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Tag: AEW

  • Former WWE champion makes shocking return at AEW Full Gear 2025

    The surprising return of a former WWE titleholder closed out “AEW Full Gear 2025.” After Samoa Joe scored an upset win over “Hangman” Adam Page to win the AEW World Championship, Swerve Strickland returned after being on the shelf due to an injury. Strickland saved Page further punishment at the hands of The Opps and HOOK, who had turned heel to assist in Joe’s title win.

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    Strickland and Page once had a bitter rivalry on AEW TV. The two were finally able to make peace with their past actions, which led to Strickland helping Page defeat Jon Moxley to become the AEW World Champion at “All In: Texas.” He now appears to be joining Page in the fight against The Opps.

    More News: Former WWE Stars Win AEW Title at Full Gear 2025

    Swerve’s House

    Strickland has emerged as a top main event player and an ex-world champion under the AEW banner. Prior to his AEW run, Strickland was known as Isaiah “Swerve” Scott during his time with WWE. At one point, Strickland captured the NXT North American Championship. He was called up to the main roster as a member of the Hit Row faction before the company released him in 2021.

    The following year, AEW signed Strickland to a full-time deal. While many within the professional wrestling industry agreed that Strickland wasn’t used to his full potential in WWE, few expected the rise he’d have in AEW. As Strickland’s popularity grew, AEW made the decision to reward him with its top male prize. Strickland pinned Joe to become the AEW World Champion at “Dynasty 2024.”

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    For more on AEW content, head to Newsweek Sports.

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  • WWE legend makes stunning return at AEW WrestleDream 2025

    A wrestling icon under the WWE and WCW banners made a surprising return at “AEW WrestleDream 2025.” During the “I Quit” match between Jon Moxley and Darby Allin, Sting made an unexpected appearance. Sting saved Allin from being drowned by Moxley, and he took out members of the Death Riders with his baseball bat.

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    Allin paid homage to the wrestling legend and his former tag team partner by forcing Moxley to quit by applying the Scorpion Deathlock. The match ended the “WrestleDream 2025” pay-per-view.

    More News: Former WWE Star Turns Heel in AEW WrestleDream 2025 Shocker

    Sting’s In-Ring Retirement

    Sting had his final professional wrestling match in the main event of “AEW Revolution 2024.” He teamed with Allin to defeat The Young Bucks, successfully retaining the AEW World Tag Team Championship in the process.

    During the “All In London” PPV that same year, Sting made his first AEW appearance since the retirement. Much like he did at “WrestleDream,” Sting saved Allin from an attack. Jack Perry and The Young Bucks were attempting to set Allin on fire before “The Icon” arrived.

    Sting made his AEW debut during a special “Winter is Coming” episode of “Dynamite” in late 2020. Sting prevented the now defunct Team Taz from further attacking “The American Nightmare” Cody Rhodes. His AEW debut took place nearly five years after he was inducted into the WWE Hall of Fame.

    Many fans praised Sting for what he was able to pull off in the ring at his age during his AEW run. The wrestling great is now 66 years old, and his more recent appearances on AEW TV have been surprises. What’s next for “The Stinger” remains to be seen.

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    For more on AEW content, head to Newsweek Sports.

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  • How Did Britt Baker React to Adam Cole’s Remarks About Their Break-Up?

    How Did Britt Baker React to Adam Cole’s Remarks About Their Break-Up?

    AEW stars Britt Baker and Adam Cole, who have been dating for the past few years, recently decided to end their relationship. Cole has been sidelined with an ankle injury since last year. He made his comeback at AEW WrestleDream 2024 confronting MJF upon his return.

    After spending over a year out of action, Adam Cole finally made his return to professional wrestling. However, he recently announced a significant setback in his personal life. He and Britt Baker are no longer a couple, as he revealed in an interview with Sports Illustrated.

    Cole stated, “We are no longer a couple. But when I say that we both still love each other and are still friends and still so supportive of each other, that could not be more true. I think the world of Britt. I want her to be as happy and successful as humanly possible, and I know she feels the exact same way about me.”

    He continued, “I don’t want anyone to ever think that me and Britt dislike each other. I think it is possible, in situations, for people who are in relationships to kind of go their separate ways, but still care about one another. The last thing I would want is fans to pick sides or anything like that.”

    While Adam Cole provided a mature response about his break-up with Britt Baker. The former AEW World Champion seems to have reacted to her ex-boyfriend’s comments.

    Former AEW Women’s World Champion Britt Baker seems to have responded to Adam Cole’s public announcement of their breakup. Baker took to X (formerly known as Twitter) and responded to Cole’s statement with a heart emoji in response.

    Cole and Baker shared the ring in All Elite Wrestling last year during their feud with Chris Jericho and Saraya. Both stars have been top performers in Tony Khan’s promotion. Despite their split, they appear to have no ill feelings toward each other.

    Ojas Kulkarni

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  • Reports Suggest Potential Cancellation of AEW Show

    Reports Suggest Potential Cancellation of AEW Show

    AEW currently runs three major shows: Dynamite, Rampage, and Collision. Launched in 2019, Dynamite serves as the promotion’s flagship weekly show. Building on its success, AEW introduced Rampage in 2021, nearly two years after Dynamite’s debut. Rampage started strongly, highlighted by CM Punk’s return to professional wrestling and marking a significant moment in the promotion.

    In 2023, AEW expanded further with Collision, which debuted on June 17. This show marked CM Punk’s return following the controversial “Brawl Out” incident with The Elite. Thus, the addition of Dynamite, Rampage, and Collision has helped AEW establish itself as a major force in professional wrestling.

    Despite Rampage’s initial success, it has since diminished in importance, especially with the launch of Collision in 2023. Rampage has become the least significant of AEW’s weekly shows. Recent reports indicate that the show might face cancellation amid rumors of a new deal with FOX.

    AEW Rampage might be canceled in new TV deal

    WWE, AEW’s competitor, has partnered with FOX since 2019 to broadcast SmackDown. Recently, FOX concluded its relationship with the promotion, and SmackDown now airs on the USA Network. NXT is preparing to debut on The CW network starting in October, while RAW is gearing up for its highly anticipated Netflix debut in 2025. Until then, RAW and NXT will continue to air on the USA Network.

    With FOX ending its deal with WWE, the network is exploring the possibility of featuring more wrestling content. Reports suggest that FOX is currently in discussions with AEW. Earlier this month, AEW filed a trademark for “AEW Shockwave,” sparking excitement among fans about a potential new weekly show. Following the trademark reports, speculation began that Shockwave could land on FOX as part of a new deal.

    Amid these developments, wrestling journalist Dave Meltzer recently indicated that AEW Rampage might be discontinued. Instead, the promotion’s new third show, likely called Shockwave, could be pitched to FOX and potentially other networks.

    John Ourand at Puck also reported that the new TV rights deal with WBD is a four-year contract, with three years guaranteed and the fourth optional. The promotion will likely receive around $170 million per year. The programming will continue on TNT and TBS, with TruTV also hosting content as WBD shifts the network towards sports.

    Ourand also reported that the promotion is pitching a new package primarily to major broadcast channels, including ABC, CBS, NBC, FOX, Telemundo, Univision, CW, and ION. Although the rumored deal with FOX isn’t official yet, the potential cancellation of Rampage is disappointing news for fans of the show.

    Ojas Kulkarni

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  • AEW star Mercedes Moné, formerly WWE’s Sasha Banks, defends NJPW title at Capital Collision in DC – WTOP News

    AEW star Mercedes Moné, formerly WWE’s Sasha Banks, defends NJPW title at Capital Collision in DC – WTOP News

    She’s one of the biggest names in professional wrestling and arguably the G.O.A.T. in the women’s ranks. This Friday night, Mercedes Moné defends her NJPW Strong Women’s Championship at the third annual Capital Collision in D.C.

    WTOP’s Jason Fraley previews Mercedes Moné at ‘Capital Collision’ (Part 1)

    She’s one of the biggest stars in professional wrestling over the past 10 years, first making history as Sasha Banks in WWE and now holding the AEW TBS Championship.

    Mercedes Moné holds the NJPW Strong Women’s Championship and the AEW TBS Championship. (Courtesy NJPW and AEW)

    This Friday night, Mercedes Moné defends her NJPW Strong Women’s Championship at the third annual Capital Collision at the Entertainment & Sports Arena, home of the WNBA’s Washington Mystics in Congress Heights, Southeast D.C.

    “I am facing Momo Watanabe,” Moné told WTOP. “She is a New Japan superstar, but she stands no chance going up against the ‘C.E.O.’ of AEW and New Japan. I am really the greatest women’s wrestler of all time. I know Momo is known for her knee strikes, but I am also known for my knee strikes, so I feel like tonight is going to be a battle of the knees. I’m so excited to just knee her in the face and let the whole world know that I am the queen of Japan.”

    Born Mercedes Justine Kaestner-Varnado in Fairfield, California in 1992, she grew up a huge wrestling fan. She’s also the first cousin of hip-hop legend Snoop Dogg, which is fitting considering she raps her own entrance theme.

    “I didn’t know him until I was probably like 10 years old and my dad was like, ‘Your cousin is a really famous rapper now,’ and I’m like, ‘Oh, cool,’” Moné said. “When I was 16 he took me to ‘WrestleMania 24’ and that’s when we really started to become close. Our bond is the love of wrestling, he grew up such a wrestling fan and I grew up watching wrestling, so when we went to ‘WrestleMania’ together … I told him one day I wanted to be a wrestler.”

    In 2012, she signed with WWE for its developmental brand NXT, quickly winning its women’s title. Her 30-minute Iron Man match against Bayley at “NXT TakeOver: Respect” (2015) was the longest women’s match ever at the time and was “Match of the Year” by Pro Wrestling Illustrated, which also declared her “Woman of the Year.”

    “We did so good that they had to give us the main event,” Moné said. “I remember that match going over 30 minutes. Any time I’m in the ring with Bayley she is one of my favorite people to perform against. There’s always magic when we’re in the ring together, so that’s definitely one of my favorite highlights of my career. At that time women were not even given 10 minutes for a match, so to be given 30 minutes was so incredibly special.”

    In 2015, she was called up to the big leagues of the main WWE roster, and a year later, she became the youngest ever Raw Women’s Champion, a title she would eventually hold five times. Also in 2016, she and Charlotte Flair became the first women to headline an official WWE pay per view at “Hell in a Cell,” ultimately delivering the “Feud of the Year” by Pro Wrestling Illustrated, surpassing even John Cena vs. A.J. Styles on the men’s side.

    “It meant a lot because I started out with Charlotte in 2012 and I remember being in developmental with her,” Moné said. “With that last name of Flair, I was like, ‘Just because you’re a Flair, you’re not me.’ … Having that feud with Charlotte was such an amazing experience. I really feel like it helped put women’s wrestling on the map and she pushed me to new heights that I’ve never been before in the ring, so I had an incredible feud with her.”

    In 2019, she reunited with her former foe Bayley only this time teaming together to win the WWE Women’s Tag Team Championship at “Elimination Chamber.” In 2020, she became the youngest WWE SmackDown Women’s Champion, causing her to be named Sports Illustrated’s “Wrestler of the Year,” etching her forever in the history books next to Kenny Omega, Roman Reigns, Seth Rollins and Cody Rhodes as the very best of their craft.

    Still, her biggest achievement of all may have been at WWE “WrestleMania 37” (2021) when she and Bianca Belair became the first Black women to ever headline a “WrestleMania” main event. The two visibly fought back tears when the opening bell rang and the crowd stood on its feet for a chilling moment that actually won an ESPY.

    “It was so emotional,” Moné said. “That was one of my biggest dreams since I was 10 years old, but it was so big I didn’t think it was possible, then here I was at ‘WrestleMania 37’ in the middle of the ring looking at Bianca like, ‘Wow, we are doing this, this is so much bigger than us, bigger than wrestling.’ That moment was so special. The way she looked at me, I was like, ‘Girl, you better stop before I start bawling and we slip in the ring from our tears.’”

    Sadly, the name “Sasha Banks” disappeared when she infamously walked out of WWE in 2022 as she and Naomi forfeited their tag-team belts over a contract dispute. A year later, she changed her name to Mercedes Moné for NJPW/Stardom at “Wrestle Kingdom 17″ (2023) at the Tokyo Dome. She remains a NJPW titan by defeating Stephanie Vaquer at “Forbidden Door” (2024) to win the aforementioned Strong Women’s Championship.

    Meanwhile in AEW, Moné memorably made a cameo in the crowd of London’s Wembley Stadium at AEW “All In” (2023), teasing her free agent status. She made her official AEW in-ring debut in Las Vegas at “Double or Nothing” (2024) to win the AEW TBS Championship by defeating Nightingale, then successfully defended that title against Dr. Britt Baker at “All In” (2024) in front of 50,000 people at Wembley Stadium this past Sunday.

    “I’m still on a high from it,” Moné said. “Last year I was just a fan in attendance with a broken heel dreaming about which company I’m going to be in. Now this year performing at ‘All In’ at Wembley was such a dream come true, it was so amazing, the crowd was electric and I can’t wait to do it all again next year at ‘All In’ in Dallas, Texas. It’s been such an exciting time for professional wrestling because of AEW — and I enjoy being the face of TBS.”

    Indeed, you can watch her on TBS every Wednesday on “AEW Dynamite,” not to mention as Koska Reeves in the “Star Wars” series “The Mandalorian” on Disney+. As fun as it is watching from your couch, there’s nothing like watching wrestling in person, like “Capital Collision” this Friday at the Entertainment & Sports Arena in D.C.

    “Professional wrestling has been the best it’s ever been in the past 10 years, so I’m so happy to be part of it,” Moné said. “AEW is going global, so any woman who wants to come after my championships, I’m always ready.”

    WTOP’s Jason Fraley previews Mercedes Moné at ‘Capital Collision’ (Part 2)

    Listen to our full conversation on the podcast below:

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    Jason Fraley

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  • Oklahoma Chooses Bigotry Over Getting to See the Incredible Nyla Rose Wrestle | The Mary Sue

    Oklahoma Chooses Bigotry Over Getting to See the Incredible Nyla Rose Wrestle | The Mary Sue

    Nyla Rose is one of the best wrestlers at AEW, and when she beat Alejandra Lion at a match in Oklahoma late last year, those who love Rose’s heel energy were ecstatic. Oklahoma, however, decided to threaten AEW with an absolutely ridiculous rule about transgender athletes.

    In a January meeting for the Oklahoma Athletic Commission, they not only misgendered Nyla Rose but went on to insinuate that Rose wrestling against Lion was a violation of OSAC rules, according to meeting minutes released in April:

    The Administrator, Joe Miller, explained that AEW, A professional wrestling organization, had an event at the Paycom Center on December 20, 2023, where a transgender wrestler (born male) had a match with a female wrestler. OSAC had no idea as the wrestler had filled his wrestling license application out as a female. OSAC was alerted by a local wrestling organization that had previously done the same thing. That organization acknowledged they knew that was a violation of the OSAC rules and that they would refrain from doing it again in the future.

    The document went on to continue to talk about “male vs female wrestling” and the “issues” surrounding it:

    Joe Miller explained that he called AEW and explained that it was a violation of the OSAC rules. He then asked the Commission if there was any other action, they would like to take against AEW. Mike Bower stated that the OSAC boxing, kickboxing and mma applications all ask if someone has had gender reassignment but the wrestling application does not. He stated that it needs to be updated so this doesn’t happen in the future. Commission members asked questions and discussed the issues that come along with male vs female wrestling.

    Lots to unpack. To briefly put the transphobia and bigorty aside here, has anyone told Oklahoma that pro wrestling … isn’t real?

    Nyla Rose isn’t letting this stop her

    Rose saw the meeting notes in question and took to X to post a hilarious response about it. “WHO THE FUCK WAS IT?!! Don’t worry Oklahoma I’ll find the dastardly Transgender that *checks notes* entertained fans!!! HOW DARE THEY MAKE PEOPLE HAPPY?!!!” she wrote and … well, that’s a perfect response to Oklahoma’s transphobic response to her.

    The absurd fights from cisgender bigots about transgender athletes competing with cisgender athletes is exhausting and, in this case, hilariously misguided. Organizations like the WWE and AEW are putting on a show. It is the theatrics of the wrestling that make fans tune in and it is … not really a wrestling match where you are competing in, say, a high school competitive wrestling match.

    So for them to pull this on an AEW match? It’s actually baffling and hilarious, and personally, I hope that AEW goes back to Oklahoma and has Nyla Rose headlining and winning against whoever she fights. Just to spite them.

    (featured image: Noam Galai/Getty Images for WarnerMedia Company)


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    Rachel Leishman

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  • INTERVIEW: AEW’s Austin Gunn Is a “Son of A Gunn”

    INTERVIEW: AEW’s Austin Gunn Is a “Son of A Gunn”

    Hip-Hop and professional wrestling have many parallels.

    They are both filled with characters with larger-than-life personas that feed off the energy of their audiences and have critics who constantly question their authenticity. They also contain participants who tend to dabble in both.


    From John Cena releasing a rap album to Wale hosting his yearly Wrestlemania weekend bash, Walemania, rap and wrestling seem to be kindred spirits. And Austin Gunn hopes to be the embodiment of said spirits.

    Austin Gunn wrestles for All Elite Wrestling (AEW), one of the biggest wrestling promotions in the world and a direct competitor to the sports entertainment juggernaut World Wrestling Entertainment (WWE). He was trained by his father, WWE Hall of Famer and AEW talent coach Billy Gunn, with whom he frequently tags. Austin has been blessed with his father’s athletic talents and charisma, but his most surprising gift is his ability to rap.

    Back on December 16, Austin released a video to his freestyle “Son of a Gunn” on his Twitter account. Fans and colleagues were taken aback by his ability to flow. Austin’s delivery was one of a pro, not a novice. His “hidden talent” became one of the most talked-about topics in professional wrestling.

    We sat down with Austin to chat about his love for armbars and rap bars.

    PopDust’s Deascent: When did you get into Hip-Hop music?

    Austin Gunn: I didn’t fall in love with Hip-Hop until I started freestyling. I loved Drake growing up, and I would listen to almost everything. But in terms of actually appreciating Hip-Hop, it didn’t start until I wanted to hear my own voice over beats, and the vast artists there were to choose from [were] like J Cole, Eminem, PartyNextDoor, The Weeknd, Nas, Biggie, and Kanye West. It all depended on your mood and how you were feeling that day. Once I heard the different approaches they all had, but could sometimes tell the same message, that’s when I was hooked.

    When did you actually start to write and record music?

    I was at my friend’s house in high school hanging out. 50 Cent came on the radio, and [my friend] wanted to see if we could both have a rap battle. He ended up not being very good at staying in rhythm, but immediately I was off to the races.

    I went home that night and listened to 95.3 the whole ride home to see if I could freestyle on every single beat and challenge myself. It became a sense of therapy for me. I’m not good at talking about my feelings, so freestyling gave me an alternative to do in the car wherever I would go. I still do it to this day.

    Your dad doesn’t come across as a “rap guy.” How does he feel about you rapping?

    Funny enough, I’ve changed my dad’s perspective on a lot of music. His favorite artist is Post Malone. He knows every single word to every album he’s put out. I’ve also introduced him to Starboy by The Weeknd and he loves that album.

    Tory Lanez, Always Never, and some other melodic types of Hip-Hop are his go-to. When it came to my music, he’s always supported it. He knows what it means to me and has always been my hype man, whether it’s in the ring or behind a microphone.

    Most of the feedback online from your freestyle has been positive. What was your reaction when you saw that people thought it was good?

    I never really did it for people’s approval. It’s always been this secret talent I’ve had and something I hold close to my heart. Up until the point I actually released an official video, my friends always knew I loved to freestyle (at parties, by myself, etc.)

    Bless their souls, because I know I can get annoyed sometimes when all I wanna do is stay in the house and go through beats for hours on end. Thankfully my roommate (Saiflove) is an artist as well, so he’s the one I spend most of my time recording and creating with (we have a collab EP coming in February).

    The feedback was beyond overwhelming though. Most wrestling fans want to stir up a conversation; sometimes that can be very negative. I was surprised at how well [the video] was received across all platforms (Instagram, Twitter, etc.) when I released it. It’s great to see all the positive feedback and only makes me wanna keep going. I was prepared going into it, whether the feedback was negative or positive, that I would continue to push myself and put my “art” out there into the world. All that matters to me, is if it makes one person happy, then I’m happy.

    You seem just as committed to music as you are to wrestling. How do you find the balance between the two?

    As I said, it’s a sense of therapy for me. I make time for my music on the weekends, in my long car rides to Jacksonville, and whenever I have free time at home. My mind races 24 hours a day on what my next approach will be when it comes to music.

    Thankfully, I have my “notes” in my phone close to me at all times. So, no matter where I am, what I’m doing, or who I’m around, I can always put an idea in my notes and move on with my day and come back to it later. My notes are filled to the brim with lyrics, song ideas, intro ideas, etc.

    Would you ever incorporate rapping into your gimmick, or do you plan on keeping them separate?

    I’ve always wanted to keep them separate. I never pictured myself being the “rapping wrestler” because I take music very seriously and want to tell stories within my music and my projects. For example, my wrestling character is very different from what you see when it comes to my music. In the ring, I like to have fun and be goofy with my dad. Whereas in music, I like to set the tone and dial it down. I am a huge fan of OVO and the whole vision that they portray (dark/moody/bad a** feeling to it). I just…think it would clash if I was very goofy in my raps because they come from a very different part of my life, and I approach [them] very differently.

    Who are some of your musical influences when it comes to Hip-Hop?

    My music influences are Drake. Everyone told me growing up I sound like “old mixtape Drake.” I’ve always appreciated his style and the way he approaches everything in music. I’m a huge fan of other artists as well — Always Never, The Weeknd, Tory Lanez, PartyNextDoor, DVSN, Roy Woods. I’m a big fan of the way OVO and XO share their vision for music. Their style is right up my alley and something I wanna portray, but in my own way.

    What would be your dream collaboration?

    “Drake (feat. Austin Gunn) / The Weeknd (feat. Austin Gunn).” I think those have a nice ring to it and would be a dream to actually happen. I’m trying to speak (or type) it into existence right now.

    We’ve seen people like John Cena, R Truth, Lio Rush, and others who rap and wrestle. Who do you think is the best, and would you ever want to work with them?

    I’ve seen people in wrestling try to convert over to the music scene my entire life. The thing about music is that it’s subjective. There are a lot of people that enjoy certain types of music all over the world that I don’t particularly like, or I’m [not] a fan of… I just want to create my own vision, release my music, and if people like it, then that’s a win for me.

    Music is a way for people to express themselves. I would hate for an artist not to release music because they don’t think they’re the best. At the end of the day, there’s probably a fan you don’t know about that lives and breathes your music. So, if you’re reading this: KEEP GOING and do it FOR YOU.

    What wrestler do you think would be a great rapper and what rapper do you think would be a great wrestler?

    That’s a hard one. I think Travis Scott has so much energy that it would be extremely entertaining to see him in a ring. People would feed off his energy alone and get behind him. A wrestler that I think would be a great rapper is Austin Gunn (…I had to do it!).

    You can catch Austin on AEW Dark.

    AEW Dynamite airs every Wednesday at 8 PM on TNT.

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    Deascent

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  • WWE And AEW Stars Dominate 2022 Cameo Earnings With Over $1 Million

    WWE And AEW Stars Dominate 2022 Cameo Earnings With Over $1 Million

    WWE and AEW stars were in high demand on the popular Cameo app in 2022.

    Cameo allows fans to purchase customized video messages from celebrities, athletes and public figures with prices ranging from $4 to $840. Per an October 2022 study by Betting.com, pro wrestling is the top sport on Cameo according to earnings, with WWE Hall of Famer Mick Foley occupying the the top spot as Cameo’s highest-earning athlete overall.

    Foley, Bret Hart (No. 4), Matt Hardy (9) and Danhausen (10) all ranked inside the Top 10 for Cameo’s highest-earning athletes. All told, pro wrestling raked in $1.251,033 in estimated total earnings, outpacing NFL, baseball, body building and football.

    Mick Foley Tops Cameo’s List of Highest Earning Wresters

    Though he’s been largely retired since 2010—his last credited match was a cameo appearance at the 2012 Royal Rumble (no pun intended)—Mick Foley’s connection to wrestling’s intensely loyal fanbase remains strong.

    Foley has never been shy about sharing intimate details of his personal life with his fans, as was the case with the transcendent autobiography Have a Nice Day: A Tale of Blood and Sweatsocks. In 1999, the critically acclaimed bio reached No. 1 on the New York Times Best Seller List. Have a Nice Day was the catalyst for additional WWE Superstars to pen their own autobiographies during the Attitude Era. Unlike his successors, however, Have a Nice Day was written entirely by Foley himself. Foley went on to write three more books Foley is Good: And The Real World is Faker Than Wrestling, The Hardcore Diaries and Countdown to Lockdown: A Hardcore Journal.

    Foley has leveraged his lovable, approachable demeanor to strengthen his relationship with fans through additional revealing projects such as the 2017 reality show Holy Foley and WWE Network’s first stand-up comedy special 20 Years of Hell.

    The Hardcore Legend is the top star on Cameo, with almost $500,000 in total earnings according to the 2022 study. This is more than double the No. 2 wrestler Bret Hart who, similar to Foley, has remained transparent with his fanbase about every aspect of his legendary career. Prior to Foley, Hart penned his own autobiography Hitman: My Real Life in the Cartoon World of Wrestling alongside Marcy Engelstein.

    Matt Hardy, Danhausen and Diamond Dallas Page, who round out the Top 5, have all successfully transcended their wrestling careers through social media in different ways. Hardy, one of the pioneers of wrestlers using social media, continues to produce content through his MATTHARDYBRAND YouTube channel, including his current podcast “The Extreme Life of Matt Hardy.”

    Danhausen is a fixture at wrestling conventions, where he has built a cult following big enough to earn him a contract with AEW. Diamond Dallas Page has built a yoga empire with DDP Yoga, all while giving back to the community by working with troubled wrestlers through the Accountability Crib. Jake “The Snake” Roberts and the late Scott Hall were two of Page’s most prominent clients.

    Wrestling is the Highest-Earning Sport on Cameo

    In addition to wrestlers making up for almost half of the Top 10 highest-earning athletes on Cameo, pro wrestling is the most requested sport on the app in almost every metric. Wrestlers have garnered over 15,000 reviews while earning close to $1.3 million in total earnings. Wrestlers also make over $35,000 in average estimated earnings, more than NFL, baseball, body building and football (soccer).

    Pro wrestling is unique in that fans follow a wrestler’s character arc in real time through a live, yearslong journey. Those who make it as top stars, let alone prominent characters, are able to develop a stronger relationship with these passionate fans as they follow their favorite stars through their evolution. This connection lasts long after they retire, and as suggested by Cameo, it only grows stronger post-retirement among wrestling’s nostalgic fanbase.

    Alfred Konuwa, Contributor

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  • AEW, CM Punk Reportedly Discussing Contract Buyout

    AEW, CM Punk Reportedly Discussing Contract Buyout

    CM Punk, as expected, may be done with AEW for good.

    According to a report from the Wrestling Observer Newsletter’s Dave Meltzer (h/t WrestlingNews.co), Punk and AEW are discussing a contract buyout that would end Punk’s brief tenure with the company: “Those with close knowledge of the situation said they are in talks with Punk about a buy-out of the remaining years of his contract, which tells you that they are not looking to bring him back.”

    Punk, of course, hasn’t been seen in AEW since his infamous backstage brawl involving The Young Bucks at September’s All Out pay-per-view. AEW and its President Tony Khan have been tight-lipped regarding the incident because of the potential legal ramifications of revealing information about the investigation, which has sent shockwaves through all of pro wrestling.

    MORE FROM FORBESWWE Reportedly Revamping Pay-Per-View Schedule In 2023

    It’s long been reported that Punk isn’t expected back in AEW and is likely going to end his tenure with pro wrestling’s No. 2 promotion barely a year after making his triumphant return to the squared circle. Punk’s rant at the post-All Out media scrum was the driving force behind that premature AEW exit, and his short stint with the company shockingly came to a screeching halt on the very same night that he became the AEW World Heavyweight Champion.

    Aside from some indefinite suspensions, however, the only confirmed deperature since the AEW “Brawl Out” was that of Ace Steel, who has reportedly been let go by AEW. Steel, a long-time friend of Punk and backstage producer for AEW, is no longer with the company, but that shouldn’t come as much of a surprise after Steel given that his involvement in the Punk-Bucks melee came shortly after he was fined for swearing on TV.

    AEW getting rid of a seldom seen producer is one thing. But AEW moving on from a star the caliber of Punk, Omega, Nick or Matt Jackson? That’s a whole different ballgame.

    Ranking among AEW’s highest paid stars, Punk had been lauded by Khan as a significant TV ratings draw for AEW and one of its cornerstones, despite Punk’s lengthy absence from the ring and the fact that he wasn’t an AEW original. As fans have seen with Cody Rhodes, losing a top star can have a huge effect on a pro wrestling company’s backstage environment, and in the case of Rhodes, it sure feels like he was the glue that was holding AEW’s locker room together.

    On the other hand, Punk had been well known as a “divisive personality” in AEW and in pro wrestling in general, which is both part of the reason why he was able to reach the pinnacle of the business and a contributing factor to why he so unceremoniously left WWE in 2014 and then stayed out of pro wrestling for the next several years. It’s also why there’s a lot of “anti-Punk sentiment” in AEW right now. With a big personality and a main event-level push comes a lot of attention, pressure and envy, and Punk entered AEW in 2021 and was instantly pushed as one of the comnpany’s biggest stars.

    His brief AEW stint, though enjoyable and certainly memorable, will down as one of the most significant events in AEW’s four-year history. That’s because Punk’s expected AEW deperature represents a major turning point for AEW after Punk became a polarizing and divisive locker room figure. Since Punk has been gone, veteran stars like Jon Moxley, Chris Jericho and Bryan Danielson have stepped up as locker room leaders, resulting in substantial improvements to AEW’s locker room morale.

    Even if Punk’s contract is bought out, however, the damage has already been done.

    Numerous AEW stars are looking to exit the company and go or return to WWE, a reality that was likely expedited by morale issues that, at least in part, stemmed from Punk’s involvement in creating a divided locker room. But Punk appears to be as good as gone, and in reality, the negative effects that would be created by bringing him back far outweight any potential positives.

    AEW has enough homegrown stars and established names to right the ship and do so without Punk, so if he’s bought out? Expect those WWE return rumors to heat up, but don’t be surprised a contract buyout marks the end of Punk’s career altogether.

    Blake Oestriecher, Contributor

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