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Our in-progress list of Pals, along with their types and base skills
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Julia Lee
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Chelsea and Zach are back! They start the episode with a recap of and reaction to the second and final reunion episode of Southern Charm Season 10 (01:48). Within the recap, they give a quick update on the News of the Week (08:04). Then, they recap The Real Housewives of Miami Season 6, Episode 12 (19:32).
Host: Chelsea Stark-Jones
Guest: Zack Peter
Producer: Ashleigh Smith
Theme Song: Devon Renaldo
Subscribe: Spotify
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Chelsea Stark-Jones
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Van Lathan and Rachel Lindsay welcome trial lawyer and judge on Hot Bench Yodit Tewolde to discuss accusations of a possible affair between Georgia DA Fani Willis and the Trump case prosecutor (7:05), before checking in on the state of the GOP (38:38) and reacting to the cancellation of HBO’s Rap Sh!t (1:03:32).
Hosts: Van Lathan and Rachel Lindsay
Guest: Yodit Tewolde
Producers: Donnie Beacham Jr. and Ashleigh Smith
Subscribe: Spotify / Apple Podcasts / Stitcher
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Van Lathan
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Juliet and Amanda kick off the week by breaking down their thoughts, feelings, and questions about the Jennifer Lopez documentary coming to Prime Video in February after watching the new trailer (1:00). Then they talk about the new Mean Girls musical movie remake with Reneé Rapp playing Regina George, as well as Reneé Rapp’s unfiltered public persona (14:00), Josh Radnor’s outdoor January wedding (29:53), the 21st Living Legends of Aviation Awards (37:19), and more!
Hosts: Juliet Litman and Amanda Dobbins
Producers: Sasha Ashall and Jade Whaley
Subscribe: Spotify / Apple Podcasts / Stitcher
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Juliet Litman
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Jason is joined by 670 The Score’s Laurence Holmes for the Local Angle. The two talk about what the Bears can learn from the teams that are still alive in the playoffs, next steps for the Bears in the team-building process, takeaways from Justin Fields’s three pro seasons, and more. To wrap up, the guys discuss the White Sox’s potential move from Guaranteed Rate Field.
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Dave Chang
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Greetings, Polygon readers! Each week, we round up the most notable new releases to streaming and VOD, highlighting the biggest and best new movies for you to watch at home.
This week, The Marvels, the latest movie installment in the Marvel Cinematic Universe, is finally available to purchase on VOD. That’s not all, though, as Taika Waititi’s sports comedy Next Goal Wins is also available to purchase, along with several other new releases available to rent. The Kitchen, Daniel Kaluuya’s directorial debut set in a dystopian London, is streaming on Netflix along with Dumb Money, the comedy-drama based on the GameStop short squeeze of 2021. That’s not even mentioning all the other streaming releases on Hulu, Mubi, and AMC Plus this week!
Here’s everything new to watch this weekend!
Where to watch: Available to stream on Netflix
Photo: Claire Folger/Sony Pictures
Genre: Biographical comedy-drama
Run time: 1h 45m
Director: Craig Gillespie
Cast: Paul Dano, Pete Davidson, Vincent D’Onofrio
Remember the GameStop short squeeze of 2021? No? That’s OK — admittedly, it was a very hectic and wild time, what with the whole… everything going on. In case you’re looking for a refresher, this movie about a middle-class financial analyst who struck big during the squeeze might be just what you’re looking for.
From our review:
Where The Big Short was patronizing but still hugely entertaining and legitimately informative, Dumb Money’s creators seem uninterested in explaining what the hell happened with the GameStop scenario, or how the hell it happened. The script assumes that the audience is either already familiar with the story, or doesn’t much care about the financial specifics and just wants to see the news reenacted by people they know. Most of the jargon goes unexplained, and the series of events that facilitated the saga is just shrugged off in favor of a simplistic “isn’t this crazy?!” tone.
Where to watch: Available to stream on Netflix
Photo: Chris Harris/Netflix
Genre: Sci-fi drama
Run time: 1h 47m
Directors: Daniel Kaluuya, Kibwe Tavares
Cast: Kano, Jedaiah Bannerman, Hope Ikpoku Jr
Daniel Kaluuya (Get Out, Black Panther) teams up with filmmaker Kibwe Tavares for his directorial debut: a sci-fi drama set in a dystopian London where social housing has been eliminated. The film follows the story of Izi and Benji, a father and son who fight to survive as an impoverished community is besieged by state-sponsored violence.
Where to watch: Available to stream on Hulu
Photo: Magnolia Pictures
Genre: Documentary
Run time: 1h 55m
Directors: Bethann Hardison, Frédéric Tcheng
Cast: Tyson Beckford, Stephen Burrows, Naomi Campbell
This documentary chronicles the life and impact of Bethann Hardison, a pioneering model and activist who fought for racial diversity in the fashion industry.
Where to watch: Available to stream on AMC Plus
Photo: Laurent Champoussin/IFC Films
Genre: Drama
Run time: 2h 3m
Director: Sébastien Marnier
Cast: Laure Calamy, Doria Tillier, Dominique Blanc
A twisty French thriller about a woman trying to reconnect with a rich family she claims she’s a part of, The Origin of Evil was a late addition to our list of the best movies of 2023.
As my colleague Tasha Robinson put it in her write-up there:
Unpacking every lie and scheme in this movie takes every minute of its run time, and it’s guaranteed that audience sympathies will shift half a dozen times in the process. As a crime story, it’s a gem; as a character story, it’s even better.
Where to watch: Available to stream on Mubi
Image: MUBI
Genre: Romantic comedy-drama
Run time: 1h 21m
Director: Aki Kaurismäki
Cast: Alma Pöysti, Jussi Vatanen, Janne Hyytiäinen
This romantic drama follows the story of Ansa (Alma Pöysti) and Holappa (Jussi Vatanen), two lonely single people who meet by chance in a karaoke bar in Helsinki. Overcoming multiple mishaps and their own insular idiosyncrasies, the two strike up an awkward yet endearing courtship.
Where to watch: Available to purchase on Amazon, Apple, and Vudu
Photo: Laura Radford/Marvel Studios
Genre: Superhero action
Run time: 1h 45m
Director: Nia DaCosta
Cast: Brie Larson, Teyonah Parris, Iman Vellani
The 33rd film in the Marvel Cinematic Universe sees the return of Carol Danvers (Brie Larson), also known as Captain Marvel. This time around, she’s teaming up with the superpowered Kamala Khan (Iman Vellani) and Monica Rambeau (Teyonah Parris) to save the universe from the threat of a vengeful Kree leader bent on restoring her home world.
From our review:
In its best moments, The Marvels just throws wonderful ideas at the screen. There’s a planet of people who only sing, a space station full of cats that blithely devour furniture and humans alike, an animated depiction of Kamala’s internal monologue — the movie can feel like a mood board assembled by an overcaffeinated Star Trek fan, with a sense of imagination suitable for reminding the audience that comic books can be cool in the moment that you’re reading them, as opposed to for what they promise in the future.
Where to watch: Available to rent on Amazon, Apple, and Vudu
Genre: Sports biopic
Run time: 2h 3m
Director: George Clooney
Cast: Joel Edgerton, Callum Turner, Jack Mulhern
When I think of the 1936 Summer Olympics, I think of Jesse Owens and the incredible things he accomplished in the sprint and long jump events in front of a German crowd passionately rooting against him. But another group of Americans also made history while vying for Olympic glory — the University of Washington rowing team, a group of working-class athletes whose story is told in George Clooney’s latest directorial effort.
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: Warner Bros Pictures
Genre: Coming-of-age musical
Run time: 2h 21m
Director: Blitz Bazawule
Cast: Taraji P. Henson, Danielle Brooks, Colman Domingo
Based on Alice Walker’s 1982 novel, this musical adaptation follows the story of Celie (Fantasia Barrino), a woman in an abusive marriage torn from her sister and children, who finds strength through her friendship with Shug Avery (Taraji P. Henson), a singer with an indomitable spirit.
Where to watch: Available to rent on Amazon, Apple, and Vudu
Image: Searchlight Pictures
Genre: Sports comedy-drama
Run time: 1h 44m
Director: Taika Waititi
Cast: Michael Fassbender, Oscar Kightley, Kaimana
Michael Fassbender (The Killer) stars in Taika Waititi’s sports movie based on the real-life American Samoa national football team and their qualification attempt for the 2014 FIFA World Cup. Fassbender portrays Thomas Rongen, the Dutch American coach who agrees to help shape the once notoriously bad team into a competitive qualifier.
From our review:
Next Goal Wins fails to properly capture what made the story of the American Samoa national football team so compelling, by attempting to make a film so universal that it discards the sport itself as unimportant. Which it might be in terms of letting the audience relate to the team as individuals. But it’s such a cookie-cutter underdog story that it rarely moves past the most superficial “Care because this movie says you need to care” level.
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Toussaint Egan
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Palworld, the game that looks like, “Pokémon, but with guns,” was released Friday and is already one of the biggest releases of the year.
According to its developer, Pocketpair, the game has sold over one million copies within “about” eight hours of its release. Pocketpair shared the impressive sales number via X, but did not add any further clarification as to what that sales number included. Palworld launched to both Steam and Xbox Games Pass, so it’s unclear if that number includes copies of the game that Xbox Game Pass subscribers download as part of the service.
Polygon reached out to a representative of Pocketpair and asked the team to clarify what the sales number included. We will update the article as we hear back.
Regardless if the sales number counts the Xbox Game Pass downloads or not, Palworld has had an absolutely massive release day. According to Steam Charts, the game has over 340,000 concurrent players on Steam on Friday afternoon, beating out other popular titles like PlayerUnknown’s Battlegrounds and Baldur’s Gate 3.
Palworld has been drumming up buzz for a long time now. Basically it stuck out for the contrast between its cute creatures and brutal conditions — previous trailers have shown its adorable monsters fighting with military-grade machinery and creatures toiling away in factories. It basically looks like a militarized Pokémon game, but with additional survival elements as well.
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Ana Diaz
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Ian is joined by Ryan Hunn and Flo Lloyd-Hughes to react to the news that Sarina Wiegman has signed a new contract to manage the England women’s national team through to the 2027 World Cup (04:14). They discuss Jordan Henderson’s move to Ajax, bringing a premature end to his controversial move to Al-Ettifaq in the Saudi Pro League, and what this means for his future and his reputation (17:59). Then, to celebrate Ian’s role in the new Netflix film The Kitchen, he talks about his experience on set (27:33) and working with Kano and Daniel Kaluuya. Between them, they come up with a list of all-time great films they’d love to watch on a film night with the whole Wrighty’s House crew (35:18).
Host: Ian Wright
Guests: Ryan Hunn and Flo Lloyd-Hughes
Producers: Ryan Hunn, Roscoe Bowman and Jonathan Fisher
Subscribe: Spotify / Apple Podcasts / Stitcher / RSS
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Ian Wright
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Van Lathan and Rachel Lindsay are back to discuss the surprising numbers coming from the second COVID surge (05:46), masculinity and Black men in dresses within Hollywood (14:33), and Florida’s State Board of Education passes regulations against DEI programs (46:18). Then they get into the surprising revelations regarding Roda Osman, a.k.a. the “Brick Lady” (1:07:14).
Hosts: Van Lathan and Rachel Lindsay
Producers: Donnie Beacham Jr. and Ashleigh Smith
Additional Production: Aleya Zenieris
Subscribe: Spotify / Apple Podcasts / Stitcher
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Van Lathan
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Dave is joined by Chris Ying, Chris Bianco, and Kelly Meinhardt for the first of two episodes. Part 1 deals with an interesting traffic-based conundrum, a check-in on Master of Your Domain, and Chris Bianco’s secret Instagram weakness.
Hosts: Dave Chang and Chris Ying
Guests: Chris Bianco and Kelly Meinhardt
Producers: Victoria Valencia, Cory McConnell, and Euno Lee
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Dave Chang
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The boys are here to give you their thoughts on the first event of Echo, along with their Midnight Meter rating of the full first season (13:030). Later, they try their hand at being in the big chair for a round of Armchair CEO to see what they would do with the new Daredevil TV show (70:20).
Hosts: Charles Holmes, Van Lathan, Jomi Adeniran, and Steve Ahlman
Senior Producer: Steve Ahlman
Additional Production Support: Arjuna Ramgopal
Social: Jomi Adeniran
Subscribe: Spotify / Apple Podcasts
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Charles Holmes
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Often we come to you with these TV dispatches with a focus on the biggest premieres of the week — which we are now doing again. But this week also sees a whole host of finales, all of big shows that started in the tail end of 2023. While none of these three shows made our top 50 of the year, they’re all pretty big in their own way.
Noah Hawley’s Fargo is ending its fifth season this week, concluding yet another chapter of exploring American greed and the violence it spawns. There’s also Reacher, TV’s biggest guy, with what’s sure to be an action-packed finale for the second season (and hopefully teeing up the already greenlit season 3). And then there’s Found, the new splashy procedural following a woman who locates missing people (and with a few dark secrets of her own).
There’s more new and premiering TV to watch, of course — in addition to whatever ongoing shows you might be following, like True Detective: Night Country — but it’s a good reminder that there’s plenty of television worth catching up on, even without the urgency of the new episode.
Here’s the best of those new finales and premieres to watch on TV this week.
Genre: Finding romance reality show
Release date: Jan. 19
Relationship coach: Jodi Rodgers
Cast: A group of people on the spectrum looking for love
Netflix is back with another reality dating show, this time a second season of Love on the Spectrum, a show about exactly what it sounds like: people on the autism spectrum navigating the dating world. Season 2 of the show features some new cast members, alongside some folks from season 1.
Genre: Murder mystery
Release date: Jan. 16, with two episodes
Showrunner/creator: Mike Weiss and Heidi Cole McAdams
Cast: Mandy Patinkin, Violett Beane, and more
A locked-room murder mystery on a cruise ship, filled with plenty of staggeringly rich people who all have a motive. Also on board, conveniently: Rufus Cotesworth (Mandy Patinkin), a washed-up detective, who leaps into action — with the help of his also conveniently present former protege Imogene (Violett Beane). Very quickly, though, they learn there’s more to this murder — and its victim — than meets the eye.
Photo: Michelle Faye/FX
Genre: Crime drama
Release date: Jan. 16
Showrunner/creator: Noah Hawley
Cast: Juno Temple, Jon Hamm, and more
It’s all coming to a close, as Dot (Juno Temple) hopes to reassert control over her life and rid herself of her megalomaniac ex-husband, Sheriff Roy Tillman (Jon Hamm). The body count has been rising, and the penultimate episode saw government forces gear up to raid Tillman Ranch, setting up what should be an action-packed, violent finale.
Genre: Animated goth theater kid musical
Release date: Jan. 19, with four episodes
Showrunner/creator: Vivienne Medrano
Cast: Stephanie Beatriz, Kimiko Glenn, Keith David, and more
Charlie Morningstar (Erika Henningsen) is the princess of hell, and has her heart set on doing the impossible: rehabilitating sinners in her hotel so well that they’ll be accepted into heaven. It isn’t long before she finds this task is harder than she thinks — luckily, she has a cast of characters who are there to help her (if not fully believe in her mission). Also: It’s a musical!
Photo: Brooke Palmer/Prime Video
Genre: Big guy spy action
Release date: Jan. 19
Showrunner/creator: Nick Santora
Cast: Alan Ritchson, Serinda Swan, Shaun Sipos, and more
The Big Man’s back for his final episode of the second season. The penultimate episode ended in quite the cliffhanger, with multiple team members held hostage by Robert Patrick’s Shane Langston. No big deal, though — Reacher is still Reacher, and last we saw him, he was sauntering through the front gate ready to dole out some punishment.
Genre: Broody detective story
Release date: Jan. 19, with one episode
Showrunner/creator: Joe Murtagh
Cast: Ruth Wilson, Daryl McCormick, and more
When a woman wakes up to find a dead body in her house, she’s got two problems: The first — well, obviously, she has a dead body that is in her house. But the second is more important: She has no idea how it got there.
The Woman in the Wall picks up from there for what Showtime calls a “psychologically and emotionally compelling detective story shot through with dark humor,” using six episodes to reexamine one of Ireland’s biggest scandals, the Magdalene Laundries.
Photo: Steve Swisher/NBC
Genre: Dramatic procedural
Release date: Jan. 16
Showrunner/creator: Nkechi Okoro Carroll
Cast: Shanola Hampton, Mark-Paul Gosselaar, Kelli Williams, and more
Gabi (Shanola Hampton) has been finding people — and hiding the secret of having her own kidnapper in her basement — all season. And it’s been a pretty wild ride, with plenty of flair for the dramatic. So I’m guessing the season finale of Found will deliver a helluva cliffhanger, particularly since it’s already been greenlit for season 2.
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Zosha Millman
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Rachel Lindsay and Callie Curry kick off today’s podcast by sharing their reactions to the riveting Summer House trailer that dropped this week (2:10), before diving into The Real Housewives of Potomac Season 8, Episode 8 (8:38). Then, Rachel and Callie break down Season 13, Episode 11 of The Real Housewives of Beverly Hills (30:41), followed by Part 1 of the Real Housewives of Salt Lake City Season 4 Reunion (54:28).
Host: Rachel Lindsay
Guest: Callie Curry
Producer: Devon Baroldi
Theme Song: Devon Renaldo
Subscribe: Spotify
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Van Lathan and Rachel Lindsay react to Nick Saban’s retirement announcement (11:33) before discussing Stephen A. Smith going scorched earth on Jason Whitlock (22:28). Then, a conversation about Democratic criticism leading up to the election (43:50), and Kai Cenat echoes Christian concerns over Lil Nas X’s latest single (1:09:57).
Hosts: Van Lathan and Rachel Lindsay
Producers: Donnie Beacham Jr. and Ashleigh Smith
Subscribe: Spotify / Apple Podcasts / Stitcher
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Chris and Andy talk about the news that, among others, Carrie Coon and Parker Posey have been cast in the next season of White Lotus (1:00). Then they talk about the news that there will be a Mandalorian movie and what that means for a potential Season 4 of the show (23:36). Finally, they discuss the newest Marvel TV show, Echo, and how—like many other Marvel shows before it—it struggles to strike the right tone (34:51).
Hosts: Chris Ryan and Andy Greenwald
Producer: Kaya McMullen
Subscribe: Spotify / Apple Podcasts / Stitcher / RSS
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Chris Ryan
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Erika and Steven catch up with each other about their holidays, including everything they watched, and talk about what TV, movies, music, etc. they’re excited for in 2024. Then they do some personal ins/outs for the new year.
If you want to share any culture you’re excited to experience in 2024 or your ins/outs for this year, email us at whataboutyourfriendspod@gmail.com.
Hosts: Erika Ramirez and Steven Othello
Producer: Sasha Ashall
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Erika Ramirez
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60 Songs That Explain the ’90s is back for its final stretch run (and a brand-new book!). Join The Ringer’s Rob Harvilla as he treks through the soundtrack of his youth, one song (and embarrassing anecdote) at a time. Follow and listen for free on Spotify. In Episode 112 of 60 Songs That Explain the ’90s—yep, you read that right—we’re covering Lenny Kravitz’s “Are You Gonna Go My Way?” Read an excerpt below.
Lenny was in the news recently. Esquire magazine did a giant feature on him in late November 2023, big fashion spread. Lenny is 59 years old. He looks fantastic. Lenny is still so hot it’s hurting my feelings. But Lenny’s also got some thoughts, some slightly and justifiably grouchy thoughts on the way he has historically been perceived and the different ways he’s been perceived by different audiences. He talks about the press he typically got in the ’90s. He says, “There was this one article that, at that time, said, ‘If Lenny Kravitz were white, he would be the next savior of rock ’n’ roll.’” He says, “I got a lot of negativity thrown at me by all these older white men who weren’t going to let me have that position.”
He talks about Jann Wenner, Rolling Stone cofounder and longtime dictator. He’s long gone from there, but in September Jann put out a book called The Masters for which he interviewed only white male rock stars, and then he did a disastrous New York Times interview with the great David Marchese where Jann said, “Insofar as the women, just none of them were as articulate enough on this intellectual level.” And also, “Of Black artists—you know, Stevie Wonder, genius, right? I suppose when you use a word as broad as ‘masters,’ the fault is using that word. Maybe Marvin Gaye, or Curtis Mayfield? I mean, they just didn’t articulate at that level.” I was afraid to paraphrase any of that. Disaster. Huge news cycle. Everyone was disgusted. Jann tried to apologize, but he still got kicked off the Rock and Roll Hall of Fame board or whatever. And so now Lenny, who’d spent a little leisure time with Jann back in the day, says, “The statement alone, even if you just heard about the man yesterday, was appalling and embarrassing. And just wrong.”
You know one of my favorite songs of all time, any genre, any era? Curtis Mayfield. 1970. “(Don’t Worry) If There Is a Hell Below, We’re All Gonna Go.” Fantastic use of parentheses; legitimately one of my absolute favorite songs of all time. Dig the bass groove, dude! Dig the dare-I-say articulation!
And if there’s hell below
We’re all gonna go
But Lenny Kravitz got the most attention, in this Esquire interview, for talking about other magazines. Other media. The article says, “Kravitz is more mystified, though, by how he’s been treated by Black entertainment and culture outlets. Take Vibe magazine, which featured a who’s who of Black artists in its pages when it began publishing in 1993, but waited almost a decade to put Kravitz on the cover. And it wasn’t just Vibe.” And then Lenny says, “To this day, I have not been invited to a BET thing or a Source Awards thing. And it’s like, here is a Black artist who has reintroduced many Black art forms, who has broken down barriers—just like those that came before me broke down. That is positive. And they don’t have anything to say about it?”
Finally, Lenny says that he doesn’t understand why he “is not celebrated by the folks who run those publications or organizations. I have been that dream and example of what a Black artist can do.” Do you mind, terribly, if, just for a minute, let’s all do the Bump. Bump bump bump. Yeah. Ugh. I’m sorry. It sounds better when he says it.
MC Hammer was in the news recently. That was “U Can’t Touch This,” from 1990, and I don’t have to tell you that. The whole point here is I don’t have to tell you that. So in November, Oakland renamed a street after Tupac, who’d of course started his rap career in Oakland as part of the Digital Underground. Oakland took part of MacArthur Boulevard and renamed it “Tupac Shakur Way,” and they have this ceremony, and a bunch of beloved Bay Area rappers speak at this ceremony, including E-40, Too Short, and Richey Rich Double R. But MC Hammer speaks too, and Hammer calls Tupac “hands down, the greatest rapper ever, there’s not even a question of that.” But Hammer actually goes kinda viral for saying other stuff:
But you ain’t never heard me talk about no stories on nobody’s platform. You ain’t heard me, uh, go to none of these hip-hop 50, and just for the record, I got invited to every one.
You may be aware that hip-hop turned 50 years old in 2023. It dates back to a party DJ Kool Herc and his sister threw in the Bronx in 1973, and thus we had 50 years of hip-hop celebrations all year, including a giant eras-spanning medley at the Grammys in February featuring Grandmaster Flash, Run-DMC, Salt-N-Pepa, LL Cool J, De La Soul, Missy Elliott, and on and on and on. Questlove from the Roots organized it and curated it. And Questlove said later, on Twitter, that MC Hammer turned him down, and Questlove was heartbroken. And here now we got Hammer explaining why he turned all this 50 years of hip-hop stuff down.
I can’t get with the fakeness of it all. Y’know what I’m sayin’? Like, I can do it with a young cat, but I can’t come around old cats, and still be pretendin’, “What you want me to call you?” “Six-Shooter.” Eh, Six-Shooter! Man, come on, man. Ain’t none of your bodies turned up yet!
And I’m disinclined to put too many additional words in Hammer’s mouth, but the reaction to his speech here, the comments, the Twitter chatter, whatever, is mostly people saying, “Good for him. Good for Hammer. Hip-hop is trying to honor him now, but it’s too late.” MC Hammer never got the respect he deserved from hip-hop because he was too pop, too wholesome, too successful, too real but the wrong kind of real. He refused to indulge the Call me Six-Shooter–type fakeness. And he took a lot of shit for it. The old A Tribe Called Quest line, Q-Tip’s famous line, “What you say, Hammer? Proper / Rap is not pop / If you call it that then stop.” I’m sorry. It sounds better when he says it. But it’s still rude. And OK, look, speaking for myself, as someone who owned, in 1990, as a 12-year-old, the MC Hammer album Please Hammer Don’t Hurt ’Em on cassette, that’s not a great album and MC Hammer is not one of the greatest rappers of all time. But nonetheless, Hammer is another dream, another example of what a Black artist can do, despite the stifling categorization of being a Black artist or a hip-hop artist.
Finally, you know who else politely declined all invitations to 50 years of hip-hop events? André 3000, of Outkast. André 3000 is in the news. He did a great giant feature in GQ magazine, written by friend of the program Zach Baron. They did laundry, that’s true, because André 3000—who is legitimately in the conversation as one of the greatest rappers of all time—finally put out a solo album in November. Twenty years or so we’ve been dying to hear an André 3000 solo album, or another one, depending on how you classify The Love Below, never mind that now. And finally, now we get a whole new album from André 3000, and it’s called New Blue Sun, and it sounds like this.
It’s a great melody, actually, but I can’t play you the whole thing and I feel bad about that. That’s superstar rapper André 3000 on flute, and that song is 12 minutes and 20 seconds long. And the title of this—and get comfortable for this—the title is “I swear, I Really Wanted To Make A ‘Rap’ Album But This Is Literally The Way The Wind Blew Me …” That’s the title of that song. Swear is the only word that’s not capitalized, and it bothers me. New Blue Sun is a whole album of superstar rapper André 3000 playing the flute, various flutes, and there is no rapping whatsoever because André will not submit to the stifling categorization of being a yeah, OK, all right, you get it. Here’s the way the wind was blowing Lenny Kravitz in 1989.
Lenny Kravitz was born in New York City in 1964 and raised primarily on the Upper East Side. It’s fine if you don’t care, personally, what neighborhood in New York City he grew up in specifically, but if you live there, it matters. His mother, Roxie Roker, was an actress who played Helen Willis on The Jeffersons. If you’re too young to know what The Jeffersons is, good for you. Lenny’s father, Sy Kravitz, was a TV producer and army veteran. A Green Beret, in fact. Young Lenny started banging on pots and pans when he was 3, decided he wanted to be a musician when he was 5, and went to see the Jackson 5 in concert when he was 7, and that’ll do it. When he was 10, the family moved to L.A. so his mom could be on The Jeffersons; he soon discovered rock ’n’ roll and marijuana. That’ll do it, also. Early attempts at becoming a rock star himself were discouraging. He wore blue eye contacts for a while and called himself Romeo Blue; per that Esquire interview, he was also apparently going to be the frontman for an all-Black version of Duran Duran. I’m relieved, of course, that he didn’t do that, but I would like to have heard that, honestly, if only for 30 seconds.
To hear the full episode, click here. Subscribe here and check back every Wednesday for new episodes. And to order Rob’s new book, Songs That Explain the ’90s, visit the Hachette Book Group website.
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Rob Harvilla
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Echo season 1 ends with a bang, with Echo (Alaqua Cox) going up against Kingpin (Vincent D’Onofrio) again after confronting him in Hawkeye. Along the way, she reconnected with her roots, her family, and her sense of self, putting her on the track to becoming a hero.
It’s enough to make you wonder where Echo might show up next. So far, Echo has only appeared in Hawkeye and Echo, but with the MCU branching farther than ever, it seems like there are a lot of places a hothead superhero could pop up — including, potentially, a second season of her own show?
Here’s everything we know about Marvel’s future plans for Echo and Echo:
As of this writing, Disney hasn’t confirmed if there will be a season 2 of Echo. For now, the show is being billed as a miniseries, just like Hawkeye before it. But that doesn’t necessarily mean that the show won’t be coming back.
So far, neither Alaqua Cox nor Echo have been confirmed to show up anywhere else in the MCU. But there is a Daredevil show in the works (and in the reworks) that seems like an opportunity for her; after all, they had a pretty great fight in Echo.
And if Hawkeye is any indication, this doesn’t have to be the end for Cox’s Maya Lopez. Hailee Steinfeld’s Kate Bishop showed up in a teaser scene at the end of The Marvels as Hawkeye’s heir apparent, meaning Echo could find an analogous slot somewhere in the MCU. (Even if, for now, it’s still unclear what Kate will be doing as part of Kamala’s team.)
If there is an Echo season 2, it might be a while before it actually comes out. Echo was first announced in November 2021, right after Cox showed up as Echo in Hawkeye. With the show only getting released some two years later, the earliest we’re likely to see Echo season 2 would be 2026.
Photo: Chuck Zlotnick/Marvel Studios
Echo was a unique release for Marvel, not just because it was the first one to drop on Hulu (and in full) instead of Disney Plus. It was also the first entry in the new Marvel Spotlight umbrella, something Echo producer Richie Palmer says Echo was the right show at the right time to be.
“I think it was us saying, You know what? Echo wants to be its own thing. So let’s allow it to be,” Palmer tells Polygon. “We wanted to figure out, when we were bringing Maya Lopez to life, how do we honor that aspect of the comics? How do we keep it dark and gritty and separated from everything else that was going on?”
“And then Kevin [Feige] came in, as we were editing the show, and we were seeing how dark we were pushing it. And he was saying, Don’t hold back on the violence, don’t hold back on the grit and this grounded tone, it’s what’s making this show so unique and special. So Marvel Spotlight kind of came from Kevin.”
With Spotlight offerings being framed as an opportunity for more casual viewing, even sans any other MCU knowledge, it’s unclear if shows like Echo are being designed (or promised, or even considered for) a second season.
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Zosha Millman
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