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Tag: ABC

  • The Women of The View Often Disagree. And Then Savannah Chrisley Joined the Panel

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    By design, The View is designed to dig up controversy. The spirited discussions that define the long-running ABC show (which sometimes bubble over into full on arguments) are a huge part of its appeal, and its hosts are all aware of that. Which is why it’s kind of big news that last week they all agreed on something — the permanent hosts, anyway.

    Due to long-term host Alyssa Farah Griffin recently giving birth, the influencer, former reality television star, and daughter of pardoned criminals, Savannah Chrisley, has joined as an interim host. Chrisley is best known for, well, she isn’t that known. But she is rich, Christian, and Republican, so because she wants to be television, she gets to be. However, she was in for a rude awakening when she tried to broadcast a known falsehood about democratic congresswoman Alexandria Ocasio-Cortez, perhaps because she forgot she wasn’t on Fox and actually needed to back up the things she was saying with evidence.

    The Chrisley Knows Best star turned to the MAGA crowd when it came to freeing her parents. Todd and Julie Chrisley were both in prison for 12 counts, including conspiracy to commit bank fraud, wire fraud, and tax evasion. They barely served their sentence and a lot of their time was spent with their daughter defending them and complaining about their treatment in prison. Now, she is a talking head on The View and a controversial one at that.

    The AOC conversation that shocked viewers

    Her first big controversy started with the hosts discussing an incident at the Munich Security Conference on 13 February, where the usually eloquent AOC gave an uncharacteristically scattered reply. Although falling short of her usually high standard of public speaking, it was still more understandable than the vast majority of Donald Trump speeches, something The View co-host Joy Behar pointed out.

    Chrisey countered that Trump would at least “recover” from his mishaps, which is true in the same way going under the guillotine would help someone recover from a headache. At that point Whoopi Goldberg, who was playing moderator in the discussion, noted that Trump was the president, so should always be held to a higher standard, to which Chrisey’s conservative training kicked in and the mistruths began.

    “AOC, though, is also the Democrats’ pick for next election,” she claimed, despite AOC confirming she had no desire to run in 2028. This was picked up on by the other four women on screen, leading to the rare mass-agreement between the hosts. It’s not quite a sign of the apocalypse, but it’s definitely not something you see every day, and long may it continue.

    Chrisley is vastly unqualified for her temporary hosting job and it doesn’t seem to be starting off too well.

    (featured image: Leon Neal/Getty Images)

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    Sandeep Sandhu

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  • ‘Shark Tank’ to hold auditions in Philly again after ‘record turnout’ last year

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    ‘Shark Tank’ will hold open auditions for Season 18 in Philadelphia on Wednesday, March 18. The ABC series features investors Robert Herjavec, Lori Greiner, Kevin O’Leary, Barbara Corcoran, Daniel Lubetzky and Daymond John.

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    Kristin Hunt

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  • How to Watch the 2026 Oscars Nominations

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    The 2026 nominations stream at 5:30 a.m. PT across ABC, Hulu and the Academy’s platforms

    The Academy Awards love tradition, but nomination morning is one of the only parts of awards season that still feels genuinely electric. Just names, categories and that immediate shift in the air where a handful of films become the story for the next two months. And for 2026, the Academy is giving viewers plenty of ways to tap in.

    The nominees for the 98th Academy Awards will be revealed during a livestream from the Academy’s Samuel Goldwyn Theater. The announcement kicks off at 5:30 a.m. PT. If you’re watching from L.A., the most familiar option will be to watch through ABC’s Good Morning America Live broadcast. But the Academy is also pushing hard into streaming, making the nominations available on Oscar.com and the Academy’s social platforms, plus ABC News Live, Disney+ and Hulu. There’s also an ASL stream on YouTube, which feels long overdue for an event this public.

    Once nominations land, the real season begins. The ceremony is set for March 15, 2026, airing live on ABC with streaming available on Hulu. Conan O’Brien is returning as host, which signals the Academy is sticking with a safe pick that can still bring some personality to the room without turning the night into a full comedy show.

    But nomination morning is never just about how to watch. It’s about what’s coming. And a few titles already feel like they’re built to show up, not because anything is guaranteed, but because they hit the Academy’s favorite pressure points.

    One Battle After Another has that “event film” energy the Oscars still respect. The kind of movie that feels expensive, ambitious and serious in a way voters can point to as proof they’re rewarding real filmmaking. If it lands the way it’s expected to, it’s immediately in play for Picture, Director and craft categories, especially the ones that reward scale.

    Hamnet feels like prestige in its purest form. A period storytelling, with heavy literary weight and emotional tragedy. Fitting in the lane where the Academy tends to live comfortably. Usually bringing at least one performance that becomes the serious pick everyone rallies around. For this, the gravitational force is Jessie Buckley’s performance as Willam Shakespeares wife.

    And then there’s Sinners, which has the potential to be the chaos pick. The Academy has been cracking the door open for darker genre work, but only when it feels unavoidable. If Sinners hits with critics and lands culturally, it’s the type of film that can rack up nominations through craft first, cinematography, editing, sound, score, then muscle its way into bigger categories to anchor itself as the momentous force it was on the big screen.

    That’s the thing about nomination morning. It isn’t just about quality. It’s timing, narrative and momentum. If these films arrive with the weight they’re carrying right now, expect to hear their names early and often when the list starts rolling.

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    Devon James

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  • ‘9-1-1’s Ryan Guzman Teases Eddie’s Romantic Prospects: “Something In The Works”

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    As Ryan Guzman‘s Eddie is officially back in the 118 on ABC‘s 9-1-1, writers are apparently preparing to throw him a bone in his love life.

    The actor recently teased that Season 9 of the procedural has something in store for the character romantically, after he and son Christopher moved back to Los Angeles from Texas.

    “I want to see that too,” he said on Entertainment Tonight.

    “We have something in the works, I don’t want to spoil anything,” added Guzman. “But, we got something in the works. We’re sprinkling it in there.”

    Meanwhile, two seasons after Oliver Stark‘s Buck came out as bisexual, the actor told Deadline he is fully aware of social media’s devoted ‘Buddie’ shippers and understands why fans want to see the character end up with Eddie, who remains Buck’s best friend after returning to Los Angeles and the 118.

    “Tim Minear, who writes the show, said in an interview a few days ago, he’s actively a fan of the ship of Buddie, and he understands it and roots for it, and doesn’t not like the idea of it, which, I get it as well,” admitted Stark. “I’ve spoken about it in interviews. I say happily that I see the moments that other people see, and you see fan edits and there’s nice romantic music playing over the top of it or whatever it is, and you go, ‘Oh yeah, those do feel like charged moments.’”

    Guzman and Stark will soon make the jump to 9-1-1: Nashville for an upcoming crossover with the Ryan Murphy show’s newest spin-off.

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    Glenn Garner

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  • ‘Abbott Elementary’ Casts Khandi Alexander For Season 5

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    EXCLUSIVE: Khandi Alexander (Scandal, Treme) is returning to ABC with a recurring role in the network’s acclaimed comedy series Abbott Elementary.

    She will make her first appearance in the upcoming Wednesday, January 21 episode “Mall Part 3: Heroes,” airing at 8:30 p.m. PT/ET. Details regarding her role are under wraps.

    Produced by Warner Bros Television and 20th Television, Abbott Elementary follows the teachers at an underfunded public school in Philadelphia.

    The series is created by and stars Quinta Brunson as Janine Teagues, with Tyler James Williams as Gregory Eddie, Janelle James as Ava Coleman, Chris Perfetti as Jacob Hill, Lisa Ann Walter as Melissa Schemmenti, William Stanford Davis as Mr. Johnson and Sheryl Lee Ralph as Barbara Howard.

    Abbott Elementary has been nominated for 30 Emmy Awards, with four wins under its belt for Outstanding Lead Actress in a Comedy Series for Brunson (2023), Outstanding Supporting Actress in a Comedy for Ralph (2022), Outstanding Casting (2022) and Outstanding Writing on a Comedy Series for the pilot penned by Brunson (2022). Additional lead players nominated for acting Emmys include Williams and James. It has recently scored nominations at the Critics’ Choice Awards, Golden Globes, GLAAD Awards and NAACP Image Awards.

    Brunson executive produces alongside Justin Halpern and Patrick Schumacker of Delicious Non-Sequitur Productions, Randall Einhorn and Brian Rubenstein.

    Alexander has an extensive catalog of credits across her years in Hollywood, including her Emmy-nominated performance as Maya Lewis in ABC’s Scandal. She was also nominated for a Critics’ Choice Award for her work in the HBO film Bessie, starring alongside Queen Latifah. Additional notable TV credits include David Simon’s Treme, as well as the CBS procedural CSI: Miami, on which she played Alexx Woods in 145 episodes.

    Additional film credits include There’s Something About Mary, MGM’s Dark Blue with Kurt Russell and Brendan Gleeson, as well as the Peter Berg film Patriots Day opposite Mark Wahlberg. Alexander is repped by Buchwald, Untitled Entertainment, and Greenberg Traurig.

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    Rosy Cordero

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  • Trump slams ABC after Jimmy Kimmel’s latest monologue

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    NEW YORK CITY, New York: President Donald Trump escalated his criticism of ABC and late-night host Jimmy Kimmel this week, posting on social media that the network should “get the bum off the air.” The post came shortly after Kimmel’s latest episode aired.

    Trump has also attacked ABC’s chief White House correspondent, Mary Bruce, over questions she asked during an Oval Office meeting. His press team later sent out a 17-point memo listing complaints about ABC News.

    This newest clash with Kimmel comes two months after ABC briefly suspended the comedian for comments he made after the assassination of GOP activist Charlie Kirk. The network reinstated him after backlash.

    Kimmel opened his show on November 19 with a harsh monologue targeting Trump, spending several minutes on Jeffrey Epstein and Congress’ recent decision to release more of Epstein’s correspondence. He joked about “Hurricane Epstein” and questioned what Trump knew and when he knew it.

    Trump replied at 12:49 a.m. with a Truth Social post attacking Kimmel’s talent and ratings and criticizing ABC affiliates who previously pushed for his suspension. ABC declined to comment. Kimmel’s ratings have increased since returning to the air.

    Trump has also criticized other late-night hosts, recently calling for NBC to fire Seth Meyers.

    The conflict comes as the Epstein story continues to frustrate the White House. Trump insulted multiple reporters over the topic in recent days, including calling one “piggy.”

    On November 19, the White House released a statementaccusing ABC News of bias and listing grievances going back to Trump’s first term. Complaints included fact-checking during the 2024 debate, past reporting errors about the E. Jean Carroll case, and comments made by former ABC journalists.

    Following is the White House statement in full, unedited:

    ABC “News” is not journalism — it’s a Democrat spin operation masquerading as a broadcast network. The network’s longstanding commitment to hoaxes, character assassinations, and outright fiction targeting only one side of the political aisle is a deliberate deception to wage war on President Trump and the millions of Americans who elected him to multiple terms.

    ABC “News” has a long, rich tradition of peddling lies, conspiracies, and outright opinion thinly veiled as fact:

    • In 2017, ABC suspended investigative reporter Brian Ross after he falsely reported that President Trump had directed Michael Flynn to contact Russian officials before the 2016 election.
    • In 2020, ABC suspended veteran correspondent David Wright after he was caught identifying himself as a “socialist” and admitting the network pushes an anti-Trump agenda and airs stories designed for profit, not news.
    • In 2020, George Stephanopoulos — longtime Democrat operative turned wannabe “journalist” — failed to ask Joe Biden about his son Hunter’s infamous laptop or the swirling allegations of impropriety.
    • In 2024, Stephanopoulos repeatedly lied about President Trump’s legal cases. After being sued for promoting these defamatory lies, the network agreed to settle for $16 million and issue a statement of regret.
    • In October 2024, the network erroneously “fact checked” President Trump at least five times during the presidential debate — but failed to call out his opponent a single time.
    • Following President Trump’s historic 2024 election victory, 90% of the network’s coverage of his cabinet nominees was negative.
    • In January, ABC News gave 27 times more coverage to President Trump’s pardons of January 6 defendants than of Biden’s last-minute pardons to his corrupt family members.
    • In January, ABC News editorialized in a partisan way that President Trump’s personnel directives were “retribution.”
    • In February, ABC News mischaracterized the Trump Administration’s effort to eliminate waste, fraud, and abuse in the bloated federal bureaucracy as an “attack on veterans.”
    • In April, ABC News peddled the debunked lie that the Trump Administration was unilaterally deporting U.S. citizen babies.
    • In June, ABC News’s senior national correspondent Terry Moran smeared White House Deputy Chief of Staff Stephen Miller as a “world-class hater” whose “hatreds are his spiritual nourishment” — just one entry in a long series of Moran’s obvious liberal bias during his tenure.
    • In June, ABC News aired what it called a “violent Border Patrol detention” — but failed to mention the detained illegal immigrant had been chasing federal agents with a weed whacker.
    • In June, ABC News praised violent Los Angeles rioters for “self-policing” — as local businesses and property were being harmed — during coverage critical of President Trump’s National Guard deployment.
    • In July, ABC News used its special coverage of the One Big Beautiful Bill signing ceremony to falsely claim the legislation would “mostly” benefit “the wealthiest Americans” and repeat the debunked talking point that millions of Americans would “lose their healthcare.”
    • In July, ABC News refused to cover the Office of National Intelligence’s announcement of a landmark investigation into Obama-era politicization and manufacturing of intelligence assessments.
    • In July, ABC News dismissed the vicious MS-13 gang — whose motto is literally “kill, rape, control” — as a “clique.”
    • In September, Stephanopoulos repeatedly — and falsely — insisted that people had somehow “died” because of the Trump Administration’s decision to shutter a bloated, wasteful bureaucratic agency.

    ABC News has not responded publicly to the criticism.

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  • Whitney Leavitt Tearfully Reacts To ‘Dancing with the Stars’ Elimination: “Genuinely Feels Like A Breakup”

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    After being eliminated ahead of the Dancing with the Stars, Season 34 finale, Whitney Leavitt shared a bittersweet goodbye to the ABC competition series.

    On Thursday, the Secret Lives of Mormon Wives star posted a video of her tearful reaction to being cut after the semi-finals, which took place during ‘Prince Week’, expressing her gratitude for gaining “a lifelong friend” in dance partner Mark Ballas.

    “When you are cast on Dancing with the Stars, you are seeing these people hours every single day. Then, it just stops,” she said in an Instagram video. “It genuinely feels like a breakup. It feels like I’m going through withdrawals right now. Today just felt so weird. It felt so weird not going into the studio and meeting with Mark and learning a dance. It just felt weird, and it made me sad.

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    Leavitt added in part, “You grow real friendships and real connections with these people, and you learn so much about yourself, and people uplift you constantly, and you challenge yourself. You just feel so loved.”

    The elimination came after Leavitt and Ballas performed the cha-cha-cha to Prince’s ‘1999’ and the Viennese waltz to ‘Slow Love’, each dance earning a score of 29 out of 30.

    Heading into the finale are Alix Earle and Val Chmerkovskiy; Elaine Hendrix and Alan Bersten; Dylan Efron and Daniella Karagach; Jordan Chiles and Ezra Sosa; and Robert Irwin and Whitney Carson.

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    Glenn Garner

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  • How Taylor Frankie Paul, Once a Mormon Wife, Became a ‘Bachelorette’ With a Not-So-Secret Life

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    “I sometimes question, have I made any progress?” Taylor Frankie Paul, who in just three short years leapt from being the leader of #MomTok on Hulu’s The Secret Lives of Mormon Wives to the single lead of ABC’s The Bachelorette, asks Vanity Fair. “We’re humans, we make mistakes; and I feel like I do [make] a lot of different mistakes. That’s what life’s about—it’s trial and error. I’m learning different lessons now in this phase of my life.”

    Paul’s latest chapter plays out on season three of the wildly popular Secret Lives of Mormon Wives, which reveals that while promoting the show’s second season this spring, Paul privately suffered personal betrayal involving on-again, off-again ex-boyfriend Dakota Mortensen, father of her one-year-old son, Ever True, and a close family friend. When I reach Paul, she’s in the backseat of a moving vehicle, being whisked from one mystery location to another for her turn on The Bachelorette. Paul can’t technically disclose that she’s not near home, but the palm trees peeking through the car’s back windows confirm: we’re not in Utah anymore.

    Since 2022, when Paul, now 31, revealed she was divorcing husband Tate (father of Paul’s daughter Indy and son Ocean, who do not appear on Mormon Wives), after she engaged in “soft swinging” (some heavy petting and emotional affairs, but no “full-on” sex) within their married friend group, she has been filming her life at a near-continuous pace.

    Before sending shockwaves through Utah’s #MomTok community, Paul already shared near-daily snippets of her more buttoned-up Mormon life with what eventually grew to 1.8 million Instagram and 5.8 million TikTok followers. When the first season of Secret Lives of Mormon Wives premiered last September, it launched the eight MomTokers, led by the headline-making Paul, to something approaching Housewives-level fame.

    “Sorry if I sound like I’m losing my voice, we’re getting over a little cold,” Paul rasps. The “we” another reminder that as the single mother of three who blew up her life, then made a reality show about it, is far from an obvious pick for ABC’s increasingly staid reality dating series—but more on that adventure later.

    Taylor Frankie Paul (center) catches up with her fellow #MomTok members Miranda McWhorter, Mikayla Matthews, and Mayci Neeley during Secret Lives of Mormon Wives season three.Fred Hayes

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    Savannah Walsh

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  • Great adventure items from biking gear to Pickleball kits up to 75% off with ABC Secret Savings

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    As a participant in multiple affiliate marketing programs, Localish will earn a commission for certain purchases. See full disclaimer below*

    This week, we’ve got everything you need to make the most of the great outdoors. Shop these great deals while supplies last.

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    Ditch the plastic play sets and get your kid the real thing. Shorties Golf makes real, high-performance metal golf clubs designed specifically for kids as young as two years old. They come in four sizes to fit little golfers up to 51 inches tall, and you can choose from four fun colors, plus lefty or righty options. These clubs aren’t just adorable; they actually fit better, so kids learn to swing properly. Free shipping!

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    * By clicking on the featured links, visitors will leave Localish.com and be directed to third-party e-commerce sites that operate under different terms and privacy policies. Although we are sharing our personal opinions of these products with you, Localish is not endorsing these products. It has not performed product safety testing on any of these products, did not manufacture them, and is not selling, or distributing them and is not making any representations about the safety or caliber of these products. Prices and availability are subject to change from the date of publication.

    Copyright © 2025 KABC Television, LLC. All rights reserved.

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    KGO

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  • Disney-owned channels, including 6ABC, go dark on YouTube TV as negotiations on new deal continue

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    YouTube TV‘s approximately 10 million subscribers no longer have access to Disney-owned stations, including ABC and ESPN, after their carrier deal expired at midnight Thursday and the two sides failed to reach a new agreement.  

    In Philadelphia, that means 6ABC and fan-favorite shows like “Abbott Elementary” won’t be available for the Google-owned platform. If the blackout continues, it would also mean the Philadelphia Eagles game against the Green Bay Packers on Monday, Nov. 10, won’t be available on the streamer.


    MORE: Disparaging email sent to Penn students, alumni is fake, university says


    In a statement, YouTube TV said Disney began using the threat of a blackout as a negotiating tactic last week. 

    We know this is a frustrating and disappointing outcome for our subscribers and we continue to urge Disney to work with us constructively to reach a fair agreement that restores their networks to YouTube TV,” the company wrote. 

    Meanwhile, Disney blamed YouTube TV. 

    “With a $3 trillion market cap, Google is using its market dominance to eliminate competition and undercut the industry-standard terms we’ve successfully negotiated with every other distributor,” the company said in a statement. “We know how frustrating this is for YouTube TV subscribers and remain committed to working toward a resolution as quickly as possible.” 

    YouTube TV said it will offer subscribers a $20 credit if the stations remain off its service for an “extended period,” although it did not specify how long that would be. 

    YouTube TV has had a number of issues with other networks this year. There were threats of blackouts during negotiations with Paramount, which owns CBS, in February and with Fox Corporation in August. YouTube TV also got into a conflict with Comcast-owned NBCUniversal, although the pair reached a multiyear agreement on Oct. 2. While those negotiations avoided blackouts, partially due to temporary contract extensions, Univision has been in a continued blackout with YouTube TV since September. 

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    Michaela Althouse

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  • Music Competition Show ‘Who’s In The Band’ In Works At ABC With Simon Cowell, Joe Jonas, Mel B & ‘KPop Demon Hunters’ Star Rei Ami

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    EXCLUSIVE: ABC is putting work into finding the next big TV music competition series — and it has turned to a maestro of the genre to test a new format.

    Deadline hears that the Disney-owned network has set Simon Cowell as a judge on a proof-of-concept taping of Who’s In The Band, a talent search for the next One Direction.

    He will judge alongside a panel that includes Joe Jonas, Spice Girl Mel B (a frequent Cowell collaborator on America’s Got Talent and beyond), and songwriter Savan Kotecha. Rei Ami, who provided Zoey’s singing voice in Netflix sensation KPop Demon Hunters, is on hosting duties.

    Who’s In The Band casting materials suggest it will contain a twist on the well-trodden genre, with singers performing the same song, at the same time, in different colored tubes.

    The Who’s In The Band test shoot will take place on October 30 at Eastbrook Studios in London. Sources say the presentation will not air on ABC, and there is no series greenlight. It is believed to be part of the network’s plan to launch a new talent competition series as soon as this coming summer. ABC currently has veteran reality series American Idol — which made Cowell a household name in the US with its original incarnation on Fox — returning for a new season in early 2026.

    Who’s In The Band hails from Yes Yes Media, the London and LA-based production company founded by Richard Bacon, the former television presenter turned format guru. The recording has generated a smattering of press in the UK, but Deadline is the first to reveal ABC’s involvement. The network declined to comment.

    Cowell has never featured as a judge on an ABC reality series, sitting out of the network’s American Idol reboot. He did collaborate with ABC on American Inventor in 2006, but only as a producer. Cowell has remained a fixture on network TV as a judge and executive producer on NBC’s America’s Got Talent.

    Yes Yes launched in 2023 with backers including Courteney Cox and Sister, producer of Black Doves. Deadline reported in July that the company was piloting BBC show, The Easiest Quiz Show in the World, with Strictly Come Dancing winner Chris McCausland.

    Mark Sidaway, former The X Factor showrunner and Yes Yes Media’s head of entertainment, is involved in producing Who’s In The Band.

    Music reality series focused on assembling a group have been around for years. Some notable examples include Popstars, Making the Band, and most recently, Netflix’s Building the Band.

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    Jake Kanter

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  • 9/19: CBS Morning News

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    9/19: CBS Morning News – CBS News










































    Watch CBS News



    Late-night hosts show support for Jimmy Kimmel after ABC pulls him off the air indefinitely; CDC committee recommends against combo MMRV vaccine for children under 4 years old.

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  • Are Reality TV Stars Born, or Can They Be Made? Meet the Coaches Scripting Television’s Best Unscripted Drama

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    “Take a breath and go ahead,” Robert Galinsky says, eyeing his student from across a Zoom screen. Dylan, a 45-year-old from Phoenix, Arizona, dressed in a light blue button-down, exhales and begins to explain for the third time why he wants to search for true love on the Netflix reality-dating series Love Is Blind.

    Dylan says he has prioritized his real estate career over romance, and dating apps have failed to produce lasting love. But when he talks about building a connection sight unseen, or “from the inside out,” as he puts it, Galinsky stops him. “That’s killer—we want to save that phrase,” he says, advising Dylan to shave his three-minute explanation down to a sound-bite-worthy chunk. After all, reality TV narratives are built by producers and editors (he cleverly refers to them as “preditors”) who favor pithy catchphrases.

    Dylan has only made it past the first round of Love Is Blind casting so far, but is already in his third session of 10 with Galinsky, a self-described “presentation coach” who has guided hopeful clients to spots on shows, ranging from Project Runway to Survivor, since 2007. That was when Argentinian dog groomer Jorge Bendersky became the first reality TV hopeful to contact Galinsky, who also coaches TEDx presenters, corporate executives, and students at The Juilliard School (he’s currently advising jazz musicians on how to introduce the historical context of their music before a performance). With Galinsky’s guidance, Bendersky became a top-three finalist on the short-lived Animal Planet series Groomer Has It, and the New York Reality TV School was born.

    Like many of those who have sought Galinsky’s services, ranging from Millionaire Matchmaker and Bad Girls Club alum to Chelsea Clinton and 50 Cent, Dylan wants to put his best foot forward onscreen. Think of it as hiring a private tutor before the SAT—with the knowledge that millions of eyeballs will be watching your exam. (The cost of Galinsky’s one-on-one services for reality TV coaching begins at roughly $300 per session, with rates increasing for more specific training once a client is cast on their desired show.) Galinsky, who has a background in acting, treats reality TV as improvisational theater. During the session that Dylan has allowed me to observe (provided I omit his last name), Galinsky quizzes his client on dating deal-breakers, urging him to use the stating of any potential red flags as an opportunity to accentuate his own strengths. What if, as Galinsky posits, a suitor is turned off by someone who is rude to waitstaff, for instance? Dylan immediately discusses his time as a bartender in college. Galinsky smiles approvingly; in one answer, Dylan has both reassured his future wife and revealed a personal detail that will bolster his overall storyline.

    “Fakes are the first ones kicked out of the house and voted off the island,” Galinsky says. “So if you know thyself, you’re going to be that much more powerful….You have to have an immense amount of self-awareness to be on these shows, to understand how you’re not going to let someone bulldoze you…so that you become the funniest, most pathetic meme that’s out there.” To get a better sense of how he can best orient a client toward reality TV stardom, Galinsky asks them to provide their origin, scar, and aspiration: where they’re from, what shaped them, and their postshow hopes. “A girl [once] walked in and said, ‘I want to be able to live in the Real World house and drink everybody under the table,’” he recalls. “After two sessions she said, ‘I’m quitting the class because I realize now all I really wanted to do was say “fuck you” to my dad by getting drunk in front of everyone.’”

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    Savannah Walsh

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  • Commentary: ICE ads are playing on a streamer near you. Can they survive the online rebellion?

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    There you are, sitting in traffic in your car, listening to Taylor Swift on Spotify because it’s easier than subjecting yourself to a new, more challenging artist. An ad pops up in your stream. It’s serious stuff, evidenced by the dystopian tone of the narrator: “Join the mission to protect America,” the serious man’s voice commands, “with bonuses up to $50,000 and generous benefits. Apply now … and fulfill your mission.”

    It’s an Immigration and Customs Enforcement recruitment ad, part of the Trump administration’s investment of $30 billion to add more than 10,000 deportation officers to its ranks by the end of the year. You would have been spared the outrage if only you had paid for Spotify’s ad-free tier of service, but there’s no way the audio streamer is getting your money now. You’ll be switching to, say, Apple Music. Maybe Tidal?

    The experience of being subjected to recruitment ads for a domestic military force, assembled by a power-hungry president, has generated intense backlash that’s culminated this week in calls for boycotts of streaming services and platforms that have featured ICE spots. They include Pandora, ESPN, YouTube, Hulu and Fubo TV. Multiple HBO Max subscribers bemoaned on X that they were subjected to ICE recruitment videos while watching All Elite Wrestling: “Time to be force-fed ICE commercials against my will for two hours again #WWENXT,” @YKWrestling wrote.

    Recruitment ads — Uncle Sam’s “I Want You” poster comes to mind — are an American staple, especially in times of war. But the current recruitment effort is aimed at sending forces into American cities, predicated on exaggerated claims that U.S. metro areas are under siege and in peril due to dangerous illegal immigrants, leftist protesters and out-of-control crime rates. The data, however, does not support those claims. The American Immigration Council found that from 1980 to 2022, while the immigrant share of the U.S. population more than doubled (from 6.2% to 13.9%), the total crime rate declined by over 60%.

    Yet there’s a far scarier doomscape on the horizon if ICE’s recruitment efforts are successful: a mercenary army loyal only to Trump, weaponized to keep him on the throne. If that sounds more dystopian than the aforementioned Spotify ad, consider that the administration has spent more than $6.5 million over the past month on a slew of 30-second commercials aimed at luring in police officers.

    The ads aired on TVs in more than a dozen cities including Chicago, Seattle and Atlanta and opened with images of each specific metro area’s skyline. Then came the commanding narration: “Attention, Miami law enforcement!” It’s followed by the same messaging that is used in ICE ads across the country: “You took an oath to protect and serve, to keep your family, your city, safe. But in sanctuary cities you’re ordered to stand down while dangerous illegals walk free — Join ICE and help us catch the worst of the worst. Drug traffickers. Gang members. Predators.”

    But are the ads working? It’s hard to say since transparency isn’t a hallmark of the MAGA White House. For what it’s worth, a Sept. 16 press release from the DHS claimed that it had received more than 150,000 applications in response to its campaign and had extended 18,000 tentative job offers.

    As for the power of consumer-led boycotts, there’s hope. More than 1.7 million Disney, Hulu and ESPN subscriptions were reportedly canceled between Sept. 17 and Sept. 23 during Jimmy Kimmel’s temporary suspension by ABC (Disney is ABC’s parent company). The network pulled the show after the host’s comments related to Charlie Kirk’s assassination angered MAGA supporters and the Trump-appointed FCC chair appeared to threaten the network. But after a week with a significant increase in cancellations — a 436% jump compared to a normal week — Kimmel was back on the air.

    As of today, Spotify appears unmoved by the pressure to pull those intrusive ICE ads. “This advertisement is part of a broad campaign the US government is running across television, streaming, and online channels,” a Spotify spokesperson said in a statement this week. “The content does not violate our advertising policies. However, users can mark any ad with a thumbs up or thumbs down to help manage their ads preferences.”

    Thumbs down. Frowny emoji. Cue the dystopian narrator for a counter ad: “Join the mission to protect America: Cancel Spotify.”

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    Lorraine Ali

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  • Tonight on ‘Abbott Elementary,’ Schwarber’s 4-home run game is enshrined in show’s ‘cinematic universe’

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    The stars aligned in August when the cast of “Abbott Elementary” went to Citizens Bank Park to film scenes for the show during a Phillies game. Kyle Schwarber blasted four home runs that night – becoming just the 21st player to do so in MLB history – on the way to a 19-4 win over the Atlanta Braves.

    Fans of the Emmy-winning ABC sitcom, now in its fifth season, can see how Quinta Brunson and company incorporated the surreal experience into tonight’s episode, which airs at 8:30 p.m.


    MORE: M. Night Shyamalan is making a TV show about the Magic 8 Ball


    The plan to film at Citizens Bank Park on Aug. 28 was set in motion by MLB Studios, which had reached out to Warner Brothers and the Phillies for permission to bring film crews to the ballpark. Schwarber had already been scheduled to make a cameo, but no one could have guessed that he was on the verge of a career night at the plate.

    “The baseball gods were smiling on us,” Nick Trotta, MLB’s vice president of global media programming and licensing, told MLB.com. “After the second homer, I joked with the writer, ‘This has to be part of the episode, because he’s gonna hit a third one.’ And then he hits a third one and a fourth one. So while the show is completely fictional, Kyle Schwarber’s historic four-homer game is now part of Abbott’s cinematic universe.”

    Abbott Phillies GameProvided Image/Disney/MLB

    ‘Abbott Elementary’ stars Quinta Brunson, Matthew Law, Lisa Ann Walter and Tyler James Williams are shown with fans in the stands at Citizens Bank Park during the Phillies game against the Atlanta Braves on Aug. 28, 2025.

    During the game, the main cast of “Abbott” was seated in Section 114 and shown on the Jumbotron. Signs posted outside that section notified fans that they might appear on camera during the filming.

    “During the game is where we caught some real extra bonus energy. Seeing our cast feed off what’s happening on the field, seeing Kyle Schwarber hit four home runs … oh my God, that was crazy,” Einhorn told MLB.com. “You can’t script that type of energy, and it really came across on the screen.”

    The premise of Wednesday’s episode is that the Abbott Elementary staff go to the Phillies game for Teacher Appreciation Night. The episode will include in-game footage of Schwarber’s home runs and Phillies public address announcer Dan Baker pumping up the crowd.

    Ralph Abbott PhilliesRalph Abbott PhilliesProvided Image/Disney/MLB

    ‘Abbott Elementary’ star Sheryl Lee Ralph is shown above at the Phillies game on Aug. 29, when the ABC sitcom filmed scenes at Citizens Bank Park.

    Einhorn recalled encouraging Schwarber to be himself on camera and not worry about acting. He said the show was striving to capture an authentic ballpark experience that differs from many other film projects set at professional sporting events but often shot at alternate athletic facilities.

    When the game ended, the “Abbott” cast took the field to film an apparent scene with Schwarber and get some photos with the Phillie Phanatic.

    Brunson, the star and showrunner, gushed about the experience in an Instagram post after the game and called it “one of our most incredible shoots.”

    The Phillies season came to a disappointing end last week with an extra-inning loss to the Los Angeles Dodgers in Game 4 of the NLDS. But for Phillies fans and Schwarber, who’s entering free agency this offseason, tonight’s episode of “Abbott” will always be a testament to the energy at Citizens Bank Park.

    “Quinta and the team definitely brought me some luck that night,” Schwarber told MLB.com.

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    Michael Tanenbaum

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  • Scrubs Reboot Cast Confirms More Returning Stars & New Faces

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    The Scrubs reboot cast continues to grow, with a new report revealing a litany of both new stars and returning faces set to star in the upcoming series.

    Who else has joined the Scrubs reboot cast?

    According to a new report from Variety, the Scrubs reboot has rounded out its cast with nine recurring guest stars. These include returning stars Robert Maschio (Men at Work) and Phill Lewis (Suite Life of Zack and Cody), who will reprise their roles as Todd and Hooch in the show, respectively.

    As for new stars, Vanessa Bayer (Saturday Night Live), Joel Kim Booster (Fire Island), Ava Bunn (A Man on the Insider), Jacob Dudman (The Choral), David Gridley (The Last Ship, The Rookie), Layla Mohammadi (The Persvion Version), and Amanda Morrow (Mirrorland) will also join the show in recurring roles.

    The Scrubs reboot cast is being led by returning stars Zach Braff, Donald Faison, Sarah Chalke, Judy Reyes, and John C. McGinley, all of whom will step back into their iconic roles as doctors and nurses for the show.

    “ABC’s new Scrubs will follow JD (Braff) and Turk (Faison), who scrub in together for the first time in a long time- medicine has changed, interns have changed, but their bromance has stood the test of time,” Deadline further reports. “Characters new and old navigate the waters of Sacred Heart with laughter, heart, and some surprises along the way.”

    Tim Hobert and Aseem Batra will serve as showrunners on the new Scrubs reboot. They also executive produce alongside Lawrence, Jeff Ingold, and Liza Katzer.

    A premiere date for the Scrubs reboot has not yet been announced.

    (Source: Variety)

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    Anthony Nash

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  • The Golden Bachelor Recap: The Roast of Mel Owens

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    The group date is about seeing how Mel takes criticism by having the women write jokes and roast him.
    Photo: John Fleenor/Disney

    It’s time for another episode of The Golden Bachelor and another week of me wondering exactly who at ABC-Disney-Lunchables HQ I have to take to the Fantasy Suite in order to host a comedy challenge?! Come on! A comedy writing challenge where a bunch of women roast a man? This is 100 percent in my wheelhouse. Have I ever hosted or done a roast before? Not exactly. Can I identify more topics to roast Mel about than “said something on a podcast”? Yes. He only wears formal recovery slip-ons. I don’t think he asks one of the Golden ladies a single question throughout the entire episode. He ironically uses the word “pizzazz.” Boom, roasted! Please, corporate overlords, it’s my time to help these women put together a satirical sketch comedy revue about love and sex in their 60s and beyond.

    Let’s get into it.

    Wow, this season is FLYING by, huh? It’s already surpassing any season of The Bachelor (and weirdly the most recent season of Project Runway) by delivering an elimination each episode. But I wish we had gotten a little more depth out of Mel. I’m over him being dragged over the coals for his comment on whatever sports podcast, and ready for him to open up emotionally. I want YEARNING, Mel. I want TEARS. I want shoes with a LEATHER UPPER. Time to step it up.

    The first date of the week is a group date for Nicolle, Geri, Robin, Amy, Monica B., Cindy, Terri, Cheryl, Carol … ugh this is getting exhausting … everyone except Debbie. Debbie immediately starts crying, and I swear to god, if this doesn’t work out for her, I want her to be our next Golden Bachelorette. The women applaud Debbie while Cindy’s organs eat themselves from the inside out. The date this week is to show off Mel’s ability to take criticism? He’s getting some help from comedian and podcast host Jared Freid. I feel like this would have been a great opportunity to have a roast comic help the women write jokes. This is a job for Nikki Glaser or Deborah Vance. Cheryl has never even heard of the concept of a roast. She keeps asking if the point is to be as mean as possible. Meanwhile, Carol left her readers at home and is wandering around the theater. She’s asking everyone if they have some spare glasses and literally running into walls. On The Golden Bachelor set, there needs to be a fishbowl of reading glasses. There should also be a fishbowl of condoms and latex safe lubricants, but that’s for later in the season.

    It’s time for the roast! Monica B. is up first, and she kills it. “Mel is like a classic car, strong, sexy, and you don’t go over 60.” Incredible! She finishes her set by directing all the women to the exits. Cheryl is up next, and she just straight-up tells Mel he’s two minutes from needing a scooter in the airport. Slam! Terri brings up her puppet. Terri. The puppet isn’t working for you like you think it is. Amy decides she’s not going to prepare any material and just starts ranting about the house and how she takes care of everyone. Jared “saves” Amy by saying her set sounds like a voicemail from his mom. He tells Mel not to marry Amy. Jared! That’s not your role here! Nicolle makes fun of making out with Mel in the pool and offers to check the IDs of women in the audience before they talk to Mel. It’s finally Carol’s turn, and she jokes that Mel likes 40 to 60-year-olds, and they have that in common! She also says that the women were hoping for a rich quarterback! Zing!! She falls into an open sewer grate on her way back to her seat. Mel has to choose one woman to take on a romantic date and he picks Nicolle! Duh!

    They head off to a romantic dinner together, and Nicolle launches into an interrogation about Mel’s divorce. She gets the basic details of the marriage: they were together for 25 years, his wife told him it was over, and he wants to get married again. But I need one of the women to really dig in. What do you mean that your wife didn’t even sit you down to talk about it and just told you it was over? How did you contribute to the breakup of the relationship? How often did she ask you to unload the dishwasher? Let’s get down to the nitty-gritty. Nicolle has been married twice, and she’s looking for one more marriage to take her to the end. I love this perspective. Mel feels the chemistry between him and Nicolle, and you can’t manufacture that. She gets the rose. Then he repeats Monica B.’s joke from the roast. See! All he does is repeat the ladies’ jokes!

    It’s the next day in the mansion, and Debbie is getting ready for her date with Mel, and she’s positively vibrating with anticipation — oh wait, that’s later. Debbie has one of the strongest brands in the house: Never Been Married. I’m willing to wait 12 more years for this age-appropriate Drew Barrymore rom-com. Mel picks up Debbie, and he loves her sense of adventure. He didn’t want to take her on an ordinary dinner date. He wants to take her on a slightly more interesting dinner date. They head to a restaurant and meet up with Chef Ludo Lefebvre, the bad boy of the kitchen. They make an omelet together. I guess when you’re in your 60s, an omelet after 7 p.m. is a risky endeavor. Mel and Debbie can’t keep their hands off each other. They’re not shoving their hands down each other’s shirts, but they’re just always touching. Debbie is thrilled to give his butt a little tap. When they sit down to eat dinner, Debbie talks about how the first season of the show gave her hope that her love was out there, and she opened her heart and applied. Mel calls her beautiful several times. She gets the rose.

    While Debbie and Mel are out on their date, Bachelor Mansion has been invaded by Kathy and Susan, our favorites from season one, for a SLUMBER PARTY!!!!!! Yeah, I want 10 episodes of just this. And Just Like That… should have been more like a Golden Bachelor slumber party. The ladies play Never Have I Ever, and Geri takes a big bite of ice cream to signal that she’s a member of the Mile High Club. She’s a certified freak. Susan and Kathy give everyone the same piece of advice: Put yourself out there and kiss him, ya dummy! Cindy is freaking out because it’s hard to watch Mel with other women, and Amy is not like other girls. She likes football and beer. Before Susan and Kathy leave, they give everyone vibrators and demonstrate how great they are for “your muscles.” Peg has to be told in a confessional by a producer that yes, they are actual vibrators. For your vagina.

    It’s time for the Cocktail Party! All the women are ready to get their smooch on. They line up in an orderly fashion and give Mel one (1) respectable smooch. Carol steals him away first and is so awkward and confused as to how to flirt. She keeps repeating “Well, you’re handsome and … handsome” until Mel asks her about her favorite sports team and snaps her back to reality. They have a little smooch. Robin sits down with him and jokes that she’s gotten flirting advice, flips her hair, and gives him a wink. You know what, Robin does have pizzazz! Cindy sits down with Mel, and he tells her that her hair looks great and she’s ready to risk it all.

    It’s time for the Rose Ceremony. Four women will be going home. Cindy, Peg, Roxane, Geri, Cheryl, and Robin get roses, and the final rose goes to Carol. No! That means Amy, Terri, and the Monicas are going home! Terri grabs her puppet, and I’m sure we’ll see them in Bachelor in Paradise one day. Paradise loves a gimmick.

    Next week: We have Peg and Mel on a fairgrounds date and beach photoshoot that pisses everyone off! Also, is Nicolle here for the right reasons? (Obviously not, c’mon, y’all!)

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    Ali Barthwell

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  • Fact-checking High Potential’s Crime-Solving Trivia

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    Photo: Jessica Perez/Disney

    The Emmys proved what we all already knew: Procedurals are back, baby! Between the 9-1-1s and Dick Wolf’s Chicagos, we’ve got all the medical and fire emergencies we can handle. But last year saw a new cop show enter the great tradition of “cop and a quirky ____ solve crime.” This time, the _____ is a “high-potential intellectual,” what people perhaps used to call a “savant.” Morgan Gillory (Kaitlin Olson) has a near-photographic memory, a highly associative mind, and a seemingly endless reserve of random trivia facts. She also has an overwhelming need to “um, actually” people, which has gotten her fired from every job she’s had. Until, that is, Morgan is roped into the LAPD by Selena Soto (Judy Reyes) and paired with uptight detective Adam Karadec (Daniel Sunjata). You would think they’d never get along, let alone become a highly effective crime-fighting duo! But wackiness ensues, crimes are solved, and every episode sees Morgan drop two or three factoids that have a high potential of coming up at your next trivia night.

    A few running plots bubble under the show’s surface, such as Morgan joining the LAPD in exchange for their finding her first husband, Roman, who disappeared 15 years ago and is still missing. The season-one finale also introduced a trivia-happy foe, the Game Maker, who appears to be targeting Morgan and her family as the second season begins. Yet this show is at heart a mystery of the week, with Morgan using lots of silly little facts to help catch the bad guy and/or annoy her family and co-workers. So we are compiling all those silly little facts, and, what’s more, we’re going to fact-check them. Because it’s important to hold the police accountable, even if they’re fictional.

    Spoilers follow for the most recent episode of High Potential season two.

    Photo: Jessica Perez/Disney

    A man plans to kill himself to pay off gambling debts with his life-insurance policy. He also promises to donate his heart. When he changes his mind about dying, a paramedic takes matters into his own hands so his mother can get the heart.

    Ducks be poopin’: True! The victim is found by the hostess of a nearby café because she heard ducks in the alley. Morgan immediately knows there were no actual ducks nearby since there’s no poop around. According to PETA, ducks poop every ten-to-30 minutes, so the 11 minutes the guy was lying there was definitely enough time for at least one duck to, uh, leave trace evidence. Turns out the duck sound was an alarm the killer had set so the body could be discovered in time for organs to be harvested.

    Electronic card shufflers can be rigged: True! Morgan gets an uncooperative loan shark to talk by pointing out that the electronic shoes (a.k.a. the card shufflers/dealers) at his illegal casino are easily rigged. While the specific model of automatic dealer mentioned is fictional (ABC’s legal team probably saw to that), black-hat hackers have proved you can tamper with an electronic card shuffler. While High Potential implies the shoe can be programmed to shuffle cards into a particular order, the easier/more likely way to cheat is to gain access to the shuffler’s internal camera so you know exactly who gets which card when.

    An air bubble in the bloodstream will kill you: Semi-true! Injecting air into someone’s blood is a good way to cause an air embolism, but these aren’t as foolproof fatal as crime shows would have you believe. This is how the loan shark intends to take out the Vic of the Week. Ironically, sending a goon to deliver a fatal air bubble when the guy is already on life support clears him of the actual murder.

    Social Security numbers aren’t as random as they seem: True! When Social Security numbers were invented in 1936, they had significance instead of being randomly assigned. And as Morgan says, the first three are assigned by geographic area. In 2011, SSNs became randomized, thus protecting recipients’ identities better than the loan shark does.

    The Philadelphia Mummers Parade is uniquely crazy: True! Morgan uses a picture of the loan shark at the Philly Mummers Parade to link him to the SSN found on the victim’s life-insurance policy. A pic of the Mummers Parade is indeed immediately identifiable to anyone who has spent New Year’s Day in the tristate area. Go, Birds!

    Brain death is certain after 11 minutes without blood flow or oxygen: Meh. The killer’s plan hinges on stopping the victim’s heart for exactly 11 minutes. That way, when he is resuscitated, he’ll be brain-dead but still have viable organs for donation. It’s a rule of thumb for doctors that brain damage occurs after ten minutes of oxygen deprivation, but brain damage does not equal brain death. And some people have recovered after 60 minutes of CPR.

    Photo: Christine Bartolucci/Disney

    Morgan and the team play a metaphorical game of chicken with the Game Maker. Meanwhile, a mysterious man (Mekhi Phifer) is found in Las Vegas living under the name of Morgan’s missing first husband.

    Queen’s Gambit Declined, Cambridge Springs Defense: Morgan calls this chess sequence the Pillsbury Variation, which is accurate. In chess, it’s when black ignores the obvious available pawn to instead shore up its defense. As a metaphor for taking down the Game Maker, it means they have to give up their pawn, i.e., the guy the Game Maker wants to kill.

    Stanislav Petrov saved the world from nuclear annihilation: True! Thanks, bud. Petrov was a lieutenant colonel in the Soviet Air Defense Forces who, in 1983, saw five nuclear warheads coming at the USSR on his monitoring system. In a split second, he had to decide whether it was a false alarm or WW3. “Petrov went with false alarm,” his obituary reads, “later explaining he reasoned that if the United States really were to start a nuclear war, it would do so with more than five missiles. He was correct.” Never a bad idea to bet on America’s lack of subtlety. In High Potential, Petrov is yet another metaphor from the Game Maker about how he wants Morgan to play — this time meaning she has to admit defeat rather than coming in hot like a bellicose American.

    An American POW in Vietnam sent secret messages by blinking in Morse code: True. In 1966, U.S. Navy commander Jeremiah A. Denton Jr. was forced to make a propaganda video for his Viet Cong captors, saying he and fellow prisoners of war were well treated. He read the script as directed, but blinked the letters T-O-R-T-U-R-E in Morse code during the taping. It was the first confirmation that American POWs were being tortured in Vietnam. Morgan deduces that the Game Maker is forcing his captive to blink out an address in a video sent to the LAPD.

    Tasmanian devils are shy: This is just an “um, actually” from Morgan’s high-potential son. It’s true, but aren’t all wild animals shy around humans? That’s kind of what keeps them wild.

    Tarsiers try to kill themselves when taken into captivity: Semi-true, semi-false. The Game Maker places a picture of a tarsier in his home as a message that he’d rather die than be in prison. It’s true that tarsiers are notoriously stressed out by captivity and can display self-harm behaviors when stressed. But it’s not inevitable. One man in the Philippines was even able to successfully breed tarsiers in captivity, releasing the babies into the wild and keeping the population alive during a period of rapid deforestation.

    Dodgers fans wouldn’t also wear Angels merch: Anecdotally false. Morgan sees a picture of mystery man Phifer wearing a Dodgers hoodie and carrying a backpack with a Los Angeles Angels pin on it. She figures the backpack has to belong to her Angels-loving husband since no Dodgers fan would also support the Angels. But I’m a Dodgers fan, and I also like the Angels. In general, people have beef with the Dodgers, not the other way around. It’s like that one Mad Men meme. The only team a Dodgers fan would feel real animosity toward are those vile cheaters the Houston Astros. Maybe the Yankees, too.

    Photo: Jessica Perez/Disney

    A woman resembling Morgan is kidnapped, and Major Crimes is on the case. Only Morgan believes the Game Maker is behind the abduction. In the end, she’s right, though the Game Maker frames a nepo-baby music exec for the crime.

    Palm weevils are infesting Los Angeles: True! Morgan lies to her high-potential child about why her ex (Taran Killam) is staying with the family. She claims his neighborhood has a palm-weevil infestation, instead of saying he’s there to protect the family. Palm weevils are native to South America but go where the palms go. Thus, Los Angeles’s already fragile palm ecosystem meets yet another foe.

    It’s “super-rare” for a piece of mail to be delivered to the wrong address: True. Morgan correctly surmises that a misdelivered piece of mail was a move by the Game Maker and not just a fuckup by the postal service. According to a 2021 audit by USPS, only .15 percent of first-class letters are misdelivered. From that, we can extrapolate that other types of mail have similar misrouting rates.

    Ayurvedic medicine recommends starting meals with something sweet: True. Morgan’s high-potential son uses this factoid as a ploy to get cookies before dinner. Although sweets are supposed to encourage digestion, he doesn’t get a predinner dessert.

    The order of Japanese shogunates as related to the type of tantō knife developed in that period: This is a mixed bag. The suspected perp says he organized his tantō collection by shogunate. So it’s his gaffe, not Morgan’s. (Morgan does list seven Japanese clans that would have had tantō, the short dagger a samurai wears with his katana.)

    Minamoto: Minamoto no Yoritomo founded the Kamakura shogunate, which ruled from 1185 to 1333
    Taira: Clan founded in 825. Big part of the Genpei War (1180–85), which ended with the dissolution of the Taira and the founding of the Kamakura shogunate.
    Tōdō: Clan founded in 1585.
    Ashikaga: Ruling shogunate from 1336 to 1573.
    Oda: Perhaps refers to the Oda clan and its most important member, Oda Nobunaga (1534–82). One of the three great unifiers of Japan, he dissolved the Ashikaga shogunate in 1573.
    Tokugawa: This one we all know from Shōgun. Established by Tokugawa Ieyasu, the Tokugawa shogunate ruled from 1603 to 1868 and moved the country’s capital to Edo, now known as Tokyo.
    Takeda: Probably refers to Takeda Shingen, ruler of the Takeda clan from 1541 to 1573, during the late Sengoku period.

    Check back next week for more factoid fact-checking!

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    Bethy Squires

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  • Nexstar and Sinclair are bringing back Kimmel, but many viewers may have found alternatives while he was blacked out | Fortune

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    Nexstar joined Sinclair on Friday in calling off its Jimmy Kimmel boycott just days after ABC returned the comedian to late-night television. 

    Beginning Friday night, Jimmy Kimmel Live! will return to air on the ABC affiliates, which had preempted the show last week over remarks he made about Charlie Kirk’s assassination. 

    “As a local broadcaster, Nexstar remains committed to protecting the First Amendment while producing and airing local and national news that is fact-based and unbiased and, above all, broadcasting content that is in the best interest of the communities we serve,” a Nexstar statement said.  “We stand apart from cable television, monolithic streaming services, and national networks in our commitment–and obligation–to be stewards of the public airwaves.”

    Similarly, Sinclair issued a statement earlier on Friday reversing its decision to keep the comedian off its airwaves.

    It cited “feedback from viewers, advertisers, and community leaders representing a wide range of perspectives.”

    Sinclair had previously vowed not to put Kimmel back on air unless meetings were held with ABC to discuss the network’s “commitmentment to professionalism and accountability.”

    Those discussions are still ongoing, though ABC and Disney have not yet accepted any measures proposed by Sinclair, which included a network-wide independent ombudsman, per the company’s Friday release.

    The stand-down comes days after Kimmel’s first episode back on air had the highest ratings for a regularly scheduled episode in over a decade. His monologue at the top of the show ranged from the First Amendment and the Trump administration to Erica Kirk’s speech at her late husband’s memorial, garnering over 21 million views on YouTube in just a couple days—the most for a monologue in his show’s history.

    Kimmel’s comeback on Tuesday drew 6.3 million TV viewers, about four times the show’s average, despite nearly a quarter of ABC’s national reach blacking out his return episode. Sixty-six local stations owned by the ABC affiliates did not broadcast Jimmy Kimmel Live!, but this cost them a natural influx of viewership, and possibly some of their market, according to media experts.

    “Blackouts like this often highlight the strength of digital platforms,” Natalie Andreas, a communications professor at the University of Texas, told Fortune

    Instead of limiting reach, blackouts push viewers toward spaces like YouTube where content spreads faster, lingers longer, and attracts new audiences who may not have tuned in live, she said.

    Susan Keith, a professor in the Rutgers School of Communication and Information, told Fortune the blackouts can push viewers to seek—and easily find—Kimmel on their digital cable packages or YouTube if local stations didn’t air the show.

    “There’s this idea of public interest, necessity and convenience that over-the-air broadcast media were supposed to fulfill,” she said. “So if we all move to streaming services for content because (of) incidents like this one,” it trains viewers to seek media this way.

    Earlier this year, streaming overtook cable and broadcast as America’s most-watched form of TV, according to Nielsen data

    The FCC does not license TV or radio networks such as CBS, NBC, ABC or Fox, but rather individual stations that may air programming from these networks. But the shift to streaming has raised questions about what its continued role might be as viewers lean away from individual broadcast stations. 

    “I think this is an open question,” Keith said. “I think we don’t really know what to think about the ultimate usefulness of the FCC.”

    Fortune Global Forum returns Oct. 26–27, 2025 in Riyadh. CEOs and global leaders will gather for a dynamic, invitation-only event shaping the future of business. Apply for an invitation.

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    Nino Paoli

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  • Jimmy Kimmel Returns as Sinclair Ends Blackout After Backlash

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    After days of silence and mounting criticism, Sinclair ended its blackout and put Jimmy Kimmel Live! back on air for millions of ABC households.

    Jimmy Kimmel at the 96th Annual Oscars held at Dolby Theatre on March 10
    Credit: (Photo by Rich Polk/Variety via Getty Images)

    When loyal viewers tuned into Jimmy Kimmel Live! This week, many were met with an empty slot instead of the late-night host’s trademark monologues and celebrity appearances. For millions of households that are served by Nexstar and Sinclair Broadcast Group’s ABC affiliates, Kimmel simply vanished from the air.

    This disappearance wasn’t caused by a production hiccup or contract dispute. But rather, Sinclair quietly blacked out the show after Kimmel made comments about Donald Trump and the death of conservative activist Charlie Kirk – remarks critics labeled as insensitive, which sparked swift backlash. In a rare move, one of the nation’s largest broadcast networks indefinitely pulled the plug on the program that has aired for more than two decades now, triggering an outcry far beyond Kimmel’s fan base.

    The blackout of the show was trending across all social media platforms, with hashtags demanding Kimmel’s return trended for days. Maybe people accused Sinclair of crossing a dangerous line, arguing that private cooperation was deciding what millions of people could and could not watch. The FCC even signaled interest in reviewing that decision, mentioning concerns about free expression. 

    By Friday, after pulling the show, the pressure from the public was impossible to ignore. Sinclair announced it would reinstate Jimmy Kimmel Live! starting with Friday evening’s broadcast, ending the blackout and restoring the late-night staple to its regular slot on air.

    In a brief statement, the company framed the move as a resolution of “viewer concerns,” but offered little to no explanation for its initial decision.

    For Kimmel, the return marks a continuation of a 22-year run defined by political satire and cultural commentary. For viewers, it is proof that public pushback still has power and matters. But the blackout has also cracked open an unsettling debate – if one late-night host can be silenced, even briefly, what does that mean for the future of television in an age of polarizing and corporate influence?

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    Melissa Houston

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