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  • Palworld list of Pals, types, and base skills

    Palworld list of Pals, types, and base skills

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    Image: Pocketpair

    Our in-progress list of Pals, along with their types and base skills

    Continue reading…

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    Julia Lee

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  • ‘Southern Charm’ Reunion Part 2, and Swim Week on ‘Miami’

    ‘Southern Charm’ Reunion Part 2, and Swim Week on ‘Miami’

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    Chelsea and Zach are back! They start the episode with a recap of and reaction to the second and final reunion episode of Southern Charm Season 10 (01:48). Within the recap, they give a quick update on the News of the Week (08:04). Then, they recap The Real Housewives of Miami Season 6, Episode 12 (19:32).

    Host: Chelsea Stark-Jones
    Guest: Zack Peter
    Producer: Ashleigh Smith
    Theme Song: Devon Renaldo

    Subscribe: Spotify

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    Chelsea Stark-Jones

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  • Yodit Tewolde on the Legal Affairs of Fani Willis, and the Cancellation of Black Shows

    Yodit Tewolde on the Legal Affairs of Fani Willis, and the Cancellation of Black Shows

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    Van Lathan and Rachel Lindsay welcome trial lawyer and judge on Hot Bench Yodit Tewolde to discuss accusations of a possible affair between Georgia DA Fani Willis and the Trump case prosecutor (7:05), before checking in on the state of the GOP (38:38) and reacting to the cancellation of HBO’s Rap Sh!t (1:03:32).

    ‌Hosts: Van Lathan and Rachel Lindsay
    Guest: Yodit Tewolde
    Producers: Donnie Beacham Jr. and Ashleigh Smith

    Subscribe: Spotify / Apple Podcasts / Stitcher

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    Van Lathan

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  • ‘This Is Me … Now: A Love Story’ Trailer, Reneé Rapp’s Public Persona, and Josh Radnor’s Wedding

    ‘This Is Me … Now: A Love Story’ Trailer, Reneé Rapp’s Public Persona, and Josh Radnor’s Wedding

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    Juliet and Amanda kick off the week by breaking down their thoughts, feelings, and questions about the Jennifer Lopez documentary coming to Prime Video in February after watching the new trailer (1:00). Then they talk about the new Mean Girls musical movie remake with Reneé Rapp playing Regina George, as well as Reneé Rapp’s unfiltered public persona (14:00), Josh Radnor’s outdoor January wedding (29:53), the 21st Living Legends of Aviation Awards (37:19), and more!

    Hosts: Juliet Litman and Amanda Dobbins
    Producers: Sasha Ashall and Jade Whaley

    Subscribe: Spotify / Apple Podcasts / Stitcher

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    Juliet Litman

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  • Talk Show Cooking Foibles, and the Pronunciation Bee

    Talk Show Cooking Foibles, and the Pronunciation Bee

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    Jason is joined by 670 The Score’s Laurence Holmes for the Local Angle. The two talk about what the Bears can learn from the teams that are still alive in the playoffs, next steps for the Bears in the team-building process, takeaways from Justin Fields’s three pro seasons, and more. To wrap up, the guys discuss the White Sox’s potential move from Guaranteed Rate Field.

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    Dave Chang

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  • Netflix’s The Kitchen, The Marvels, and every new movie to watch at home this weekend

    Netflix’s The Kitchen, The Marvels, and every new movie to watch at home this weekend

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    Greetings, Polygon readers! Each week, we round up the most notable new releases to streaming and VOD, highlighting the biggest and best new movies for you to watch at home.

    This week, The Marvels, the latest movie installment in the Marvel Cinematic Universe, is finally available to purchase on VOD. That’s not all, though, as Taika Waititi’s sports comedy Next Goal Wins is also available to purchase, along with several other new releases available to rent. The Kitchen, Daniel Kaluuya’s directorial debut set in a dystopian London, is streaming on Netflix along with Dumb Money, the comedy-drama based on the GameStop short squeeze of 2021. That’s not even mentioning all the other streaming releases on Hulu, Mubi, and AMC Plus this week!

    Here’s everything new to watch this weekend!


    New on Netflix

    Dumb Money

    Where to watch: Available to stream on Netflix

    Photo: Claire Folger/Sony Pictures

    Genre: Biographical comedy-drama
    Run time: 1h 45m
    Director: Craig Gillespie
    Cast: Paul Dano, Pete Davidson, Vincent D’Onofrio

    Remember the GameStop short squeeze of 2021? No? That’s OK — admittedly, it was a very hectic and wild time, what with the whole… everything going on. In case you’re looking for a refresher, this movie about a middle-class financial analyst who struck big during the squeeze might be just what you’re looking for.

    From our review:

    Where The Big Short was patronizing but still hugely entertaining and legitimately informative, Dumb Money’s creators seem uninterested in explaining what the hell happened with the GameStop scenario, or how the hell it happened. The script assumes that the audience is either already familiar with the story, or doesn’t much care about the financial specifics and just wants to see the news reenacted by people they know. Most of the jargon goes unexplained, and the series of events that facilitated the saga is just shrugged off in favor of a simplistic “isn’t this crazy?!” tone.

    The Kitchen

    Where to watch: Available to stream on Netflix

    (L-R) A man in a black tracksuit (Kane Robinson) atop a futuristic motorcycle stands in front of a young boy in a white hoodie (Jedaiah Bannerman) and black pants in The Kitchen.

    Photo: Chris Harris/Netflix

    Genre: Sci-fi drama
    Run time: 1h 47m
    Directors: Daniel Kaluuya, Kibwe Tavares
    Cast: Kano, Jedaiah Bannerman, Hope Ikpoku Jr

    Daniel Kaluuya (Get Out, Black Panther) teams up with filmmaker Kibwe Tavares for his directorial debut: a sci-fi drama set in a dystopian London where social housing has been eliminated. The film follows the story of Izi and Benji, a father and son who fight to survive as an impoverished community is besieged by state-sponsored violence.

    New on Hulu

    Invisible Beauty

    Where to watch: Available to stream on Hulu

    Bethann Hardison in an archival photo featured in Invisible Beauty.

    Photo: Magnolia Pictures

    Genre: Documentary
    Run time: 1h 55m
    Directors: Bethann Hardison, Frédéric Tcheng
    Cast: Tyson Beckford, Stephen Burrows, Naomi Campbell

    This documentary chronicles the life and impact of Bethann Hardison, a pioneering model and activist who fought for racial diversity in the fashion industry.

    New on AMC Plus

    The Origin of Evil

    Where to watch: Available to stream on AMC Plus

    (L-R, Top to Bottom) Laure Calamy, center, with, clockwise from left, Céleste Brunnquell, Dominique Blanc, Jacques Weber, Doria Tillier and Véronique Ruggia Saura in “The Origin of Evil.”Credit... Laurent Champoussin/IFC Films

    Photo: Laurent Champoussin/IFC Films

    Genre: Drama
    Run time: 2h 3m
    Director: Sébastien Marnier
    Cast: Laure Calamy, Doria Tillier, Dominique Blanc

    A twisty French thriller about a woman trying to reconnect with a rich family she claims she’s a part of, The Origin of Evil was a late addition to our list of the best movies of 2023.

    As my colleague Tasha Robinson put it in her write-up there:

    Unpacking every lie and scheme in this movie takes every minute of its run time, and it’s guaranteed that audience sympathies will shift half a dozen times in the process. As a crime story, it’s a gem; as a character story, it’s even better.

    New on Mubi

    Fallen Leaves

    Where to watch: Available to stream on Mubi

     Alma Pöysti and Jussi Vatanen sitting in a theater in Fallen Leaves.

    Image: MUBI

    Genre: Romantic comedy-drama
    Run time: 1h 21m
    Director: Aki Kaurismäki
    Cast: Alma Pöysti, Jussi Vatanen, Janne Hyytiäinen

    This romantic drama follows the story of Ansa (Alma Pöysti) and Holappa (Jussi Vatanen), two lonely single people who meet by chance in a karaoke bar in Helsinki. Overcoming multiple mishaps and their own insular idiosyncrasies, the two strike up an awkward yet endearing courtship.

    New to rent or purchase

    The Marvels

    Where to watch: Available to purchase on Amazon, Apple, and Vudu

    Iman Vellani as Ms. Marvel/Kamala Khan, Brie Larson as Captain Marvel/Carol Danvers, and Teyonah Parris as Captain Monica Rambeau stand together in costume, all looking up, in the Marvel Cinematic Universe movie The Marvels

    Photo: Laura Radford/Marvel Studios

    Genre: Superhero action
    Run time: 1h 45m
    Director: Nia DaCosta
    Cast: Brie Larson, Teyonah Parris, Iman Vellani

    The 33rd film in the Marvel Cinematic Universe sees the return of Carol Danvers (Brie Larson), also known as Captain Marvel. This time around, she’s teaming up with the superpowered Kamala Khan (Iman Vellani) and Monica Rambeau (Teyonah Parris) to save the universe from the threat of a vengeful Kree leader bent on restoring her home world.

    From our review:

    In its best moments, The Marvels just throws wonderful ideas at the screen. There’s a planet of people who only sing, a space station full of cats that blithely devour furniture and humans alike, an animated depiction of Kamala’s internal monologue — the movie can feel like a mood board assembled by an overcaffeinated Star Trek fan, with a sense of imagination suitable for reminding the audience that comic books can be cool in the moment that you’re reading them, as opposed to for what they promise in the future.

    The Boys in the Boat

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    Genre: Sports biopic
    Run time: 2h 3m
    Director: George Clooney
    Cast: Joel Edgerton, Callum Turner, Jack Mulhern

    When I think of the 1936 Summer Olympics, I think of Jesse Owens and the incredible things he accomplished in the sprint and long jump events in front of a German crowd passionately rooting against him. But another group of Americans also made history while vying for Olympic glory — the University of Washington rowing team, a group of working-class athletes whose story is told in George Clooney’s latest directorial effort.

    The Color Purple

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    (L-R) Taraji P. Henson, Fantasia Barrino, and Danielle Brooks, in “The Color Purple.”

    Image: Warner Bros Pictures

    Genre: Coming-of-age musical
    Run time: 2h 21m
    Director: Blitz Bazawule
    Cast: Taraji P. Henson, Danielle Brooks, Colman Domingo

    Based on Alice Walker’s 1982 novel, this musical adaptation follows the story of Celie (Fantasia Barrino), a woman in an abusive marriage torn from her sister and children, who finds strength through her friendship with Shug Avery (Taraji P. Henson), a singer with an indomitable spirit.

    Next Goal Wins

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    Ace (David Fane) holding a whiteboard while coach Thomas Rongen (Michael Fassbender) lectures his team off-screen in Next Goal Wins.

    Image: Searchlight Pictures

    Genre: Sports comedy-drama
    Run time: 1h 44m
    Director: Taika Waititi
    Cast: Michael Fassbender, Oscar Kightley, Kaimana

    Michael Fassbender (The Killer) stars in Taika Waititi’s sports movie based on the real-life American Samoa national football team and their qualification attempt for the 2014 FIFA World Cup. Fassbender portrays Thomas Rongen, the Dutch American coach who agrees to help shape the once notoriously bad team into a competitive qualifier.

    From our review:

    Next Goal Wins fails to properly capture what made the story of the American Samoa national football team so compelling, by attempting to make a film so universal that it discards the sport itself as unimportant. Which it might be in terms of letting the audience relate to the team as individuals. But it’s such a cookie-cutter underdog story that it rarely moves past the most superficial “Care because this movie says you need to care” level.

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    Toussaint Egan

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  • Palworld sells 1 million copies in 8 hours, devs say

    Palworld sells 1 million copies in 8 hours, devs say

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    Palworld, the game that looks like, “Pokémon, but with guns,” was released Friday and is already one of the biggest releases of the year.

    According to its developer, Pocketpair, the game has sold over one million copies within “about” eight hours of its release. Pocketpair shared the impressive sales number via X, but did not add any further clarification as to what that sales number included. Palworld launched to both Steam and Xbox Games Pass, so it’s unclear if that number includes copies of the game that Xbox Game Pass subscribers download as part of the service.

    Polygon reached out to a representative of Pocketpair and asked the team to clarify what the sales number included. We will update the article as we hear back.

    Regardless if the sales number counts the Xbox Game Pass downloads or not, Palworld has had an absolutely massive release day. According to Steam Charts, the game has over 340,000 concurrent players on Steam on Friday afternoon, beating out other popular titles like PlayerUnknown’s Battlegrounds and Baldur’s Gate 3.

    Palworld has been drumming up buzz for a long time now. Basically it stuck out for the contrast between its cute creatures and brutal conditions — previous trailers have shown its adorable monsters fighting with military-grade machinery and creatures toiling away in factories. It basically looks like a militarized Pokémon game, but with additional survival elements as well.

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    Ana Diaz

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  • Sarina Wiegman 2027, Jordan Henderson Moves to Ajax and Ian Talks About His Role in New Netflix Film ‘The Kitchen’

    Sarina Wiegman 2027, Jordan Henderson Moves to Ajax and Ian Talks About His Role in New Netflix Film ‘The Kitchen’

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    Ian is joined by Ryan Hunn and Flo Lloyd-Hughes to react to the news that Sarina Wiegman has signed a new contract to manage the England women’s national team through to the 2027 World Cup (04:14). They discuss Jordan Henderson’s move to Ajax, bringing a premature end to his controversial move to Al-Ettifaq in the Saudi Pro League, and what this means for his future and his reputation (17:59). Then, to celebrate Ian’s role in the new Netflix film The Kitchen, he talks about his experience on set (27:33) and working with Kano and Daniel Kaluuya. Between them, they come up with a list of all-time great films they’d love to watch on a film night with the whole Wrighty’s House crew (35:18).

    Host: Ian Wright
    Guests: Ryan Hunn and Flo Lloyd-Hughes
    Producers: Ryan Hunn, Roscoe Bowman and Jonathan Fisher

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Ian Wright

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  • Brick Lady, Dresses on Black Men, and Florida’s Miseducation

    Brick Lady, Dresses on Black Men, and Florida’s Miseducation

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    Van Lathan and Rachel Lindsay are back to discuss the surprising numbers coming from the second COVID surge (05:46), masculinity and Black men in dresses within Hollywood (14:33), and Florida’s State Board of Education passes regulations against DEI programs (46:18). Then they get into the surprising revelations regarding Roda Osman, a.k.a. the “Brick Lady” (1:07:14).

    Hosts: Van Lathan and Rachel Lindsay
    Producers: Donnie Beacham Jr. and Ashleigh Smith
    Additional Production: Aleya Zenieris

    Subscribe: Spotify / Apple Podcasts / Stitcher

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    Van Lathan

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  • Chris Bianco’s Instagram Weakness and the Traffic Conundrum

    Chris Bianco’s Instagram Weakness and the Traffic Conundrum

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    Dave is joined by Chris Ying, Chris Bianco, and Kelly Meinhardt for the first of two episodes. Part 1 deals with an interesting traffic-based conundrum, a check-in on Master of Your Domain, and Chris Bianco’s secret Instagram weakness.

    Hosts: Dave Chang and Chris Ying
    Guests: Chris Bianco and Kelly Meinhardt
    Producers: Victoria Valencia, Cory McConnell, and Euno Lee

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Dave Chang

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  • ‘Echo’ Reactions and Armchair CEO: ‘Daredevil’ Edition

    ‘Echo’ Reactions and Armchair CEO: ‘Daredevil’ Edition

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    The boys are here to give you their thoughts on the first event of Echo, along with their Midnight Meter rating of the full first season (13:030). Later, they try their hand at being in the big chair for a round of Armchair CEO to see what they would do with the new Daredevil TV show (70:20).

    Hosts: Charles Holmes, Van Lathan, Jomi Adeniran, and Steve Ahlman
    Senior Producer: Steve Ahlman
    Additional Production Support: Arjuna Ramgopal
    Social: Jomi Adeniran

    Subscribe: Spotify / Apple Podcasts

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    Charles Holmes

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  • ‘Silver Linings Playbook’ With Chris Ryan, Andy Greenwald, and Zach Baron

    ‘Silver Linings Playbook’ With Chris Ryan, Andy Greenwald, and Zach Baron

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    The Ringer’s Chris Ryan, Andy Greenwald, and Zach Baron order Raisin Bran so there wouldn’t be any mistaking it for a date as they rewatch David O. Russell’s 2012 romantic comedy-drama Silver Linings Playbook, starring Bradley Cooper, Jennifer Lawrence, and Robert De Niro.

    Producer: Craig Horlbeck

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Chris Ryan

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  • Hazbin Hotel, Found, Reacher, and more new TV this week

    Hazbin Hotel, Found, Reacher, and more new TV this week

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    Often we come to you with these TV dispatches with a focus on the biggest premieres of the week — which we are now doing again. But this week also sees a whole host of finales, all of big shows that started in the tail end of 2023. While none of these three shows made our top 50 of the year, they’re all pretty big in their own way.

    Noah Hawley’s Fargo is ending its fifth season this week, concluding yet another chapter of exploring American greed and the violence it spawns. There’s also Reacher, TV’s biggest guy, with what’s sure to be an action-packed finale for the second season (and hopefully teeing up the already greenlit season 3). And then there’s Found, the new splashy procedural following a woman who locates missing people (and with a few dark secrets of her own).

    There’s more new and premiering TV to watch, of course — in addition to whatever ongoing shows you might be following, like True Detective: Night Country — but it’s a good reminder that there’s plenty of television worth catching up on, even without the urgency of the new episode.

    Here’s the best of those new finales and premieres to watch on TV this week.


    New shows on Netflix

    Love on the Spectrum season 2

    Genre: Finding romance reality show
    Release date: Jan. 19
    Relationship coach: Jodi Rodgers
    Cast: A group of people on the spectrum looking for love

    Netflix is back with another reality dating show, this time a second season of Love on the Spectrum, a show about exactly what it sounds like: people on the autism spectrum navigating the dating world. Season 2 of the show features some new cast members, alongside some folks from season 1.

    New shows on Hulu

    Death and Other Details

    Genre: Murder mystery
    Release date: Jan. 16, with two episodes
    Showrunner/creator: Mike Weiss and Heidi Cole McAdams
    Cast: Mandy Patinkin, Violett Beane, and more

    A locked-room murder mystery on a cruise ship, filled with plenty of staggeringly rich people who all have a motive. Also on board, conveniently: Rufus Cotesworth (Mandy Patinkin), a washed-up detective, who leaps into action — with the help of his also conveniently present former protege Imogene (Violett Beane). Very quickly, though, they learn there’s more to this murder — and its victim — than meets the eye.

    Fargo season 5 finale

    Photo: Michelle Faye/FX

    Genre: Crime drama
    Release date: Jan. 16
    Showrunner/creator: Noah Hawley
    Cast: Juno Temple, Jon Hamm, and more

    It’s all coming to a close, as Dot (Juno Temple) hopes to reassert control over her life and rid herself of her megalomaniac ex-husband, Sheriff Roy Tillman (Jon Hamm). The body count has been rising, and the penultimate episode saw government forces gear up to raid Tillman Ranch, setting up what should be an action-packed, violent finale.

    New shows on Prime Video

    Hazbin Hotel

    Genre: Animated goth theater kid musical
    Release date: Jan. 19, with four episodes
    Showrunner/creator: Vivienne Medrano
    Cast: Stephanie Beatriz, Kimiko Glenn, Keith David, and more

    Charlie Morningstar (Erika Henningsen) is the princess of hell, and has her heart set on doing the impossible: rehabilitating sinners in her hotel so well that they’ll be accepted into heaven. It isn’t long before she finds this task is harder than she thinks — luckily, she has a cast of characters who are there to help her (if not fully believe in her mission). Also: It’s a musical!

    Reacher season 2 finale

    A close up of Jack Reacher, a very large man, wearing a jacket and looking off in the distance, probably at someone smaller than he

    Photo: Brooke Palmer/Prime Video

    Genre: Big guy spy action
    Release date: Jan. 19
    Showrunner/creator: Nick Santora
    Cast: Alan Ritchson, Serinda Swan, Shaun Sipos, and more

    The Big Man’s back for his final episode of the second season. The penultimate episode ended in quite the cliffhanger, with multiple team members held hostage by Robert Patrick’s Shane Langston. No big deal, though — Reacher is still Reacher, and last we saw him, he was sauntering through the front gate ready to dole out some punishment.

    New shows on Paramount Plus

    The Woman in the Wall

    Genre: Broody detective story
    Release date: Jan. 19, with one episode
    Showrunner/creator: Joe Murtagh
    Cast: Ruth Wilson, Daryl McCormick, and more

    When a woman wakes up to find a dead body in her house, she’s got two problems: The first — well, obviously, she has a dead body that is in her house. But the second is more important: She has no idea how it got there.

    The Woman in the Wall picks up from there for what Showtime calls a “psychologically and emotionally compelling detective story shot through with dark humor,” using six episodes to reexamine one of Ireland’s biggest scandals, the Magdalene Laundries.

    New shows on Peacock

    Found season 1 finale

    Shanola Hampton as Gabi Mosely in a close-up, sitting and looking steely

    Photo: Steve Swisher/NBC

    Genre: Dramatic procedural
    Release date: Jan. 16
    Showrunner/creator: Nkechi Okoro Carroll
    Cast: Shanola Hampton, Mark-Paul Gosselaar, Kelli Williams, and more

    Gabi (Shanola Hampton) has been finding people — and hiding the secret of having her own kidnapper in her basement — all season. And it’s been a pretty wild ride, with plenty of flair for the dramatic. So I’m guessing the season finale of Found will deliver a helluva cliffhanger, particularly since it’s already been greenlit for season 2.

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    Zosha Millman

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  • Netflix’s live-action anime and manga adaptations, ranked

    Netflix’s live-action anime and manga adaptations, ranked

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    With the recent international success of live-action adaptations of manga and anime like One Piece and Yu Yu Hakusho, Netflix finally seems to have made solid forward progress on a process that it has spent a few years on. Though some major franchises remain in development (no real news on that My Hero Academia movie yet aside from “production might have started”) the streaming service has amassed quite a list to run through if you’re interested.

    Now, whether that interest is genuine or morbid is up to you. The live-action adaptations of anime and manga on Netflix were certainly not made equally. And while some creative choices make the series feel like fitting spiritual successors to the source material, others remain baffling or simply disappointing. Note that if an adaptation consists of more than one film, the sequels will be judged alongside the originals here.


    13. Rurouni Kenshin, Rurouni Kenshin: The Final, Rurouni Kenshin: The Beginning

    Image: Warner Bros. Japan

    The three Rurouni Kenshin films available on Netflix are fine. Director Keishi Otomo does his best to bring the thrilling (and often surprisingly violent) battles to life, and the results are admirable when not chopped up in intense, jumpy editing. The character development, particularly of the lead character, can’t escape comparisons to the source material. In the manga series, protagonist Himura Kenshin is a vibrant man of contradictions, capable of both immense destruction and charming affability, and actor Takeru Satoh does his best with it (it’s clear that he put a lot of work into sword fight training). But it too often feels like an impression of a character rather than a fully realized one.

    While this is a more positive take than some you’ll read ahead, it’s hard to recommend any aspect of the franchise thanks to the actions of author Nobuhiro Watsuki. Getting little more than a slap on the wrist for being discovered with an immense amount of child pornography, Watsuki’s legacy (and the series which he is known for) is stained, and as such, these three films are impossible to wholeheartedly endorse.

    12. Zom 100: Bucket List of the Dead

    Eiji Akaso as Akira riding a bicycle away from a horde of zombies in Zom 100: Bucket List of the Dead.

    Photo: Masako Iwasaki/Netflix

    The concept behind this manga series (what if the zombie apocalypse allowed you to quit your wage slave existence and live life the way you want?) is undeniably fun, but the Netflix series is never quite able to hone in on it. It doesn’t help that it debuted in the middle of the first season of the anime, a refreshing, colorful experience that, despite its various episode delays, took the energetic scope of the manga and ran with it. With two strong comparison pieces, the film becomes little more than a lighthearted exercise in Netflix covering its franchising bases. Watch this only if animation gives you hives or something.

    11. Cowboy Bebop

    (L-R) John Cho, Daniella Pineda, and Mustafa Shakir standing on the deck of a spacecraft in Cowboy Bebop,

    Photo: Geoffrey Short/Netflix

    Likely the most infamous series on this list is Cowboy Bebop, an adaptation of the most widely praised anime of all time. In retrospect, it seems ill conceived to have put so much pressure on it to tap into the inimitable cool of director Shinichiro Watanabe’s masterpiece. The anime’s combination of noir aesthetics, space opera grandness, moody character work, and all that jazz makes it unfair to compare it to, well, most other works of fiction. Adapting Cowboy Bebop into live action was a big swing from the top of a high mountain, and sadly, it was a miss.

    If it succeeds in anything, it’s the dedication of its cast, particularly the lead, John Cho. Given the unenviable task of trying to replicate a character whose mix of mystery and relatability only really works in animation, Cho is as adequate as any live-action performance of Spike Spiegel could be. The same goes for Mustafa Shakir as Jet Black, and though her quips have been reduced to mocking memes, Daniella Pineda’s Faye Valentine can be really fun when divorced from its connection to the anime. The rest, however, is a mess that does little more than fumble through Watanabe’s work.

    10. Death Note

    (L-R) Lakeith Stanfield and Nat Wolff in Death Note.

    Photo: James Dittiger/Netflix

    Death Note is a weird case. On paper, it has elements that should work. The story is a thriller that seems easy to trim down into a shorter movie length. It’s not so fantastical as to leave one wondering, “Well, how are they gonna pull that off?” And it has Willem Dafoe voicing the death god Ryuk. Willem Dafoe! When assembled, though, none of it coalesces, and it falls apart instantly.

    The decision to turn main character Light from the sociopathic deity wannabe of the manga into an angsty outsider meant that, in the mental duel between him and super detective L, there was really no one to root for. This decision takes the effortless drive of the manga and anime and renders it inert. Even when the titular murder journal falls into even more unscrupulous hands, the film is too dragged down to enter its “Oooh, maybe there will be a sequel…” resolution with any excitement. Better luck next time (probably).

    9. Fullmetal Alchemist, Fullmetal Alchemist: The Revenge of Scar, Fullmetal Alchemist: The Final Alchemy

    Edward and Alphonse Elric sitting in a train car in Fullmetal Alchemist.

    Image: Netflix

    There are a lot of great ways to enjoy Fullmetal Alchemist — its fantastic manga, its underrated 2003 anime, or its faithful anime reboot from 2009. The Netflix live-action trilogy doesn’t quite join that pedestal. It’s a fun time if you’ve read the manga previously, but there’s so much crammed in (particularly in the third film, where the glue and tape of editing the narrative down are most apparent) that it’s never clear why anything, outside of the two main brother characters, is important. It’s a trilogy of films, but it only manages to skim the surface of the series’ emotional depth and exquisite themes.

    8. Kakegurui

    Minami Hamabe as Yumeko Jabami holding up a card and smiling maniacally in Kakegurui.

    Image: Netflix

    Kakegurui doesn’t have to make any big special effects or labyrinthine plotline leaps to work as a TV series. Instead, it mostly sticks to the manga and the joy of the chemistry of the three leads: teenagers in a private academy where status is determined by gambling. It’s an easy watch, though Netflix has yet to add the live-action film where the actors reprise their roles.

    7. Bleach

    Sota Fukushi as Ichigo Kurosaki holding a large sword in front of a fire in Bleach.

    Image: Netflix

    You can tell how old someone is by how they recommend Bleach. Older manga fans remember the dynamic, genre-bouncing early days, while those who came in later likely know it by how it fell into a swamp of storytelling tropes and incomprehensibility. Luckily, the live-action Bleach film harnesses a lot of the mythology when it was at its most potent before manga author Tite Kubo exhausted it. In fact, the film’s best quality is that it’s able to deftly build its world without feeling like it’s preparing the audience for a pop quiz after. Whereas a few of these adaptations, like the aforementioned Fullmetal Alchemist, approach the details of the manga in vague, bullet-point fashion, Bleach weaves them into its story, which uplifts a film that is otherwise middling in most respects.

    6. The Ingenuity of the Househusband

    Kenjirô Tsuda in The Ingenuity of the Househusband.

    Image: Netflix

    Disclaimer: The Ingenuity of the Househusband is not a direct adaptation of the delightful manga series The Way of the Househusband. You’ll have to watch the lackluster anime series for that. Instead, it’s a collection of shorts that show the husband, a former yakuza boss, dealing with various domestic duties, like making coffee or fixing a screen door. It’s cute and certainly doesn’t aim for the heights of anything else on this list. But playing it safe is its most appealing quality, and it serves as a pleasant side gig for fans of the manga (which you should read.)

    5. Kingdom

    Ryu Seung-ryong as Cho Hak-ju in Kingdom.

    Image: Juhan Noh/Netflix

    Kingdom, running at over two hours, is one of the most fun efforts of Shinsuke Sato (a director who, having helmed films like Gantz, I Am a Hero, and Bleach, is a go-to in the space). It’s also a noble attempt at tackling a manga/historical fiction series that, to date, runs 70 volumes. Very little of the emotional weight of the manga carries over, but Sato brings undeniable visual panache to the battle choreography and stunt work here. Kingdom is best when it’s pure spectacle, with sequences that even folks with no connection to the manga can enjoy. At one point, during a barrage of arrows, the camera lingers briefly on a man that dies from having been shot through the mouth by one. What’s not to like?

    4. Alice in Borderland

    Takatora Samura (Shuntarō Yanagi) hunched over with a sword in hand in Alice in Borderland.

    Image: Netflix

    Directed by Shinsuke Sato (jeez, that man is everywhere), Alice in Borderland is a series that thrives whenever you don’t have to think too much about the “who” of it all. Character development is slim — the actors are mostly around to look tense and nervous in a Battle Royale-esque survival situation where they have to win “games” to survive. Even if new viewers might compare it to Squid Game but without all that pesky social commentary, Sato is very good at building stakes and making you grip the sides of your chair as you wonder who is going to get gruesomely murdered next.

    3. From Me to You

    (L-R) Oji Suzuka and Sara Minami as Shota Kazehaya and Sawano Kuronuma in From Me To You.

    Image: Netflix

    This live-action adaptation of a powerhouse shojo manga (Another “If you haven’t read it, go read it right now!” series) was never going to approach the charms of its source material. Karuho Shiina’s art, both quirky and engrossing as it expresses the blushing warmth of young love, would leave any live-action adaptation struggling to fit in. So From Me to You mostly works as a tribute to an irreplaceable series and, as such, does an exceptional job. It’s got cuteness to spare and the dedication of its lead performers carries it through any stumbles.

    2. Yu Yu Hakusho

    Takumi Kitamura as Yusuke Urameshi in Yu Yu Hakusho.

    Image: Netflix

    Yu Yu Hakusho’s main offense is that it’s just too short. At only five episodes (which cover over 100 chapters of manga), there’s simply no time to get through everything. As such, events that would otherwise be big emotional moments (especially in the latter half, which is full of them) get little more than a shrug. However, the first half of the series is rather marvelous. The fight choreography in the opening battles is top-notch, and the way we get to know each of the four main beloved boys is appropriately awesome. It also handles the tonal shifts of the story well, jumping from genre to genre (horror to fantasy to martial arts to comedy) adeptly. And just as in the Yu Yu Hakusho manga and anime, co-lead Kuwabara shines through with his trademark masculine insecurity and swaggering pathos.

    1. One Piece

    Luffy (Iñaki Godoy) sits on the head of the sheep mast of the Going Merry and cheers in a still from One Piece

    Image: Netflix

    It’s weird to live in a world where we not only got a serviceable live-action One Piece adaptation, but one that’s good enough to adequately capture the spirit of the manga. Eiichiro Oda’s epic, 25-plus-year saga is such a testament to the power of manga art that trying to recreate it with flesh and blood, on first glance, looks like a dumbfounding proposition. But Netflix’s One Piece found a way.

    This is mostly thanks to the enthusiasm of its cast, who are all able to capture the broad emotional swings of the characters without falling into parody, and what looks to be an every-penny-spent approach on set design. There are so many practical flourishes, from the exteriors of the ships and seaside towns to the interiors of locations like Kaya’s mansion and the Baratie floating restaurant, that it manages to feel less like an imitation of Oda’s world and more like its own entity. The commitment paid off: The astounding viewership of One Piece’s first season led Netflix to greenlight a season 2, one that, from the looks of things, will be a flagship (pun intended) addition to the service’s manga-to-live-action lineup.

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    Daniel Dockery

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  • We Have a ‘Summer House’ Trailer! Plus ‘Potomac,’ ‘Beverly Hills,’ and ‘Salt Lake City.’

    We Have a ‘Summer House’ Trailer! Plus ‘Potomac,’ ‘Beverly Hills,’ and ‘Salt Lake City.’

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    Rachel Lindsay and Callie Curry kick off today’s podcast by sharing their reactions to the riveting Summer House trailer that dropped this week (2:10), before diving into The Real Housewives of Potomac Season 8, Episode 8 (8:38). Then, Rachel and Callie break down Season 13, Episode 11 of The Real Housewives of Beverly Hills (30:41), followed by Part 1 of the Real Housewives of Salt Lake City Season 4 Reunion (54:28).

    Host: Rachel Lindsay
    Guest: Callie Curry
    Producer: Devon Baroldi
    Theme Song: Devon Renaldo

    Subscribe: Spotify

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    Rachel Lindsay

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  • Nick Saban Retires, and Stephen A. Smith Lets Loose on Jason Whitlock

    Nick Saban Retires, and Stephen A. Smith Lets Loose on Jason Whitlock

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    Van Lathan and Rachel Lindsay react to Nick Saban’s retirement announcement (11:33) before discussing Stephen A. Smith going scorched earth on Jason Whitlock (22:28). Then, a conversation about Democratic criticism leading up to the election (43:50), and Kai Cenat echoes Christian concerns over Lil Nas X’s latest single (1:09:57).

    Hosts: Van Lathan and Rachel Lindsay
    Producers: Donnie Beacham Jr. and Ashleigh Smith

    Subscribe: Spotify / Apple Podcasts / Stitcher

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    Van Lathan

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  • ‘Echo’ Is Another Marvel TV Miss. Plus, ‘White Lotus’ Season 3 Casting and the ‘Mandalorian’ Movie.

    ‘Echo’ Is Another Marvel TV Miss. Plus, ‘White Lotus’ Season 3 Casting and the ‘Mandalorian’ Movie.

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    Chris and Andy talk about the news that, among others, Carrie Coon and Parker Posey have been cast in the next season of White Lotus (1:00). Then they talk about the news that there will be a Mandalorian movie and what that means for a potential Season 4 of the show (23:36). Finally, they discuss the newest Marvel TV show, Echo, and how—like many other Marvel shows before it—it struggles to strike the right tone (34:51).

    Hosts: Chris Ryan and Andy Greenwald
    Producer: Kaya McMullen

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

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    Chris Ryan

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  • What We’re Looking Forward To in 2024 and New Year’s Ins and Outs

    What We’re Looking Forward To in 2024 and New Year’s Ins and Outs

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    Erika and Steven catch up with each other about their holidays, including everything they watched, and talk about what TV, movies, music, etc. they’re excited for in 2024. Then they do some personal ins/outs for the new year.

    If you want to share any culture you’re excited to experience in 2024 or your ins/outs for this year, email us at whataboutyourfriendspod@gmail.com.

    Hosts: Erika Ramirez and Steven Othello
    Producer: Sasha Ashall

    Subscribe: Spotify / Apple Podcasts / Stitcher

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    Erika Ramirez

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  • Lenny Kravitz and the Fear of a Black Rock Star

    Lenny Kravitz and the Fear of a Black Rock Star

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    60 Songs That Explain the ’90s is back for its final stretch run (and a brand-new book!). Join The Ringer’s Rob Harvilla as he treks through the soundtrack of his youth, one song (and embarrassing anecdote) at a time. Follow and listen for free on Spotify. In Episode 112 of 60 Songs That Explain the ’90s—yep, you read that right—we’re covering Lenny Kravitz’s “Are You Gonna Go My Way?” Read an excerpt below.


    Lenny was in the news recently. Esquire magazine did a giant feature on him in late November 2023, big fashion spread. Lenny is 59 years old. He looks fantastic. Lenny is still so hot it’s hurting my feelings. But Lenny’s also got some thoughts, some slightly and justifiably grouchy thoughts on the way he has historically been perceived and the different ways he’s been perceived by different audiences. He talks about the press he typically got in the ’90s. He says, “There was this one article that, at that time, said, ‘If Lenny Kravitz were white, he would be the next savior of rock ’n’ roll.’” He says, “I got a lot of negativity thrown at me by all these older white men who weren’t going to let me have that position.”

    He talks about Jann Wenner, Rolling Stone cofounder and longtime dictator. He’s long gone from there, but in September Jann put out a book called The Masters for which he interviewed only white male rock stars, and then he did a disastrous New York Times interview with the great David Marchese where Jann said, “Insofar as the women, just none of them were as articulate enough on this intellectual level.” And also, “Of Black artists—you know, Stevie Wonder, genius, right? I suppose when you use a word as broad as ‘masters,’ the fault is using that word. Maybe Marvin Gaye, or Curtis Mayfield? I mean, they just didn’t articulate at that level.” I was afraid to paraphrase any of that. Disaster. Huge news cycle. Everyone was disgusted. Jann tried to apologize, but he still got kicked off the Rock and Roll Hall of Fame board or whatever. And so now Lenny, who’d spent a little leisure time with Jann back in the day, says, “The statement alone, even if you just heard about the man yesterday, was appalling and embarrassing. And just wrong.”

    You know one of my favorite songs of all time, any genre, any era? Curtis Mayfield. 1970. “(Don’t Worry) If There Is a Hell Below, We’re All Gonna Go.” Fantastic use of parentheses; legitimately one of my absolute favorite songs of all time. Dig the bass groove, dude! Dig the dare-I-say articulation!

    And if there’s hell below
    We’re all gonna go

    But Lenny Kravitz got the most attention, in this Esquire interview, for talking about other magazines. Other media. The article says, “Kravitz is more mystified, though, by how he’s been treated by Black entertainment and culture outlets. Take Vibe magazine, which featured a who’s who of Black artists in its pages when it began publishing in 1993, but waited almost a decade to put Kravitz on the cover. And it wasn’t just Vibe.” And then Lenny says, “To this day, I have not been invited to a BET thing or a Source Awards thing. And it’s like, here is a Black artist who has reintroduced many Black art forms, who has broken down barriers—just like those that came before me broke down. That is positive. And they don’t have anything to say about it?”

    Finally, Lenny says that he doesn’t understand why he “is not celebrated by the folks who run those publications or organizations. I have been that dream and example of what a Black artist can do.” Do you mind, terribly, if, just for a minute, let’s all do the Bump. Bump bump bump. Yeah. Ugh. I’m sorry. It sounds better when he says it.

    MC Hammer was in the news recently. That was “U Can’t Touch This,” from 1990, and I don’t have to tell you that. The whole point here is I don’t have to tell you that. So in November, Oakland renamed a street after Tupac, who’d of course started his rap career in Oakland as part of the Digital Underground. Oakland took part of MacArthur Boulevard and renamed it “Tupac Shakur Way,” and they have this ceremony, and a bunch of beloved Bay Area rappers speak at this ceremony, including E-40, Too Short, and Richey Rich Double R. But MC Hammer speaks too, and Hammer calls Tupac “hands down, the greatest rapper ever, there’s not even a question of that.” But Hammer actually goes kinda viral for saying other stuff:

    But you ain’t never heard me talk about no stories on nobody’s platform. You ain’t heard me, uh, go to none of these hip-hop 50, and just for the record, I got invited to every one.

    You may be aware that hip-hop turned 50 years old in 2023. It dates back to a party DJ Kool Herc and his sister threw in the Bronx in 1973, and thus we had 50 years of hip-hop celebrations all year, including a giant eras-spanning medley at the Grammys in February featuring Grandmaster Flash, Run-DMC, Salt-N-Pepa, LL Cool J, De La Soul, Missy Elliott, and on and on and on. Questlove from the Roots organized it and curated it. And Questlove said later, on Twitter, that MC Hammer turned him down, and Questlove was heartbroken. And here now we got Hammer explaining why he turned all this 50 years of hip-hop stuff down.

    I can’t get with the fakeness of it all. Y’know what I’m sayin’? Like, I can do it with a young cat, but I can’t come around old cats, and still be pretendin’, “What you want me to call you?” “Six-Shooter.” Eh, Six-Shooter! Man, come on, man. Ain’t none of your bodies turned up yet!

    And I’m disinclined to put too many additional words in Hammer’s mouth, but the reaction to his speech here, the comments, the Twitter chatter, whatever, is mostly people saying, “Good for him. Good for Hammer. Hip-hop is trying to honor him now, but it’s too late.” MC Hammer never got the respect he deserved from hip-hop because he was too pop, too wholesome, too successful, too real but the wrong kind of real. He refused to indulge the Call me Six-Shooter–type fakeness. And he took a lot of shit for it. The old A Tribe Called Quest line, Q-Tip’s famous line, “What you say, Hammer? Proper / Rap is not pop / If you call it that then stop.” I’m sorry. It sounds better when he says it. But it’s still rude. And OK, look, speaking for myself, as someone who owned, in 1990, as a 12-year-old, the MC Hammer album Please Hammer Don’t Hurt ’Em on cassette, that’s not a great album and MC Hammer is not one of the greatest rappers of all time. But nonetheless, Hammer is another dream, another example of what a Black artist can do, despite the stifling categorization of being a Black artist or a hip-hop artist.

    Finally, you know who else politely declined all invitations to 50 years of hip-hop events? André 3000, of Outkast. André 3000 is in the news. He did a great giant feature in GQ magazine, written by friend of the program Zach Baron. They did laundry, that’s true, because André 3000—who is legitimately in the conversation as one of the greatest rappers of all time—finally put out a solo album in November. Twenty years or so we’ve been dying to hear an André 3000 solo album, or another one, depending on how you classify The Love Below, never mind that now. And finally, now we get a whole new album from André 3000, and it’s called New Blue Sun, and it sounds like this.

    It’s a great melody, actually, but I can’t play you the whole thing and I feel bad about that. That’s superstar rapper André 3000 on flute, and that song is 12 minutes and 20 seconds long. And the title of this—and get comfortable for this—the title is “I swear, I Really Wanted To Make A ‘Rap’ Album But This Is Literally The Way The Wind Blew Me …” That’s the title of that song. Swear is the only word that’s not capitalized, and it bothers me. New Blue Sun is a whole album of superstar rapper André 3000 playing the flute, various flutes, and there is no rapping whatsoever because André will not submit to the stifling categorization of being a yeah, OK, all right, you get it. Here’s the way the wind was blowing Lenny Kravitz in 1989.

    Lenny Kravitz was born in New York City in 1964 and raised primarily on the Upper East Side. It’s fine if you don’t care, personally, what neighborhood in New York City he grew up in specifically, but if you live there, it matters. His mother, Roxie Roker, was an actress who played Helen Willis on The Jeffersons. If you’re too young to know what The Jeffersons is, good for you. Lenny’s father, Sy Kravitz, was a TV producer and army veteran. A Green Beret, in fact. Young Lenny started banging on pots and pans when he was 3, decided he wanted to be a musician when he was 5, and went to see the Jackson 5 in concert when he was 7, and that’ll do it. When he was 10, the family moved to L.A. so his mom could be on The Jeffersons; he soon discovered rock ’n’ roll and marijuana. That’ll do it, also. Early attempts at becoming a rock star himself were discouraging. He wore blue eye contacts for a while and called himself Romeo Blue; per that Esquire interview, he was also apparently going to be the frontman for an all-Black version of Duran Duran. I’m relieved, of course, that he didn’t do that, but I would like to have heard that, honestly, if only for 30 seconds.

    To hear the full episode, click here. Subscribe here and check back every Wednesday for new episodes. And to order Rob’s new book, Songs That Explain the ’90s, visit the Hachette Book Group website.

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    Rob Harvilla

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  • All the Echo season 2 news we’ve heard so far

    All the Echo season 2 news we’ve heard so far

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    Echo season 1 ends with a bang, with Echo (Alaqua Cox) going up against Kingpin (Vincent D’Onofrio) again after confronting him in Hawkeye. Along the way, she reconnected with her roots, her family, and her sense of self, putting her on the track to becoming a hero.

    It’s enough to make you wonder where Echo might show up next. So far, Echo has only appeared in Hawkeye and Echo, but with the MCU branching farther than ever, it seems like there are a lot of places a hothead superhero could pop up — including, potentially, a second season of her own show?

    Here’s everything we know about Marvel’s future plans for Echo and Echo:

    Is there going to be an Echo season 2?

    As of this writing, Disney hasn’t confirmed if there will be a season 2 of Echo. For now, the show is being billed as a miniseries, just like Hawkeye before it. But that doesn’t necessarily mean that the show won’t be coming back.

    When will Echo show up next in the MCU?

    So far, neither Alaqua Cox nor Echo have been confirmed to show up anywhere else in the MCU. But there is a Daredevil show in the works (and in the reworks) that seems like an opportunity for her; after all, they had a pretty great fight in Echo.

    And if Hawkeye is any indication, this doesn’t have to be the end for Cox’s Maya Lopez. Hailee Steinfeld’s Kate Bishop showed up in a teaser scene at the end of The Marvels as Hawkeye’s heir apparent, meaning Echo could find an analogous slot somewhere in the MCU. (Even if, for now, it’s still unclear what Kate will be doing as part of Kamala’s team.)

    When might Echo season 2 debut on Disney Plus (or Hulu)?

    If there is an Echo season 2, it might be a while before it actually comes out. Echo was first announced in November 2021, right after Cox showed up as Echo in Hawkeye. With the show only getting released some two years later, the earliest we’re likely to see Echo season 2 would be 2026.

    What does this mean for the Marvel Spotlight?

    Photo: Chuck Zlotnick/Marvel Studios

    Echo was a unique release for Marvel, not just because it was the first one to drop on Hulu (and in full) instead of Disney Plus. It was also the first entry in the new Marvel Spotlight umbrella, something Echo producer Richie Palmer says Echo was the right show at the right time to be.

    “I think it was us saying, You know what? Echo wants to be its own thing. So let’s allow it to be,” Palmer tells Polygon. “We wanted to figure out, when we were bringing Maya Lopez to life, how do we honor that aspect of the comics? How do we keep it dark and gritty and separated from everything else that was going on?”

    “And then Kevin [Feige] came in, as we were editing the show, and we were seeing how dark we were pushing it. And he was saying, Don’t hold back on the violence, don’t hold back on the grit and this grounded tone, it’s what’s making this show so unique and special. So Marvel Spotlight kind of came from Kevin.”

    With Spotlight offerings being framed as an opportunity for more casual viewing, even sans any other MCU knowledge, it’s unclear if shows like Echo are being designed (or promised, or even considered for) a second season.

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    Zosha Millman

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