).

    Hosts: Joanna Robinson and Rob Mahoney
    Producer: Kai Grady
    Additional Production Support: Justin Sayles

    Subscribe: Spotify

    Joanna Robinson

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  • Alexis Bellino and Johnny J Are Engaged! Plus, ‘Orange County’ and ‘Dubai.’

    Alexis Bellino and Johnny J Are Engaged! Plus, ‘Orange County’ and ‘Dubai.’

    Rachel Lindsay and Chelsea Stark-Jones begin this week’s Morally Corrupt by discussing the recent divorce news about Brittany Cartwright and Jax Taylor and the even more recent engagement news about Alexis Bellino and John Janssen (2:21) before recapping Season 18, Episode 8 of The Real Housewives of Orange County (14:23). Then, Rachel is joined by Callie Curry to break down Season 2, Episode 12 of The Real Housewives of Dubai (29:14).

    Host: Rachel Lindsay
    Guests: Chelsea Stark-Jones and Callie Curry
    Producer: Devon Baroldi
    Theme: Devon Renaldo

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    Rachel Lindsay

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  • Channelcast no longer making miku stuff since the usuals complain

    Channelcast no longer making miku stuff since the usuals complain

    Channelcast no longer making miku stuff since the usuals complain. castx/status/1828666338602324243 translation: "Because some people are offended and sens

    ****** translation:
    “Because some people are offended and sensitive to what i make i will no longer make miku content in my style”.

    TLDR of the situation:
    The usual “People” complaining about Japanese content being Japanese and free that are the totally opposite of their ideals and want to ruin stuff so it matches their ideals.

    And for those who ask “Who?”…

    Channelcast no longer making miku stuff since the usuals complain. castx/status/1828666338602324243 translation: "Because some people are offended and sens

    Guy behind Burger Miku.

    Channelcast no longer making miku stuff since the usuals complain. castx/status/1828666338602324243 translation: "Because some people are offended and sens

    Stuff like miku variations.

    Channelcast no longer making miku stuff since the usuals complain. castx/status/1828666338602324243 translation: "Because some people are offended and sens

    Songs.

    Channelcast no longer making miku stuff since the usuals complain. castx/status/1828666338602324243 translation: "Because some people are offended and sens

    Rabbit Hole.

    Channelcast no longer making miku stuff since the usuals complain. castx/status/1828666338602324243 translation: "Because some people are offended and sens

    Miku Gal
    Basically he appeared some months ago and made Miku skyrocket in popularity again out nowhere.

    Just go and tell him to not fall to the usual tactics of “them” and to do what he has always been done and never limit to please “them” because it never ends.

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  • Are Expensive Showrunner Deals Worth It?

    Are Expensive Showrunner Deals Worth It?

    Matt is joined by Lesley Goldberg, former TV editor of The Hollywood Reporter, to look at the most costly showrunner deals of the peak TV era and determine which were the best and worst deals for the respective studios. They discuss the nine-figure deals that led to zero new shows, and the biggest underperformers of Hollywood’s hyperinflated peak TV era (02:44).

    For a 20 percent discount on Matt’s Hollywood insider newsletter, What I’m Hearing …, click here.

    Email us your thoughts! thetown@spotify.com

    Host: Matt Belloni
    Guest: Lesley Goldberg
    Producers: Craig Horlbeck and Jessie Lopez
    Theme Song: Devon Renaldo

    Subscribe: Spotify

    Matthew Belloni

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  • Molokhia Is Comfort to Palestinian Americans in a Time of Profound Grief

    Molokhia Is Comfort to Palestinian Americans in a Time of Profound Grief

    Manal Farhan lost her appetite. It was November of 2023, more than a month since the October 7 attack by Hamas in Israel, killing 1,139 civilians and members of the Israeli military and taking more than 200 hostages. The violence that day sparked an Israeli siege on the Gaza Strip that had already killed more than 14,000 Gazans (the toll has climbed astronomically since), flattening buildings, and creating a dire humanitarian crisis. Farhan, a Palestinian American in the throes of intense grief, hand-stitched a Palestinian flag and hung it outside her home in Logan Square. Then, she says she received a call from the management company representing landlord Mark Fishman telling her to remove it — if she didn’t, she’d be evicted. “I said ‘I’m Palestinian and there’s a genocide.’ They said, ‘You have to remain neutral,’” Farhan recounts.

    Between anxiety about the eviction and the horror of witnessing Palestinians slaughtered and dismembered by bombs daily on social media, Farhan struggled to eat. “When you’re carrying that level of stress, your body stops responding to hunger. Hunger becomes a secondary concern,” she says. But hunger would often return when her mother Karima would make molokhia (ملوخية), a leafy stew with roots in Egypt that today represents a unifying dish across the Arab world. Molokhia, the national dish of Egypt, is ancient. The pre-Arabized roots of its name means “for the royals” or “for the gods.” The leaves, also called jute mallow, spread from Egypt across the Arab world with migration and trade. It’s seasoned simply with salt, garlic, and lemon, boiled in chicken broth, and often served with chicken or lamb.

    This humble soup, made with greens and often chicken broth, has become a soothing symbol of solidarity amidst violence in Gaza.

    In times of turmoil, we turn to the dishes that make us feel safe, and more and more these days, people in Chicago — home to one of the nation’s largest and oldest Palestinian immigrant communities — are seeking solace in a bowl of molokhia. As one count estimates at least 186,000 Palestinians may have been killed by Israeli forces — according to a letter published by researchers in the British medical journal the Lancet — Arab Americans are searching for comfort and solidarity by any means. In that climate, the dish is taking on a new political significance for many Arabs introduced to it for the first time. Almost every weekend, organizations like the U.S. Palestinian Community Network and Students for Justice in Palestine organize large protests downtown. On Thursday, August 22, groups assembled outside the United Center to protest the exclusion of a Palestinian American speaker at the DNC. Autonomous groups blockade streets in Wicker Park, protest weapons manufacturers like Boeing in the Loop, and even dyed Buckingham Fountain blood-red, spray-painting “Gaza is bleeding.” And now, as the Democratic National Convention descends upon Chicago, protestors march and disrupt politicians’ speeches, condemning them for funding Israel’s army. To ignore the political reality of the people who love this dish, then, would be to tell an incomplete story of molokhia’s place in Chicago.

    “I don’t know a Palestinian who doesn’t love molokhia,” Farhan says as we eat and discuss her case at the Palestinian-owned Salam Restaurant in Albany Park. The same Palestinian flag Farhan made in November remains hanging outside her home as she continues to fight what she contends is an unlawful eviction. (The landlord argues that a lease agreement bans any article from being displayed out of a window.) Palestinian Chicagoans and allies have protested the eviction, boycotting the Logan Theater, which Fishman owns. Being evicted here in Chicago for “expressing love and pride” for her heritage, as her federal lawsuit against Fishman states, is ironic for Farhan. Her maternal grandmother’s home in occupied Palestine is now inhabited by Israeli settlers. (Farhan’s lawsuit, which argued neutrality was never the objective — other tenants could fly Christmas and Hanukkah decorations out their windows, according to Farhan’s lawsuit — was dismissed in March and Farhan awaits an appeal.)

    Alongside graphic photos of corpses and rubble, I see displaced Palestinians making molokhia in Gaza on social media. “Mloukhieh is one of the most popular dishes loved and made by Gazans. Usually, it is made with chicken or chicken broth, but since no protein source is currently available, we are making it with processed chicken broth. As usual made with love, amidst the war,” Renad, a 10-year-old content creator from Gaza, writes in a caption. The lack of chicken is glaring; meat being nearly impossible to find or buy due to Israeli blockades of food, hygiene products, and medicine. Many, especially in North Gaza, have died of starvation. Still, the dish seems to retain its celebratory and comforting meaning, even in the depths of hell. “Palestinian food is one of the foundational aspects of socialization in our culture … regardless of the fact that [the refugees] were displaced and dispossessed,” says Lubnah Shomali, the advocacy director of Badil, a human rights organization for Palestinian refugees.

    Lubnah, a Palestinian Christian, was raised in the Chicago suburbs before moving her family, including her daughter, my friend Rachel, to the West Bank to connect with their culture, even though life was harder under occupation. Lubnah says refugees often pick up different methods of making molokhia from each other, the same debates I hear in Chicago melded. “Within the refugee camps, there persists this need to host, invite people, and make meals,” Lubnah says.

    For Mizrahi Jews, Jewish people of Middle Eastern descent, molokhia is part of their memory too, even though the Nakba severed these ties. Hisham Khalifeh, owner of Middle East Bakery in Andersonville, recalls meeting an 80-year-old Mizrahi Jewish man there in Chicago. “He still had his Palestinian ID in his pocket,” Khalifeh says. The man wanted to talk about the food he’d loved in Palestine and all that had changed since he was cleaved from his Muslim and Christian neighbors by Israel’s formation, apartheid, and ethnic cleansing. Khalifeh says the man told him in Arabic, their shared ancestral language, “Naaood lal tareekh.” Let us go back to history.


    “White people love tacos [and] enchiladas… but I remember being a kid, eating molokhia at school and everybody being like, ‘Ew, this is slimy green stew,’” recalls Iman, a Mexican Palestinian Chicagoan. Iman agrees molokhia is a core part of Chicago but is doubtful others will see it that way — which she doesn’t mind. “It’s one of those things I feel is so loved but hasn’t been claimed or taken over by white culture yet.”

    The first Palestinians arrived in Chicago in the 1800s, long before the modern Israeli state was established, according to Loren Lybarger, a professor at Ohio University and author of Palestine in Chicago: Identity in Exile. He recalls eating molokhia frequently at the homes of Palestinian community leaders in Chicago during his research.

    Molokhia, the national dish of Egypt, is ancient. The pre-Arabized roots of its name means “for the royals” or “for the gods.” A 13th-century Syrian cookbook lists four different versions; one that calls for charred onions ground into paste and another with meatballs. It’s a food that’s inspired myth and religious fervor, as it’s said that the soup nursed 10th-century Egyptian ruler Fatimid Caliph al-Hakim bi-Amr Allah back to health — hence the name. (It’s also sometimes called Jew’s mallow, referring to a claim that Jewish rabbis were the first to discover and cultivate it.) The Druze, an ethno-religious group in West Asia, believed and still believe the caliph was God. So many Druze do not eat molokhia even now, obeying his command. For most people, though, molokhia is no longer solely for kings or gods anymore. But making it can be an affair fit for royalty.

    Cooked molokhia leaves have a “viscous quality, similar to nopales in Mexican cuisine,” Lebanese chef Sabrina Beydoun says. Molokhia is comfort food, something teeming and right in the deep greens, the grassy and earthy smell. “My mom would prepare it with a lot of pride,” she says. “As I’ve gotten older, I look back on [it] with fondness and nostalgia.”

    And everyone has a different way they like their molokhia — the variations and debates are practically part of the experience. “Everyone does it their way, and everyone is convinced their way is better,” Beydoun says, laughing.

    My friend Rachel, a former player on Palestine’s national basketball team, prefers molokhia leaves whole (Beydoun says this is common amongst Lebanese people), while my other Palestinian friend Rayean grew up with ground leaves. Farhan’s mother Karima’s special ingredient is a bit of citric acid.

    A bowl of molokhia with chicken and rice in the back.

    Molokhia is prepared differently depending on the household and restaurant.

    An adult father-and-son team wearing the same shirts and smiling while sitting down.

    The father-and-son team of Ahmed and Mohammed Saleh at their restaurant, Cairo Kebab.

    At Cairo Kebab, the city’s only Egyptian restaurant, molokhia became the second-most requested dish among its Arab diners since the spot began serving it daily in 2023 off Chicago’s fabled Maxwell Street in University Village, according to co-owner Mohammed Saleh. “Home foods ground us and make us into who we are,” he says. Molokhia is arguably part of a larger shift, where restaurants owned by marginalized ethnic groups are increasingly serving dishes once relegated to the home, due to both wider awareness through media, desire for the dishes among immigrant communities longing for familiar foods, and chefs feeling empowered to explore their identities in a deeper way.

    “A lot of our customers who are Palestinian or Jordanian will ask for a bunch of lemon, or will ask for us to not cook it with garlic,” says Mohammed.

    Ahmed, the owner and head chef of Cairo Kebab and Mohammed’s father, adds that unless they’ve had molokhia before, “Americans eat it however we serve it.”

    Ahmed makes the restaurant’s version with lots of garlic in sizzling butter, while Raeyan’s family goes light on garlic. I love the chicken with crispy, roasted skin, and frequently alternate between spooning the molokhia onto the rice and chicken, and spooning rice and chicken into the molokhia. Some like it skinless and boiled. Most of my friends eat it with rice; Ahmed says many prefer sopping it up with bread, and some eat it plain like soup, with a spoon or light sips from the bowl. Usually, it’s served with squeeze after squeeze of fresh lemon.

    Khalifeh has fond memories of molokhia with quail. Ahmed says in Egypt’s second-largest city, the port town of Alexandria, it’s often made with shrimp, and some use rabbit. In Tunisia, the molokhia is dried and ground into a powder, resulting in a silky, nearly black-colored stew with lamb. Sudanese people, because of their shared history with Egypt, also love molokhia. It’s spelled molokhia, mlokheya, molokhia… The differences are endless and dizzying.

    “When I was a kid in Egypt, molokhia wasn’t just a food, it was an event,” Eman Abdelhadi, an Egyptian Palestinian writer and sociology professor at the University of Chicago, wrote in an email. “A whole day would be spent in the arduous processes of washing, drying, and cutting it. It was something we all looked forward to.” Ahmed says that during Ramadan iftars, a time of gathering after fasting all day in the Muslim holy month, many customers request at least two plates of molokhia when breaking fast.

    A man in a red shirt holds up two pots and pours green soup into a bowl.

    Ahmed Saleh, who owns Cairo Kebab, moved to Chicago in 1990.

    For Arab Chicagoans who didn’t grow up with molokhia, Chicago is often the place they first tried it. “We don’t have molokhia in Morocco. But I heard of it because we used to watch old [Egyptian] movies,” says Imane Abekhane, an employee at Cairo Kebab. “Then I came to Chicago, tried the Egyptian molokhia, and I loved that.”

    When I first started investigating molokhia for this piece, so many of my Arab friends told me Cairo Kebab’s was the best place to try it in Chicago — a bowl made me understand why. Tender roasted chicken, bright green molokhia balanced with just enough garlic and salt, vermicelli noodles in the rice, and a side of homemade tomato-based hot sauce with chile flakes, chile pepper, and black pepper — all delicious. Ahmed made the molokhia at my table the way it’s sometimes made in Egypt, with flair and performance, a gloopy river of green cascading from one saucepan into another before pooling in my bowl. Mohammed notes that he’s seen more Palestinians and Arabs come into Cairo Kebab for home dishes like molokhia since the devastation began in Palestine last year.

    Even if everyone cannot agree on how to make it, everyone I spoke to agrees that molokhia is an Egyptian dish. But because of the large population of Palestinians in Chicago, many’s first meeting with molokhia — including mine — is at a Palestinian friend’s home, or at Palestinian-owned grocers like Middle East Bakery, where Khalifeh says non-Arabs often come in after seeing it online as part of a growing advocacy for Palestinian cuisine and the Palestinian cause — their resistance against Israeli occupation. That gives the dish a certain political significance.


    When we made molokhia, Rachel used dried leaves her grandmother brought her from Palestine, an experience Mohammed Saleh says is common. “When we go to Egypt, my parents are always gonna bring back at least one suitcase full of dry pre-packaged goods, including molokhia,” he says.

    Frozen and dried leaves are also readily available in Chicago, at Middle East Bakery, Sahar’s International Market, or Feyrous Pastries and Groceries in Albany Park. Both Raeyan and Rachel insist that dried — which produces a darker color than frozen — is better. Ahmed says dried has its merits, but frozen leaves preserve molokhia in its original state more effectively, the process of drying giving it a different taste and color. “Frozen is as close to molokhia leaves harvested in Egypt by hand as you can get,” he says. Khalifeh, in contrast, is adamant that dried is always better, saying it has a flavor and texture that frozen can never achieve. One of his tactics is to put a little bit of frozen leaves into the dried, helping with color and consistency. But he and Ahmed both say that not everyone can make dried molokhia correctly.

    And perhaps something is lost in the modernity of freezing, something exchanged when sifting through the molokhia leaves is forgone. “My mom and aunts sit on the floor, removing stems and remnants of other harvest[s] like tobacco leaves,” Beydoun says. “It’s a communal practice. It is a poetic thing to witness.” In dried leaves, I see survival — a way to transport ancestral plants for scattered diasporas. Frozen molokhia must be shipped. But dried can be carried; it is not dependent on any company, just those who have a relationship with the plant.

    Still, almost everyone agrees fresh leaves are best — if you can find them. Sahar’s has fresh molokhia leaves this summer, but “they go fast and we sometimes don’t know when they’ll come in,” a grocer told me over the phone. Hisham also directed me to Việt Hoa Plaza, where I found fresh leaves that the grocers there also said are rarely stocked due to the growing popularity of molokhia in East Asian cuisine. According to the Markaz Review, Japanese farmers started growing the plant after advertisements in the ’80s pushed molokhia with slogans like “the secret of longevity and the favorite vegetable of Cleopatra!”

    “[It’s] very popular in Japanese grocery stores as well as Korean grocery stores,” says Kate Kim-Park, CEO of HIS Hospitality, adding that their version is slightly stickier. “The plant is called 아욱 (ah-ohk) in Korean,” she says.

    Chef Sangtae Park of Omakase Yume in the West Loop has fond memories of cooking molokhia and eating it with friends and family. “I add it in traditional [Korean] miso soup or as side dishes [banchan] by blanching the leaves and sometimes mixing sesame oil, sugar, and Korean red pepper flakes,” Park says.

    A man in a red shirt holds a plate of a chicken and rice while standing in the middle of the his kitchen.

    Ahmed Saleh holds a plate of chicken and rice, which is one of many ways folks enjoy molokhia.

    You can also grow them yourself. Iman decided to start planting molokhia and other plants used in Palestinian cuisine like wild thyme (sometimes called za’atar, though it is applied differently than the spice mix of the same name) this March. “I felt like it was an act of preservation and resistance when people are trying to erase Palestinians,” Iman says. Globally, Indigenous cultures stress the importance of seed-keeping, and Palestinians are no different. But planting molokhia was difficult in cold Chicago. “[Molokhia] prefers temperatures between 70 degrees Fahrenheit (21 degrees Celsius) and 90 degrees Fahrenheit (32 degrees Celsius) and well-drained, loamy soil rich in organic matter,” says Luay Ghafari, Palestinian gardener and founder of Urban Farm and Kitchen, adding that Chicagoans should start planting the seeds indoors under grow lights “four weeks before the last frost date,” transplanting them into the garden when the chance of frost is over and the soil has warmed.

    “It would get really hot and then it would get really cold again, so I was constantly running them in and out of the apartment when they were little seedlings,” Iman says. Now, the molokhia plants are healthy and mature, nothing like the yield Iman sees from Palestinian fields, but something she’s proud of. Ghafari says molokhia is an annual that can grow several feet tall in optimal conditions. “During harvest season, you often find it sold in large bales because it takes a large quantity of leaves to yield enough quantities for consumption.” But home plants in Chicago like Iman’s don’t yield enough leaves for much besides smaller pots of stew. Iman’s Mexican mother tends to the plants at their family home near the suburbs. “It’s our bonding thing,” Iman says.

    Raeyan’s mother Nancy Roberts, an Arabic translator, typed up Raeyan’s grandmother’s molokhia recipe — the recipe we cooked from — that was passed down through generations. This, too, is a kind of sacred seed-keeping.

    “I plan to pass [recipes] to my children until liberation,” Abdelhadi says. “Mahmoud Darwish said the occupiers fear memories, and Palestinians have made memory a national pastime.”

    After running around in the summer heat of Chicago in search of stories about this plant, what were my memories of molokhia? They weren’t Rachel’s, Raeyan’s, Iman’s, or Laith’s — memories of childhood, family, heritage. But I was building a relationship with molokhia.


    A colleague once said, “Palestine lines my mind.” I never forgot it because it so aptly described these past 10 months for me. Now, somehow, molokhia had settled there too, becoming part of my memory of this brutal time, intertwining with Palestine, with Gaza. “It was very bad today,” Hisham says quietly when I mentioned Gaza during our interview, referring to the Israeli airstrike that day in al-Mawassi, a designated “safe zone,” that killed over 100 people in a matter of minutes, most of them children. In every interview I did for this article, the genocide either kept coming up or the tension was thick as it was talked around. So how could writing about molokhia ever just be about food? How could researching, eating, and making molokhia not make Palestine fill my mind, and enter my dreams?

    One night I dreamt that Rachel, Raeyan, and I were bustling around my kitchen making molokhia, me sifting the leaves with henna-stained hands, Raeyan stirring by the stove, Rachel chopping garlic. My friend Omar was in the kitchen too, watching. It was almost an exact replica of how we had looked when we cooked it.

    Except Omar doesn’t live in Chicago. He is in Gaza.

    The day of the dream, Omar told me the bombing was heavy; he might not live through the night.I hope you live. May Allah protect you,I messaged back. The next sunrise, I got a reply. Alhamdulillah. Thank God. Omar was still alive. For months, this has been the cadence of our messages. I may not live through this night. I hope you live. May Allah protect you. Alhamdulillah.

    There was a night when, after we all saw yet another horrific image of a Palestinian person’s body mutilated by Israeli attacks and U.S. weapons, it was suggested, I forget by whom, that we go to Lake Michigan and scream. When we got there, we were silent for a long time. It wasn’t embarrassment, but the fear that God had stopped listening to our screams. What evidence did we have otherwise? Then, almost in unison, we screamed, the sound carrying over the water. And I have to believe we were heard.

    Naaood lal tareekh. Let us go back to history. Nataqadam lal horeya. Let us go forward into freedom.

    Nylah Iqbal Muhammad is a James Beard-nominated travel, food, and entertainment writer with bylines in New York Magazine, Travel + Leisure, and Vogue. You can follow her on Instagram, Substack, and Twitter/X.

    Nylah Iqbal Muhammad

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  • TV Viewers Are Getting Old. Do Advertisers Care?

    TV Viewers Are Getting Old. Do Advertisers Care?

    Matt is joined by Wall Street Journal reporter Isabella Simonetti to discuss an article she wrote that focuses on the older ages of television viewers and how it has affected advertisers (03:35). They go through how the pitches to ad buyers have shifted, the age gap between people who consume traditional linear TV and streaming, whether age demographics are still used, the growing acceptance of older casts on TV, and whether linear TV is beginning to age out. Matt finishes the show with a prediction about the distribution of The Apprentice, which highlights Donald Trump’s rise during his business career (19:50).

    For a 20 percent discount on Matt’s Hollywood insider newsletter, What I’m Hearing …, click this link: puck.news/thetown

    Email us your thoughts! thetown@spotify.com

    Host: Matt Belloni
    Guest: Isabella Simonetti
    Producer: Jessie Lopez
    Theme Song: Devon Renaldo

    Subscribe: Spotify

    Matthew Belloni

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  • Illinois Breweries Are Fighting Springfield for Their Right to Continue Making THC Drinks

    Illinois Breweries Are Fighting Springfield for Their Right to Continue Making THC Drinks

    The Illinois beer industry is rallying against legislation in Springfield that, if passed, could make making low-dose THC beverages illegal. The brewers claim the dispensary lobby is ramrodding a bill through the state Senate and House that would mandate breweries and distilleries that produce drinks like THC seltzers to operate under the same (and more costly) licensing requirements as dispensaries.

    Introduced in April, the Hemp Consumer Products Act (Senate Bill 3926) presents far-reaching regulations that impact bars and taprooms, which began serving hemp-derived products in February. These products are derived from hemp rather than cannabis. Licenses would come with a $5,000 application fee and a July 1, 2026 deadline to apply.

    An amendment to that bill, filed on Tuesday, May 9, which brewers say goes beyond the scope of public safety, and adds stricter guidelines for hemp-derived products. In a statement, the Illinois Craft Brewers Guild describes the legislation “as short-sighted and the monopolization of THC under the guise of legislation” and claims that the measures would “immediately prohibit thousands of Illinois businesses manufacturing hemp-based products, including craft breweries.”

    The regulations would administer a big blow to the state’s breweries, which are searching for ways to boost sales since the industry’s peak at the start of the pandemic.

    “As craft beer has leveled out, a bunch of brewers in Illinois have seen sales of craft beer replaced by the sales of hemp-derived products,” says Ed Marszewski, co-owner of McKinley Park-based Marz Community Brewing. Marz sells the most THC drinks in Illinois. These are non-alcoholic; the state forbids selling drinks mixed with both THC and alcohol.

    About 30 Illinois breweries — roughly 10 percent of the industry — make THC-derived drinks. Marszewski accuses lobbyists of stealthily “slipping in some pork.” There’s a feeling the bills were designed to get through the Senate with minimum discussion, part of larger omnibus legislation. The fear is the bills would be bundled with other legislation and arrive on the House floor for a concurrence vote where representatives could only vote “yes” or “no” without scrutiny.

    Choom Lite is a non-alcholic sparking drink with THC.
    Central Park Bar

    “The high-level goal, which is certainly applaudable — and I support 1,000 percent — is public safety,” says Glenn McElfresh, a cannabis lobbyist, advocate, and owner of Perfectly Dosed, a Chicago company that makes emulsions so breweries can manufacture THC drinks. (Hopewell Brewing in Logan Square is one of its clients.) “The secondary part of this, the part that hurts is it’s protecting the economic interest of existing cannabis business owners.”

    Brewers, like Marszewski, point to bills introduced in February (Senate Bill 2790 and its House companion, House Bill 5306) as evidence they aren’t opposed to regulation.

    McElfresh will testify Wednesday afternoon in front of state senators in Springfield to share his insights. Reps from the Hemp Beverage Alliance and Illinois Craft Brewers Guild will assemble on Thursday morning at Hopewell Brewing for a news conference to discuss the latest news.

    The beverage industry argues that cannabis companies want to be the ones selling them to customers and controlling the market. There’s also disagreement about how the bills came into existence. Brewers believe that one organization, the Cannabis Business Association of Illinois, is behind the legislation. CBAI is a lobbyist group representing dispensaries and labs around the state.

    “We share Leader Lightford’s goals to protect children, empower consumers, and strengthen our state’s legal cannabis industry,” CBAI executive director Tiffany Chappell Ingram says in a statement to Eater. “We appreciate her leadership on this important issue and look forward to continued conversations about the best way to rein in the proliferation of synthetic THC intoxicants that are currently sickening children, confusing customers, and undermining our state’s carefully crafted cannabis market.”

    US-NEWS-ILL-HEMP-BUSINESSES-TB

    Tiffany Chappell Ingram, executive director of the Cannabis Business Association of Illinois speaks in April in Springfield.
    Brian Cassella/Chicago Tribune/Tribune News Service via Getty Images

    The bills’ sponsor, state Sen. Kimberly Lightford (D-Maywood) tells Crain’s that legislators are in the process of negotiating with the hemp and cannabis industry to design a bill that “all sides can agree upon while ensuring our common goal to have a fair, just and safe industry remains.”

    While McElfresh commends Lightford’s commitment to public safety, he claims that the CBAI and other cannabis industry lobbyists have failed to engage with brewers: “How many times have you included the Craft Brewers Guild or the beer industry in discussions?” he says. “The answer has been zero’”

    Dispensary owners undergo a detailed background check and are subject to strict security requirements. There’s resentment within the cannabis industry that breweries aren’t held to equal standards and don’t pay the same in taxes.

    Breweries feel the amendment would effectively crush any growth in their sector while allowing massive cannabis companies to thrive

    “So far we are setting these huge companies coming into the space that have seemingly unlimited funds,” says Samantha Lee of Hopewell Brewing, comparing cannabis with the early, scrappier days of the craft beer industry. “It’s a very different approach and feel.”

    Lee says Hopewell began serving THC drinks in February after collaborating with Fair State Brewing Cooperative in Minnesota. Minnesota has already been a battleground for low-dose THC drinks, as the state has seen the market soar. Marszewski notes that more than 100 breweries in Minnesota manufacture THC-infused drinks. So-called “Big Cannabis” doesn’t want to see the same success unfold in Illinois, Marszewski and Lee say.

    The Illinois Brewers Guild notes that Minnesota generated $1.5 million in tax revenue from $15.4 million in sales from hemp-derived drinks two months after that state began regulating the industry in June 2022. The guild claims the state “could generate hundreds of millions of dollars in tax revenue if we follow Minnesota’s model.” Minnesota’s law does have loopholes.

    The state’s beer distributors — often seen as representing the big breweries that compete with the smaller craft breweries — seem united with their smaller siblings. McElfresh says that’s uncommon.

    “This is like getting dogs and cats to agree that loud noises are scary,” he says.

    Ashok Selvam

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  • The James Beard Foundation Unveils a Fresh Crop of Celebrity Hosts for Its 2024 Gala

    The James Beard Foundation Unveils a Fresh Crop of Celebrity Hosts for Its 2024 Gala

    The James Beard Foundation announced five new hosts for its annual red-carpet gala on Tuesday, May 21, just weeks ahead of the awards ceremony that’s considered among the highest honors in the American restaurant industry.

    The first-time co-hosts poised to take the stage on Monday, June 10 at the Lyric Opera in Chicago are California-based Top Chef alum Nyesha Arrington, named Eater LA’s chef of the year in 2015; Top Chef: All-Stars champion and Beard-nominated cookbook author Richard Blais; celebrity chef, cookbook author, and Food Network regular Amanda Freitag; and celebrity chef and multiple James Beard Award-winner Marcus Samuelsson.

    Michelle Miller, a national correspondent for CBS News and co-host of CBS Saturday Morning, will host the media awards on Saturday, June 8. Karen Washington, winner of the 2023 James Beard Humanitarian Award will host the leadership awards ceremony on Sunday, June 9.

    This media-savvy group will oversee the proceedings at the June gala, where just four Chicago restaurants and chef finalists will vie for their respective awards.

    Tune in with Eater’s livestream on June 10.

    Correction, Tuesday, May 21, 4:17 p.m.: This piece has been updated to reflect the hosts of the media and leadership awards ceremonies.

    Disclosure: Some Vox Media staff members are part of the voting body for the James Beard Awards. Eater is partnering with the James Beard Foundation to livestream the awards in 2024. All editorial content is produced independently of the James Beard Foundation.

    Naomi Waxman

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  • 7 Days in Hell did Challengers before Challengers — threesomes and all

    7 Days in Hell did Challengers before Challengers — threesomes and all

    It sometimes seems surprising that tennis doesn’t inspire more movies. Its one-on-one gladiatorial clashes are inherently dramatic and psychological, while the devious scoring system means no match is ever lost until it’s lost. Nail-biting climaxes and last-minute turnarounds are baked into the design. On the other hand, the fast-moving, seesawing action is technically difficult to frame in a way that’s both exciting and legible — and that same scoring system might drastically confuse anyone who doesn’t follow the sport.

    Or maybe there are only so many tennis stories to tell. It’s certainly true that after watching Challengers, the torrid, wildly entertaining new tennis melodrama starring Zendaya and directed by Call Me by Your Name’s Luca Guadagnino, I was struck by some surprising similarities to an earlier film. Only this film isn’t a proper sports movie, or even a pseudo-serious bit of prestige pulp like Challengers. 7 Days in Hell is a profoundly silly 43-minute HBO mockumentary from 2015, starring The Lonely Island’s Andy Samberg and streaming on Hulu and Max.

    It’s tough to prove my point without comprehensively spoiling either film. You should watch them both; they’re both lots of fun. Let’s just say that both feature a hotly contested, emotionally (and maybe sexually) charged match between rival male players that goes the distance — and far beyond. Both movies also feature varying degrees of hot threesome action; an absurdly extended, physically impossible rally at the net; and a certain gesture that takes things up a gear. And they both end in strikingly similar ways, even though the actual outcomes are very, very different.

    Image: HBO

    Kit Harington wipes sweat from his face with a pained expression, wearing tennis gear in 7 Days in Hell

    Image: HBO

    Tashi (Zendaya), Art (Mike Faist), Patrick (Josh O’Connor)

    Photo: Niko Tavernise/Metro-Goldwyn-Mayer Pictures

    Above: Andy Samberg and Kit Harington in 7 Days in Hell. Below: Mike Faist and Josh O’Connor in Challengers.

    Perhaps the key to both films’ success is that they recognize that tennis, with its strange rituals, hourslong matches, hushed intensity, and soundtrack of echoing pops, grunts, and smacks, is actually pretty ridiculous. Guadagnino’s movie spends more than two hours edging along the border of high camp, urged along by Trent Reznor and Atticus Ross’ pounding gay-club score. 7 Days in Hell is an all-out parody; it has no such restraint, if restraint is the word.

    7 Days in Hell spoofs an ESPN 30 for 30-style sports documentary. Its subject is the longest match in tennis history, a first-round clash at Wimbledon that lasted for seven days. The top seed is Charles Poole (Game of Thrones’ Kit Harington), a tragically dim Brit carrying the nation’s hopes on his shoulders. The wild card is Aaron Williams (Samberg), a washed-up “bad boy of tennis” in the Andre Agassi mold who happens to be Venus and Serena Williams’ adoptive brother. (In one of many talking-head cameos from famous real-world tennis figures, Serena explains that her father, Richard, adopted a white boy off the streets and turned him into a tennis pro in a “reverse Blind Side.”) Aaron is on the comeback trail after killing a line umpire with a 176 mph serve in the 1990s.

    7 Days in Hell’s prime target is the absurdly extended matches that the Grand Slam tournaments are known for — particularly Wimbledon, where rain often delays play into the next day, and tie breaks weren’t used in the final set until 2019, making endless matches theoretically possible. The movie delights in the absurdism and masochism of both playing and watching this sport, as rain, streakers, traffic accidents, conjuring tricks, and more conspire to imprison the two players and their audience in an agonizing weeklong death spiral.

    The fun comes from 7 Days in Hell’s extremely broad, even crude, humor (you’re going to need to enjoy dick jokes — this is a Samberg joint, after all) mixed with its savage parody of both the tennis world and the sports-documentary format. The film’s best gag is a brilliantly sustained digression into the history of Swedish courtroom sketch art, delivered with completely straight faces by tennis legends John McEnroe and Chris Evert, as well as the film’s stacked cast of comic actors. It’s a sly satirization of the way docs can use celebrity and misappropriated expertise as a vehicle for all kinds of barely relevant, unexamined information.

    Among those self-mocking talking heads, McEnroe is particularly good value throughout. (His best line delivery: “Aaron probably should have forfeited after killing a guy. But he didn’t, because he’s an asshole.” McEnroe remains undefeated at cursing.) David Copperfield also sends himself up beautifully. The pro performers are great, too, with Fred Armisen as All England Club chairman Edward Pudding, MCU veteran Karen Gillan as Charles Poole’s supermodel ex-girlfriend, Mary Steenburgen as his overbearing mother, Lena Dunham as a fashion CEO, and an unforgettable turn from Michael Sheen as Caspian Wint, a pervy, chain-smoking British sports broadcaster. The smooth narration comes from Jon Hamm.

    Before things come to a head on day seven of the match, the two players hold a joint press conference. A dispute starts, and they square up against each other, hurling insults, in an argument that briefly turns into a confused, thwarted embrace. Fundamentally, 7 Days in Hell and Challengers are saying the same two things. One: Sport may be about competition and dominance, but it’s a thin line between dominance and desire. And two: Tennis is absurd.

    7 Days in Hell is streaming on Max, Hulu, and YouTube (with a subscription) and can be rented on Apple TV, Google Play, and other digital platforms.

    Oli Welsh

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  • Etta’s Assets Are Scheduled for Auction

    Etta’s Assets Are Scheduled for Auction

    Etta founder David Pisor is no longer in charge of operations at his Bucktown restaurant, according to bankruptcy-related court documents. The news comes nearly two months after Pisor’s Etta Collective filed for bankruptcy in multiple states and as the once nationally recognized restaurant group’s assets head to auction next week.

    The court’s order only pertains to Etta Bucktown, meaning Pisor remains at Aya Pastry. Pisor did not respond to a request for comment.

    In the interim, the court has appointed Rafael Gaspar as manager of the Bucktown restaurant. The court has ordered that a sale must be finalized by Monday, April 15. Gaspar, who represents the debtors, owns a few Chicago-area restaurants including Fireside Restaurant in Ravenswood, and has no prior relationship with Pisor, according to court documents. Etta’s debtors made a motion to appoint Gaspar on March 1. His role is to “use his reasonable best efforts during the term to improve and maximize the financial performance of the restaurants and to keep them operational and maximize their value through the closing of the sale.”

    In January and February, Pisor made five Chapter 11 bankruptcy filings covering his two Ettas in Chicago; Etta Scottsdale, Arizona; Aya Pastry in West Town; and his parent company, Etta Collective. He closed Etta River North in January after closing an Etta in Culver City, California, in December. He’s been involved in restaurants in Chicago, California, and Texas, and is a co-founder Gold Coast steakhouse Maple & Ash, though he is no longer affiliated with that restaurant group. Pisor’s relationship with Maple & Ash co-founder Jim Lasky deteriorated and the partners eventually reached an agreement to settle competing lawsuits against each other, and in January 2023 severed ties, with Pisor taking control of Etta properties, Aya Pastry, and Cafe Sophie under a new company, Etta Collective. Etta struggled after the split from the highly profitable Maple & Ash brand. Workers for Etta Collective in Chicago accused management of taking dental insurance premiums from their paychecks without paying for coverage in addition to other internal issues. Projects in Evanston, Downtown Chicago, and Texas have also been canceled or postponed due to the bankruptcy filings.

    The order to appoint Gaspar was issued on March 12, according to a filing through the United States Bankruptcy Court of Delaware. The auction, scheduled for Monday, March 25, isn’t open to the public; parties had until the morning of Wednesday, March 20, to declare their interest in participating in the auction to undergo the appropriate financial background checks.

    Two Etta locations, in Bucktown and Scottsdale, Arizona, remain, In late February, he filed notice of an agreement with John Leahy, a “stalking horse bidder.” The stalking horse — a bankruptcy term — who reaches an agreement with the bankrupt party to put in the initial auction bid and establishing a minimum bid for the party’s assets at auction. Leahy, who owns Lulu’s in Waikiki, Hawai’i, started the bidding at $675,000, according to court documents. The winning bid would also have to assume Etta’s debt, which includes $2.5 million owed to Wintrust. Other local vendors, from Rare Tea Cellar to Closed Loop Farms, are listed among Etta’s debts.

    Pisor in February described Leahy as “a long-time colleague who is interested in helping us restructure and emerge stronger from this bankruptcy.” That means that Pisor could retain control over Etta if his colleague’s bid wins. Any deal, whether it’s involving Leahy, Gaspar, or another party, must close by the aforementioned April 15 date, according to court documents. Former Etta workers and those who have worked with Etta have told Eater there’s hope that a new owner could move Etta past its current financial crisis while reopening the River North location.

    Aya Fukai, the founder of Aya Pastry, is owed $500,000 from Pisor after she left the business in October and sold her stakes in the West Town bakery for $700,000. She says she received $200,000 but has told Eater she’s not banking on seeing the rest. Pisor waited until February to mention Fukai’s departure and promoted a bakery worker to replace her. That replacement has since left Aya Pastry, a month after Pisor announced she’d taken the job.

    Sources who have worked at Etta say that the news of the bankruptcy, and how the company handled employer dental insurance coverage has hurt business in Bucktown. The workers who remain are frustrated that their jobs are more difficult in the aftermath. They’re also dealing with low staffing levels, which hurt morale and created a rift between current employees and the former workers who were outspoken about their treatment. Meanwhile, vendors aren’t looking forward to working with Etta, given the company’s bankruptcy status.

    In the wake of the bankruptcies and claims of mismanagement, Etta has launched a social media campaign leaning into normalcy and stability. An Instagram ad proudly announces, “the classics are back.” The phrasing was seemingly a response to former employees who claimed that popular items were removed off Etta’s menu because Pisor didn’t want to be reminded of former chef Danny Grant who had departed when Etta’s parent company was split in January 2023. In February, Pisor denied that claim.

    The restaurant is even riding the success of The Bear, and involved in a gift card giveaway with other restaurants as part of a promotion benefitting radio station WBEZ offering a tour of the restaurants featured in the TV show.

    Ashok Selvam

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  • The ‘Bachelor’ Women Are Taking Leaps for Joey’s Attention. Plus, ‘The Traitors’ Season 2.

    The ‘Bachelor’ Women Are Taking Leaps for Joey’s Attention. Plus, ‘The Traitors’ Season 2.


    Join Juliet and Callie as they break down the Maria vs. Sydney confrontation (8:46), admire Joey’s ability to handle drama and tears (15:00), and laugh at the ridiculous yet entertaining game of capture the flag (28:27). They discuss Joey’s chemistry with Daisy during their one-on-one (31:17), and break down the final Rose Ceremony (38:24). Finally, they discuss updates to Season 2 of The Traitors, including Pilot Pete’s development, their favorite contestants, and much more (41:01).

    Hosts: Juliet Litman and Callie Curry
    Producer: Olivia Crerie
    Music: Devon Renaldo

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS



    Juliet Litman

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  • Are the Golden Globes Unkillable?

    Are the Golden Globes Unkillable?

    Matt is joined by Brooks Barnes from The New York Times to discuss the long and messy path of the Golden Globes as we gear up for the 81st Golden Globe Awards on Sunday. Matt and Brooks discuss why this show can’t seem to die even though it’s been mired in controversy, how it has been reformed under new ownership, whether people even want to celebrate Hollywood anymore, and why the Globes will probably still exist 30 years from now. Matt finishes the show with a prediction about the ratings for the Golden Globes.

    For a 20 percent discount on Matt’s Hollywood insider newsletter, What I’m Hearing …, click here.

    Email us your thoughts! thetown@spotify.com

    Host: Matt Belloni
    Guest: Brooks Barnes
    Producers: Craig Horlbeck and Jessie Lopez
    Theme Song: Devon Renaldo

    Subscribe: Spotify

    Matthew Belloni

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  • Unpacking’s secret messy mode just got a big viral boost

    Unpacking’s secret messy mode just got a big viral boost

    Even small games can reveal delightful surprises years later. Now, roughly two years after its release, Unpacking fans are suddenly discovering a previously revealed secret mode after a TikTok video brought it back into the public eye. The mode is called Dark Star, and it basically forces players to beat the game by tossing objects on the floor instead of neatly putting them away like in the main mode.

    In Unpacking’s standard mode, players complete levels by pulling objects out of a box and finding an appropriate spot to store them. If, for instance, you put toilet paper in the kitchen sink, the game will highlight the item with a red line and won’t let you complete the level. However, once you beat the game the regular way, you can enter Dark Star mode, where you beat each level by making sure every single item is placed incorrectly and highlighted in red. Once a player misplaces every single item, the game will award them with a darkened star and let them progress to the next level.

    Developer Witch Beam teased Dark Star as a secret mode prior to the official reveal, then shared a video documenting it as part of an April Fools’ Day post in 2022. “So many people thought it was a fake feature for April Fools’ until they tried it for themselves,” Tim Dawson, a co-founder of Witch Beam and technical director of Unpacking, told Polygon via email.

    Since that official reveal, some content creators have even streamed their Dark Star runs. Still, it’s clear that many fans didn’t know about the mode. After Dec. 22 Witch Beam TikTok went viral, fans shared reactions like, “THERE’S A DARK STAR MODE?!?!” and “I have 100% this game and I DIDNT KNOW THIS!? WHAAAAAT!?” Another wrote, “dude I beat this game like 10 times and i am just hearing abt this?!”

    Dawson told Polygon that the secret mode lets players find new ways to experience the game’s puzzles. In the comments, several fans commented on how difficult Dark Star mode can actually be.

    “I think what makes Dark Star so interesting is initially it feels like a gag,” Dawson said. “But after a few levels, it sets in how much work it is, and continuing can feel absurd, transgressive, or cathartic. But in the end, it’s just another way to think about items and how they relate to our lives and the spaces we live in, which is what the game is all about.”

    Dawson also says that while the mode “started as a joke,” the developers now appreciate it as an extension of the game. “Because we decided not to extend Unpacking with DLC or a sequel, we often mention Dark Star mode when fans contact us asking if we’ll make more levels,” he said. “In many cases, it gives them another way to experience the game.”

    Personally, I think Dark Star mode speaks to the ways our own media diets and specific bubbles of the internet can sometimes preserve a sense of surprise in a game. For Dawson, this kind of surprise can lend a sense of character to a game.

    “I think secrets help give games their personality,” he said. “They’re the twinkle in the eye that suggests that these virtual worlds we spend time in might just be a bit bigger than you think. I love that we were able to come up with a good one for Unpacking.”

    Ana Diaz

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  • dirtier divergent pushy

    dirtier divergent pushy

    It just honestly seems like search engines are getting worse in general. Whether it’s the fact their primary focus is on ads, or maybe it’s the websites they link to just trying to show up, but it just seems like you can never actually find what you want when you search, just someone selling something.

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  • Warner Bros. and Paramount Are Talking. Should They Merge?

    Warner Bros. and Paramount Are Talking. Should They Merge?

    Matt is joined by LightShed Partners media analyst Rich Greenfield to break down the latest reports of a meeting between Warner Bros. Discovery CEO David Zaslav and Paramount Global CEO Bob Bakish in New York City to discuss a possible merger. Matt and Rich discuss what a deal would look like between these two legacy companies, how this would affect the streaming and cable networks for both of these companies, and whether or not major mergers in modern Hollywood ever work. Matt finishes the show with a prediction about the weekend box office.

    For a 20 percent discount on Matt’s Hollywood insider newsletter, What I’m Hearing …, click here.

    Email us your thoughts! thetown@spotify.com

    Host: Matt Belloni
    Guest: Rich Greenfield
    Producers: Craig Horlbeck and Jessie Lopez
    Theme Song: Devon Renaldo

    Subscribe: Spotify

    Matthew Belloni

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  • The OG ‘RHONY’ Ladies Are Back and We Couldn’t Be Happier. Plus ‘Potomac,’ ‘Salt Lake City,’ and ‘Beverly Hills.’

    The OG ‘RHONY’ Ladies Are Back and We Couldn’t Be Happier. Plus ‘Potomac,’ ‘Salt Lake City,’ and ‘Beverly Hills.’

    Rachel Lindsay and Callie Curry begin today’s Morally Corrupt by sharing their reactions to the new Vanderpump Rules Season 11 trailer (1:40), before discussing the brand-new Ultimate Girls Trip season, which features lots of familiar faces (8:55). Then, Rachel and Callie chat about The Real Housewives of Potomac Season 8, Episode 6 (36:38). Rachel is later joined by Chelsea Stark-Jones, who’s recaps The Real Housewives of Salt Lake City Season 4, Episode 14 (53:11) and The Real Housewives of Beverly Hills Season 13, Episode 8 (1:13:44).

    Host: Rachel Lindsay
    Guests: Callie Curry and Chelsea Stark-Jones
    Producers: Devon Baroldi
    Theme Song: Devon Renaldo

    Subscribe: Spotify

    Rachel Lindsay

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  • Grand Theft Auto 6’s hype has been defined by leaks

    Grand Theft Auto 6’s hype has been defined by leaks

    With just over 24 hours left before Rockstar Games was set to debut its first Grand Theft Auto 6 trailer, a grainy video started circulating online: The GTA 6 trailer, but marked with a massive bitcoin watermark. About 30 minutes later Rockstar did the corporate equivalent of saying “Fuck it,” uploading the trailer and pointing to it in a terse post on X: “Our trailer has leaked so please watch the real thing on YouTube.”

    It’s unusual for a company like Rockstar to disregard its original, announced schedule and just post the thing, but it’s not the first time it’s happened. When The Last of Us Part 2’s PlayStation 5 remaster was leaked early on the PlayStation Store by data miners looking for new information, hours later, an official trailer popped up on YouTube, with several prominent Naughty Dog developers declaring that “leaks really suck.” (In Naughty Dog’s case, however, timing for The Last of Us Part 2’s remaster wasn’t announced, and it’s possible the YouTube release was its planned time.)

    Typically, in the event of a leak, a company starts issuing takedown requests as quickly as possible — which Rockstar did, of course — and waits it out until the planned debut. (We’ve seen this plenty of times when Pokémon games leak early; Nintendo and The Pokémon Company try to take things down, but don’t acknowledge leaks head-on.) In the case of GTA 6, the early launch of the trailer hasn’t diluted the hype, with the GTA 6 trailer reaching more than 85 million views by Tuesday morning. It’s quickly gaining on Rockstar’s debut Grand Theft Auto 5 trailer, which was published on Nov. 2, 2011, and has more than 99 million views.

    Image: Rockstar Studios/Rockstar Games

    Several Rockstar employees have expressed their upset feelings about the leak: “This fucking sucks,” one developer posted to X. (The post, and the developer’s X account, have since been deleted.) The GTA 6 trailer wasn’t the first video game trailer to be leaked, and it definitely won’t be the last in an internet landscape where everyone from fans to brands is always fighting for eyeballs.

    For better or worse, leaks have already become a part of GTA 6’s journey to its release — something that’s relatively on theme, as Rockstar’s upcoming game seemingly takes on the struggle for internet fame.

    Grand Theft Auto is one of the video game industry’s most successful properties, which makes it a hot target for hackers and potential leaks. GTA 5 was released 10 years ago, and people have been salivating ever since at the prospect of the sixth entry in the series. Rockstar has been quiet about GTA 6 for most of the past 10 years; the studio didn’t acknowledge the game was in development until February 2022. Later that year, GTA 6 made history as Rockstar’s developers were subject to one of the largest leaks in modern video game history.

    On Sept. 18, 2022, a hacker published more than 90 videos — roughly an hour’s worth of footage — from the in-development game. The leak was, and still is, unprecedented because of its sheer scope, the level of anticipation for the game in question, and because of how rare it is for fans to see huge parts of a AAA video game in a visibly unfinished state. The leaked footage depicted a GTA 6 that was clearly in development, with debug tools, blocked-out environments, and all.

    The sun sets behind a sign reading “Vice” in a screenshot from Grand Theft Auto 6

    Image: Rockstar Studios/Rockstar Games

    The hacker claimed to have accessed Rockstar’s internal Slack, which is an application workplaces use to communicate and share files. A United Kingdom court found that a U.K.-based 18-year-old, Arion Kurtaj, was largely responsible for the hack. Kurtaj had been previously arrested for other hacking incidents performed in association with notorious group Lapsus$, and he was out on bail when he went after Rockstar, Uber, and Revolut. Kurtaj’s hack of Rockstar was the last one he managed before he was caught again in a Travelodge hotel that he had been put up in following concerns for his safety (he was previously doxxed by “rival hackers,” according to the BBC). Kurtaj and a second 17-year-old hacker were found guilty in August. The BBC reported that the prosecution’s lead barrister on the case, Kevin Barry, said the hackers were motivated by “notoriety,” “financial gain,” and “amusement.”

    The damage had been done; many fans couldn’t resist the peek behind the curtain before the real show began. The hourlong clips in the leak gave eager GTA 6 fans a lot of material to work through, and by September of this year, the community had put together a 60-page document outlining every single detail from the leak.

    Rockstar announced in November that it would post a trailer in December, news that was first reported by Bloomberg and quickly confirmed by Rockstar. Last week, Rockstar finally announced a date for the trailer: Dec. 5. In the lead-up to the trailer drop date, several quick videos were uploaded to TikTok purporting to show parts of the GTA 6 Vice City map; the video clips, which quickly spread, appeared to be recordings of a computer screen. The source and credibility of these uploads remains unconfirmed, but they do seem to match the cityscapes we’ve now seen in the legitimate trailer. Somewhere along the way, rumors started circulating that the leak came from a Rockstar employee’s son, but Polygon is unable to verify those claims. It’s impossible to tell, of course, whether the TikTok leaks came from the same source as Dec. 4’s trailer leak.

    GTA 6’s legacy of leaks not only has an impact on how the community sees the game, but it’s something that affects developers, too. Rockstar is famously secretive — or perhaps notoriously so — and leaks are sometimes considered a rare look behind the curtain for fans, or even a triumph for transparency. Unfortunately, though, leaks can often have the opposite effect. Speaking to Wired in 2022, a AAA developer said leaking can tighten things up even more, making the industry more opaque — even within studios themselves. Sometimes, a “trust vacuum” forms between departments as studios investigate leaks internally, Wired reported. The player experience will rarely, if ever, be significantly altered by a leaked trailer or gameplay video, but the same can’t be said for the people making a leaked game.

    Nicole Carpenter

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  • What Are We Going to Watch in 2024? Plus, More Marvel Problems.

    What Are We Going to Watch in 2024? Plus, More Marvel Problems.

    Chris and Andy talk about the news this week that HBO CEO Casey Bloys was using fake Twitter accounts to hit back at TV critics (1:00) and also that some of HBO’s most popular shows, like White Lotus and Euphoria, won’t be released until 2025 (16:31). Then they talk about an article published in Variety this week that detailed problems at Marvel Studios, including what to do with Johnathan Majors’s “Kang” character and the forthcoming low box office performance of The Marvels (27:21).

    Hosts: Chris Ryan and Andy Greenwald
    Producer: Kaya McMullen

    Read the Variety article here.

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    Chris Ryan

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  • The Clippers Are Dumb, Plus the NFL Trade Deadline, Sleeper Teams, and ‘The Godfather’ With Michael Lombardi

    The Clippers Are Dumb, Plus the NFL Trade Deadline, Sleeper Teams, and ‘The Godfather’ With Michael Lombardi

    The Ringer’s Bill Simmons shares his thoughts on the 76ers trading James Harden to the Clippers (1:55) before he is joined by Michael Lombardi to discuss the NFL trade deadline, cross-off teams, and risers and fallers (24:09). Then, they talk The Godfather Part III, mob TV shows, and more (1:13:46).

    ‌Host: Bill Simmons
    Guest: Michael Lombardi
    Producer: Kyle Crichton

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    Bill Simmons

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