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  • 7 retro salad dressings that once ruled America’s fridges are making a comeback

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    For decades, tangy, creamy and inventive concoctions defined the American salad bowl.

    But in today’s age of avocado-lime ranch and green goddess, many old-school dressings have quietly disappeared from grocery shelves and dinner tables.

    Still, nostalgic home cooks are keeping the classics alive, recreating and sharing their takes and savoring the memories that come with them.

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    “Catalina tastes like family gossip and the holidays,” one Reddit user joked in a recent r/Old_Recipes thread about the 1960s-era favorite. 

    Another recalled, “Hot bacon dressing — it smelled like feet, but everyone loved it.”

    Once fridge staples, some retro salad dressings are making a nostalgic comeback among home cooks. (Barbara Alper/Getty Images)

    Another said, “Spinach salad with hot bacon dressing was the fancy salad of my childhood. … It seemed so exotic!” 

    Here are seven retro dressings that once ruled America’s fridge door.

    1. Buccaneer dressing

    Trademarked by the Louis Milani Foods Co. in 1954, Buccaneer dressing was marketed as an “exciting dressing [that] adds the touch of adventure to salads, sandwiches [and] hot vegetables,” according to Chowhound. 

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    It was popular through the 1970s, when Louis Milani Foods, now Kent Precision Foods, discontinued it.

    While the exact flavor profile and original recipe seem to have faded with time, enthusiasts recall that its tangy, savory and umami-hinted flavor came from mayo, honey mustard, garlic powder and paprika.

    2. Louis dressing

    Not to be confused with the similarly creamy, pink-hued Thousand Island, Louis dressing packs a zesty punch with Worcestershire sauce, lemon juice, horseradish and hot sauce. 

    Creamy Thousand Island-like salad dressing on greens with tomato, cucumber, carrot.

    Louis dressing looks similar to the pink-hued Thousand Island dressing, shown above. (iStock)

    It is the signature topping for the Pacific Northwest’s classic Crab Louie salad, but its slight spiciness and tang make it a versatile choice for seafood salads.

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    Crab Louis dates back to a 1912 recipe in the Portland Council of Jewish Women’s Neighborhood Cookbook. It was accompanied by lettuce and hard-boiled eggs, with early versions appearing on menus in San Francisco as well as Portland, Oregon, and Spokane, Washington, throughout the early 20th century, Chowhound reported.

    3. Mayfair dressing

    A St. Louis, Missouri, creation with origins tied to both the 1904 World’s Fair and the Mayfair Hotel, Mayfair dressing has long puzzled food historians with its conflicting backstory. 

    Caeser salad being plated at dinner table.

    Mayfair dressing — a celery-forward cousin of Caesar, shown above — dates back to the early 20th century. (iStock)

    “There’s a dressing that I’ve only had in St. Louis, called Mayfair dressing, developed for the 1904 World’s Fair,” one Redditor remembered fondly. “It’s like a celery-forward Caesar.”

    The dressing swaps Parmesan for raw celery and onion, giving it a chunky texture with an anchovy-rich base. 

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    “If you like celery, it’s really tasty,” said another commenter. 

    4. Boiled dressing

    Boiled salad dressing, a Southern favorite, was made by cooking eggs, flour, mustard and vinegar over a double boiler to create a sauce somewhere between mayonnaise and hollandaise, according to food news review site The Takeout.

    The sauce delivered a peppery, vinegary flavor that made it a favorite for hearty salads and vegetable dishes. The lack of oil made it an affordable alternative.

    A housewife in the 1950s preparing a salad in kitchen

    Nostalgic salad dressings were staples of family dinners, church potlucks and mid-century kitchens. (FPG/Hulton Archive/Getty Images)

    “Boiled dressing!” one Reddit user commented. “SO amazing. It is in between sweet and savory. … Imagine lemon curd but with mustard and vinegar instead of lemon.”

    5. Sour cream dressing

    Tracing back to Central and Eastern Europe, sour cream dressing is thinned with lemon juice or vinegar, brightened with Dijon mustard and sometimes sweetened with sugar and paprika, for dressings that shine on potato or egg salads.

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    It is a base for many home cooks, who dress it up further with fresh herbs or green onions.

    Woman's hands seen dressing vegetable salad with mayonnaise.

    Mid-century cooks often built their creamy dressings from mayonnaise and sour cream. (iStock)

    6. Tomato-based dressings

    Tomato-based dressings once added a pop of color and tang to mid-century salads, led by Kraft’s Catalina dressing of the 1960s. 

    Made with tomato purée, vinegar, sugar and seasonings, these dressings inspired later favorites like bacon and tomato dressing.

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    Meanwhile, Nebraska’s Dorothy Lynch dressing, created in the 1940s using tomato soup, proves tomato-based dressings have a legacy well beyond French dressing.

    As one social media user fondly recalled, a tomato soup-based dressing was the star of many a church potluck in the 1960s.

    7. Poppyseed and celery seed dressing

    Family passes salad and dressing around dinner table, hands seen reaching and grabbing over food.

    Vintage recipes and Reddit threads are helping revive forgotten salad dressings. (John J. Kim/Chicago Tribune/Tribune News Service)

    Along with Catalina, poppyseed and celery seed dressings also once dominated supermarket shelves through the 1970s, each offering a different take on “sweet and tangy.”

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    Celery seed dressing, dating back to the 1960s, is a blend of oil, vinegar, sugar, mustard and celery seeds. Poppy seed dressing, popularized in the 1950s, combines sugar, vinegar, mustard, onion and oil with poppy seeds.

    “My mom used to make celery seed dressing from her ‘Better Homes and Gardens’ 1965 cookbook. It’s basically a poppy seed sweet-sour dressing made from scratch, but with celery seed instead,” one Redditor recalled. “Very good.”

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  • George Banks, Mass Murderer Spared From Death Penalty, Dies In Prison At 83

    HARRISBURG, Pa. (AP) — George Banks, one of the most notorious mass murderers in the U.S., has died.

    Banks, 83, died Sunday afternoon at Phoenix state prison in Pennsylvania, the state Department of Corrections said. Banks died of complications from renal neoplasm, or kidney cancer, said Montgomery County Coroner Dr. Janine Darby.

    Banks had been in prison since 1982 after shooting 14 people, and killing 13, including his own children, during a rampage in Wilkes-Barre. At time, it was considered one of the worst mass murders in American history. He was convicted of 12 counts of first-degree murder and one count of third-degree murder.

    Banks had been drinking at a party late at night before using an AR-15 rifle to start the rampage at his home.

    Five victims were his children, ages 1 to 6. Four more were the mothers of his children. Other victims were bystanders, including an 11-year-old child who sometimes stayed with his family, a 7-year-old child and a teenager who saw Banks leaving his home armed with the rifle and recognized him.

    Banks killed three women and five children at his home, authorities say. Then, dressed in green army fatigues with an ammunition bandolier around his chest and shoulders, Banks left, when he saw four teenagers walking to their car from a nearby friend’s house. He shot one fatally, and another, who survived, authorities say.

    He stole a car and went to the Heather Highlands Trailer Park where police found the bodies of Banks’ son and the child’s mother, as well as her mother and her nephew.

    From there, Banks went to his mother’s house, who told police that Banks told her, “I killed them. I killed them all,” court records say.

    Banks eventually surrendered after a four-hour standoff at a friend’s house after police tried to convince him that his victims had survived.

    Eventually, state courts prevented his execution, saying he wasn’t mentally competent. That left Banks with a sentence of life imprisonment.

    The teenager who survived being shot by Banks, Jim Olson, later expressed frustration in 2012 that Banks hadn’t been executed, saying, “What is the sense of having a death penalty if you don’t use it or enforce it?″

    Defense lawyers had argued that Banks was insane when he went on the shooting spree.

    After his arrest, Banks, who is biracial, claimed he had killed his children to save them from the pain of growing up in a racist society. During his trial, he overruled his lawyer on strategic decisions, and argued instead that prosecutors, the judge and the mayor of Wilkes-Barre were conspiring against him.

    Banks also showed the jury gory pictures of his victims, even after his lawyer had successfully gotten the photos barred on the grounds that they were gruesome and prejudicial.

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  • Nonprofits, credit unions help impacted federal workers from government shutdown

    Nonprofits, credit unions help impacted federal workers from government shutdown

    Updated: 2:41 PM PDT Oct 16, 2025

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    From nonprofits to credit unions, organizations across the country are stepping up to help military families and federal workers as the government shutdown continues. Many are reporting an alarming surge in demand.Since the shutdown, military spouse Alicia Blevins has faced a mountain of stress. Her family’s savings are depleted, stress-related health issues are emerging, and her job search has been put on hold 16 days into the shutdown. “It’s the stress that’s really gotten to us,” Blevins said. “Right now, I’ve got my resume out to every customer service job, entry level or not. I’ve got it out everywhere.”The desperation is being felt at nonprofits like the Military Family Advisory Network (MFAN). This week, the organization launched its emergency grocery support program in response to the shutdown, noting that more than 6,000 verified military families applied for its 1,600 grocery packages in the first 24 hours alone.”This moment really puts families at a very fragile place,” MFAN’s Chief Advancement Officer Kara Pappas said. “The need has so quickly eclipsed the demand that we need support from Americans.”Financial institutions are also escalating aid to military members and federal workers who qualify. The Navy Federal Credit Union, for example, is offering 0% interest loans through its paycheck assistance program.The USAA is offering the same and reports that it’s issued nearly $270 million in loans to more than 71,000 of its members so far.The Federal Employee Education and Assistance Fund (FEEA) is giving those eligible up to $150 in micro-grants to support federal employees impacted by the shutdown.Patrick Malone, Director at the Key Executive Leadership Program at American University, emphasizes prioritizing mental health during the shutdown. Malone advises those impacted to reach out and tap into resources immediately and scheduling time for self-care.Watch the latest coverage on the federal government shutdown:

    From nonprofits to credit unions, organizations across the country are stepping up to help military families and federal workers as the government shutdown continues. Many are reporting an alarming surge in demand.

    Since the shutdown, military spouse Alicia Blevins has faced a mountain of stress. Her family’s savings are depleted, stress-related health issues are emerging, and her job search has been put on hold 16 days into the shutdown.

    “It’s the stress that’s really gotten to us,” Blevins said. “Right now, I’ve got my resume out to every customer service job, entry level or not. I’ve got it out everywhere.”

    The desperation is being felt at nonprofits like the Military Family Advisory Network (MFAN). This week, the organization launched its emergency grocery support program in response to the shutdown, noting that more than 6,000 verified military families applied for its 1,600 grocery packages in the first 24 hours alone.

    “This moment really puts families at a very fragile place,” MFAN’s Chief Advancement Officer Kara Pappas said. “The need has so quickly eclipsed the demand that we need support from Americans.”

    Financial institutions are also escalating aid to military members and federal workers who qualify.

    The Navy Federal Credit Union, for example, is offering 0% interest loans through its paycheck assistance program.

    The USAA is offering the same and reports that it’s issued nearly $270 million in loans to more than 71,000 of its members so far.

    The Federal Employee Education and Assistance Fund (FEEA) is giving those eligible up to $150 in micro-grants to support federal employees impacted by the shutdown.

    Patrick Malone, Director at the Key Executive Leadership Program at American University, emphasizes prioritizing mental health during the shutdown. Malone advises those impacted to reach out and tap into resources immediately and scheduling time for self-care.

    Watch the latest coverage on the federal government shutdown:

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  • ‘Who do we care more about:’ JD Vance wants Americans to believe that firing some of them is “necessary” | The Mary Sue

    United States Vice President JD Vance wants everyone to believe that it is “necessary” to fire some federal workers to ensure the rest of them keep working, and he thinks it is for the best. 

    For months, President Donald Trump and his administration had been threatening mass layoffs in the federal workforce if the government went into shutdown. Not only that, but they were also alleging that the Democrats would be held responsible if the shutdown happened. Unsurprisingly, they are holding ground on both promises.

    Since the government came to a halt on October 1 this year, the Donald Trump administration has not wasted a single moment blaming the Democrats for it. From conducting a smear campaign against them to blatantly lying to the people, Trump and his Republican friends have done everything in their power to turn the narrative in their favour. However, they reached a new low this week as they started handing termination notices to federal officials, approximately 4000 of them. The sectors that were most affected by this were Commerce, Housing and Urban Development, Homeland Security and Treasury, Energy, Health and Human Services, and Education. If Trump’s own words are to be believed, these divisions and people in them were “Democrat-oriented.”

    Following the start of the federal worker crackdown process, JD Vance appeared on NBC to answer some questions. While being reminded of the 2019 government shutdown led by Donald Trump, which lasted 35 days and saw no federal workstaff layoffs, Vance was asked why this particular shutdown warranted terminating workers. He said:

    “You really have to ask yourself. Who do we care more about? Federal bureaucrats in Washington, DC, or low-income women getting the food benefits they deserve. Are troops getting the payment they need? Flood insurance across the South East in the midst of hurricane season.”

    He continued by highlighting that they would need to lay off some federal workers during the shutdown to “preserve the essential benefits for the American people that the government provides.” But let’s be honest, what is this government more inclined towards preserving? American people or the dictator who sits on the throne?

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  • American University offers free learning day for furloughed federal workers – WTOP News

    The American University School of Public Affairs opened its doors Friday to federal employees affected by the furlough, offering a full day of free learning and networking opportunities.

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    American University offers free learning day for furloughed federal workers

    In response to the ongoing government shutdown, the American University School of Public Affairs opened its doors Friday to federal employees affected by furloughs, offering a full day of free learning and networking opportunities.

    The event, part of the school’s “Classes Without Quizzes” initiative, featured more than a dozen sessions covering topics such as leadership during disruption, cybersecurity trends, workplace resilience, career development and even filmmaking.

    The program is designed to provide professional enrichment without the pressure of grades or tests.

    More than 500 people registered for the event, the third time AU has hosted such an event.

    “We are very committed to public service, and a lot of our alums go into public service, and we really wanted to support our federal colleagues who are dealing with a time of uncertainty right now,” said Alison Jacknowitz, interim dean of AU’s School of Public Affairs.

    Thousands of federal workers fired earlier this year during the sweeping purges by the “Department of Government Efficiency,” President Donald Trump’s administration’s team tasked with slashing federal spending, as well as thousands more affected in the latest government shutdown, are dealing with heavy emotions now, according to Jacknowitz.

    She said this program offers those former and furloughed employees an outlet for those emotions and an opportunity to connect to others in the same situation.

    “I think the number one issue is uncertainty,” Jacknowitz said. “We have people here that are impacted by the shutdown and also people that have been impacted by layoffs and reductions in force from earlier in the year,” she said.

    “We’re here today because we both worked for the U.S. Agency for International Development, and we were RIFed in July,” said John Spears, who attended the classes along with his wife, Margaret.

    “I’m looking forward to today, looking forward to today, learning about some new things,” Margaret said. “It ranges from artificial intelligence to management techniques to other kinds of pivoting or the current situation in the United States.”

    Originally launched in January 2019 during the longest government shutdown in U.S. history, “Classes Without Quizzes” reflects SPA’s 85-year commitment to public service and its continued support for federal workers.

    “I very proudly served in the federal government for more than 10 years, and I had a chance to serve in the USAID, and I became a career civil servant, then things went in a very different direction,” said Cara George, of Northeast D.C., who was fired earlier this year.

    George is an AU alum and called her participation in the program a sort of “homecoming.” She said she is employed now, but not in the area she wants.

    She was hoping to gain new skills and insight to hopefully pivot back into her preferred career.

    “Hoping for the chance to find community and solidarity with other fired and furloughed feds and folks in the federal space,” George said.

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    © 2025 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.

    Alan Etter

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  • Namasteak, USA

    Namasteak, USA

    As many Indian restaurants worldwide consider serving beef taboo, chef Sujan Sarkar savored the rare opportunity to taste quality meat. Beef from Nebraska was considered a specialty at one of the Michelin-starred restaurants he worked at in London, Galvin at Windows, a French spot formerly inside the Hilton Park Lane in London. Sarkar, chef at IndienneChicago’s lone Michelin-starred Indian restaurant, and one of only three that have earned that status in the United States, says British beef couldn’t compete with USDA prime cuts.

    Beef is expensive, not widely available in all parts of India, and is considered holy in many sects of Hinduism. However, in the U.S., non-Indian Americans tend to associate Indian cuisine only with that singular cultural practice. It’s such a widespread perception that English speakers, like Chicago baseball announcer Harry Caray, even have an expression tied to it — holy cow! Chicago Seven member Abbie Hoffman turned it into an anti-authority metaphor and is credited with saying “sacred cows make the tastiest burger.” UHF features “Weird Al” Yankovic’s playful portrayal of Gandhi in 1989 while ordering a medium-rare steak. The first wave of Indian restaurants in America brought the cultural norms of the early 1900s with them and shunned beef. Tandoori chicken was positioned in the ’60s as the Indian American counterpart to the showstopping Beijing duck popular at Chinese American restaurants. Lamb curries and kabobs emerged as stand-ins to satiate America’s beef lovers.

    But decades later that Puritan image of India is fading in America, and it appears Chicago, with its storied meatpacking history, has become the center for a new style of Indian dining that embraces the beef. One tell is Sarkar who says one of his favorite restaurants is Asador Bastian, a well-regarded Basque steakhouse that’s a short walk from Indienne. Though Indienne proudly features vegetables in all menus — not just the vegetarian option — Sarkar has been experimenting with a beef dish. For private events only, he’s serving a short rib braised with a Madras curry inspired by black peppercorn sauce. It makes sense, after all, black pepper originated in India.

    “Some people are cooking camel, ostrich,” Sarkar says. ”We don’t have to do it here, because that’s not from here. But in America, beef is one of the main sources of protein, and people like that — and it’s good.” These days, seeing beef on an Indian menu is hardly shocking. The protein has earned a place in prominent Indian restaurants across America like Dhamaka in New York; Rania in Washington, D.C.; and BadMaash in LA.

    The beef brisket at Indus in suburban Chicago is stellar.

    Beef can be found in India, but diners need to be in the know. It might have different names. Sarkar remembers seeing it called water buffalo. Vinod Kalathil of Thattu has memories of attending engineering school in India and seeing the reactions from his Northern India classmates when they saw beef served at the dining hall: “They were absolutely shocked,” Kalathil recalls. And Sheal Patel of Dhuaan BBQ remembers walking through night markets in Mumbai and Delhi and seeing plenty of street vendors selling beef and pork dishes.

    Patel represents a wave of second-generation chefs all over America who have experimented with their home spice pantries, livening American staples from burgers to omelets to pizzas. Patel says TikTok has played a role with desis sharing techniques and photos from their travels. “I don’t think 10 years ago this would be a very welcome topic,” Patel says. Patel calls Dhuaan a tribute to the food his mother cooked as well as his visits to Central Texas where barbecue — particularly beef — is king. His brisket and masala beef cheesesteaks have popped up at bars across Chicago.

    Kalathil, who grew up in India, would see beef labeled as “mutton sukka” (dry beef) offered at restaurants in the South Indian state of Kerala, where it’s more common to find beef. Kalathil and his wife, chef Margaret Pak, have served beef at Thattu, their lauded Keralan restaurant, from day one. Inspired by Pak’s Korean heritage, they use short rib in their beef fry — slow-roasted thin slices of meat fried with coconut oil and flavored with curry leaves and onions.

    “We want to make sure the food is for everybody,” Kalathil says — Thattu has plenty of vegetarian options, too. “And if some people don’t want to eat that, that’s perfectly fine.” However, he says beef is essential to Keralan culture.

    Thattu is playing with different cuts of beef as short rib is expensive, and while Western restaurants may use the bones for stock for soups or sauces, there’s little history of utilizing scraps in South Asian cuisines. They may even switch to boneless lamb in their biryani as some guests have expressed a preference. Pak and her kitchen crew are also tweaking a new beef burger offering.

    A watershed moment in Indian American history may have occurred in 2015 when Lucky Peach, the defunct food magazine ran a recipe for tandoori steak using thick beef ribeyes as opposed to the thin cuts found in traditional South Asian beef dishes. That begot a steak pop-up run by chefs Dave Chang and Akhtar Nawab and cheekily named Ruth Krishna’s Steakhouse, though Ruth’s Chris Steakhouse attorneys quickly hit the effort with a cease and desist letter.

    Flash forward to 2023 when Diaspora Spices began selling Steak Masala as a competitor to McCormick’s Montreal Steak Seasoning. Diaspora founder Sana Javeri Kadri, who grew up eating beef — she’s Hindu, Jain, and Muslim — says the spice mix, which went through four or five recipes, is a top seller that customers use on vegetables and meats alike. She says Diaspora has received zero negative feedback. The mix is made with Diaspora’s Surya Salt, Aranya Black Pepper, Sirārakhong Hāthei Chillies, Pahadi Pink Garlic, Hariyali Fennel, and Wild Ajwain.

    Steaks going into an oven.

    Highland Park’s Indus also serves a wagyu beef steak.

    A slice steak on a wooden plate.

    A 12-ounce American wagyu ribeye from Vander Farms comes with spiced herb butter, “chimmichutney,” and nizaami dum aloo.

    “This myth that India is vegetarian is obviously the voices of few speaking louder than the country at large,” Javeri Kadri says. “It’s a very Hindu, upper-caste take — most lower-caste folks don’t have the privilege of not eating meat.”

    Chicago should be used to religious and class restrictions. Blue laws, which date back to the late 1800s, were Catholic doctrines that prohibited activities like going to the movies, traveling, or selling anything on Sundays. Even as laws loosened, some operators continued to keep restrictions. In the ’80s, many Chicago grocery stores would cover their meat coolers with a blue wrap to prevent customers from putting beef into their shopping carts.

    Earlier this year in suburban Chicago, a new contemporary Indian restaurant, Indus, debuted featuring a wagyu beef ribeye and brisket cooked in a pellet smoker (Indus also smokes vegetarian dishes, like daal, with tasty results). Indus is one of the few Indian restaurants around Chicago that brings out steak knives. Owners Sukhu and Ajit Kalra say the brisket is so popular they’ve been getting requests from Jewish customers who wanted it for their High Holidays. It wouldn’t be the first Jewish-Indian crossover. In August while at the Democratic National Convention in Chicago, as his wife prepared to accept the Democratic presidential nomination, Doug Emhoff complimented his wife Vice President Kamala Harris saying she “makes a mean Passover brisket.”

    A fine dining steak dish with edible flowers.

    This beef dish from Michelin-starred Indienne is available for private events only and made with American wagyu, a short rib kofta, tomato pachadi, varuval, and curry leaf.
    Indienne

    However, many restaurants remain uncomfortable discussing the topic of beef. Some chefs around the country declined to comment for this story. They didn’t want to alienate customers with strong opinions about beef. It’s still a sensitive subject and one that drifts into politics, with Hindu nationalism driving narratives. Rakesh Patel of Patel Brothers, the world’s largest South Asian grocer, founded in 1974 in Chicago, says his company has never carried beef. He says it was challenging enough to hear objections from vegetarians when the chain began carrying fish, though frozen fish is one of the chain’s biggest money makers.

    But some see the subject as a matter of hospitality. In years past, James Beard-recognized chef Zubair Mohajir has shied away from serving beef at Coach House, his tasting menu restaurant. Mohajir is Muslim, so beef isn’t prohibited, but he’s avoided it to offend any customers. It’s a form of respect. At his new restaurant, Mirra, which blends Mexican and Indian flavors, there’s a carne asada dish that, according to co-chef Rishi Manoj Kumar, is as much a tribute to Mexican cuisine as it is a way to honor Chicago’s steakhouse culture and history of meatpacking.

    But as India isn’t a monolith, neither is South Asia. Chicago is no stranger to dishes like frontier beef. Local Pakistani restaurant, Khan BBQ, has served the item and other beef options like chapli kebab for more than two decades along Devon, Chicago’s main South Asian hub. A newer entry, Tandoor Char House in Lakeview — a Pakistani Indian fusion spot — has long embraced beef with items like beef seekh kebab and beef nihari. Owner Faraz Sardharia says his father being from India and his mother being from Pakistan granted him the freedom to design a menu without boundaries.

    However, many Pakistani and Bangladeshi American restaurants (and other countries within the South Asian diaspora) still label themselves as “Indian” for marketing purposes — it was easier to conflate rather than to explain nuance to American diners Googling “butter chicken near me.” Beef is often absent from these restaurant menus to avoid sounding off any alarms. Others, however, were bolder, sneaking beef onto the menus — dishes like Bangladeshi beef tehari — to pique the interest of non-South Asian customers.

    Indian American chef Hetal Vasavada, a recipe developer and writer, competed on Season 6 of MasterChef when Gordon Ramsay and the gang made her recreate the chef’s famous beef Wellington. Vasavada, a vegetarian, rose to the challenge. She read through Reddit threads full of comments from uneducated viewers who weren’t familiar with India’s diversity, attempting to pigeonhole her. She had never cooked or tasted beef in her life, and the show’s fans saw that as a liability. They wanted her off the show. She relished her success in that environment. When it comes to celebrating holidays like Diwali, which is traditionally vegetarian, Vasavada keeps an open mind.

    “I think because India is so vast and everyone celebrates it so differently, it’s hard to say what’s right and wrong. In the end, I truly do not care what you eat,” she says. “Practicing as a Hindu, an Indian American, I don’t eat meat, but if you want to eat meat, go for it — I am unbothered. Celebrate and eat however you choose. And I think we just need to be a little bit more open-minded and less pushy about our beliefs on others.”

    Many objections to serving beef at Indian restaurants in America come from immigrants who long left South Asia and believe their hometowns or villages have stayed the same since they’ve left, Kalathil says. He wants to see more restaurants serve beef and pork. That philosophy is shared by many of his colleagues, including Sarkar. The old-fashioned mindset poses a danger to creativity.

    “That is with all Indian food — not only the beef,” Sarkar says. “People still have an outdated understanding of how things should be.”

    Ashok Selvam

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  • Family of hostage Omer Neutra hosts community basketball game to honor their son’s 23rd birthday

    Family of hostage Omer Neutra hosts community basketball game to honor their son’s 23rd birthday

    UPPER WEST SIDE, Manhattan (WABC) — More than a year after the October 7 attacks on Israel, the family of one hostage is reminding community members about their son, who is having his second birthday in captivity.

    Friends and family members came to show their support for Long Island native Omer Neutra at a community basketball game on Sunday.

    “We’re exhausted, absolutely. This has been a roller coaster of a year between hope and despair, and right now, negotiations are at a standstill,” said Omer’s mother, Orna Neutra.

    The family last spoke to their son, who is in the Israeli military, just a day before Hamas attacked, claiming 1,200 lives and taking 240 hostages, including Omer.

    “We’re hoping he’s okay, and I mean, there’s a good chance he doesn’t even know what day it is. He doesn’t know that it’s his birthday or if it is his birthday,” said Daniel Neutra, Omer’s brother.

    Omer’s family refuses to give up hope and continues to cling to their belief in miracles.

    They have been working tirelessly to get their son released, talking to officials in Washington and Israel, and also leaders in the Middle East.

    “He was 21 when he was taken captive. Right, it’s heartbreaking, it’s devastating. And it’s unfathomable that a 22-year-old is spending his time in the tunnels underneath Gaza for such a long time,” Orna said.

    According to his family, Omer loves basketball and wore the number “24” because he idolized Kobe Bryant and was a big Knicks fan. Despite living in Israel, Omer rarely missed watching a Knicks game.

    “And we were four years ago and we watched the NBA Finals always together. Whether we were together physically or apart across the ocean, we always watched NBA finals together,” said Ronen Nuetra, Omer’s father.

    Omer’s basketball teammates here at home say they are in disbelief as they wait for updates about him. One teammate, Ari Kantorowitz, says Omer was always the joyous spirit of their group, even when they were bad.

    “He was our heart. He was the guy that was fighting for all of us that maybe weren’t as tough. He always brought like the hope that we could win,” Kantorowitz said.

    ALSO READ | Community calls for postpartum care changes after mother dies weeks after giving birth

    Sonia Rincon has more on the urgent call by family members and advocates for changes to postpartum care.

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  • Explore Downtown Chicago’s Luxurious New Korean Steakhouse

    Explore Downtown Chicago’s Luxurious New Korean Steakhouse

    While it’s not as rare for a Chicago hotel to provide a memorable dining experience anymore, there’s still a status quo. But as hotels and real estate change hands, new owners are more apt to take risks, departing from the tired troupe of a serviceable restaurant that may offer a menu that caters to a wide variety of tastes without serving up anything exceptional.

    An opportunity popped up in 2022 when Seoul-based Lotte Group purchased the 13-story former Kimpton Hotel Monaco Chicago. They needed restaurant operators and picked Andrew Lim and Thomas Oh of Perilla Korean American Fare, one of the city’s best Korean spots, a restaurant known for Korean barbecue and its contemporary vision. In turn, the new Perilla Korean American Steakhouse hopes to upset that status quo, leading with items like wagyu bavette — perhaps chef Andrew Lim’s answer to LA kalbi; Chicago is known for butcher’s cuts.

    Though every table at the 111-seat restaurant inside the newly opened L7 Chicago hotel — near the corner of Wacker Drive and Wabash — is outfitted with a grill top, this new endeavor is different from the Korean barbecues that Chicagoans would expect in Koreatown in Albany Park. Partner Thomas Oh admits there is some overlapping between his River West restaurant — they’re “honoring and showcasing” a few traditional items. Oh and Lim see this as a Korean-infused spin on Gold Coast steakhouses like Morton’s or Gibsons.

    Oh senses America has an appetite “for something new and exciting.” Places like Cote in New York have proven that, and Bonyeon in West Loop — while not 100 percent Korean — showcases plenty of aspects of a Korean steakhouse. Oh is eager to see folks walk away blown away after their first bite of marinated meat or exploring the various permutations that can enjoy their meal using different sauces and ssam. A prix-fixe menu is on its way, too.

    Still, steaks can be finished with au poivre, bone marrow butter, or bordelaise sauces. Grilled mushrooms and broccolini would fit in at those iconic steakhouses. But there’s also a tteokbokki (Korean rice cake) cooked in the style of cacio e pepe. Kimchi fried rice is made with guanciale. Look for a mac and cheese with a little bit of heat and smoked cheddar. Lim calls those items “playful and exciting.” And they complement a la carte chops, including a 60-day dry-aged ribeye or a 30-ounce A5 Miyazaki New York strip. Of course, diners could pick a steakhouse set that includes a variety of meats served with banchan. They’re also swapping out traditional blinis with Korean crepes to be served with caviar.

    The noodles will be made in the kitchen, which is a rarity at Korean restaurants in Chicago. While Parachute, the lauded Michelin-starred Korean restaurant, searches for a new home, fans who miss the restaurant’s monkey bread may find solace in Perilla’s version.

    “We are very much Korean as much as we are American,” Lim says. “I think you know, our upbringing, we were exposed to, ironically, a lot of Italian dishes growing up — just because my dad really loved pasta. I’ve always grown up eating noodles, spaghetti, and things like that at home, and it’s just something I’ve always loved.”

    The restaurant will also be open in the morning and afternoon, serving hotel guests, tourists, and office workers: “I live down here. I live downtown, and finding breakfast and lunch in some of these areas can be quite a challenge,” Oh says.

    There are both traditional American options, like pancakes, omelets, and breakfast sandwiches. A Korean option includes rice, soup, white kimchi, and omelet and a choice of skirt steak, chicken thigh, grilled mackerel, or roasted veggies.

    The space was designed in conjunction with AvroKo, and Oh says observant customers will spot plenty of nods to traditional Korean architecture. Oh and Lim are again partnering with Alvin Kang, their collaborator at their River West restaurant. The biggest party involved is Lotte and the company is a household name in the Korean community.

    “It was an immense amount of pressure, not just for how our excitement at being able to expand this brand and what we’re doing here in Chicago, but the fact that it was for a company of this magnitude,” Oh says, adding how excited they are to bridge South Korea with Chicago: “This is something that we’re incredibly passionate about.”

    Check out the breakfast, lunch, dinner, and brunch menus in the links, and look at the photos below.

    Perilla Korean American Steakhouse, inside the L7 Chicago Hotel, 225 N. Wabash, opening Wednesday, July 3, reservations available via OpenTable.

    Ashok Selvam

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  • The Surprising ‘A Quiet Place: Day One’ and Kevin Costner’s Big Bet on ‘Horizon: An American Saga—Chapter 1’

    The Surprising ‘A Quiet Place: Day One’ and Kevin Costner’s Big Bet on ‘Horizon: An American Saga—Chapter 1’

    Sean and Amanda recap the third installment of the Quiet Place franchise—the Lupita Nyong’o–starring A Quiet Place: Day One—which surprised both of them with its scale and quality (1:00). Then, they are joined by Chris Ryan to discuss Kevin Costner’s gigantic gamble Horizon: An American Saga—Chapter 1 (25:00). The trio dig into its weirdness, its Western tropes and subversions, and whether it stands even the slightest chance of not bombing.

    To watch episodes of The Big Picture, head to https://www.youtube.com/@RingerMovies.

    Hosts: Sean Fennessey and Amanda Dobbins
    Guest: Chris Ryan
    Senior Producer: Bobby Wagner

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

    Sean Fennessey

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  • Kevin Costner Wills His Own ‘Yellowstone’ Into Existence With ‘Horizon: An American Saga’

    Kevin Costner Wills His Own ‘Yellowstone’ Into Existence With ‘Horizon: An American Saga’

    There might not be a more appropriate and straightforward way to open an American Western than with a scene of a white settler tracing the foundations of the house he wants to build on some seemingly available plot of land. The colonial question at the heart of the genre is thus immediately introduced in Horizon: An American Saga—Chapter 1, the first film in Kevin Costner’s epic four-movie series (the second installment has already been shot) that he produced (at great cost to himself), cowrote, directed, and starred in. Costner’s perspective on that question, however, isn’t entirely clear in that opening sequence, but it does end with the settler and his young child being killed by Apaches who are defending their territory, highlighting their rightful anger. In this sequence, a rousing old-fashioned score, plenty of cross-fades, and an orange sunset give the brutal encounter the look of a monumental, foundational, almost elemental event, like a big bang—a natural, terribly meaningful catastrophe.

    It is through such small yet symbolic stories that Costner starts to paint his very large and detailed picture of pre– and post–Civil War America. Jumping from one setting to another, the filmmaker introduces us to various archetypes of the American West, from the English settlers too posh and sophisticated to do any work while traveling on the Santa Fe Trail (Ella Hunt and Tom Payne), to the housewife with a dark secret (Jena Malone) and her naive husband (Michael Angarano) hoping to get rich through gold, to the foulmouthed sex worker (Abbey Lee) whom everyone despises, except for the hero (Costner, naturally), who finds himself protecting her. In a series of extended vignettes, their personal dramas unfold and sometimes intersect, with occasional time jumps to speed things up and show the consequences of their decisions. None of these stories are particularly original or compelling, retreading old tropes and recalling television both visually and structurally. (It’s hard not to think of Yellowstone, the Western series starring Costner; it was during that show’s hiatus that he made this film.) For instance, the past of the housewife, Ellen, comes back to haunt her when we learn that she once was a sex worker herself and killed a powerful criminal who had abused her: The idea that the Wild West allowed for self-reinvention but was also fueled by the exploitation of women is a staple of the genre—and could still be interesting to explore—but Costner struggles to keep all his plates spinning at once, offering only a quick glance at one prototypical story before moving on to the next one. Instead of making us feel the unbearable weight of history through this amalgamation of survival tales—or creating at least a sense of time and place—this first “episode” indeed functions as a technically efficient but not very appealing series pilot, setting the scene but not giving its protagonists enough room for us to get invested in them.

    Making an American Western in 2024 means coming after a long line of films, the first succession of which established the genre’s often white supremacist and pro-colonial codes. Later, revisionist Westerns adapted these tropes to suit different eras, taking into account changing mentalities about the romanticization of America’s violent past and materialistic tendencies (think of The Wild Bunch and its explosive, balletic, devastating gunfights, or the spaghetti Western For a Few Dollars More), and, eventually, the oppressed were put at the center of the narrative, be they women or Indigenous people themselves. (Killers of the Flower Moon is the most recent example, but Soldier Blue from 1970 may be the most strident.) Costner, however, doesn’t seem all that interested in looking back with a critical eye, and he’s also not trying to tell a story about the past that could be relevant today. Instead, he’s aiming for the timelessness of myth and adopts a centrist approach: Colonialism was an unstoppable engine that everyone, Indigenous or white, was simply caught up in. After a deadly Apache attack, First Lieutenant Trent Gephardt (Sam Worthington, who seems determined to act in projects that will be made over several years or decades of his life) has to remind the surviving white settlers that this land is not, in fact, simply where they live, but that it belongs to Indigenous people; still, the pioneers refuse to leave. Costner spends time on the unwelcome inhabitants and their sorrow and helplessness but also cuts to the Apaches—they, too, are having internal disagreements about whether this attack was ultimately necessary. Yet if these two points of view could allow for some interesting ambiguity, revealing the moral dilemmas and doubts of people on both sides, in Costner’s vision, the two parties are stuck in a dynamic that is completely outside their control and has a will of its own—rather than one born of the colonizers’ endless thirst for more land. (Costner’s production company is in fact called Territory Pictures Entertainment.) No one is really responsible. Playing a blasé colonel, Danny Huston puts it bluntly: “Let this place do what it’s done since time immemorial.” But isn’t this time still relatively fresh in the Apaches’ memory?

    This idea of a manifest destiny that pushes for colonization, whether its participants approve of it or not, appears as much in the film’s aesthetics as it does in its narrative. Costner’s camera repeatedly focuses on and emphasizes old-fashioned and at times offensive clichés of the genre: a dying white man refusing to let an Apache take his violin, thus defending civilization against barbarism until his last breath; a priest solemnly digging graves for fallen pilgrims on Apache ground; men working hard to build infrastructure where there was once only nature; a teenage son choosing to fight back against the Indigenous alongside his father rather than hiding with his mother and sister. To quote Vampire Weekend: “Untrue, unkind, and unnatural, how the cruel, with time, becomes classical.” If his old-school conservatism wasn’t apparent enough, the filmmaker also gives his actors cheesy dialogue that even John Wayne couldn’t have made cool. (“It’s what drove us across the ocean to this country in the first place: hope.”) Whether they’re full of threat or flirtatious (as between Sienna Miller’s widow, Frances Kittredge, and Gephardt), conversations tend to be tedious exchanges of witty comebacks, with no one saying what they really mean until they’ve exhausted all possible innuendos and the scene just cries out for a resolution—an unintentional parody of the typically charming repartee of the best cowboys of the silver screen, from Wayne to Jimmy Stewart to Montgomery Clift. So far in the film series, only Luke Wilson and Michael Rooker come across as believable men of the time, the former thanks to his Southern drawl and natural ease, the latter because of his ability to find depth and emotion in the otherwise one-dimensional, obedient, and kind sergeant he must play.

    But what about Costner the actor? Naturally, he plays the strong, silent type—always his strongest suit—as Hayes Ellison, a straight shooter who accidentally gets involved in the revenge campaign that threatens Ellen because of her past rebellion. Although he only appears after about an hour of exposition, the humility of that delay vanishes almost instantaneously. As he gets off his horse, Marigold (the sex worker played by Lee) lays eyes on him and, for no apparent reason other than the fact that he’s the film’s protagonist, decides to try seducing him again and again—despite his repeated rejection and almost offensive disinterest—instead of trying her luck with any of the other men who just got into town. In one of the film’s most successful and enjoyable scenes, however, Ellison lets Marigold do all the talking, his silence pushing her to almost turn double entendres into just plain sex talk. Here, Lee is showing much more range and playfulness than she’s ever had the chance to as an actress, so it’s particularly disappointing that Costner later gives the two of them a completely lifeless and preposterous sex scene in which she tells him, word for word, “You just lay there,” and he does so, looking almost bored as this beautiful woman half his age does all the work.

    With its hubris, traditionalism, and sprawling, messy structure, Horizon feels like a relic of the 1990s, back when Costner was at his peak and he could indeed almost just lay there and be perceived as the masculine ideal. There is still a chance that Chapter 2 will reveal a deeper questioning of the American past and, by the same token, the more toxic aspects of masculinity tied to colonialism and violence. Still, considering how far and with how much conviction Costner has pushed it here, it seems unlikely that the cheesy style of this opus will be abandoned for something that’s more grounded and that spends less time glorifying both its star and conservative ideas of property, national identity, women, and progress. After all, the horizon always appears to stay at the same place.

    Manuela Lazic

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  • Austin Pets Alive! | APA! & the American Red Cross Partner to Help…

    Austin Pets Alive! | APA! & the American Red Cross Partner to Help…


    Austin Pets Alive! (APA!) and the American Red Cross of Central & South Texas Region have partnered to help pets and people affected by natural disasters, fires, flooding, and other disaster relief. The partnership will offer Positive Alternatives to Shelter Surrender (PASS) program assistance to help those in need when the Red Cross is called to a scene and ensure animals and their families do not fall through the cracks when disaster strikes.

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  • A New Wicker Park Sando Shop Sells Out of Food in Three Hours

    A New Wicker Park Sando Shop Sells Out of Food in Three Hours

    A new Wicker Park sandwich shop had such a big weekend that not only did it sell out of food on Saturday, but ownership has decided it will now close on Mondays to properly prepare for demand. Sando Street was packed on Saturday afternoon with diners wanting to try a menu of Korean beef, tonkatsu, and fruit sandwiches made with whipped ube cream and strawberries.

    The restaurant opened on Friday, February 16 near the southeast corner of Ashland and North avenues, taking over the original home of Vietnamese American restaurant Phodega, 1547 N. Ashland Avenue (Phodega moved to a larger location at 1924 W. Division Street). Meanwhile, on Saturday night, Sando Street made an Instagram post saying they had sold out of food. On Sunday, they announced that they needed an extra day to prepare for customers and would no longer be open on Mondays. Co-owner Rich Letheby tells Eater they sold about 200 sandwiches in three hours on Saturday. Waits were 40 minutes to an hour, prompted after uninvited Instagram influencers began posting about the restaurant on opening weekend. With respect to Tom Skilling, Sando Street was the one making sandwich waves this last week in Chicago: “After day three, we went viral,” Letheby says.

    Tonkatsu (Panko-crusted pork tenderloin, sliced cabbage, katsu sauce, mild chili aioli).

    A sliced milkbread sando with green whipped cream and strawberries.

    Matcha (whipped matcha cream with strawberries).

    An egg salad on milk bread.

    OG Tomago (Kewpie egg salad, soft-boiled egg, furikake)

    Sando Street is co-owned by cousins Letheby and Chris Yoo. Combined, the two have more than three decades of restaurant experience. Letheby’s career began at 17 when he worked at Asahi Sushi in suburban Palatine, a restaurant that was owned by Yoo’s father. Letheby says he’s worked at nearly every restaurant job, from dishwashing to management. He’s a former sushi chef at Sunda, Billy Dec’s pan-Asian restaurant in River North (coincidentally, Dec is opening a second location this week in Fulton Market). Letheby is also a former assistant manager at Roka Akor.

    Letheby wanted to either be a director of a restaurant group or an owner by age 40. At 39, he felt he wasn’t close to reaching that goal and, alongside Yoo, the two felt stuck with their career trajectory. For the past 20 or so years, Letheby, whose family is Korean and Japanese, wanted to open an Asian sandwich shop, “where East meets West,” one that tapped into Asian American nostalgia. He had an idea for a tonkatsu sandwich on a brioche bun. Meanwhile, Yoo felt there was a lot of potential with sandos — Japanese-style sandwiches on milk bread. The two combined their ideas into what would become Sando Street. The two both take turns on the line and put together sandwiches that use special touches like kimchi aioli (made with a mix of Japanese Kewpie mayo and traditional American) or Buffalo hot sauce infused with shishito peppers. Beyond the sandwiches, there’s also rice bowls and crispy popcorn chicken. Letheby says he doesn’t anticipate the menu to change too much. At least not until they make more hires.

    A milkbread sando with fried chicken and pickled cucumbers.

    KFC (double-fried chicken thigh, gochujang sauce, pickled cucumbers with a choice of chili aioli slaw or pickled slaw).

    A beef sandwich on milkbread.

    Bulgogi (Korean-marinated thin-sliced beef ribeye, mozzarella, caramelized onions, sliced cabbage, kimchi aioli)

    The key to all sandwiches is the bread, and in this case, it’s the shokupan. Letheby and Yoo had a few tastings before picking a small operation, Crescent Bakery, out of suburban Arlington Heights, home to a sizable Japanese community. Letheby’s attitude is “if you have had something somewhere else, we’re trying to elevate it.” He calls their spam musubi as innovative. Traditional versions serve it with sushi rice. Instead Sando Street’s uses crispy rice noodles and a rice paper chip to provide a unique texture and flavor.

    Chicago has developed a reputation for sandwiches. No, it’s not time to stir a debate on what category a hot dog fits into, it’s about celebrating the tremendous variety the city offers its patrons. Folks know about the lore behind Italian beef, and lately, the traditional Italian sub, full of spicy meats, has been getting some love. Of course, being in the Midwest, Chicago showcases many of the region’s ethos while packing ingredients between two breads.

    But there’s more to the region as a new wave of sandwich makers using ingredients that traditionally don’t rest between buns. The previous tenant, Phodega, served a French dip sandwich in the style of a Vietnamese banh mi. Kasama puts a Filipino spin on Italian beef with shaved pork braised in adobo jus. Hermosa, which is one of two Cambodian restaurants in town, got its start with a lunch menu of sandwiches, like Thai moo ping and others, that blended a variety of influences. Chef and owner Ethan Lim has been focusing on family-style dinner service in recent years, but he’s hinted that he was to bring back the sandwiches. Before the pandemic, Kelly Ijichi had a stall inside Politan Row, the now-shuttered West Loop food hall. Mom’s also popped up at Marz Community Brewing with katsu sandwiches and more Japanese American comfort food. Fried foods seem like a popular vehicle as chef Margaret Pak has offered diners an Indian fried chicken sandwich at Thattu, her Keralan restaurant in Avondale. Zubair Mohajir serves a burger at Wazwan and Lilac Tiger in Wicker Park that’s both halal and has the texture and flavor of a South Asian cutlet.

    A milkbread sandwich with pickled veggies and fried eggplant.

    Crispy eggplant (panko-crusted Japanese eggplant, gochujang sauce, sliced cabbage, pickled slaw, pickled carrots).

    A sliced sando with spam and egg.

    Musubi (Spam, tamago omelet, crispy rice noodle, rice paper chip, seasoned nori, furikake, teriyaki glaze.)

    Earlier in February, Henry Cai and the recently rebranded 3LP (Cai says there are too many “3 Little Pigs” around the country) have focused on crispy fried chicken sandwiches that are marinated in Chinese spices, breaded, and then often drenched in a sauce. Authorities like Jeff Mauro, Food Network’s “Sandwich King,” have hailed the sandwich for bridging American and Chinese tastes. Now Cai, almost simultaneously with Charles Wong of Umamicue in Logan Square, has dropped two different tributes to Italian beef, using Chinese hot pot for inspiration.

    Sando Street is now part of this new sandwich flavor parade. Though they were slammed on opening weekend, Yoo and Letheby’s experience kept things calm. They had signage explaining the longer waits, and they were upfront with customers. Openings are hectic and exhausting, but they didn’t pass that feeling along to their guests. “That’s from experience,” Letheby says.

    “We’re definitely proud of what’s come of the first week,” he says. “We’re looking for even more of that in the future.”

    Sando Street, 1547 N. Ashland Avenue, open 11 a.m. to 4 p.m. Tuesday through Saturday.

    Ashok Selvam

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  • Bud Light Hasn’t ‘Done A Good Job’ In Attempted Comeback, Ex-Anheuser-Busch Exec Says

    Bud Light Hasn’t ‘Done A Good Job’ In Attempted Comeback, Ex-Anheuser-Busch Exec Says

    Opinion

    Source YouTube: CBS News, India Today

    Bud Light has lost hundreds of millions of dollars since it teamed up with the transgender influencer Dylan Mulvaney for a partnership in April of last year. Though Bud Light has been frantically trying to save the brand over the past few months, a former executive with Anheuser-Busch is speaking out to say that they have not “done a good job.”

    Bud Light Hasn’t ‘Done A Good Job’

    Anson Frericks, a former president of operations for Bud Light’s parent company Anheuser-Busch, told Fox Business that the brand is having difficulty winning back consumers because Anheuser-Busch has not asked the customers “to come back to them.” 

    “They haven’t done a good job of climbing out of this ditch at all,” Frericks said. “You still have sales that are down 30% week over week, and that’s despite them last summer spending three times their planned marketing budget on Bud Light.”

    Watch him talk more about this in the video below.

    Mulvaney Partnership ‘Was A Mistake’

    Last summer, Frericks admitted that Bud Light made a “mistake” in teaming up with Mulvaney.

    “[Bud Light] was the largest brand in the U.S. because it was remarkably apolitical,” he stated. “It was always about sports, it was always about music, it was about bringing people together. That’s why it was a mistake that they did this campaign in the first place because they were unable to come out.”

    “This campaign was a mistake,” Frericks continued. “Anheuser-Busch will not be doing campaigns like this moving forward. We’ll get back to the things that bring everybody together. Hopefully that can protect the jobs at Anheuser-Busch, jobs at wholesalers and get this company back growing in the right direction.”

    Frericks concluded by calling on Anheuser-Busch executives to “harken back to what Bud Light always was, which is a great beer that was great to drink at football games and didn’t necessarily become part of the debate.”

    Related: Ex-Anheuser-Busch Exec Finally Admits Bud Light’s Dylan Mulvaney Partnership ‘Was A Mistake’

    Trump And Kid Rock Forgive Bud Light

    Bud Light has managed to win some people back, however. Earlier this month, the former President Donald Trump called on his supporters to give Bud Light another chance.

    “The Bud Light ad was a mistake of epic proportions, and for that a very big price was paid, but Anheuser-Busch is not a Woke company,” Trump wrote in a Truth Social post.

    “Anheuser-Busch is a Great American Brand that perhaps deserves a Second Chance?” he continued. “What do you think? Perhaps, instead, we should be going after those companies that are looking to DESTROY AMERICA!”

    Related: Trump Joins Kid Rock, Says Conservatives Should Give Bud Light ‘A Second Chance’

    The singer Kid Rock, who famously shot up cases of Bud Light in reaction to the Mulvaney partnership, also wants the brand to be forgiven.

    “Do I wanna hold their head underwater and drown them because they made a mistake?” he said in December, according to The Tennessean. “No, I think they got the message.”

    Kid Rock went on to say that it is primarily the working class, the “people who don’t have a dog in the fight” who are ultimately harmed by things like the Bud Light boycott.

    “They screwed up, they made a mistake,” he said. I’m over it.”

    Do you agree with Frericks that Bud Light hasn’t done enough to win back consumers, or do you think it’s time to forgive and forget? Let us know in the comments section.

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  • American Fiction, The Marvels, and every new movie to watch at home this weekend

    American Fiction, The Marvels, and every new movie to watch at home this weekend


    Greetings, Polygon readers! Each week, we round up the most notable new releases to streaming and VOD, highlighting the biggest and best new movies for you to watch at home.

    This week, American Fiction, the Oscar-nominated comedy drama starring Westworld’s Jeffrey Wright, is available to purchase on VOD. That’s not all, as Jeymes Samuel’s The Book of Clarence starring LaKeith Stanfield and the ecological drama The End We Start From starring Jodie Comer (The Last Duel) also arrive on VOD this week, along with a few other exciting releases. There’s plenty of streaming premieres as well, with Nia DaCosta’s The Marvels finally arriving on Disney Plus following its VOD release last month. Down Low, a new comedy starring Zachary Quinto and Lukas Gage, is now streaming on Netflix, while the supernatural “Dracula on a boat” horror thriller The Last Voyage of the Demeter finally docks on Paramount Plus.


    New on Netflix

    Down Low

    Where to watch: Available to stream on Netflix

    Image: FilmNation Entertainment

    Genre: Comedy
    Run time: 1h 30m
    Director: Rightor Doyle
    Cast: Zachary Quinto, Lukas Gage, Judith Light

    In this dark comedy, Zachary Quinto (Star Trek) stars as Gary, a recently divorced and deeply closeted father who forms an unlikely friendship with young masseur (Lukas Gage). Determined to help him come out of his shell and embrace his sexuality openly, the masseur sets Gary up with a date on a hookup app, but things quickly take a turn when the two must work together to avoid going to jail for murder.

    New on Disney Plus

    The Marvels

    Where to watch: Available to stream on Disney Plus

    Iman Vellani as Ms. Marvel/Kamala Khan, Brie Larson as Captain Marvel/Carol Danvers, and Teyonah Parris as Captain Monica Rambeau stand together in costume, all looking up, in the Marvel Cinematic Universe movie The Marvels

    Photo: Laura Radford/Marvel Studios

    Genre: Superhero action
    Run time: 1h 45m
    Director: Nia DaCosta
    Cast: Brie Larson, Teyonah Parris, Iman Vellani

    The 33rd film in the Marvel Cinematic Universe sees the return of Carol Danvers (Brie Larson), also known as Captain Marvel. This time around, she’s teaming up with the superpowered Kamala Khan (Iman Vellani) and Monica Rambeau (Teyonah Parris) to save the universe from the threat of a vengeful Kree leader bent on restoring her home world.

    From our review:

    In its best moments, The Marvels just throws wonderful ideas at the screen. There’s a planet of people who only sing, a space station full of cats that blithely devour furniture and humans alike, an animated depiction of Kamala’s internal monologue — the movie can feel like a mood board assembled by an overcaffeinated Star Trek fan, with a sense of imagination suitable for reminding the audience that comic books can be cool in the moment that you’re reading them, as opposed to for what they promise in the future.

    New on Hulu

    Cat Person

    Where to watch: Available to stream on Hulu

    Cat Person actors Nicholas Braun and Emilia Jones gazing into each others eyes under the yellow glow of a streetlight

    Image: Sundance Institute

    Genre: Psychological thriller
    Run time: 1h 58m
    Director: Susanna Fogel
    Cast: Emilia Jones, Nicholas Braun, Geraldine Viswanathan

    Based on Kristen Roupenian’s viral 2017 short story for The New Yorker, Cat Person follows the story of Margot, a college sophomore who enters into a brief relationship with an older man named Robert (Nicholas Braun). Things seem okay at first, until Margot begins to question whether or not Robert is telling the whole truth about his life.

    From our review,

    Cat Person gets it wrong so consistently, makes its points so inelegantly, and pads out the short story in such an ill-conceived way that it ends up invalidating the same concerns on which it’s built. When a cop tells the protagonist that she should stop watching murder shows, it’s not institutional indifference toward violence against women. It’s a voice of reason, as the protagonist’s own actions later prove. This is a film that includes both a therapist who appears to state the subtext as text, then vanishes, and a one-dimensional best friend of color who exists solely to drop feminist buzzwords from five years ago (Geraldine Viswanathan, who deserves better). It’s confident in its cluelessness, and not in a way that underlines that same quality in its 20-year-old heroine.

    Suncoast

    Where to watch: Available to stream on Hulu

    Genre: Coming-of-age drama
    Run time: 1h 49m
    Director: Laura Chinn
    Cast: Laura Linney, Nico Parker, Woody Harrelson

    This semi-autobiographical drama follows Doris (Nico Parker), a self-conscious teenager who strikes up an unlikely friendship with an older activist (Woody Harrelson) while caring for her dying brother and navigating the pitfalls of high school.

    New on Prime Video

    Upgraded

    Where to watch: Available to stream on Prime Video

    Genre: Romantic comedy
    Run time: 1h 44m
    Director: Carlson Young
    Cast: Camila Mendes, Archie Renaux, Lena Olin

    I know what you’re thinking and no, this is not the sequel to Leigh Whannell’s cyberpunk action thriller starring Logan Marshall-Green. This is a romantic comedy starring Camila Mendes (Riverdale) and Archie Renaux (Shadow and Bone) as Ana and Will; two strangers who meet during a first class flight to London who strike up a romance after Will mistakes Ana for his new boss. I think these wacky kids are gonna make it!

    New on Paramount Plus

    The Last Voyage of the Demeter

    Where to watch: Available to stream on Paramount Plus w/ Showtime

    Dracula, looking like a hairless humanoid bat, stands atop a ship’s crows nest in a dark rainstorm, hoisting a poor man up above him.

    Image: Universal Pictures

    Genre: Period horror
    Run time: 1h 58m
    Director: André Øvredal
    Cast: Corey Hawkins, Aisling Franciosi, David Dastmalchian

    Dracula’s on a boat, and guess what? He’s PISSED. This supernatural horror thriller adapts a chapter from Bram Stoker’s 1897 novel and centers on the unfortunate crew of a transatlantic merchant ship who discover an unearthly threat among their cargo. As time dwindles away, and with it their chances of survival, the crew must make a last-ditch effort to kill the creature before they reach England.

    From our review,

    The Last Voyage of the Demeter makes very little of most of its potential assets. It’s a film with no vision, a puzzling adaptation that’s so straightforward, viewers might believe every beat comes from Stoker’s novel and not a screenplay imagining what happened between the pages. Maybe the two decades the film spent in development, being rewritten and recast, are to blame; every colorful choice seems to have been wrung out of the script. At every moment, there’s potential for Demeter to become something distinct and interesting, but the screenplay and Øvredal’s direction choose otherwise, embracing straightforward competence over any style or flair. It’s dry historical fiction, Horatio Hornblower’s Dracula.

    New to rent

    American Fiction

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    Jeffrey Wright in a blue shirt sits in his library giggling in the movie American Fiction

    Image: MGM/Amazon Studios

    Genre: Comedy-drama
    Run time: 1h 57m
    Director: Cord Jefferson
    Cast: Jeffrey Wright, Tracee Ellis Ross, Sterling K. Brown

    The Oscar-nominated debut from Cord Jefferson stars Jeffrey Wright (The Batman) as Thelonious “Monk” Ellison, a frustrated novelist living in Los Angeles who writes a scathing satire of stereotypical “Black” books, only for it to be sky-rocketed to the prestigious heights of literary acclaim. Feels like a shoe-in for fans of such movies as Putney Swope and Bamboozled.

    The Book of Clarence

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    Image: Legendary Entertainment/Moris Puccio

    Genre: Historical comedy
    Run time: 2h 9m
    Director: Jeymes Samuel
    Cast: LaKeith Stanfield, Omar Sy, RJ Cyler, Anna Diop

    Jeymes Samuel (The Harder They Fall) returns with a new film, this time a biblical comedy drama starring LaKeith Stanfield. The Book of Clarence follows the story of a down-on-his-luck man living in A.D. 33 Jerusalem who aspires to free himself from debt. His plan? Take a page out of the book of a local preacher claiming to be the son of God and proclaim himself as the Messiah, performing “miracles” in a bid for fame and glory. When Clarence’s schemes run afoul of the Romans, he’ll be faced with not only the consequences of his deception, but a choice that will shape his life and the course of history.

    The End We Start From

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    A woman holding a child in a bear-themed hoodie in her arms.

    Image: Sunny/March Hera Pictures

    Genre: Post-apocalyptic thriller
    Run time: 1h 42m
    Director: Mahalia Belo
    Cast: Ramanique Ahluwalia, Elena Bielova, Shiona Brown

    Jodie Comer (The Last Duel) stars in this new thriller as a woman attempting to protect her infant child after London is submerged by flood waters. With nowhere else to turn, she will have to embark on a search for a way to raise her child and build a new home.

    Cobweb

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    A man wearing glasses in a trench coat gestures with his hands and stands next to a young man holding a camera

    Image: Anthology Studios/Samuel Goldwyn Films

    Genre: Black comedy drama
    Run time: 2h 15m
    Director: Kim Jee-woon
    Cast: Song Kang-ho, Im Soo-jung, Oh Jung-se

    Song Kang-ho (Parasite) stars in this period black comedy as Kim Ki-yeol, an obsessive director in the 1970s on the verge of completing his latest film, Cobweb. There’s just one problem: Kim’s suddenly has a change of heart and wants to completely reshoot the ending of his film in two days. He’ll have to get his confused and uncooperative cast and crew to cooperate, as well as escape the ire of Seoul’s censorship authorities.

    I.S.S.

    Where to watch: Available to rent on Amazon, Apple, and Vudu

    A group of astronauts gaze at the earth from a cockpit in the international space station.

    Image: LD Entertainment

    Genre: Sci-fi thriller
    Run time: 1h 35m
    Director: Gabriela Cowperthwaite
    Cast: Ariana DeBose, Chris Messina, John Gallagher Jr.

    Imagine if you were an astronaut aboard the International Space Station during an apocalyptic event where the world is consumed in nuclear hellfire — what would you do? That’s what the characters in this bracing sci-fi thriller have to figure out, as a crew of American and Russian astronauts must decide whether to cooperate in the face of extinction or surrender to their nationalistic anxieties and resentment.



    Toussaint Egan

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  • Senator Chris Murphy Makes Bizarre Admission: Illegal Immigrants Are Who Democrats ‘Care About Most’

    Senator Chris Murphy Makes Bizarre Admission: Illegal Immigrants Are Who Democrats ‘Care About Most’


    Opinion

    Screenshot: RNC Research

    Senator Chris Murphy (D-CT) pulled the curtain back on his own party during a new interview in which he said “undocumented Americans” are the people Democrats “care about most.”

    Murphy apparently stumbled upon a new term for illegal immigrants when discussing the matter with MSNBC’s Chris Hayes. They are not undocumented, they are illegal, and they most certainly are not Americans by any definition.

    Hayes began the discussion by asking Murphy for his thoughts on the $118 billion Senate foreign aid bill that was rejected by Republicans.

    “This time around, the negotiation didn’t have a path to citizenship. It was entirely on their [Republicans’] terms in order to get Ukraine funding, right?” Hayes asked.

    Murphy called so-called negotiations on immigration and border security “a failed play.”

    “You are right that that has been the Democratic strategy for 30 years, maybe, and it has failed to deliver for the people we care about most, the undocumented Americans that are in this country,” he responded.

    RELATED: Biden Ripped: American President Wears ‘My Ukraine Tie And My Ukraine Pin’ While Begging For More Money For Ukraine

    Democrat Admits That llegal Aliens Are Who We Care About Most

    By “undocumented Americans,” Senator Murphy is referring to the millions of illegal immigrants that President Joe Biden has resettled in communities across the country.

    Democrats are telling you exactly where their priorities lie, and it’s not with the American people.

    Need more proof besides seeing videos of the invasion at the border on a nearly daily basis? The White House announced that ICE will reduce deportations and the capacity to detain illegals if the $118 billion foreign aid bill is not passed.

    They are literally threatening the lives and jobs of the American people, holding them hostage, if they don’t get their Ukraine funding. Their priorities lie with Ukraine and every illegal alien that pours across the southern border. America last.

    President Biden dismantled border security as soon as he took office. He and the Democrats have adamantly opposed virtually every enforcement mechanism already available, like detention and deportation.

    And Biden has all the authority he needs to reverse his executive actions, enforce existing U.S. law, and end the border crisis right now. He certainly doesn’t require a bill that provides a fraction of the funding for the border to fix the problem he started.

    RELATED: Failure Theater Continues: Republicans Vote Down Impeachment Of DHS Secretary Alejandro Mayorkas

    What The Hell Is An ‘Undocumented American’, Chris Murphy?

    So pleased was Senator Murphy with his newly made-up term that he repeated the clarion call to “rescue” the “undocumented Americans” later in his interview.

    “I am of the belief that this was a moment where you had to show some big bipartisan momentum and progress on the border, or you would never ever have the ability to try to rescue the undocumented Americans that desperately need help,” he told Hayes.

    Notice that there is no concern for the American people who desperately need help. No cries from Democrats that the American people are the ones they “care about most.”

    And there is certainly no bill being debated in the Senate or the House that would rescue documented Americans or legal immigrants.

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    Rusty Weiss

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  • ‘American Nightmare’ and Following the Gypsy Rose Blanchard Story

    ‘American Nightmare’ and Following the Gypsy Rose Blanchard Story


    In our inaugural true crime episode of Guilty Pleasures, Jodi and Chelsea talk through their feelings about the many twists and turns of the new three-part true crime Netflix docuseries, American Nightmare (1:00). Then they catch up on the viral news story of Gypsy Rose Blanchard, who has very recently been released from prison, and the many pieces of culture surrounding her wild story of Munchausen syndrome by proxy, including the brand new Lifetime series: The Prison Confessions of Gypsy Rose Blanchard (35:05).

    Hosts: Jodi Walker and Chelsea Stark-Jones
    Producer: Sasha Ashall

    Subscribe: Spotify / Apple Podcasts / Stitcher



    Jodi Walker

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  • Heartbreak in West Hollywood | An American Scandoval

    Heartbreak in West Hollywood | An American Scandoval

    Where were you when Scandoval dropped? To find out why one cheating scandal dominated the zeitgeist in 2023, we have to go back in time. Ten years ago, Scheana Shay walked out of The Real Housewives of Beverly Hills and into the first-ever episode of Vanderpump Rules, creating an unholy lineage of mistresses that spans all the way to the now infamous March 3, 2023, TMZ headline: “TOM SANDOVAL & ARIANA MADIX CALL IT QUITS … Allegations He Cheated With Costar Raquel Leviss.” Meet the Cool Girl Ariana Madix and the endearing but toxic Tom Sandoval—Vanderpump’s most reliable couple. Until they weren’t.

    Host: Jodi Walker
    Producers: Kaya McMullen, Andrew Gruttadaro, and Vikram Patel
    Sound Design: Kaya McMullen
    Mixing and Mastering: Scott Somerville

    Subscribe: Spotify

    Jodi Walker

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  • The Top 10 Movie Scenes of 2023 and ‘American Fiction’ With Cord Jefferson

    The Top 10 Movie Scenes of 2023 and ‘American Fiction’ With Cord Jefferson

    Sean and Amanda open the show by talking about their five favorite scenes of the 2023 movie year (1:00), before digging into one of the most exciting directorial debuts of the year: Cord Jefferson’s American Fiction (24:00). They talk about the state of family dramas and satires as genres and how American Fiction succeeds as a refreshing mix of the two. Then, Sean is joined by Jefferson to talk about the expected and unexpected challenges of directing a film when you have a background as a writer, the movie’s deep and wonderful cast, what kinds of things he’s gravitating toward working on next, and more (38:00).

    Hosts: Sean Fennessey and Amanda Dobbins
    Guest: Cord Jefferson
    Senior Producer: Bobby Wagner

    Subscribe: Spotify / Apple Podcasts / Stitcher / RSS

    Sean Fennessey

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  • The 6-Ingredient Breakfast Casserole I Make Every Christmas

    The 6-Ingredient Breakfast Casserole I Make Every Christmas

    Make ahead: The casserole can be assembled, covered with aluminum foil, and refrigerated for up to 24 hours before baking. Uncover before baking.

    The casserole can also be frozen fully baked. Let cool, cover first with aluminum foil and then plastic wrap, and freeze for up to 2 months. Thaw overnight in the refrigerator and let sit at room temperature while heating the oven to 325ºF. Remove the plastic wrap and bake covered with aluminum foil until heated through, 50 to 60 minutes.

    Storage: Leftovers can be refrigerated in an airtight container for up to 4 days. Reheat individual servings in the microwave until warmed through, 45 seconds to 1 minute.

    Christine Gallary

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