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Tag: alternative rock

  • Southern Culture on the Skids get greasy for Orlando at Will’s Pub

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    Southern Culture on the Skids Credit: Jim Leatherman

    If classic 1960s garage rock were to be pickled in unhinged Southern-fried blues, that would land in the wheelhouse (tractor-house?) of Southern Culture on the Skids.

    A mashup of Americana, gonzoid proto-punk and country rock, the band has churned out hits like “Camel Walk” and “Fried Chicken and Gasoline” from their 1995 album Dirt Track Date, as well as “Run Baby Run,” from their pandemic-era release, At Home With Southern Culture on the Skids.

    With more than 30 years of playing together, the band have performed seemingly everywhere for everyone: from normie late-night talk show audiences to North Carolina correctional facility inmates to, of course, gangs of clued-in freaks here in Orlando.

    Composed of bassist Mary Huffs, guitarist Rick Miller and drummer Dave Hartman, the North Carolina-based band is on an extensive touring road trip that will bring them back to Will’s Pub — much to the delight of our local freak contingent.

    7 p.m. Sunday, Jan. 18, Will’s Pub, 1042 N. Mills Ave., willspub.org, $30.


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    Azlyn Cato
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  • After Almost 40 Years, the Pixies Can Still Conjure Up Some Fairy Dust

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    Musician / producer / conceptualist Brian Eno once said, “The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band.”

    The Pixies have sold a few more albums than the Velvet Underground, but, in a similar fashion, the band’s influence is perhaps larger than its fame. The Pixies have been credited with giving rise to alternative rock and grunge in the early ‘90s, and Kurt Cobain famously tipped his hat by acknowledging that he was guilty of “ripping off” the band’s use of dramatic dynamics along with the soft verse / loud chorus formula.

    Many of the acts who were inspired by the Pixies have fallen by the wayside, but the genuine article is still active, with a new album, The Night the Zombies Came, released late last year and a current tour that will stop at the White Oak Music Hall on Saturday, September 6.

    click to enlarge

    The Pixies (l-r Joey Santiago, David Lovering, Black Francis and Emma Richardson) have been called “The Fathers of Alternative Rock.”

    Photo by Travis Shinn

    Guitarist Joey Santiago, an original Pixie along with vocalist / guitarist Black Francis (aka Charles Michael Kittridge Thompson IV) and drummer David Lovering, hasn’t had his morning coffee yet, but he is nevertheless enthusiastic about discussing the band that he cofounded in 1986. Like most trailblazers, the Pixies have never sounded quite like anyone else. There is certainly a punk rock vibe present, but surf music influences also show up, along with periodic hints of a pop-ish sensibility.

    Speaking via Zoom, Santiago reflects on The Night the Zombies Came and how it differs from previous Pixies efforts. “It is different,” Santiago allows. “To me, it seems moodier. It still has the DNA of the Pixies in there, which is very important, but we can’t help that.” So what exactly is in the Pixies’ DNA? “Charles’ voice, obviously. We can’t run away from that. Just speaking for myself, I try to retain the guitar style, sound, stuff like that.”

    Santiago and Black Francis met while attending the University of Massachusetts, Amherst. Many bands who formed during the members’ formative years and continue playing together into middle age find that the initial kinship can fade over time. Almost 40 years later, how has the relationship between the two musicians changed?

    “We’re still friends. We’re friends, colleagues. We switch hats. We still joke around.”

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    “We’re still friends,” Santiago says. “We’re friends, colleagues. We switch hats. We still joke around. You know, we live 3000 miles away. I live on the other side. I live on the west coast, he lives on the east coast. We’ve got family and all that stuff.

    “David and I have gotten closer over the past year. But when we go into the studio, it’s just the same. We have the work ahead of us, which is ‘How can we make these songs good?’ And that’s how it’s always been, ever since we started. I would like to have more of a rapport — like we have had — before recording another album. Just to see where we’re at. We are kind of like being a bit of strangers at the moment.”

    Santiago recalls, “When [Charles and I] were rooming together, in the summertime, hot summertime in Amherst, we did listen to a lot of surf music. We thought it was fun. We thought the titles were even funnier. Do they really think of the title and write about it, or do they write it and go, ‘OK, this sounds like blah blah blah.’ You don’t know which came first. We listened to that, Iggy Pop, Stooges, Bowie. I remember we went to see the Fleshtones. We loved that band.”
    Like many alt-rockers, Santiago is a self-taught guitarist. Pros and cons? “The pro is definitely having the discovery of this instrument every time you pick it up. In creating things, you’re looking for a feeling rather than a scale. That discovery is good, just going by feel and emotion,” Santiago says.

    “Even though, at times, I would [use a scale] and think, ‘God, that feels so good!’ There’s this one song on the [latest] album called “Chicken,” and I like the solo a lot. And I’m looking at it and go, ‘Fuck! I’m on the pentatonic scale, goddammit!’ Because I try not to do that.  But it just sounds so good.”  (N.B. The pentatonic scales — both major and minor — are, by far, the most frequently used in rock music.)

    After working for decades as a professional musician, does Santiago still enjoy playing the guitar and making loud noises? “I do. I was actually enjoying it very much yesterday. I really just ham it up. I’ll go on YouTube and search ‘backing track for smooth jazz.’ And then I chum around the house, trying to make my wife sick with goofy, goopy, drippy stuff. And I’m surprised I can actually do that shit. I don’t want to do it, but the exercise there was ‘OK, I’m capable of this, but fuck this shit!’”

    The Pixies will perform at 5 p.m. on Saturday, September 6, at the White Oak Music Hall, 2915 N. Main. Spoon and Fazerdaze will open. For more information, call 713-237-0370 or visit whiteoakmusichall.com. $78 and up.

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    Tom Richards

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  • Grayscale Is Not Afraid To Give Us A Good Show

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    ‘Third time’s the charm’ or whatever they say… Only this time we’re talking about seeing Grayscale for the third time this year. We saw them in Arizona at 8123 Fest, then again while on tour earlier this Spring. Now they’re back in Anaheim, and we were not prepared for the show they were about to perform.

    When it comes to seeing Grayscale on tour, it’s truly never certain what songs they’re going to sing. It could be a setlist comprised of all their hit singles that make us fall in love with their music over and over again, or it can be the hard-hitting, very-rarely-performed-live songs that remind us how lucky we are to exist at the same time as them. On this very tour, we were beyond lucky to get both. You heard that right.

    The Philadelphian, alt-rock band opened with one of our favorite songs, ‘Kept Me Alive,’ and kept the vibes up and strong following with ‘Through the Landslide’. Both of these songs fresh off the press with the release of their 5th studio album, The Hart. When you have a band like Grayscale who has been in the scene for a long while, they know what the fans want to hear and how to make every show feel special and unique.

    This particular night, they surprised us with not one, but two of their more hard-hitting tracks from their newest album: Talking In My Sleep and Mum ii. Back to back, mind you. (As if the Anaheim heat wasn’t enough to melt our makeup off, these two songs were.)

    But it’s okay, because just as we were wiping our tears and mascara-stained faces clean, Grayscale picked the vibes back up with ‘Dance With Your Ghost.’ Collin Walsh asked us if we had come out to dance on this Saturday night, and we said yes.

    If you didn’t think Grayscale could get any better, their second to last song on the setlist was none other than their cover of Van Halen’s ‘Panama.’ We’d heard this one before when we saw them on tour with Boys Like Girls, but there’s nothing like hearing it live again. (We don’t know how the logistics of this work, but can you guys pretty please put this on streaming somehow? Thanks. Sincerely, us.)

    And of course, not to be forgotten, and not to be ignored, the band closed the night out with ‘Not Afraid to Die,’ the leading single to their recent album.

    At this point, seeing Grayscale live feels less like just going to a concert and more like showing up for a full-on emotional rollercoaster in the best way possible. Whether it’s your first show or your thirtieth (hi, it’s us), they always find a way to make it feel brand new. From surprise deep cuts to crowd-favorite bangers, they really gave us everything in Anaheim.

    Check out the full gallery below!

    If you didn’t get a chance to see them yet, or in the US, Grayscale will be out on tour in the UK & Europe this fall on their “Live In Colour” tour! You can check out dates and purchase tickets here.

    Did you catch them on this tour? Let us know in the comments, on FacebookInstagram, or by tweeting us @thehoneypop!

    TO LEARN MORE ABOUT GRAYSCALE:
    FACEBOOK | INSTAGRAM | TWITTER | WEBSITE | YOUTUBE

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    Jay Flores

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  • Weezer, Flaming Lips, Dinosaur Jr. Blasted Houston Back To The ’90s Last Night

    Weezer, Flaming Lips, Dinosaur Jr. Blasted Houston Back To The ’90s Last Night

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    Weezer
    The Flaming Lips
    Dinosaur Jr.
    Toyota Center
    September 28, 2024

    Before Weezer came out onstage Saturday night they were already getting the crowd at the Toyota Center excited by playing a few loud guitar licks behind the curtains. Or was that one of their guitar techs?

    Regardless of who that was, the fans really got loud when a short video intro was played of a faux TV news journalist interviewing the band as astronauts about to go on a space mission; a “Journey to the Blue Planet” to be exact.

    After the interview, a five minute countdown clock began ticking for the blast off of a spaceship prop onstage. When the countdown ended the spaceship lifted off revealing the band underneath as sparks of fire trailed down toward the stage.

    Weezer came out in matching astronaut outfits and launched into the song “Anonymous” from their 2014 album Everything Will Be Alright in the End. Behind the band on a giant LED screen a video showing the view outside of the spaceship began, it was a view of what it would be like to look out the window of the spaceship as it was leaving earth’s atmosphere and on up into space.

    Rivers Cuomo gives good guitar face.

    Photo by Jennifer Lake

    The crowd, not unexpectedly, really got loud and sang along with Weezer’s popular songs “Hash Pipe,” “Island in the Sun” and “Beverly Hills.” They changed some of the lyrics on to name drop Houston and some of the sights and places in town.

    Singer/songwriter/guitarist Rivers Cuomo led his band through the “Pinkerton Asteroid Belt,” performing four songs from the band’s 1996 sophomore album Pinkerton, which was critically panned upon its initial release but in recent years has been reassessed and has achieved new acclaim.

    After that came the part of the concert everyone was most anticipating; Weezer performed their debut and best album, 1994’s Weezer (Blue Album) in its entirety.

    Cuomo wore a yellow shirt similar to Captain Kirk’s from the original Star Trek TV show, with the Starfleet Federation insignia replaced with a Weezer logo; Cuomo announced to the crowd that the Earth had turned gray so they had to play the entire Blue Album to bring the planet back to life.

    The crowd erupted at this announcement as Weezer played the opening song from the album, My Name Is Jonas, and blue confetti dropped onto the crowd in front of the stage. As it was, the vast majority of people stood during the entire Weezer concert.

    The people in attendance loved singing along loudly to the whole Blue Album part of the show, especially during Weezer’s biggest hit song ever, “Buddy Holly.”

    After the last song of the night, “Only in Dreams” was played, Cuomo told the crowd, “I can’t believe it’s been 30 years, thanks for sticking with us.”

    Then a nice purple strobe light started throbbing and more blue confetti filled the arena as Cuomo held his guitar up over his head from the bottom with one hand, then put it down and gave the crowd the band’s famous W hand gesture before raising and shaking both of his fists up in the air in a moment of triumph; Weezer the band then gathered together and took a bow for the audience.

    Wayne Coyne of The Flaming Lips has amazing stage presence and hair.

    Photo by Jennifer Lake

    Wayne Coyne, lead singer and primary songwriter of the opening act Flaming Lips came out and started shining a light on people in the audience while screaming like professional wrestler Ric Flair before the band even started playing.

    The band played a very laidback opening song, while bright red and pink lights onstage flashed along with beautiful green lasers; it was a Pink Floyd meets Neil Young kind of vibe.

    Coyne wore a great looking black suit and along with his thick mop of graying hair he kind of looked like Beatlejuice under the lights for a bit, he also acted at times as both a cheerleader and televangelist.

    He instructed the crowd on when and how loud to cheer and gave a history lesson about every single venue in Houston Flaming Lips ever played,

    The band had many stage props to go along with their music, like giant inflatable pink robots during “Yoshimi Battles the Pink Robots, Pt. 1.”

    They also had huge balloon letters that spelled out, “Fuck Yeah Houston” on them that Coyne threw into the crowd which they played with like beach balls, bouncing them around during the remainder of the band’s set.

    When Flaming Lips played their breakthrough semi-hit song “She Don’t Use Jelly,” Coyne wore a green robe with Wonder Woman’s body on it.

    Dinosaur Jr. bassist Lou Barlow is yet another guy with great hair and great talent.

    Photo by Jennifer Lake

    The other opening act, Dinosaur Jr., may have been the heaviest and hardest rocking band of the night, emerging onstage with ripping, squealing guitar work vibrating through the crowd as many people were still finding their way to their seats carrying their food and beverage purchases.

    The proto-grunge band played their biggest hit single, “Feel the Pain,” from 1994’s Without a Sound album, which got a fair amount of radio airplay back then as well as MTV exposure.

    Drummer Emmett Jefferson Murphy III, professionally credited as both Patrick Murphy and Murph, was  very hard hitting along with J Mascis on vocals and guitar and Lou Barlow on bass..

    Sounding better and heavier live than on their records, Dinosaur Jr. performed an impressive cover of The Cure’s “Just like Heaven.” 

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    David Rozycki

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  • Deer Tick to perform in Albany’s Lark Hall

    Deer Tick to perform in Albany’s Lark Hall

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    ALBANY, N.Y. (NEWS10) — The alternative rock band Deer Tick is coming to Albany. They will play at Lark Hall on Sunday, September 15 at 8 p.m.

    The American band is known for songs like “Baltimore Blues No. 1,” “Twenty Miles,” and “Ashamed.” They average 290,200 monthly listeners on Spotify.

    Tickets go on sale this Friday at 10 a.m. Those interested can purchase tickets on Eventbrite.

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    Abbi Stanley

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  • Gorillaz and Superplastic Partner to Release Limited Edition Vinyl Toy of 2D

    Gorillaz and Superplastic Partner to Release Limited Edition Vinyl Toy of 2D

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    ​​​​​Premier designer toy and synthetic celebrity brand Superplastic has joined forces with the World’s Most Successful Virtual Act* – British band Gorillaz – to create a new ultra-limited collector’s edition toy – available today on superplastic.co and gorillaz.com/store.

    The collaboration sees Gorillaz lead singer 2D immortalized in vinyl and is the first Gorillaz toy of its kind in over ten years since Gorillaz co-creator Jamie Hewlett first worked with Superplastic founder Budnitz on the iconic vinyl Gorillaz toys back in 2005. The oversized 12-inch collector’s edition toy features glowing LED eyes; a mic stand and Hewlett’s iconic art realized with Budnitz’s famous eye for quality. 

    Superplastic founder Paul Budnitz said, “Gorillaz is a massive inspiration, and I’m incredibly thrilled to be working with Jamie on toys again.”

    2D said “I was out window shopping for the holiday season or something like that, and in one window I saw my reflection. But I looked so much smaller. And it looked like I was singing.”

    Budnitz, who created the original Gorillaz toys in collaboration with Hewlett almost ten years ago, is often credited with popularizing the art toy movement around the world and is also well known as co-creator of synthetic celebrities Janky & Guggimon.

    The limited edition 2D GORILLAZ X SUPERPLASTIC vinyl 2D toy retails for $80/£65 via superplastic.co and gorillaz.com/store

    About GORILLAZ

    Virtual group Gorillaz is singer 2D, bassist Murdoc Niccals, guitarist Noodle and drummer Russel Hobbs. Created by Damon Albarn and Jamie Hewlett, their acclaimed eponymous debut album was released in 2001. The BRIT and Grammy Award-winning band’s subsequent albums are Demon Days (2005), Plastic Beach (2010), The Fall (2011), Humanz (2017) and current album The Now Now (2018). A truly global phenomenon, Gorillaz have topped charts around the world and toured the globe from San Diego to Syria, picking up hundreds of millions of streams and record sales along the way. Gorillaz have achieved success in entirely ground-breaking ways, winning numerous awards including the coveted Jim Henson Creativity Honor.

    * The band are recognised by The Guinness Book Of World Records as the planet’s Most Successful Virtual Act.

    About Superplastic

    Superplastic is a character-based product and animated entertainment company famous for synthetic celebrities, Janky & Guggimon, as well as its sold-out line of limited-edition designer toys and apparel. The company was founded in 2018 by well-known artist & entrepreneur Paul Budnitz (Kidrobot, Ello, Budnitz Bicycles), and recently completed a $10 million series A in 2019. Legendary toy artist Huck Gee is head of creative. Superplastic is based in Burlington, Vermont with satellite offices in New York and San Francisco.

    https://www.superplastic.co
    Instagram: @superplastic
    Twitter: @superplastic

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