Christian McBride had one question for the large crowd assembled before him on Day 1 of the 68th annual Monterey Jazz Festival:
“Whose idea was it to put me on after Gregory Porter?” remarked the gifted bassist, who was following the remarkable vocalist on the festival’s big Jimmy Lyons Stage on Friday at the Monterey County Fairgrounds. “I remember one time going on after Sharon Jones and the Dap Kings. It was wrong. It did not end well for me.”
Indeed, Porter was a tough act to follow, as he delighted the audience at this outdoor stage with a 75-minute set that was full of dynamic vocal work, winning personality and, in general, numerous reasons why this Sacramento-born artist — who was raised in Bakersfield — is considered one of the best in the game.
Porter’s high-flying set, no doubt, will be the one the most people will be talking about from Day 1 of the festival. Yet, McBride — one of the top instrumentalists and band leaders in all of jazz today — also delivered the goods during his own 75-minute set with his versatile band Ursa Major.
And, really, each of those great acts accounted for just two of a number of reasons why the 68th annual Monterey Jazz Festival — which was co-founded by music critic Ralph J. Gleason and radio DJ Jimmy Lyons in 1958 — got off to such a good start. Other artists that delivered winning Day 1 performances included saxophonist-vocalist Grace Kelly and Latin jazz pianist Alfredo Rodriguez.
Yet, we should be clear upfront about one thing:
Monterey Jazz remains, however, a festival in transition.
It’s still recovering from its pandemic woes and trying to find its footing in the post Tim Jackson-era, after the longtime artistic director stepped down from his position following the 2023 festival. Jackson’s position was quickly filled by acclaimed composer Darin Atwater, but that tenure proved to be very brief — with Atwater and Monterey Jazz parting ways after just one festival (2024).
Bruce Labadie, an extremely savvy booker known for his work with San Jose Jazz Summer Fest, the Mountain Winery, Villa Montalvo and too many other Bay Area arts organizations to mention, has since stepped in as interim artistic director and has done a superb job with what he’s had to work with.
Yet, that hasn’t stopped people from noting — and complaining — that the 2025 edition is a downsized version of the festival, with fewer sets of live music, fewer stages and fewer marquee names on the bill than what fans were accustomed to seeing prior to the pandemic.
And while all of that is true, it certainly hasn’t stopped both fans and artists from enjoying being back in Monterey.
“I love how y’all get down at the Monterey Jazz Festival,” remarked Grace Kelly, looking out at the crowd midway through her energetic set on the Dizzy’s Den stage on Day 1. “We’ve got people in cowboy hats dancing in the aisles”
Growing up as a musical prodigy, the 33-year-old artist has certainly performed at some impressive venues and big occasions over her still-young career. For starters, she performed at 2009 inauguration of President Barack Obama at age 16 and as a soloist with the Boston Pops — playing an original composition — at just 14. Since then, she’s played the Hollywood Bowl, spent time as a member of “The Late Show with Stephen Colbert” house band and released more than a dozen albums.
Yet, she was still thrilled to be making her debut in Monterey — at the longest continuously run jazz festival in the world — on Friday.
“Thank you everyone for coming out,” said Kelly, who proved to be an equally entertaining vocalist, saxophonist and frontwoman during her Monterey Jazz set. “It’s the start of a great weekend.”
Opening day would reach its crescendo — as McBride alluded to — with the performance by Porter, who was opening the festival’s main arena stage for this 68th edition.
Porter sounded brilliant as he melded jazz, pop, R&B, Motown and gospel into his own distinct vocal approach — one that has twice won him a Grammy in the best jazz vocal album category. He’d highlight both of those winning albums (2013’s “Liquid Spirit” and 2016’s “Take Me to the Alley”) during his set, while also taking time to tell stories and joke around with the crowd.
“It’s wonderful to look out on this crowd and see so much wisdom,” Porter said to a mixture of groans and guffaws from the crowd. “Hey, nobody is calling you old.”
The 2025 Monterey Jazz Festival is set to continue through Sunday. Fans can expect to see performances by supremely talented vocalists Ledisi and Dianne Reeves, as well as bluesmen J.C. Smith and Mr. Sipp, on Saturday. Sunday’s expected highlights include New Orleans favorites Trombone Shorty & Orleans Avenue and Latin jazz great Pete Escovedo.
For more information, visit montereyjazz.org.
Originally Published:
Jim Harrington
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