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  • Analysis: Trade deadline day makes some teams better now. Charlotte hopes to see future returns

    Analysis: Trade deadline day makes some teams better now. Charlotte hopes to see future returns

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    Oklahoma City got Gordon Hayward, Dallas got PJ Washington, Miami got Terry Rozier and Philadelphia wound up getting city native and Villanova alum Kyle Lowry following a buyout after he was traded.

    The Thunder, Mavericks, Heat and 76ers must feel good about that.

    The Charlotte Hornets should feel good as well — even though they were the team on the other end of all those transactions.

    It’s a natural inclination when the trade season in the NBA passes: Everyone feels compelled to decide which teams won and which teams lost. New York made some smart moves and surely believes it can now make a serious run in the Eastern Conference. Phoenix added depth and versatility. Boston found a way to perhaps upgrade its bench a bit.

    Thing is, the winner of the trade deadline might not be decided until someone hoists the Larry O’Brien in June. Or maybe, teams like the Hornets hope, it won’t be decided until 2026 or 2027. The only place they’re going when this season ends is the draft lottery. So, they did the prudent thing — they blew it up, as those in the roster-building business say, and started starting over once again. Time will tell if it works out, but seeds have clearly been planted.

    “It’s a different dynamic,” Hornets coach Steve Clifford said. “Look, not that they’re not meaningful games — they’re always meaningful — but it’s not like we’re two games out of the playoffs.”

    Credit to Clifford for saying that. Credit to the Hornets for evidently agreeing and looking to change it.

    Nobody knows how this will end in Charlotte; Michael Jordan just sold the team and when teams sell new ownership tends to want to bring in its own people to run things. One of those dominoes fell Monday, when general manager Mitch Kupchak transitioned to an advisory role. Clifford might go next. But it’s clear: new owners Rick Schnall and Gabe Plotkin aren’t waiting for the summer to start changing the roster — they did it now.

    Here’s basically what Charlotte ended up with after trade season: Seth Curry (wearing the No. 30 jersey that his father Dell did in Charlotte; think a few Hornets fans might buy that now?), Grant Williams, Davis Bertans, Tre Mann, Vasilije Micic (a rookie who only had career-bests of 18 points and nine assists in his Charlotte debut), two first-round picks, two second-round picks and salary cap space.

    That’s almost as many assets as they have wins this season. An added bonus: Not only is Curry, Steph Curry’s brother, a native of Charlotte from his father’s playing time there — “it’s a dream come true as a dad,” said Dell Curry, now one of the team’s broadcasters — but Williams is as well.

    Curry said all the right things. He’s thrilled to be back, thrilled to be around Duke again, thrilled to have a chance to eat a little bit of Bojangles food (if you’ve been to Charlotte, you understand). Same goes for Williams.

    “It’s kind of funny that it happened this way, because it allows you to be a part of something that can be built from the ground up,” Williams said. “New ownership, new team, a bunch of guys who are young and talented, a chance to build something special here in the city. … Coming home is a really unique opportunity and I’ve got to take full advantage of it.”

    The Hornets have 29 games left in this season, which will be their seventh in the last eight years without a winning record and could finish as the second-worst in the city’s NBA history — only the unspeakably bad 2011-12 team that finished 7-59 was worse.

    Whatever. This season no longer matters from a won-lost perspective. Charlotte had high hopes entering the season and won on opening night with this lineup: LaMelo Ball, Mark Williams, Hayward, Washington and Rozier. Ball and Williams have been hurt for most of the season. Hayward was too, and now he, Washington and Rozier are gone.

    So, these last 29 games are a building block to the summer and to figure out what could be next season, and the season after that, and the season after that. The Hornets think Brandon Miller — the No. 2 pick behind Victor Wembanyama in next year’s draft — will be a star. They have Ball; he’s already been an All-Star.

    There are good pieces on the roster, most of whom are under contract for at least next season and in many cases beyond. There will be cap space. Miles Bridges will be a free agent this summer and he and Charlotte have decisions to make.

    What they did at the trade deadline won’t matter much this year. But down the road, it sure might.

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    Tim Reynolds is a national basketball writer for The Associated Press. Write to him at treynolds(at)ap.org

    ___

    AP NBA: https://apnews.com/hub/nba

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    TIM REYNOLDS

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  • WA bill would add explicit ‘deepfakes’ to child pornography laws

    WA bill would add explicit ‘deepfakes’ to child pornography laws

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    Under current Washington law, though, if someone’s face is used to make pornographic content without their consent, the victim has no legal recourse. 

    “If you have sexually explicit conduct, the law prohibits people from using or sharing that,” said Russell Brown, executive director of the Washington Association of Prosecuting Attorneys. “But if you take and modify it using a real person’s face, putting that on sexually explicit conduct, there’s a loophole there.”

    A proposed bill in the Washington Legislature, House Bill 1999, would address this loophole. It would expand criminal penalties under current child pornography laws to include instances in which an identifiable minor’s image was used to digitally fabricate explicit content. The bill would also provide a civil cause of action for adult victims by expanding the Uniform Civil Remedies for the Unauthorized Disclosure of Intimate Images Act.

    Though the bill addresses only deepfakes in which the victim is identifiable, Prime Sponsor Tina Orwall, D-Des Moines, says she can see potential for expansion to include non-identifiable victims. 

    “I think that’s gonna take work at the state and federal level,” Orwall said. “I felt like the first step was to build on people that are being harmed that are identifiable.”

    The topic has been in the news recently after Taylor Swift became the subject of sexually explicit deepfakes that circulated across social media, placing this issue in the national spotlight. The Guardian reported that it was her fans who forced social media companies to take the fakes down, rather than any government agency.

    Since its emergence in late 2017, deepfake content has grown at a startling rate. Sensity AI, formerly known as Deeptrace, a security firm that provides deepfake tracking technology to other companies, says it has found that the number of deepfake videos online has roughly doubled every six months between 2018 and 2020, with more than 85,000 such videos online as of 2020. The company says that the technology is being used primarily to create sexually explicit content. The company reported in 2019 that it found that 96% of deepfake videos online are pornographic, with the vast majority targeting high-profile celebrities. 

    Orwall said she’s prioritized supporting survivors of sexual assault in her work, and was the prime sponsor of the 2023 bill that established civil causes of action for victims of nonconsensual disclosure of intimate images, also commonly known as revenge porn.

    Orwall said she began to focus on the issue of fabricated intimate images after learning about it at a workgroup at the White House.

    “I think it’s just becoming a bigger issue, we’re seeing more of it and it’s just so damaging,” Orwall said. “This is a form of sexual abuse, it truly is.”

    According to the New York Institute of Technology, the most common form of deepfake is face swapping, when AI is used to convincingly superimpose a face onto another body. This type of deepfake is commonly used to create sexually explicit content of someone without their consent, like what happened to Caroline Mullet’s friends. 

    “Everyone was just kind of upset, they felt like they had been violated,” Sen. Mullet said of the incident at his daughter’s high school. 

    As AI technology has rapidly become more sophisticated, deepfake creation has become easier. In their analysis of deepfake creation on the messaging platform Telegram, Sensity found users have the ability to generate “stripped” images at no cost, with the option of paying roughly $1.50 to remove an image’s watermark. As of July 2020, Sensity reported that Telegram had over 103,000 members across seven channels. 

    When someone becomes the subject of deepfake porn, the consequences can be severe, regardless of whether the image is digitally altered. Research on the emotional impact of revenge porn published in the Journal of Feminist Criminology showed that victims suffer PTSD, anxiety, depression, suicidal thoughts and other mental health impacts similar to those resulting from sexual assault. 

    Proponents of this bill hope to discourage the creation of this content and ease victims’ suffering by providing a means for legal recourse. 

    “This is our opportunity to give survivors really a path to justice, but also make a clear statement that these are harmful and damaging and we really don’t want to tolerate this in our state,” Orwall said in the Jan. 29 hearing. 

    Brown, of the Washington Association of Prosecuting Attorneys, is involved in a workgroup for this bill. Brown says some people have raised concerns regarding whether the bill would infringe upon free speech.

    In 2002, the U.S. Supreme Court ruled in Ashcroft v. The Free Speech Coalition that parts of the 1996 Child Pornography Prevention Act prohibiting sexually explicit computer-generated images of nonexistent children were overbroad and infringed on freedom of speech. 

    In other words, while the Constitution does not protect child pornography, simulated or artistic representations of minors involved in sexually explicit scenarios are still legal under free speech laws. 

    “So the question becomes what happens if you merge the two?” Brown said. 

    According to Brown, HB 1999 is distinguished from Ashcroft because deepfakes involve the faces of real people who exist and not AI inventions of nonexistent people. “The more you make it look like, and the more it is like an actual image … that doesn’t hold the same protection because you’re using an actual person,” Brown said. 

    Brown said the bill’s workgroup will continue to address concerns surrounding free speech and intellectual property as the session progresses. 

    The group has also been considering questions posed by representatives from technology and media industries, which use this type of AI technology to alter images for things such as body doubles in movies. 

    However, bill supporters say that these industries likely won’t be impacted because the language is specific in targeting only sexually explicit altered images that are meant to do harm and in which the victim is identifiable. 

    “I think sometimes they look at a portion of the bill, and we’re like, ‘You gotta look at the bigger context,’” Orwall said. 

    Supporters of the bill say that everyone should have a legal avenue to protect their own faces from being used without their consent in pornography.

    “If we see someone like Taylor Swift impacted … it almost makes it more intimidating and sad for someone who feels like they have no path for justice,” Orwall said. “We don’t want to see anyone harmed; we don’t want to see one of the most important role models of this generation harmed either.” 

    At least 10 states, including New York, California and Texas, have laws against deepfake pornography. If enacted, Washington would join this wave of legislative action, responding to increasing demands for heightened safeguards against artificial intelligence.

    HB 1999 has passed out of the House and will now begin moving through the Senate. 

    “AI is something that seems like it’s quickly escalating, and so I think we would really like to see something move this year,” Orwall said. “For me, it’s standing up for survivors and just making sure they’re not harmed, and they feel they have some kind of recourse.”



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    Scarlet Hansen

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  • The Pacific coast’s native Olympia oyster is making a comeback

    The Pacific coast’s native Olympia oyster is making a comeback

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    There may be no intentional deception at work, but if you’re anything like me, you must be disappointed to discover another hitch in your quest to do right by the ocean: eating locally caught, native seafood, preferably shellfish because their carbon footprint is low. Japanese oysters? Locally raised, yes. But this introduced species has spread so easily and become so common that you can find them rooted in places where no one has deliberately planted them. Our appetites have fueled this alien invasion. It is only on rare occasions at certain bougie establishments that you might encounter the much-smaller Olympia oyster (Ostrea lurida) on the menu, a Proustian remembrance with its miserly portion of meat and coppery taste.

    Olys were once the Pacific oyster. They were sold in seafood markets up and down the West Coast in the late 19th and early 20th centuries. Coastal development, overharvesting and polluting industries, mostly wood-pulp mills, resulted in the decline of their populations and their near-total erasure from the public consciousness. One study from 2011 describes them as being functionally extinct across most of the Pacific coast.

    They aren’t unusual in that regard: Scientists estimate that 85 percent of native oyster reefs around the world have been lost. But while efforts to protect and restore Atlantic oysters in the United States have received massive popular and federal support along the Gulf of Mexico and the East Coast, the fate of the Olys — a species that ranges from the middle of Baja California to northern British Columbia — has been left in the hands of a few determined zealots.

    And you pretty much have to be a zealot to love an oyster. Just about anyone can fall for a whale. A select few might grow fond of an octopus. An oyster, immobile and nearly brainless, is hardly even an animal, despite what the taxonomists tell us. Some plants possess more personality: They sport showy flowers, fuzzy leaves, colorful fruits. They grow and change with the seasons, luring in pollinators and herbivores. Loving an oyster is like loving a rock. And a person who advertises their love of Olys is like that insufferable friend who rides around town on a fixed-gear bicycle and listens to bands you can’t stream on Spotify.

    But also, that friend sometimes has a point. There’s a whole world out there that you and I might benefit from knowing a little more about.

    Last fall, my editor suggested I spend some time with the zealots, starting with an afternoon symposium on Olympia oysters taking place at the annual meeting of the Western Society of Naturalists. Several dozen experts, representing 3,000 kilometers of coastline, packed into a conference room at a beachside hotel in Southern California.

    One graduate student had used a special sensor to measure the heartbeat of an oyster in situ. Another had staked GoPro cameras into the shallows to see what kind of fish frequented an oyster bed. At one point, a group of marine biologists decamped from the festivities, crossed a four-lane road, and were delighted to confirm the presence of a few isolated urban Olys amid the sailboats moored at a harbor behind a residential development.

    “There’s still a strong belief that there weren’t any here,” says Danielle Zacherl, an ecologist at California State University – Fullerton, referring to the Olys’ range in Southern California.

    These researchers are all conducting objective, rigorous science. But it’s clear they’re also gunning for a particular outcome: proving to their families, their friends and the rest of the world that the invertebrate indie band they care so much about is worth the trouble.

    “This species has a PR problem for sure,” admits April Ridlon, past coordinator of the Native Olympia Oyster Collaborative and now with the Monterey Bay Aquarium. “I think it’s hard for people to envision that these things are even alive.” At the very least, she says, we need to know what we will lose if these oysters vanish and what we might gain if we succeed in bringing them back.


    When oyster populations are healthy, they spread billions of microscopic larvae that drift and sway with the currents before rooting themselves on terra firma, where they clean the water of detritus — including algae that they magically transform into sumptuous, edible protein. Like beavers or termites, they are ecosystem engineers, shaping the habitat where they live.

    The Atlantic oyster, for instance, builds reefs off the coast that are over a meter in height and contain millions of individuals that, collectively, defend the shore from storm surges and erosion. Just one of those oysters can filter nearly 60 liters per day — 200 liters in ideal conditions—providing the clear water that allows aquatic plants to grow and creating a nursery for young fish, crabs and other marine species.

    I could go on and on about the benefits of oysters, but a better way to develop an aficionado’s appreciation for “oysterhood” might be through the lens of a microscope. Like many marine invertebrates, oysters start their lives as tiny, mobile larvae that experience the vastness of the underwater world with the help of chemical sensors and a single pigmented eyespot. “Those two weeks are his one taste of vagabondage, of devil-may-care free roaming,” M. F. K. Fisher wrote in her classic book, Consider the Oyster.

    During a visit to the Moss Landing Marine Laboratories near Monterey, California, in early 2023, I lean in and watch these hyperactive critters use their cilia to zip around and bounce off each other like bumper cars. My hosts, a group of marine biologists raising Olys in captivity, tell me that the moment a larva settles on a surface, he will never move again. (And it is a he, as most oysters begin life as a male and later switch sexes.)

    At this point in their lives, the Olys, like all oysters, do us a favor. They become spat, a tiny version of their adult selves, less cute but more appetizing. To feed, they crack open their shells and use the abundant cilia on their gills to power the flow of water, capturing particles as they pass by and growing larger day by day. A “free gift from bounteous nature” is how one early 20th-century oyster partisan put it.

    Judging from the piles of shells they left behind, tribes along the Pacific coast agreed: They took advantage of this bounty beginning at least 6,000 years ago. Once the Europeans arrived, they too sang its praises. “This oyster is very palatable … what there is of it, which is not much, and a sufficient number of them make an excellent stew,” wrote one gourmand in 1891.

    The West Coast oyster industry took off in the tidal bays and inlets in central and southern Puget Sound in Washington, where you had only to look for Indigenous dwellings to know where oyster beds lay. Indigenous people sold the bivalves to the newcomers for about 25 cents a basket, according to Earl Steele’s 1957 book, The Rise and Decline of the Olympia Oyster.

    “‘Chief Seattle’ became quite a famous personage as he peddled his oysters around the streets and markets of the city dressed in Indian blankets and feathered head gear,” Steele wrote.

    White settlers often married Indigenous women in order to enter the business. After Washington became a state in 1889, the legislature passed laws allowing citizens to lay claim to tidelands for the cultivation of oysters. State maps show that many of the first claimants were Indigenous people with names like Mud Bay Tom and Olympia Jim. There was only so much natural habitat with just the right conditions for oysters, and oystermen built dikes to augment their numbers.

    Washington’s capital, Olympia, naturally became the heart of the oyster industry, giving the bivalves their common name. Whole oysters were loaded into “two-bushel” burlap sacks, weighing about 50 kilograms and containing enough meat to fill around 30 tin cans. By the mid-1920s, production in Puget Sound peaked at around 50,000 bushels per year. Much of it was shipped south to California.

    Although San Francisco Bay had its own Olys, they were evidently only half the size of those up north. They were prized not so much for their meat but for their shells, which were loaded onto schooners to be used in garden walks or ground up as calcium-rich feed for egg-laying chickens. In fact, they proved to be something of a pest to the local oystermen, who were trying to raise the larger, more desirable Atlantic oyster in the tidelands.

    “So closely do these indigenous oysters crowd upon the shells of the large species that when a heap of the latter have been cleaned for market the accumulated parasites almost equal in bulk the edible species,” reads a fisheries report from that era.

    In 1926, Rainier Pulp & Paper Company was founded in Shelton, Washington, a small town on a finger of Puget Sound known as Oakland Bay. The company’s first mill took in leftover scraps from a nearby logging company and turned them into pulp for books and other paper products. Four years later, it had expanded to three mills on the Puget Sound shoreline and beyond, becoming one of the largest pulp producers in the country.

    Rainier’s rise over a 20-year period corresponded with a crash in the Olympia oyster industry. While 10 to 20 percent of mature oysters might have died in past years, that number was now as high as 30 to 50 percent and higher, according to Steele. The industry’s value had declined by more than half, and many began to suspect that Rayonier — as the pulp producer had renamed itself — was the source of their problems. Tempers were ignited. Lawsuits were filed. Studies were conducted.

    In January 1943, the US Fish and Wildlife Service began the most comprehensive investigation to date into the decline of Olys in the Pacific Northwest. A researcher named Theron Odlaug set up a series of tanks with captive oysters. Some of the tanks had pure seawater, while others were exposed to varying concentrations of sulfite liquor, a pollutant from the pulp industry. Odlaug glued a kind of apron to each oyster so that he could measure the rate at which they were siphoning water over two months while also documenting the periods when they opened and closed their shells. The oysters in pure seawater kept their shells open most of the time, happily siphoning water at a relatively continuous rate. Those in the polluted water, however, seemed to recoil with each pulse of noxious water, opening and closing their shells again and again to see if the situation would ever improve.

    When Odlaug stopped one experiment and examined one of the oysters in the polluted water, Oyster No. 41, he noticed that he could wiggle the two halves of the shell—as though its closing muscles had grown weak. When he opened it up and looked at the body and gills, it was not translucent and creamy like a healthy oyster but brown and mushy. Another oyster, Oyster No. 31, had “soft and flabby” muscles, while Oyster No. 43 stopped pumping for eight straight days, leaving its gills “shrunken and brown.”

    By 1955, Olympia oyster production in Puget Sound had declined to 3,500 bushels per year, and the hardier Japanese oyster was brought in to replace them. Oly numbers also crashed in smaller estuaries in Oregon and California that were diked, dammed and otherwise modified as the rapidly growing human population overran the coastline. Steele, secretary of the Olympia Oyster Growers Association for 35 years, wrote that the Olympia oyster industry was ailing due to the pulp mills. “It is, at this writing, on its death bed, unless the knife that is stabbing at its heart can be removed,” he wrote. “Those who love the Olympia Oyster, and who grew it still have hope.”


    Everyone, or at least every Oly fan I speak to, tells me that if I want to know what hope looks like, I need to talk to Betsy Peabody, executive director of the Puget Sound Restoration Fund. In August 2000 she launched the first large-scale effort to restore Olys to the landscape. That project in Liberty Bay, Washington, began by hand and eventually expanded with the help of a barge and fire hose that dumped hundreds of cubic meters of oyster shell on an area of rocky tideland about the size of a soccer field. Over the next 20 years, her organization spent several million U.S. dollars on the effort, which now covers more than seven hectares.

    Peabody tells me her life story: visiting the mangroves and coral reefs in Australia as a child, scuba-diving off the Florida Keys as a teenager, and studying literature in college before eventually moving to Washington. She was taken in by the idea that oysters, like plants or coral reefs, provide an organizing structure to the marine world simply by virtue of their existence. To see their beauty, she says, she needed to think beyond a single oyster and envision their collective impact.

    “That is such a powerful thing,” she says. “I want for Olympia oysters to be a living presence along the West Coast as they have always been since the retreat of the glaciers.”

    Some of the most persuasive arguments for restoring oysters around the world often come down to their benefits to both people and the ecosystem. For Olympia oysters, one challenge is the perception that they never played a major role in coastal ecosystems. Unlike the substantial reef mounds of the Atlantic oysters that are visible from space, Olys mostly stitch themselves together into smaller, low-lying mats. That doesn’t mean they aren’t creating habitat for other species — they are, just on a smaller scale. As for their clean-water benefits, Olympia oysters do filter the water, though admittedly no more efficiently than the non-native Japanese oysters.

    One of the most persuasive reasons to restore Olys is that they belong here, and bringing them back isn’t like resurrecting the Tasmanian tiger or the woolly mammoth. Although Oly populations are undoubtedly lower than they once were, they are still hanging on in most parts of their range. They just need a helping hand — typically, a better substrate for their spat to settle on to increase survivorship.

    Over the past decade, at least 39 Olympia oyster restoration projects have gotten off the ground, according to the Native Olympia Oyster Collaborative. That’s an increase from the 24 projects launched the previous decade. Most of these projects are small efforts, costing a few hundred thousand dollars and covering less than a hectare. But they are making a difference: Most of the projects that kept track of oyster numbers and densities over time have reported success.

    One of the places where restoration hasn’t been so quick or easy is Elkhorn Slough, a couple of hours’ drive south of San Francisco. Surrounded by coast redwoods and strawberry fields, the waterway wends its way along the base of the coastal hills and opens up into Monterey Bay.

    The wetlands were once an abundant source of oysters. In the 1800s, San Franciscans would periodically come out to harvest them. But the building of levees, including one to support railroad tracks, reduced some of the tidal flow, and by the early 1900s, landowners had filled in the marsh wherever they could to expand grazing land for dairy farming and crops. The mud has since become so deep and the sediment flow so goopy that anything placed in the slough gets quickly buried. There are now so few oysters here that they fail to breed in most years.

    Kerstin Wasson, research coordinator of the Elkhorn Slough National Estuarine Research Reserve, measures recruitment by setting out saucer-sized ceramic tiles from Home Depot and checking them for any settlement. Last year, out of 50 tiles, Wasson found a single oyster. “That’s pretty typical,” she says. Other sites on the central California coast — Tomales Bay, north of San Francisco, for instance — are also among those where oysters are most at risk of disappearing. And a modest oyster population at Point Mugu, near Malibu, is probably at risk, too. If restoration fails at Elkhorn, there will be a 600-kilometer gap between the populations in Southern California and those to the north.

    I meet Wasson at the reserve during an oyster restoration event I’m joining, along with around a dozen volunteers from the local community. Wasson’s team has filled two family-sized coolers with juvenile Olympia oysters — the offspring of adults collected from the estuary years earlier. They have been reared at the nearby Moss Landing Marine Laboratories and allowed to settle on shells and tiles. In 2017, after more than 15 years working at Elkhorn Slough, Wasson launched a hatchery program as a last resort to boost the Oly population. It requires growing algae in sterile bioreactors for the captive oysters and feeding it to them multiple times a day — a labor-intensive process.

    Many marine species commonly breed in late spring and summer, when the algae at the bottom of the food chain are most abundant, giving their young ones the best chance of success. In captivity, aquaculturists coax Olys to reproduce by gradually warming the water, but it’s tricky. The oysters’ habit of switching back and forth between the sexes multiple times in their lives is a constant frustration to their captors, who need to make sure there are always enough males in each tank. During their male phase, Olympia oysters breed by broadcasting millions of sperm into the water, and they have to be relatively close to females — about a meter — for fertilization to take place. Unlike Atlantic oysters, which release their eggs during spawning, Olympia oysters are brooders, keeping fertilized eggs inside their shells for one to two weeks of development before releasing them.

    The hatchery experts at Moss Landing, led by an Australian named Luke Gardner, have borrowed some techniques from commercial growers. One of the key differences is that commercial growers are trying to raise individual oysters that diners think will look good on a bed of crushed ice. Conservationists, on the other hand, want to grow clusters of shells. Such starter reefs have more staying power when they are placed directly in a watery environment. In their tanks, some of the oyster spat are allowed to settle on tiles, others on spent shells and others on long branches coated with an oyster-shell mimic, calcium carbonate, to attract the gregarious oysters. Wasson is still in the process of identifying the optimal method for restoration.

    At the slough, I watch the volunteers assemble oyster poles — roughly two-meter lengths of PVC with six shells or tiles dangling by a couple of zip ties from one end. The volunteers start by counting the number of oysters on each shell or tile. The counting is tricky for the untrained eye: One team tallies 29, but when the experts double-check, they identify about 47 little guys, all crammed together.

    “When they’re covered in slime, do we just count through the slime?” asks one volunteer.

    “I need professional help,” says another volunteer. “Is this one or two, or just bird shit?”

    After an hour of this, several dozen oyster poles have been assembled. Wasson heads out into the waist-deep water with her team and uses a rubber mallet to pound each pole partway into the mud one after another as if driving in fence posts. The oysters dangle just above the water’s surface. The group has just added over 6,000 juvenile oysters, doubling the estimated population in the slough. “My goal is to get a million oysters into this estuary,” Wasson says.

    It sounds absurd, considering that only half the oysters the volunteers have just put out will make it through their first year, but Wasson believes her goal can be reached over the next 10 years. Once the oysters reach a critical mass, they’ll no longer need her help. “A million is not like a Mars mission,” she adds.

    Wasson hands out her homemade chocolate chip cookies to the volunteers before they depart that afternoon. I head up the trail and back to my truck. I look back one last time. The tide will soon come in. One by one, those little oysters will crack their shells open and start cleaning the water as best as they can. They may not be much to look at, but they are our oysters, our Pacific oysters.

    Hakai Magazine, an online publication about science and society in coastal ecosystems, originally published this article on Jan. 9, 2024.

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    Brendan Borrell

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  • Suspect pulls knife during Tacoma robbery. This store owner scares him off with an even bigger one.

    Suspect pulls knife during Tacoma robbery. This store owner scares him off with an even bigger one.

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    A Tacoma convenience store owner defended himself using a machete during a robbery last week.

    TACOMA, Wash. — When a Tacoma convenience store owner was threatened with a knife during a robbery last week, he got the best of the suspect, defending himself with an even bigger knife.

    Tacoma Police Department officers responded to the Salena One Market near South 11th Street and South Yakima Avenue on Feb. 5 just before 8 p.m. for reports of a robbery.

    Naif Qatamin, who owns the Salena One Market, said the suspect pointed a knife at him and said, “Listen, this is a holdup.” The suspect allegedly demanded Qatamin open the till and give him money. 

    Qatamin recalled he replied, “I don’t think so, buddy,” before picking up a machete. Surveillance video from inside the store shows Qatamin waving the machete at the suspect.

    The owner said the robber fell backward, and he held the suspect with the machete to wait for police to arrive. 

    “I just want to scare him,” Qatamin said. “I don’t want to hurt him.”


    However, Qatamin’s wife came into the store, and Qatamin said “she was scared for [the suspect].” Qatamin’s wife got between him and the suspect, giving the suspect a chance to flee, the owner said.

    “He was lucky my wife pushed me away,” Qatamin said.

    Officers identified the suspect through witness interviews and surveillance footage. They tracked him down on Feb. 6 and arrested him.

    Qatamin said the suspect was released later that day and returned to the Salena One Market, threatening to rob and kill Qatamin. The owner said his son’s friends kept the suspect at the market until police arrived, and the suspect was arrested again. 

    The suspect was booked into the Pierce County jail on suspicion of first-degree robbery and felony harassment.

    Qatamin, who has owned the Salena One Market since 2009, said this isn’t the first time he’s been robbed but it is the first time he’s used the machete. 

    “It’s been here for years,” he said. “First time I ever touched it. I had to. I had no choice.”

     Watch: KING 5’s top stories on YouTube

    https://www.youtube.com/watch?v=videoseries

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  • Second suspect in organized retail theft ring busted by Bellevue Police appears in court

    Second suspect in organized retail theft ring busted by Bellevue Police appears in court

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    A second suspect faced a King County Judge connected to a series of organized retail thefts in Bellevue. 

    Benito Uriostegui was arraigned on Monday for two counts of organized retail theft in the first and second degree.

    Uriostegui, along with Jesus Delgado, and three other suspects were also charged for their involvement in the organized retail theft, according to the King County Prosecuting Attorney’s Office. Delgado appeared before a judge for his probable cause hearing last week.

    “Any time we have the opportunity to take these criminals off the street and interrupt their operation in our city or make it less attractive to come to Bellevue and engage in this activity, that’s a huge win for us,” said Major David Sanabria, with Bellevue Police Department. “It’s a high priority for our department.”

    Bellevue Police Department said Uriostegui and Delgado were two of the suspects who stole more than $17,000 worth of designer handbags and clothes from the Bellevue Square Nordstrom store on January 10 and 11. 

    “This is not a victimless crime,” said Sanabria.

    “No business should have to deal with that, large or small,” said Casey McNerthney, spokesperson for the prosecutor’s office. “It’s not only affecting businesses but driving up the costs for consumers.”

    Detectives said the two-day heist was planned out, from the different entrances the suspects used, to the routes they took throughout the store, and communicating with each other by cellphone. As they were ripping off the store, surveillance cameras got a good look at their faces to help investigators track them down.

    “Once we started to get some really good video and make some identifications based off video analysis and social media, we were able to start to put some names to faces. When we start to do that then it’s just a matter of time before we put them into custody,” said Sanabria.

    Uriostegui had been convicted 10 times before, in which seven convictions were for organized retail theft. 

    “There’s a trend here in organized retail theft,” said Judge Mark Larranaga addressing the court during Uriostegui’s arraignment. “We have long criminal history here.”

    Uriostegui’s defense attorney argued that he be released on electronic home monitoring, stating the allegations against him were “merely property crimes.” However, prosecutors countered, revealing to the court the suspect was already out on bond for a separate case for residential burglary and drive-by shooting when the January retail thefts occurred. Prosecutors also mentioned Uriostegui admitted to Bellevue detectives there was at least one gun at his home when he was arrested for the retail thefts.

    “He knows he’s not supposed to possess firearms, and he continues to do so,” said one prosecutor to the court.

    “We’ve got to show good reason why there’s a danger to the public or a likelihood that somebody is not going to show up to court. And we expressed both of those based off of the history we thought was appropriate for the court to know,” said McNerthney.

    Uriostegui is scheduled for his next pre-trial court proceedings on Feb. 29. Judge Larranaga ordered if Uriostegui bonds out of jail for this organized retail theft case, he will be required to be on electronic home monitoring. The remaining suspects charged are also scheduled for court later this month.

    The prosecutor’s office partners with regional and state task forces addressing organized retail theft in Washington. 

    “In recent years, we saw more than double the number of organized retail thefts charges by our office. And we’re still at a very high pace now and that’s because people think they can get away with these crimes and that’s just not the way it is,” said McNerthney. “I think there might be a misguided idea that you can get away with ripping people off, but when we have evidence to prove cases, we are going to bring those before the court.”

    Bellevue Police Department launched an organized retail theft task force in 2023. The task force has partnerships with stores throughout the city. The group hosts monthly meetings with business owners while detectives focus on addressing high-problem areas in Bellevue.

    “They have to review hours of video, and they have to look at a lot of social media, and they listen to jail calls, all sorts of things to kind of put together this picture, this really compelling case,” explained Sanabria. “And then at the end of the day, our folks want to put handcuffs on them and hold them accountable for coming into our city for doing this activity.”

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    Franque.Thompson@fox.com (Franque Thompson)

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  • Arizona Republicans challenge Biden’s designation of a national monument near the Grand Canyon

    Arizona Republicans challenge Biden’s designation of a national monument near the Grand Canyon

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    The Arizona Legislature’s top two Republicans have challenged Democratic President Joe Biden’s creation of a new national monument last summer just outside Grand Canyon National Park, alleging he exceeded his legal authority in making that designation under a century-old law that lets presidents protect sites considered historically or culturally important. In a lawsuit filed Monday against Biden, Arizona Senate President Warren Petersen and House Speaker Ben Toma alleged Biden’s decision to designate the new monument under the 1906 Antiquities Act wasn’t limited to preserving objects of historic or scientific value and isn’t confined to the “the smallest area compatible with the proper care and management of the objects to be protected.”

    The monument designation will help preserve 1,562 square miles (4,046 square kilometers) just to the north and south of Grand Canyon National Park. The monument, called Baaj Nwaavjo I’tah Kukveni, turned a decadeslong vision for Native American tribes and environmentalists into a reality. Republican lawmakers and the uranium mining industry that operates in the area had opposed the designation, touting the economic benefits for the region while arguing that the mining efforts are a matter of national security.

    “Biden’s maneuver is incredibly disingenuous, as it has nothing to do with protecting actual artifacts,” Petersen said in a statement. “Instead, it aims to halt all mining, ranching, and other local uses of federal lands that are critical to our energy independence from adversary foreign nations, our food supply and the strength of our economy.”

    The White House and the U.S. Department of the Interior declined to comment on the lawsuit.

    Mohave County and the northern Arizona communities of Colorado City and Fredonia also sued the Biden administration as part of the challenge.

    The lawsuit says Mohave County and Colorado City will see a loss of tax revenue due to reduced mining activity and that the land-use restrictions that come from a monument designation will reduce the value of surrounding land, including State Trust Land, which produces incomes that benefits Arizona’s public schools and other beneficiaries.

    The Interior Department, reacting to concerns over the risk of contaminating water, enacted a 20-year moratorium on the filing of new mining claims around the national park in 2012. No uranium mines are operating in Arizona, although the Pinyon Plain Mine, just south of Grand Canyon National Park, has been under development for years. Other claims are grandfathered in. The federal government has said nearly a dozen mines within the area that have been withdrawn from new mining claims could still potentially open. Just days after Biden made the designation in northern Arizona, a federal judge in Utah dismissed a lawsuit challenging the president’s restoration of two sprawling national monuments in the state that had been downsized by then-President Donald Trump.

    The judge said Biden acted within his authority when he issued proclamations restoring Bears Ears and Grand Staircase-Escalante National Monuments in 2021. Both monuments are on land sacred to many Native Americans.

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    JACQUES BILLEAUD

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  • Damo Suzuki, Vocalist for Krautrock Legends Can, Has Died

    Damo Suzuki, Vocalist for Krautrock Legends Can, Has Died

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    Kenji “Damo” Suzuki, the fearless, nomadic vocalist who chanced into fronting the greatest rock group of all time, Can, passed away on February 9 after a long battle with colon cancer. He was 74. 

    Born in Kobe, Japan, in 1950, Suzuki, moved to Europe as a budding musician in the late ’60s. One day while busking in Munich, Germany, Suzuki captured the attention of Can’s drummer Jaki Liebezeit and bassist Holger Czukay. They asked Damo to sing over some pieces they were recording for various films, which eventually appeared on the 1970 compilation Soundtracks. Check the chase-scene, pulse-pounder “Mother Sky” for an early glimpse into his shiver-inducing intonations.

    Suitably impressed by his distinctive timbres and range of emotions, Can enlisted Suzuki to sing on 1971’s Tago Mago, 1972’s Ege Bamyasi, and 1973’s Future Days—three of the most inventive and influential albums in the rock canon. Damo cemented his place in the pantheon with his outré, riveting performances on those classic records. He also animated four tracks on Can’s odds-and-ends collection Unlimited Edition and the mirthful, circus-funk non-LP B-side “Turtles Have Short Legs” and the low-lit, Afro-Latin shuffle “Shikako Maru Ten.”  

    Suzuki’s vocal style deviated from the more rhythmic and declamatory delivery of Can’s previous singer, the Black American sculptor Malcolm Mooney, and the instrumentalists adapted to accommodate Suzuki’s more hushed and unpredictable style. However, both Mooney and Suzuki were more Dadaist poets than conventional rock lyricists, and their spontaneous verbal playfulness perfectly complemented Can’s improvisational verve, in the studio and onstage.

    On Tago Mago, Damo navigated Can’s most extreme experimental excursions as well as some of their most straightforward rockers with a poise that toggled between sage and feral. Mostly a light and lithe presence amid the hard-driving, ominous rockers (“Paperhouse,” “Mushroom,” “Oh Yeah”), Suzuki flaunted his diabolical array of verbal tics and sinister chants on the mantric rhythm marathon “Halleluwah” and the free-form bafflers “Aumgn” and “Peking O.” On Tago Mago, he was often more a highly attuned method actor reacting to avant-garde studio sorcery than a typical rock frontman. Despite his slight build, Suzuki could wail with ferocity when the occasion demanded it, e.g., the “I’m gonna give my despair” line in “Mushroom,” about the horror of witnessing an atomic bomb explosion. 

    Ege Bamyasi found Can at their most concise and funky, as epitomized by the stutter-step funk bomb “Vitamin C,” a favorite of breakdancers worldwide, bolstered by Suzuki’s tour-de-force, murmur-to-a-scream microphone fiending. On “Pinch,” Damo’s like a welterweight boxer sparring with the weirdly angled funky beats. One of my favorite Suzuki flexes comes on “I’m So Green,” a slice of surf-funk sublimity that he slaloms with featherlight, sotto voce stealth. Pavement frontman Stephen Malkmus was so enraptured by this album, he released a full-on tribute to it with 2013’s Can’s Ege Bamyasi—which has become a collector’s item. The 21st-century British group Fujiya & Miyaki basically lifted their whispery vocal shtick from Suzuki’s dominant mode on Ege Bamyasi.

    On Future Days, Suzuki’s final album for Can and their last indisputable masterpiece, his voice is a silken cork bobbing amid the waves of Can’s oceanic rock. It is by far the most pacific and amniotic of the three Can LPs on which Suzuki appeared. The singer’s at his most melodic and beautiful here, even as he’s subsumed into the spume-y aquasonics guitarist Michael Karoli, keyboardist Irmin Schmidt, Czukay, and Liebezeit generate. 

    Suzuki departed from Can in 1973 and exited the music biz after becoming a Jehovah’s Witness. As phenomenal musicians as Can were, they would never equal the heights they achieved with Suzuki in the lineup.

    Damo returned to music in the mid ’80s as leader of his own group, Damo Suzuki’s Network. Rather than a traditional band, DSN was a rotating ensemble of simpatico players—invariably Can super-fans—corralled in each city that the peripatetic iconoclast visited. Ever-shifting and never-repeating, DSN jammed their way through cities (they cut an album titled Seattle in 1999) and countries, spreading salubrious energy and psychedelic wonderment wherever they went. 

    Damo was so monumental a figure that the Fall’s Mark E. Smith wrote one of his most anomalously brilliant songs about him, “I Am Damo Suzuki”—hero worship and unattainable wish-fulfillment in one tune. 

    The outpouring of love and respect for Suzuki—as both musician and individual—on social media was immediate and profuse. He was a true original who never compromised and touched millions of lives. This tribute on Twitter (I will never call it X) by David Stubbs, a British critic who wrote liner notes for various Can reissues and Future Days: Krautrock and the Building of Modern Germany, really captures Damo Suzuki’s specialness.



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    Dave Segal

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  • The ‘Ram’-ifications Of Breaking Your Own Rules (Yes, That’s a Paul McCartney Reference)

    The ‘Ram’-ifications Of Breaking Your Own Rules (Yes, That’s a Paul McCartney Reference)

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    There’s no reason that I should have spent so much time this past summer thinking about Paul and Linda McCartney. Or listening to Ram, the only record they created together before Wings officially took off. Ram is great—arguably the first whisper of indie-pop. It’s a record that beautifully combines thinly veiled insults aimed at John Lennon with prescient bedroom production that allows room for what all artists in their 30s want to do—declare grandiose plans to go off the grid, and noodle shamelessly on a riff for over five minutes.

    I was wondering on this record the same way Paul hammered on “Monkberry Moon Delight,” worrying its contradictions between my fingers like a locket that wouldn’t open. And it was all because I was breaking one of my big rules and falling in love with someone I had loved before.  

    I was terrified, so I turned to a familiar album for comfort. I returned to Ram as I was returning to a person. It felt right, circular, symmetrical. And I was right to be terrified—I fell in love all alone, floating like Chagall’s La Mariée through a dark blue familiar sky, a solo voyager utterly lost in a universe I thought I had already mapped. Then I was rejected. 

    It is strange to fall in love with someone you’ve loved and lost before—more of an exercise in dismantling your carefully managed plot points—and I made a rookie mistake early on. I thought I could keep things casual. I already knew things wouldn’t work. I was older and I knew better. 

    This is why I had The Rule. It’s why I returned to albums, but not boys. It’s why Ram was on repeat.

    Ram is a break-up album about the Beatles as much as it is a love letter to Linda and the life she and Paul would build on their little farm in the heart of the country before she passed away from cancer in 1998. Ram is an album written by a man who was swearing off his old life, all the while refusing to learn the age-old truth: everything changes, nothing remains, you cannot control who stays and who goes. He would learn that, because we all have to eventually.

    I never meant to make The Rule. Someone must have asked if I would ever date an ex, and I probably laughed and said “never” or “absolutely not” or something equally as self-assured. From that baseless, brazen confidence, I can carbon date this imaginary line in the sand to somewhere in my late twenties. That’s the age when we feel we know the most, when we’ve lived just enough to have some experience, but not enough to have learned life’s relentless disregard for narrative. 

    I believed the rule would protect me from falling for the same wrong person, from repeating mistakes and backsliding into comfort as I am wont to do. I rewatch shows and reread books and listen to the same albums on repeat. I thought I made the rule to protect myself from the insanity of trying the same thing over and over and expecting different results. 

    It just protected me from growing up. 

    Only after breaking this rule did I learn how impossible it was in the first place. It’s impossible to fall in love the same way twice. Time had done its work. I fell in love with the weight of a shared history behind me, without the blinding sheen of a blank slate. I fell in love with who they had become, made clearer because I had loved who they had been. A love evolved more than a love regenerated.

    We hold on to each other as characters so hard that we forget that the other person doesn’t just live in our head. My silly rule served a benign narcissism—it allowed me to grow and change and didn’t allow the other person to at all. 

    It’s all wrapped up in the idea that relationships can be gotten over, that you can truly ever wash your hands of a person when love twists threads of who we are with someone else like yarn. Love makes us adopt jokes, habits, worldviews. Loving someone helps us find our limits like puppies mouthing a hand until we bite too hard and learn what hurts. Love regenerates itself, spawning more of its terrible impulses until we go through a breakup, fall in love, move to the country, and write an album that can’t decide if it’s happy or sad, hopeful or defeated. 

    It’s the cosmos wrapped up in four letters, inspired by human beings. Maybe we don’t, and shouldn’t, ever get over anyone. Maybe to do that would cut us off from ourselves. 

    Maybe we actually can’t. Paul certainly couldn’t on Ram, he couldn’t even decide what the core of the album was. It’s his bitchy little, “See, I’m better off without you” to John, it’s the earnest outpouring of total gratitude to Linda who had picked him up off the ground and reminded him that he loved music after the Beatles dissolved into legal fights. It’s performative and personal. It’s blustering and vulnerable. It refuses to be aware of its own contradictions and depth and as a result is made deeper and more resonant. It is an album for when we are coming into adulthood and deciding that we are going to make hard and fast rules and never be made the fool again. 

    So I got my heart broken, and I realized I was made the fool. Not because I fell in love, but because I thought I could flatten it. I was brokenhearted, but everything felt bigger, better, more alive. I got to see the evolution in someone, I had grabbed a cosmic thread and didn’t try to thread it into a rigid pattern. 

    As I healed, the haze lifted, and winter closed in, I listened to a favorite album and heard it with new ears—love songs about making it up as you go, about letting go, about how silly and big life can get when we make room for all the people who can love us, hurt us, leave us, and come back new. 



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    Kathleen Tarrant

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  • Who sang the Black national anthem at the Super Bowl?

    Who sang the Black national anthem at the Super Bowl?

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    The song, first performed publicly to celebrate Abraham Lincoln’s birthday, is commonly known as the Black national anthem.

    LAS VEGAS — Famed soul singer Andra Day performed “Lift Every Voice and Sing,” more commonly known as the Black national anthem, at the start of Super Bowl LVIII. 

    Andra Day gave a stirring, gospel-flavored rendition of “Lift Every Voice and Sing,” a song that has become known as the Black national Anthem, before the teams took to the field for kickoff.

    Wearing a long beige shirt with matching pants, a gold crucifix and large hoop earrings, Day began the song slowly, almost mournfully. 

    But as the song picked up, she lifted the mic from its stand and — backed by six Black women as a chorus — raised her own voice to sing the later verses.

    The choir was made up of members of the Sainted Trap Choir, a Charlotte, North Carolina-based singing group. The group is set to perform in the finals of the reality competition show “America’s Got Talent: Fantasy League” Monday night. 

    Day told the AP during the week that she planned to calm her nerves with pregame prayers.

    Her performance was the first of three pre-game songs that traditionally kick off the Super Bowl. Reba McEntire is singing the national anthem, while Post Malone is performing “America the Beautiful.”

    Reba has been singing the “Star-Spangled Banner” for 50 years, including an anthem at the World Series. But when she sings it at the Super Bowl in just a few minutes it will be for the biggest audience of her epic career.

    She said she’s got a few nerves, but if past performances are any indication, she could sing one of the quickest anthems in Super Bowl history. Oddsmakers have put the over-under on her “Star-Spangled Banner” at 90.5 seconds. Last year Chris Stapleton went past the 2-minute mark

    Why is “Lift Every Voice and Sing” called the Black national anthem?

    “Lift Every Voice and Sing” is a hymn with lyrics written by James Weldon Johnson. The hymn is also known as “The Black National Anthem.”

    According to the NAACP, where Johnson served as executive secretary at the time the hymn was written, the song was “prominently used as a rallying cry during the Civil Rights Movement of the 1950s and 1960s.” 

    Johnson’s brother composed the music for the hymn, which was initially written as a poem.

    The organization said it was first performed in public by a choir of 500 schoolchildren from the segregated Stanton School in Jacksonville, Florida, where Johnson was principal. It was performed to celebrate President Abraham Lincoln’s birthday. 

    It became the official song of the NAACP in 1919.

    Despite its long history in Black culture, the song has only been featured at three Super Bowls before Super Bowl 58. It first debuted at the big game in 2021. 

    Who is singing “Lift Every Voice and Sing” this year?

    Andra Day, a famed musician known for her R&B and soul singing, performed the Black national anthem at the Super Bowl. 

    Since her musical debut in 2015, Day has earned several accolades, including a Grammy in 2021. 

    Day is also an acclaimed actress, starring as the iconic singer Billie Holiday in the biographical drama “The United States vs. Billie Holiday” in 2021. 

    Editor’s note: The initial version of this story said “Lift Every Voice and Sing” was written to celebrate Abraham Lincoln’s birthday. It was first performed publicly to celebrate Lincoln’s birthday. 



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  • Two arrested, third suspect sought in Edmonds car theft and home burglary

    Two arrested, third suspect sought in Edmonds car theft and home burglary

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    Two people are behind bars after allegedly stealing a car and then breaking into a home in Edmonds Saturday evening. Police tell FOX 13 they are still looking for a third suspect.

    Police initially alerted the public about the incident on X at 9:02 pm. The post stated that, “multiple suspects fled from a stolen vehicle and into an innocent person’s residence.”

    FOX 13 spoke with the homeowner off-camera.

    He asked not to be identified but said, “I immediately ran outside with my hands up. I didn’t have to call police because they were already there.”

    This all went down in the 8700 block of Main Street.

    After a few hours of calling for the suspects to come out of the home, police say both surrendered and were taken into custody.

    On Sunday, Edmonds police said they arrested a 45-year-old woman from Lakewood and a 28-year-old man from Spanaway. Both were booked for residential burglary and resisting arrest.

    Investigators said they are looking for a third suspect.

    “A 29-year-old female from Lakewood has been positively identified and charged will be referred for investigation of residential burglary,” said the police department on X. “She is also the primary suspect in a separate vehicle thefts that occurred overnight after the initial search concluded.”

    Suspects could face additional charges for possession of a stolen vehicle, according to police.

    This is a developing story, check back for updates.

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    Dave.Detling@fox.com (Dave Detling)

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  • The Boldt Decision’s impact on Indigenous rights, 50 years later

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    It was so significant in its affirmation of Native American fishing rights that it is known simply as “the Boldt Decision.”

    “Fifty years ago, many Nisqually families were struggling,” said Willie Frank III, chairman of the Nisqually Tribe and son of legendary fishing rights activist Billy Frank Jr., in a November opinion piece written for The Olympian. “The Boldt Decision made tribes equal partners with the state in salmon management and restoration.”

    Even half a century later, the decision, which had huge implications for the state’s commercial fishing industry, is still contentious.

    The roots of the decision start in the mid-1800s, when the Washington Territory’s first governor, Isaac Stevens, signed a series of treaties with 20 Indigenous nations that guaranteed their off-reservation fishing rights.

    That was fine with the white settlers, who were more interested in farming and logging than fishing.

    “The right of taking fish, at all usual and accustomed grounds and stations, is further secured to said Indians in common with all citizens of the Territory,” the treaties said.

    But over time, the number of settlers greatly increased and large commercial fishing operations developed. The catch of the tribes was much smaller than what commercial fishermen were taking. The state also started to impose regulations and fishing fees on the tribes, who eventually sought legal remedies.

    For decades, the issue remained unsettled. Eventually police arrests began for Native Americans fishing off their reservations. Actor Marlon Brando was arrested during a 1964 “fish-in,” a common method of Native American protest inspired by the Black civil rights movement.

    By the 1970s tribal fishermen were getting only about 5% of the available salmon harvest each year, according to the Puyallup Tribe. Incidents of violence broke out in fishing camps, as tribal members were assaulted and arrested by game wardens and local authorities who contended that the treaties confined Native Americans to fishing only on reservations.

    Native Americans disagreed.

    “Tribal fishers have exercised their rights to fish on ancestral waterways since time immemorial,” editors of the Puyallup Tribal News said in a recent editorial.

     

    The late Lorraine Loomis (Swinomish), who had been chair of the Northwest Indian Fisheries Commission, recalled, in a 2020 reflection on the Fish Wars, a key 1970 incident at a fish camp under the Puyallup River Bridge: State officials gassed and jailed some 60 tribal fishermen.

    The incident was witnessed by Stan Pitkin, at the time the U.S. Attorney for the Western District of Washington. He was so upset by what he saw that nine days later his office filed a lawsuit against the state of Washington.

    The bridge where the incident occurred is now called Fishing Wars Memorial Bridge.

    The non-jury trial was held in Tacoma in 1973 in Boldt’s courtroom.

    Boldt’s ruling upheld the validity and enforceability of the Stevens treaties of 1854-1856 to the current day, as well as the tribes’ right to take half of the available fish every year.

    “The Boldt Decision really stands for the proposition that the treaties are the law, and they have to be followed, even as the tribes and the world have changed. The treaties never ended at any point in time,” said Eric Eberhard, associate director of the University of Washington Native American Law Center. “The state took the position that the tribes only had the rights to obtain a license from the state and to fish within the limits set by the state.”

    While the lawsuit dealt with fishing rights, the Boldt Decision was more far-reaching in that it also affirmed the notion of tribal sovereignty. 

    The decision was subsequently upheld by the Ninth Circuit Court of Appeals. The U.S. Supreme Court initially declined to hear the case, essentially making it the law of the land.

    Native Americans rejoiced. 

    “We didn’t have any money. We didn’t have any expensive attorneys,” said Billy Frank Jr. in 2014 on the 40th anniversary of the decision. A member of the Nisqually Tribe who pushed in the 1960s and ’70s for Native fishing rights, Frank had been arrested more than 50 times for his efforts. After his death in 2014, Frank was posthumously awarded the Presidential Medal of Freedom by President Obama. He had been chairman of the Northwest Indian Fisheries Commission for more than 30 years.

    Commercial and sport fishermen were outraged by Boldt’s decision, and lashed out in protest. They drew crowds of supporters.

    Washington State Historian John Hughes said commercial and sport fishermen suffered big declines in business after the Boldt Decision. “They protested mightily that their livelihoods were greatly diminished,” Hughes said. “The fallout for the [non-Native] fishermen was profound.”

    Boldt, an Eisenhower appointee who died in 1984, was vilified.

    “I was burned in effigy,” he told The New York Times in 1979, adding that he faced an “enormous amount of condemnation.” Boldt told the newspaper he got “bales of mail,” often containing “loathsome material.”

    Hughes has written a new biography of the judge called “Lightning Boldt.” He recalled Boldt as “conservative looking, bald, bow-tied and upright.” It turned out the judge was something else. “He was a very complex man who knew the history of the issue,”  said Hughes, who attended two days of the trial in 1973 as a journalist.

    The decision was issued on Abraham Lincoln’s birthday, to honor Lincoln’s civil rights legacy, Hughes said.

    Even now, the issue is divisive. Hughes said he received calls from critics while researching the book asking if he was on the tribes’ payroll.

    The state initially refused to enforce Boldt’s order, so Boldt took control of the fishery and tasked the Coast Guard and other federal agencies with enforcing his rulings. In 1979, the U.S. Supreme Court rejected continuing attacks on his decision, essentially settling the issue for good.

    The Washington Attorney General at the time, Slade Gorton, argued the case against the Native American claims. Gorton, later a U.S. senator, insisted the decision granted Native Americans special rights in violation of the equal protection clause of the Constitution.

    “The 14th Amendment mandates that no person shall be deprived of the equal protection of the laws by reason of race,” Gorton, who died in 2020, said in arguments. “In the Boldt Decision, the Supreme Court had to distort the plain meaning of the Stevens treaties, which gave the Indians equal rights to fish, not 50%.”

    Since the original Boldt Decision, litigation has continued for 49 years to define which fish are included — such as shellfish — and what constitutes tribal rights under the treaties. 

    Salmon fishing now is controlled by the Puget Sound Salmon Management Plan of 1985, developed by the state and Native nations, though some issues, such as protecting fish ecosystems, are still under debate.

    The nations are also concerned over water quality and whether the fish are ill and dying due to water pollution.

    “The salmon fishery is not doing well, and there’s real concern among the tribes that the fish could be headed toward extinction if more is not done to protect the fish and to restore their habitat,” Eberhard said.

    But the past five decades have seen a dramatic improvement in the lives of the tribes, Willie Frank said. The Nisqually have built two major hatcheries to provide salmon for harvest, as well as a community center and housing for tribal members.

    “Fifty years ago the tribe had minimal government infrastructure,” Frank said. “Currently the Nisqually Tribe has well over 2,000 employees, which has quite a substantial impact on our local economy.

    “For Nisqually people, it’s a good time to be alive,” Frank said.

    Debates continue

    But the fight to save salmon continues. This time the enemy is environmental damage.

    “Fifty years later, concerns about declining fish populations persist due to environmental challenges such as warming waters, rising sea levels and pollution,” the Puyallup Tribal News editorial said.

    An increasing population of seals and sea lions is also a threat, the piece added.

    Puget Sound Chinook have been listed as threatened since 1999, and numbers remain low.

    By the time Boldt ruled, salmon runs had already greatly declined from their historical highs, Hughes said, in part because of construction of giant hydroelectric dams in the Northwest that cut off spawning grounds.

    Even now, Native nations, public utilities and other governmental bodies fight over efforts to remove four dams on the Snake River in Washington that are blamed for reducing Columbia River salmon runs, Hughes noted.

    “Replenishing the resource is the name of the game,” Hughes said.

    Loomis — who was chair of the Northwest Indian Fisheries Commission, an organization comprising the 20 Native nations involved in the Boldt Decision to help with fish and resource management, from 2014 to her death in 2021 — said it is important to save the salmon.

    “Fifty percent of nothing is nothing,” Loomis said in a 2020 reflection piece posted in publication Northwest Treaty Tribes, “and that is the direction that salmon are heading.

    “It might take another 50 years or more to achieve salmon recovery, but we will get there,” Loomis said. “We will never stop fighting for the health of our cultures, communities and natural resources.”



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    Nicholas K. Geranios

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  • New Mexico officer killed in stabbing before suspect is shot and killed by witness, police say

    New Mexico officer killed in stabbing before suspect is shot and killed by witness, police say

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    LAS CRUCES, N.M. (AP) — A New Mexico police officer died after he was stabbed by a suspect, who was shot and killed by a witness to the attack on Sunday evening, police said.

    Las Cruces Patrol Officer Jonah Hernandez was stabbed at least once shortly before 5 p.m. after responding to a report of a trespasser on South Valley Drive, the Las Cruces Police Department said in a statement posted on social media.

    A witness to the attack used the officer’s police radio to call for help after the stabbing, but Hernandez died after he was transported to MountainView Regional Medical Center in Las Cruces, police said.

    The suspect, a 29-year-old man, was believed to have been shot and killed by the same witness, according to police, who did not release the suspect’s identity pending notification of his next of kin.

    Hernandez was a former resident of El Paso, Texas, who had served with the Las Cruces police for two years, the statement said.

    The Las Cruces police said additional information will be shared later in the week.

    Las Cruces is located about 223 miles (359 kilometers) south of Albuquerque, New Mexico, and 46 miles (74 kilometers) northwest of El Paso, Texas.

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    The Associated Press

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  • Super Bowl 2024: Updates as 49ers take on Chiefs

    Super Bowl 2024: Updates as 49ers take on Chiefs

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    The game is a rematch of the Super Bowl four years ago in Miami.

    LAS VEGAS — Super Bowl 58 has kicked off off in Las Vegas, with the San Francisco 49ers taking on the Kansas City Chiefs in one of the biggest sporting events of the year. 

    Here are the latest updates. Check back frequently for the latest from the game. 

    The Chiefs are on the board with a 28-yard field goal from Harrison Butker with 20 seconds left before halftime.

    The 49ers have done a nice job on Travis Kelce so far — even in the red zone, where he and the Chiefs are often so effective.

    Kelce only has one catch for 1 yard on the day. On that last third down from the San Francisco 9, he lined up in the slot and was covered by safety Ji’Ayir Brown. Kelce appeared to swing an arm in frustration when Patrick Mahomes was taken down before being able to throw.

    The San Francisco 49ers got tricky for the first touchdown of the Super Bowl.

    Coach Kyle Shanahan dialed up a rare trick play that led to a TD pass from receiver Jauan Jennings to running back Christian McCaffrey.

    Brock Purdy started the play with a lateral to the left side to Jennings, who immediately threw it back to the other side to McCaffrey, who had a convoy of blockers and ran in for a 21-yard TD to put San Francisco up 10-0.

    McCaffrey has tied an NFL record with his seventh straight playoff game with at least 50 yards from scrimmage and a TD.

    San Francisco has moved to a 7 1/2-point favorite on FanDuel’s live line after the spread was a good bit closer at the start of the game.

    Taylor Swift chugs a drink, draws big applause

    There has been plenty of Taylor Swift on the big screens of Allegiant Stadium, and during the last timeout, cameras caught her in a race to chug what appeared to be a beer in her suite.

    Swift was the first to finish, and she triumphantly slammed the cup down as the video cut away to other fans. But not before an appreciative roar rippled through the stadium.

    If only the Chiefs were able to move the ball as successfully as she downed her drink. Their offense has gone nowhere in the first half of their Super Bowl showdown with the 49ers.

    ‘Bennifer’ is back for Super Bowl ad

    “Bennifer” has teamed up with Dunkin for a second Super Bowl in a row.

    In an ad for the Massachusetts-based chain, Ben Affleck enlists Matt Damon, Tom Brady and more to visit Jennifer Lopez at work and give a “DunKings” performance full of Boston pride. Rappers Jack Harlow and Fat Joe also make an appearance in the celebrity-filled commercial.

    49ers linebacker Dre Greenlaw was carted to the locker room midway through the second quarter after injuring his left Achilles tendon in a bizarre moment.

    He began to sprint onto the field for the start of a defensive possession when he stumbled, fell and needed medical attention.

    Greenlaw already had made an impact in this game with three tackles when he went out.

    Travis Kelce bumped into coach Andy Reid and yelled at him after teammate Isiah Pacheco’s red-zone fumble in the second quarter. Frustration is clearly building for KC, which still trails 3-0.

    For all the talk of stars Patrick Mahomes, Brock Purdy, Christian McCaffrey and Travis Kelce, it’s defenses that have had the edge early in the Super Bowl. The teams have combined for one score on the first six drives.

    Kansas City looked to be on the verge of a breakthrough when Mahomes connected on a 53-yard pass to Mecole Hardman to get the Chiefs to the 9. But Isiah Pacheco lost a fumble on the next play with Javon Hargrave recovering.

    Kansas City had gained only 16 yards in the first quarter and now has gone nine straight possessions in the postseason without a point, dating to the AFC title game.

    San Francisco has had its own issues with McCaffrey losing a fumble on the opening drive and Trent Williams committing two penalties to stall the second possession.

    Jake Moody made a Super Bowl-record 55-yard field goal just 12 seconds into the second quarter to put the San Francisco 49ers on top 3-0.

    Buffalo’s Steve Christie held the record with a 54-yarder against Dallas in Super Bowl 28.

    This could be a confidence booster for Moody, who missed field goals in the past two playoff games.

    49ers getting in their own way

    The 49ers are their own worst enemies midway through the first quarter. Christian McCaffrey fumbled on their first drive, and then San Francisco lost yardage on three consecutive plays — two penalties and a run by Deebo Samuel.

    Then as the 49ers were about to punt, they were penalized another 5 yards because of a false start.

    That kept the game scoreless even though the Niners have outgained the Kansas City Chiefs 84-6 in yardage.

    49ers’ strong opening drive spoiled by McCaffrey fumble

    San Francisco opened the game with an impressive drive but wasted the opportunity to score when Christian McCaffrey fumbled at Kansas City’s 27-yard line.

    Leo Chenal knocked the ball out of McCaffrey’s hands, and fellow Chief George Karlaftis recovered.

    The Chiefs had a turnover ratio of minus-11 in the regular season, among the NFL’s worst.

    This is the fourth time since 2000 that the game’s opening drive ended in a turnover.

    The Chiefs didn’t do anything with the turnover, going three-and-out. That ended a streak of eight straight playoff games in which Kansas City scored on its opening possession, an NFL record.

    A huge roar went up when Kansas City won the toss. Either Chiefs fans felt that was unusually crucial in this game — or a lot of people had bet on heads.

    KC deferred its choice to the second half, meaning the 49ers get the ball first.

    Before the game: 

    Reba sails through national anthem

    Reba McEntire made quick but majestic work of “The Star-Spangled Banner.”

    The “Queen of Country” sang the national anthem moments before kickoff, backed by a recorded track of a country band with a horn section. Flag-bearing service members stood behind her, a huge U.S. flag covered most of the field, and military jets flew over Allegiant Stadium as she sang.

    She got through the song in about 1 minute 40 seconds. That’s a good 10 seconds longer than the over-under from oddsmakers, but still the quickest version of the anthem at the Super Bowl since Kelly Clarkson sang it 12 years ago.

    Post Malone offers twang-y take on “America the Beautiful”

    Grammy-nominated musician Post Malone sang “America the Beautiful,” bringing his unique vocal tone — most frequently paired with his idiosyncratic approach to pop-rock-rap — to the Super Bowl.

    Wearing a bolo tie and playing acoustic guitar, Malone’s take on the song was twang-y, his Texas roots taking a front seat. Mid-song, cameras cut to Taylor Swift and Blake Lively holding each other and enjoying the performance. Earlier this week, Malone’s breakout hit, “Sunflower,” with Swae Lee — released for the “Spider-Man: Into the Spider-Verse” soundtrack — was named the first-ever double-diamond single in Recording Industry Association of America (RIAA) history.

    Andra Day lifts voice with gospel choir

    Andra Day gave a stirring, gospel-flavored rendition of “Lift Every Voice and Sing,” a song that has become known as the Black national Anthem, before kickoff.

    Day, wearing a gray suit, was backed by a choreographed choir. Day told the AP during the week that she planned to calm her nerves with pregame prayers.

    Hers was the first of three anthemic performances. After the teams take the field, Post Malone will perform “America the Beautiful” and Reba McEntire will sing “The Star-Spangled Banner.”

    The game is set to be a rematch of the Super Bowl four years ago in Miami. In the 2020 match, the Chiefs took home the game 31-20. 

    Gates to Allegiant Stadium opened just after 11 a.m. local time, unleashing a flood of fans in red.

    Among those entering the stadium: the queen of country. 

    Reba McEntire walked into Allegiant Stadium for the Super Bowl about 3 1/2 hours before kickoff Sunday. She was wearing a puffy, gray faux fur coat and holding hands with her partner, Rex Linn.


    McEntire is due to perform the national anthem before kickoff. She will have a lot to live up to after Chris Stapleton’s performance last year in Arizona received high praise.

    Taylor Swift finished her epic trek from the Tokyo Dome to Allegiant Stadium for the Super Bowl. Blake Lively, Ice Spice and a few others joined as the pop star, wearing a black dress with a red jacket slung over her shoulder, entered the stadium.

    What time is kickoff?

    Super Bowl LVIII (which stands for Super Bowl 58) kicks off Feb. 11 at approximately 6:30 p.m. Eastern Time (5:30 p.m. Central Time, 4:30 p.m. Mountain Time and 3:30 p.m. Pacific Time)  

    Who is likely to win? 

    Betting markets are split on the likely winner of Super Bowl LVIII, with professional betters favoring the 49ers and casual gamblers heavily in favor of the Chiefs. 

    Who is performing the halftime show?

    R&B icon Usher will headline the Apple Music Halftime Show this year, performing for more than 100 million viewers during one of the most-watched television events of the year. 

    The halftime show itself is one of the biggest musical events in the world, with about 1 out of every 3 Americans tuning in. 

    Usher will be performing in celebration of the 30th anniversary of his debut, self-titled album in 1994. “Usher” put the singer on the charts with hits like “You Make Me Wanna…” and “Pop Ya Collar.” 

    How much do players get for winning the Super Bowl? 

    Players on the winning team in Super Bowl 58 will get $164,000 each. Players on the losing team will get $89,000. That’s $7,000 more than last year’s Super Bowl bonus. 

    In the first Super Bowl back in 1967, players on the winning team received $15,000 and the losing team got $7,500. Technically the winning prize has increased 993% but that doesn’t account for inflation. 

    That $15,000 prize in 1967 would have the same buying power as nearly $140,000 today, according to a U.S. Bureau of Labor Statistics inflation calculator

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  • Arsenal hammers West Ham 6-0 and Man United ignites Champions League hopes with 2-1 win at Villa

    Arsenal hammers West Ham 6-0 and Man United ignites Champions League hopes with 2-1 win at Villa

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    Arsenal hammered West Ham 6-0 for its biggest ever Premier League away victory before United beat Aston Villa 2-1 in a huge result in the race for Champions League qualification.

    A record win for Arsenal. An absolutely critical one for Manchester United.

    After Arsenal hammered West Ham 6-0 for its biggest ever Premier League away victory, United beat Aston Villa 2-1 in a huge result in the race for Champions League qualification.

    Arsenal might be in its best form this season. Last weekend, Mikel Arteta’s team was handing league leader Liverpool only its second loss to tighten up the title race and here it was running amok inside the Olympic Stadium, which rapidly emptied after West Ham fell 4-0 behind just before halftime.

    Bukayo Saka scored twice and Declan Rice — a former West Ham favorite — added the sixth goal almost apologetically.

    Arsenal joined Manchester City just two points behind Liverpool. All three of the big title contenders won this weekend.

    United’s aspirations are simply to finish in the top four — or five — to get into the Champions League and that would have been a long shot had the visitors lost at Villa Park.

    Instead, there’s only five points — rather than 11 — between United in sixth and Villa in fifth after Scott McTominay headed in an 86th-minute winner to earn his team a third straight league victory. Rasmus Hojlund opened the scoring for United and has now netted in five straight league matches.

    RICE’S RETURN

    Disgruntled West Ham’s fans streamed out of their ground in their hundreds prior to the halftime whistle, well before their former star player condemned the team to its joint-heaviest loss of all time.

    It just had to be Rice running onto the ball and curling a long-range strike into the top corner to put the seal on an almost embarrassingly easy win for Arsenal.

    Rice used to be West Ham’s best player, with his relentless energy, lung-busting runs and covering tackles. Now here he was, playing a big part in a clinic by Arsenal, with the home supporters’ booing of his every touch maybe spurring him on.

    Rice’s set-piece deliveries set up first-half goals for William Saliba and Gabriel Magalhaes, with Saka and Leandro Trossard also scoring before the break. After Saka’s second, Rice scored and didn’t even celebrate, holding up both of his hands apologetically instead. He was even applauded by some home supporters when he was substituted moments later.

    Signed in July for 105 million pounds (then $138 million), it is looking like money well spent by Arsenal.

    ___

    Steve Douglas is at https://twitter.com/sdouglas80

    ___

    AP soccer: https://apnews.com/hub/soccer



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    STEVE DOUGLAS

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  • Tacoma police search for suspect who stabbed woman in Point Defiance Park

    Tacoma police search for suspect who stabbed woman in Point Defiance Park

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    Tacoma police say the woman who was stabbed is expected to survive.

    TACOMA, Wash. — Tacoma police are searching for a suspect who stabbed a woman in Point Defiance Park on Saturday afternoon.

    Shortly before 1 p.m., police responded to the 5500 block of Five Mile Drive in Tacoma for reports of a stabbing, according to Tacoma Police Department Public Information Officer Shelbie Boyd. 

    The woman was walking on marked trails when she stabbed by an unknown man, police said. Boyd says the woman is expected to survive. 

    The suspect ran away through the trails after the stabbing and has not yet been located. Police are continuing to search for the suspect, Boyd said. 

    Because the park was busy on Saturday, police K9s were unable to track down the suspect.

    In 2023, a woman was grazed by a bullet during an attempted armed robbery inside Point Defiance Park in May. A few months later in July, a 9-year-old girl was shot during a drive-by shooting in the park and suffered non-life-threatening injuries. 

    Metro Parks Tacoma has closed Point Defiance Park for Saturday, according to a social media post from the agency. 

    This is a developing story. Check back soon for updates. 

    Download our free KING 5 app to stay up-to-date on news stories from across western Washington.

    WATCH: KING 5’s top stories playlist on YouTube

    https://www.youtube.com/watch?v=videoseries



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  • Security cameras at SWAC / Teen Life Center to be fixed in wake of homicide

    Security cameras at SWAC / Teen Life Center to be fixed in wake of homicide

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    The Nino Cantu Southwest Athletic Complex was the scene of a shooting that resulted in the death of 15 year old Mobarak Adam Jan. 15. It was revealed shortly after the incident that the security cameras were not functional.

    Photo by Patrick Robinson

     

    One of the more disturbing revelations that came in the wake of the shooting death of 15 year old Mobarak Adam at the Nino Cantu Southwest Athletic Complex in West Seattle was that the security cameras there were non-functional. 

    Now, District 1 City Councilmember Rob Saka has shared via his email message to constituents that the cameras are being replaced stating:

    “I am pleased to report that Parks Superintendent AP Diaz has informed me that the security cameras at West Seattle’s Southwest Teen Life Center, where 15-year-old Mobarak Sharif Adam was killed, will be replaced! Parks plans to complete the project by mid-March at the latest. Thank you for your quick attention to this critical concern.  We continue to monitor the progress of the Police investigation and are in touch with Mobarak’s family. “

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    patr

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  • Security cameras at SWAC / Teen Life Center to be fixed in wake of homicide

    Security cameras at SWAC / Teen Life Center to be fixed in wake of homicide

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    The Nino Cantu Southwest Athletic Complex was the scene of a shooting that resulted in the death of 15 year old Mobarak Adam Jan. 15. It was revealed shortly after the incident that the security cameras were not functional.

    Photo by Patrick Robinson

     

    One of the more disturbing revelations that came in the wake of the shooting death of 15 year old Mobarak Adam at the Nino Cantu Southwest Athletic Complex in West Seattle was that the security cameras there were non-functional. 

    Now, District 1 City Councilmember Rob Saka has shared via his email message to constituents that the cameras are being replaced stating:

    “I am pleased to report that Parks Superintendent AP Diaz has informed me that the security cameras at West Seattle’s Southwest Teen Life Center, where 15-year-old Mobarak Sharif Adam was killed, will be replaced! Parks plans to complete the project by mid-March at the latest. Thank you for your quick attention to this critical concern.  We continue to monitor the progress of the Police investigation and are in touch with Mobarak’s family. “



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    patr

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  • They call her the muse of Rio de Janeiro’s Carnival. She insists she’s a missionary

    They call her the muse of Rio de Janeiro’s Carnival. She insists she’s a missionary

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    RIO DE JANEIRO (AP) — Standing 9 feet tall, Raquel Potí regularly graces the front pages of Brazilian magazines and newspapers, and on Saturday the artist donned a lavish feathered costume and lacquered her body in gold glitter. At one point she charged the length of the street party, sweeping her rainbow wings like she was about to take flight. It was the latest of her charismatic stilt walking performances that has prompted some media to call her the muse of Rio de Janeiro’s Carnival.

    But on a recent weekend, she had reduced herself to her natural, petite size and patched jeans. During a class outside Rio’s modern art museum, she instructed a group of students to lock eyes with a partner. Each pair recalled someone who shaped them and shared their dreams. Then they hugged. Some wept, one while recounting how her grandmother taught her to smile.

    “You weren’t tricked,” Potí, 40, told them. “This IS a stilt walking class. And it has already begun!”

    The class is at the center of her outsized footprint in Rio, which includes managing several government-funded social projects to teach stilts, theater and performing arts, running a production company and recruiting members of her ever-expanding network for event appearances.

    At just over 5 feet tall, the tiny titan is chiefly responsible for the explosion of stilt walking in Rio, having trained more than 1,000 kids and adults over the past decade. That boom has altered the landscape of the world’s biggest Carnival, where hundreds of stilt walkers tower over the many raucous parties that occupy and dominate public areas.

    For Potí, stilt walking is much more than a show; it’s ancestral and ritualistic, and a springboard for people to radically change their lives and themselves.

    Exercises in self-discovery weren’t what many students anticipated from the lithe Carnival queen with the beaming smile. Forcing them to reckon with their vulnerabilities is key, Potí said in an interview, as stilt walkers’ ability to enchant stems from becoming comfortable with instability, and they must be conscious of what they will communicate to a crowd.

    “It could be a lot of pain, could be a lot of love, could be whatever, but it’s what is inside us. That brings people closer to our humanity,” she told The Associated Press inside her apartment, where elaborate costumes hang from every available space on the multi-colored walls, and the purple ceiling is marked by fingerprints from a stilts session with her son.

    Those in Potí’s orbit speak of her with reverence, as though she’s a mystic who, upon her stilts, gains access to some vaulted realm of wisdom. It’s lofty stuff to swallow given that, for many, Carnival is escapism or rambunctious bacchanal. But more than glitz and glitter, she said, it’s for uplifting people.

    “She inspires me to think about how I’m going to impact others and get my message to them,” said Camille Campão, 35, a former student who now performs for children as Fada Folha, or Leaf Fairy. “It’s something that goes beyond her, and she’s totally in service to it.”

    Potí — who sees herself not as a muse, but as a missionary — teaches all over the city, from the parks to the poor, crammed neighborhoods known as favelas and the little fishing village in Rio’s westernmost corner where she grew under her grandfather’s nets. Her cousins still take to the sea each day.

    She attended a top university and, weeks before graduation, her partner died of cancer. She says the deep pain derailed her intended course and she set out traveling the world, first falling in with a circus troupe that showed her life could be different than the one she envisioned.

    “When I first saw stilts, it was a very big finding. I saw the possibility of them as an instrument that could bring people together to build relationships and a society people believe in,” she said.

    Potí researched popular culture and community relations as four years passed, then in 2013 moved back to Brazil and founded her stilts workshop. Captivating performances proved effective advertising. Campão quickly signed up after seeing Potí at the Friends of the Jaguar Carnival party, which today draws some 40,000 revelers.

    Back at her class outside the museum, Potí was explosive from the get-go. She sprung from the ground, limbs outstretched in all directions, for the first game connecting students with the element of play that’s vital to Carnival parties. After the “interactive dynamic” — Potí’s exercises akin to group therapy — she taught stilting technique, then the class strapped on the unwieldy apparatuses. First assisted by volunteering former students, everyone was soon ambling about on their own.

    “I’ve wanted to do this for years,” Danielle Mello, a 43-year-old psychologist, told the group afterward. “I didn’t know I was capable.”

    Some are in the throes of trouble and overcoming something previously thought insurmountable can be transformative. Many go on to perform at Rio’s parties.

    Gabi Falcão, 37, was one of them. After separating from her husband of 10 years, she took their two young children and moved in with a friend, then enrolled in Potí’s workshop, an experience she says was “emotionally profound” and exactly what she needed at that time.

    “Her project changes lives. She pokes people, has the tools to get people out of their comfort zones,” said Falcão, who now performs in more than 10 Carnival parties and volunteers at Potí’s class. “She has the power to make magic.”

    Falcão and multiple other stilt walkers interviewed by the AP described Potí as someone who opens doors and awakens people. Some went as far as to say she has ancestral energy, teaching others to think and act collectively. Two called her a witch, and one said she appeared able to stop time. Most noted her capacity to be present, shown by intense eye contact in interactions, and offering every ounce of herself to Carnival performances.

    Several also described her as a savvy organizer and promoter. Her workshop has a five-person production team, with planning meetings for communications and sales. A photographer is there to register first-timers’ experiences that Potí said can be like a baptism. He shoots all her projects, of which there are about 15.

    “Her work in the city is unequaled in building an empire, and she’s still building,” said Carol Passarinha, one of the 30 stilt walkers Potí assembled to parade this week with the reigning samba school.

    And Potí juggles her endeavors as a single mother raising a 7-year-old boy. She performed until three days before her water broke. Six weeks later, she was back on her stilts at Rio’s most iconic concert venue, Flying Circus, and nursing in her dressing room.

    Toward the end of Saturday morning’s party, Potí peeled off and crossed a highway overpass — still wearing her stilts and weaving through revelers who shouted praise. She was quickly back to her parked car, jam-packed with costumes and 15 sets of stilts, then driving while insisting a producer fix a problem with photographers’ assignment for the next party. That one would feature more than 75 stilt walkers, many wearing folkloric costumes, and Potí is its artistic director.

    Her hustle helps explain why she’s always Carnival’s stand-out sensation. She also invests considerable sums in her costumes and works the crowd. One photographer said she “creates moments.”

    Over lunch at a vegan restaurant a few days ago, Potí recalled the editor of Rio’s main newspaper once showing her all the photos from Carnival coverage and – with some amusement – grumbling that yet again he would have to feature her on the front page.

    The spotlight doesn’t bother her. In fact, she appreciates it. After all, she was a pioneer, has strived for a decade and is receiving recognition, she said. But she wishes more people would look beyond her, to her causes and the change she’s seeking to bring about.

    “The cure is more important than being on the cover,” she said.

    ____

    Follow AP’s coverage of Latin America and the Caribbean at https://apnews.com/hub/latin-america

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    David Biller

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  • ‘Give them the opportunity to take them back’: Seattle museums pushed to repatriate native artifacts

    ‘Give them the opportunity to take them back’: Seattle museums pushed to repatriate native artifacts

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    A federal decree is forcing museums across the country to shut down exhibits and begin the process of returning indigenous artifacts. Reports show two Seattle institutions: The Burke Museum and the Seattle Art Museum, are taking steps towards repatriation.

    Community organizer and indigenous woman Colleen Echohawk tells FOX 13 she’s encouraged by the news.

    “People who love museums, they shouldn’t be afraid, and they shouldn’t be upset about this. They should be excited,” remarked Echohawk. “Give them the opportunity to take them back.” 

    As CEO of tribally-owned Eighth Generation, Echohawk is on a mission to end the cultural appropriation of indigenous art. Many of the blankets, prints and designs featured in her downtown Seattle store hail from tribal traditions. 

    “We have some incredibly beautiful designs here that go right back to some of the very traditional Co-Salish art and design you might see in a museum,” said Echohawk.

    Right across the street, from Eighth Generation is the Seattle Art Museum. Curators there just announced they removed five cultural jewels from Alaska’s Tlingit tribe from public viewing. 

    “There’s a cost, there is pain from the tribal communities. So many of the things taken from the native community are family items,” explained Echohawk. “Many of them are incredibly sacred.”

    The moral quandary surrounding the rightful ownership of these cultural treasures has intensified in recent years, prompting international conversations about stolen artifacts. The Metropolitan Museum of Art made headlines by repatriating sixteen sculptures to Cambodia and Thailand, while the British Museum faced controversy over the delayed restitution of the famous Benin Bronzes.

    “There’s a lack of funding, there’s a lack of desire to really do it because its hard work,” said Echohawk. “So what if it’s hard, let’s do the work, let’s do the right thing.” 

    The U.S. Department of the Interior strengthened the Native American Graves Protection and Repatriation Act (NAGPRA): “The revised regulations streamline requirements for museums and federal agencies to inventory and identify Native American human remains and cultural items in their collections.”  This new mandate took effect this past January.

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    Lauren.Donovan@fox.com (Lauren Donovan)

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