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CareOregon is one of Oregon’s largest health care service providers.
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Elizabeth Hayes
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Portland, Oregon Local News | ReportWire publishes the latest breaking U.S. and world news, trending topics and developing stories from around globe.

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CareOregon is one of Oregon’s largest health care service providers.
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Elizabeth Hayes
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HONOLULU (AP) — The death toll from the wildfire that destroyed the historic town of Lahaina, Hawaii, in August rose to 101 on Tuesday after Maui police confirmed the identity of one new victim, a 76-year-old man.
As of last month, Paul Kasprzycki of Lahaina was one of three people still missing from the Aug. 8 blaze.
Maui police didn’t explain in a news release where his remains were found or how he was identified.
The victims of the deadliest U.S. wildfire in more than a century ranged in age from 7 to 97, but more than two-thirds were in their 60s or older, according to Maui police’s list of known victims.
It has taken investigators months to identify some of the remains. Forensic experts and cadaver dogs sifted through ash searching for bodies that may have been cremated. Authorities collected DNA samples from family members to identify remains.
The DNA testing allowed officials in September to revise the death toll downward, from 115 to at least 97. The toll rose slightly over the next month as some victims succumbed to their injuries or as police found additional remains.
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Grant McHill
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Despite being safe from a citywide 5 percent spending cut, Portland’s fire chief says the fire bureau is still staring down an $11 million budget shortfall. As a result, Portland Street Response could lose a third of its already constrained budget.
During a budget workshop last Tuesday, Portland Fire Chief Ryan Gillespie said Portland Fire & Rescue (PF&R) expects to overspend its roughly $175 million budget by about $11 million in the 2024-25 fiscal year, unless the city intervenes with a cash infusion. Bureau leaders say most of the budget gap is due to rising overtime costs, impending retirements, and inflation.
Gillespie says if the city is serious about prioritizing improved emergency response times, it needs to cough up more money for the fire bureau.
“If we received ($11 million) we would not have to make any cuts to our emergency operations,” Gillespie told Portland City Council.
The city is trying to avoid a deficit in its 2024-25 budget by asking all bureaus except for public safety services to shave 5 percent from their spending plans.
Chief Gillespie and other emergency management staff note about $6.2 million of the $11 million budget gap stems from funds allocated for retirees. Another $4 million comes from overtime expenses, and about $2.3 million from other personnel costs represent the largest strain on the budget.
Overtime costs at the fire bureau increased in 2022, after contract negotiations led to a change in the structure of firefighters’ work hours. PF&R staff used to work 51.5 hours per week, but now 50.4 hours is considered a standard work week. That means staff are paid for overtime hours if they work more than the standard 50.4 hours. The bureau says the number of firefighters currently funded by the city isn’t enough to cover the needs, amid increased emergency calls, which has led to increased overtime payouts.
A 2023 staffing sufficiency analysis suggests the city could reduce its overtime expenses by budgeting for an additional 66 firefighter positions over the next two or three years.
“Due to the projected number of retirements stemming from a firefighter hiring bubble 25 years ago, PF&R does not have the option to do nothing,” Citygate Associates wrote in its memo to fire bureau leaders last June.
Those anticipated retirements are now considered the biggest strain on PF&R’s budget.
As first reported in the Oregonian, in an effort to fill the funding gap, PF&R is proposing slashing $3.1 million from the $10 million budget of Portland Street Response, the city’s non-police, mental health alternative response program. Portland Street Response (PSR) is housed within the fire bureau. The program, which launched in 2021, now operates citywide, but with somewhat limited staffing and hours. PSR is partially funded by city general funds, cannabis tax revenue, and American Rescue Plan Act dollars, which will soon be depleted.
“The problem with fire is that there is not a lot of fat to cut outside its core mission,” Commissioner Rene Gonzalez, who currently oversees PF&R and PSR, told the publication.
Fire bureau leaders gave the city three options: find $11 million for PF&R, leaving current service levels at the fire bureau and Portland Street Response intact; find $4 million for PF&R, leaving a $6 million budget gap to be addressed by slashing about $3 million each from PSR and two of the bureau’s two-person rescue apparatus; or do nothing and leave the fire bureau to cut $3 million from one of its fire stations, cut three rescue operations, and cut $3.1 million from PSR.
The latest budget proposals show overtime costs contributing to PF&R’s budget gap are mostly generated by firefighters and EMTs, not PSR’s mental health workers. Still, the latest budget proposals show PSR is likely to feel the pinch of the fire bureau’s fiscal woes.
An audit released by the city earlier this year suggested that PSR and a similar community health program were “caught in a no-win situation” due to an overall lack of clear program guidelines or goals for success. Auditors suggested the fire bureau either find a way to expand the programs and provide the right resources, or “find the appropriate home for them.”
The audit report noted Chief Gillespie was “reportedly open to sending Portland Street Response to Multnomah County or a nonprofit contractor” even though the program could qualify for Medicaid reimbursement if it expanded to 24/7 service. In response to that audit, Gillespie and Gonzalez indicated their commitment to the long-term success of PSR, but said they’re in no hurry to ramp up the program, either.
“The need to ensure these programs are structurally sound, grounded in articulable, actionable goals, and financially cost-effective can no longer be ignored,” Gonzalez wrote in response to auditors last month.
The proposed cuts to PSR come as the program is already struggling to cover the number of calls for help it receives. The program faced a hiring freeze last year amid budget scrutiny over purchases of essentials like tents, tarps, food and basic clothing that were distributed to unhoused people during response calls. Last summer, Gillespie told the Mercury that PSR grew too fast, too quickly. “The mission for PSR isn’t entirely clear, internally and externally,” Gillespie said shortly after being tapped to lead the fire bureau.
PSR has yet to meet its initial goal of providing city-wide, round-the-clock, behavioral health support. That’s drawn ire from PSR supporters. Last year, an independent group called Friends of Portland Street Response was formed, largely as a mechanism to pressure city leaders like Gonzalez to expand funding and resources for the program.
The group says Gonzalez’s office has repeatedly canceled meetings with them, and shown no interest in helping PSR serve more people in need.
One option pitched to save PSR from funding cuts? A controversial handout from the Portland Clean Energy Fund. City Commissioner Carmen Rubio is proposing using money from accrued interest dividends in the PCEF program to bail out PSR. That idea has garnered disapproval from climate advocates who note PCEF was created for specific, climate-related purposes, not to be used as a bailout for failing city bureaus.
It’s also led Gonzalez to suggest PCEF use more of its funds to bail out the fire bureau and pay for all the city’s public safety programs.
The idea has yet to be approved.
The city is expected to revisit bureau budget decisions this spring, with a final budget slated to be voted on this May.
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Courtney Vaughn
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Three months after the venue’s closure, it appears that celebrated jazz club the 1905 may soon reopen under new management.
Although there isn’t yet a hard date set, a Monday morning press release from the 1905 announced the venue and pizzeria expects to reopen its doors to musicians and patrons “within the next four to six weeks barring any complications.”
The 1905’s former owner Aaron Barnes shuttered the business this past November, after many years of financial instability—some of which was exacerbated by pandemic shutdown. In interviews with the Mercury, Barnes spoke of hocking his personal musical instruments and missing car payments to keep things afloat. Add to that bounced pay checks to staff and some of the musicians who played there, and it’s a wonder the 1905 survived as long as it did.
The Monday release emphasized that Barnes is no longer involved in the space. Instead, the LLC that operated the club—the Bridge PDX—will now be under the leadership of Chris Pfeifer, current managing partner for 404 Entertainment, LLC, an organization that is developing two music venues in the downtown building that once housed the Greek Cusina.
Quoted in the release, Pfeifer says, “When you get an opportunity to re-open one of Portland’s best-kept secrets… it’s kind of hard to pass. Not much will change because not much needs to. We found the troubles to be more the prior leadership than financial, as reported.”
The release goes on to say that the 1905 is also bringing back two previous employees, Joshua Madrid and Holly Resnick, to serve as bar manager and program director, respectively. “The club also plans to announce kitchen and CFO [roles] shortly,” it continues.
Much like Pfeifer’s comments, the announcement paints a hopeful portrait of a now-righted ship: “[Members of the Bridge PDX] were informed of significant mismanagement of the North Portland jazz club late last year,” it explains. “Upon this discovery, [they] immediately moved to remedy the issues. This included paying back wages and tips to employees, as well as squaring up with the musicians.”
The Mercury has reached out to Pfeifer and the 1905 team, as well as Barnes, for further comment on this news and will update this article with the latest developments.
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Robert Ham
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The collision happened on Southeast Foster Road Sunday evening on Feb. 4.
PORTLAND, Ore. — A person was struck by a car and killed Sunday, Feb. 4 in Southeast Portland, prompting a closure of the surrounding streets for a few hours while police investigated.
Portland Police Bureau (PPB) identified the man as 71-year-old Thomas Amato on Tuesday.
Police responded at about 5:44 p.m. on Feb. 4 to a report of a traffic crash involving a pedestrian on Woodstock Boulevard, according to a news release from the PPB.
According to PPB, officers found the man dead. He will be identified after family has been notified.
The driver remained at the scene and cooperated with police. No arrests have been made.
Traffic along Southeast Woodstock Boulevard was shut down between Southeast 97th Avenue and Southeast 101st Avenue for the investigation, police said.
This is the fifth fatal crash of the year in Portland and the third involving a pedestrian.
Anyone who witnessed the collision who has not already spoken to police is asked to email crimetips@police.portlandoregon.gov with the subject line, attn: Traffic Investigations Unit and reference case number 24-28406.
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PORTLAND, Ore. (KOIN) — A round of heavy snowfall is forecasted to hit the Cascades and Columbia River Gorge on Wednesday & Thursday.
Expect tough travel over the passes with the potential for feet of new snow on Mt. Hood.
Timing: Snowfall is expected to pick up throughout the afternoon on Wednesday and continue all day through Thursday. We’ll see a break in the mountain snowfall by Friday, yet snow-packed roadways are still likely across the passes.
The National Weather Service in Portland has a Winter Storm Watch in effect midweek for the potential of significant snowfall.
Expect tough travel over the mountain passes, including Hwy-35 through Parkdell and Odell.
Light snow accumulations and freezing rain is also possible in the Columbia River Gorge through Hood River Wednesday to Thursday morning.
Be sure to keep your eyes on the forecast. The KOIN 6 Weather team will continue to monitor impacts of snowfall in the mountains and in the Portland metro area this week.
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Kelley Bayern
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Crews are entering the home stretch of work on the new main terminal at the Portland International Airport, which is set to open in May.
PORTLAND, Ore. — The Port of Portland is getting ready to take the wraps off of the new main terminal at the Portland International Airport, with the big debut set for May. Behind a giant white curtain that runs the length of the terminal behind the public-facing check-in counters, large parts of new terminal have already taken shape.
The sweeping mass timber roof is in place overhead, providing a sense of the kind of wide open space visitors can expect to encounter in the new terminal. The elevated mezzanine looking out over the tarmac is already there, and wood framing for future stores and restaurants can be spotted throughout.
But there’s still a flurry of construction activity in every corner of the terminal as crews begin to put the finishing touches on the interior. Stairs, seating and carpeting are all still to come, and the array of trees and plants promised in conceptual renderings are set to be delivered in March, according to Brad Harrison, senior manager, construction services.
The new main terminal is the centerpiece of a broader overhaul that the Port of Portland refers to as PDX Next, which got underway in 2019. The overhaul also includes the new Concourse B — an expanded replacement for the former Concourse A at the southern corner of the airport, a new car rental center and a redesigned transit hub.

Most of the other components have already opened; the main terminal is the last piece and is scheduled to open later this year, although construction won’t fully wrap up until 2025. The redesigned B concourse also made room for TriMet to rebuild the airport MAX station and add a second track on the approach to airport as part of the Better Red project.

The opening of the new terminal in May won’t mark the end of the project, Harrison explained — only the end of what the team refers to as “phase 1.” The project had to be done in two phases in order to keep the terminal operational for air travelers throughout the whole process.
Phase 1 left the front counters in place from the former terminal, along with the original east and west security checkpoints at either end, with temporary walkways added along the outside of the building to shuttle passengers around the construction zone to reach the B and C concourses.

The full new terminal will ultimately be rectangular, Harrison explained, but the phase 1 portion is more like a T-shape, focusing on the central area behind the current check-in counters and new the security areas behind the existing ones.
In May, check-in and security operations will shift over to the competed phase 1 portion of the new terminal, and then the crews will get to work demolishing the old security checkpoints and filling out the rest of the space, installing the remaining sections of the new roof. The full structure will be complete in 2025.

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Safeway at SW 10th and Jefferson a drug dealing hotspot
PORTLAND, Ore. (KOIN) — For the people living in the neighborhood between the South Park blocks and I-405, walking around doesn’t feel that safe between the mess, the assaults, the fires and the drug problems.
“I’ve never seen someone pistol-whipped until I moved to Portland,” resident Daniel Deveau told KOIN 6 News. “There are people who just burn their trash. … The open use of hard drugs and the sale of hard drugs has just been really crazy.”
Another resident, Rebecca, said there is “urinating and defecating in our public park … I’m very aware of it. You see it on the PSU campus, people shooting up.”
She added, “I can’t live here much longer like this.”
Deveau agreed. “I have never seen it like I have the last few months.”
Both people have lived in the area for about 10 years and both reached out to KOIN 6 News after the neighborhood’s problems were highlighted last Friday.
That day, KOIN 6 News witnessed an emergency abatement because of problems in the area. On this day, just one block south, rapid response teams were cleaning up more tents.
“Those weren’t there yesterday,” Deveau said.
Last week Mayor Ted Wheeler’s office said Portland police and the Oregon State Police have been patrolling the area. PPB officials told KOIN 6 News they’re targeting the area around the Safeway on drug dealing missions, including one from Saturday, because it’s one of the latest hot spots in the city.
Three people were arrested for distribution of a controlled substance, including fentanyl and meth, authorities said.
PPB Officer Jerry Cioeta said drug dealers are “continually changing what they’re doing. They’re changing locations, they’re changing how they’re doing their drug deals. So, when they change, we change, too.”
Deveau hopes more of these drug dealing missions happen.
“Unfortunately, there needs to be persistent attention to this,” he told KOIN 6 News.
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Brandon Thompson
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Goldendale Energy Storage Project gets Federal Energy Regulatory Commission staff endorsement.
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Pete Danko
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The business purchased the former location of Xico Mexican restaurant.
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Malia Spencer
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Oregon desperately needs new housing.
Government created this problem so more government seems unlikely to fix it.
Two things made it happen.
For more than 50 years, the government artificially and unnecessarily locked up land with Senate Bill 100 and Urban Growth Boundaries. In other words, Oregon did to land what OPEC did to oil: Create a shortage and drive the price through the roof.
And why? After more than 150 years of statehood, humans now occupy less than 4 percent of all the land in the state. You’d think we could free up a bit more to cut the cost of housing.
Second, greedy local governments jacked up so-called “system development” fees. So, before you even turn a shovelful of dirt or pound in a nail…you pay government tens of thousands of dollars.
You’re paying for sewer and water and roads and schools that literally don’t exist.
Now, the legislature wants to address the housing shortage by raising a new state property tax.
Now Governor Kotek claims half a billion dollars in state subsidies will cut the cost.
Both are foolish.
Let’s suspend Urban Growth boundaries. Slash or suspend system development charges.
Make it as easy to get a permit to build a house as it is for Oregon Democrats to take illegal campaign contributions.
The post Oregon’s Solution To Government Induced Housing Shortages is More Government appeared first on The Lars Larson Show.
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As part of the Voice of the People speaker series, Freshwater author and video artist Akwaeke Emezi will chat about their work—which finds its roots in “Black spirit, embodiment, legacy, and memory”—and will later be joined by T. Aisha Edwards, LMHC for a conversation on how creativity and narrative can support widespread healing. Emezi has penned two adult literary novels, two YA novels, a romance, two poetry collections, and more, so you’re bound to find something from their oeuvre that you’re into; I’m intrigued by the Nigerian author’s 2021 memoir, Dear Senthuran. Emezi will sign books after the talk, and local BIPOC femme-led book club Prose Before Bros will host a “Happy Reading Hour” with snacks and silent reading time. LC
(Winningstad Theatre, South Park Blocks)
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Legendary cultural documentarian Les Blank makes some of the warmest, most comforting films imaginable, yet they’re still rooted in an honest, improvised, cinema verité style that offers unparalleled insight into American culture. This 10th-anniversary Fat Tuesday double feature includes two films directed by Blank—paddle down warm Louisiana bayous in Dry Wood, then indulge in some raucous merrymaking with New Orleans classic Always For Pleasure. Don’t forget your beads. LC
(Clinton Street Theater, Hosford-Abernethy)
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In 2010, transplants missing their Louisiana roots and locals with a love of the Bayou State came together to form the Mysti Krewe of Nimbus, a group dedicated to bringing the color and enthusiasm of the South to the Northwest. To celebrate the last indulgence before Lent, the Krewe leads the Mardi Gras parade down Mississippi Avenue every year, passing out their handcrafted signature mini-umbrellas (nimbus, get it) to merrymakers. Everyone is invited to dress up and dance in the streets; venues along the way typically have food and drink specials to mark the occasion and the revelry often extends post-parade into the night. SL
(N Mississippi & N Humboldt, Humboldt)
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If you’re a Tarantino head, the only thing better than true romance on Valentine’s Day is True Romance on Valentine’s Day. The contentious auteur’s 1993 cult film tells a classic story of two lovers on the run, but, in true QT fashion, pimps, cocaine, murder, and the mob are involved. It’s admittedly pretty damn cool. The flick’s all-star cast includes all of my drama queen faves: Christian Slater, Patricia Arquette, Dennis Hopper, Christopher Walken, and Gary Oldman. LC
(Hollywood Theatre, Hollywood District)
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Veteran bartenders Adam Robinson and Nick Flower are inviting 11 of Portland’s most celebrated mixologists to their sexy new bar Too Soon for a Valentine’s Day pop-up. Teams of two, which will include names like Banjo Amberg (Pacific Standard), David Rodriguez (Scotch Lodge), Emily Mistell (Hey Love), and Alejandro de la Parra (Rum Club), will take turns behind the bar throughout the night while the kitchen slings food specials. JW
(Too Soon, Kerns)
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Former Stranger contributor Joseph Schafer writes: “I first heard Silversun Pickups when their song “Panic Switch” was the only good thing about the trailer to the movie Sucker Punch. (Does anyone remember that movie?) After purchasing that record, Swoon, I discovered that the band had a less-than-stellar reputation in critical circles. Screw the critics, I later thought, watching the band open for Metallica in Detroit. They’re energetic and driving live, even though singer Brian Aubert has a somewhat delicate voice. Every one of their records has at least a handful of excellent chrome-plated-but-plaintive rock songs.” The band will return to Portland to support their sixth album Physical Thrills with NYC alt-rock trio Hello Mary. AV
(Crystal Ballroom, West End)
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Play it, Sam! In honor of Valentine’s Day, the Oregon Symphony will take on the romantic score of the cinematic masterpiece, Casablanca. If you’ve never had the pleasure of seeing the bonafide classic, get ready to see silver screen icons Humphrey Bogart and Ingrid Bergman portray lovers whose fates are complicated by the machinations of World War II. The film will play in high-definition on a massive screen as you experience Max Steine’s unforgettable score like never before. AV
(Arlene Schnitzer Concert Hall, South Park Blocks)
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Is your name Scooter Braun? Because you just stole my (he)art. Enter your Lover era this Valentine’s Day by dancing like you’re 22 to a continuous set of T-Swift’s wistful love songs, breakup bangers, and revenge anthems.
(Holocene, Buckman)
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ProLab Dance will bring a cavalcade of live dancers and musicians to the Kendall Planetarium dome for a show that sounds like a very trippy time. When We Were Ocean will include virtual reality elements and screenings of 360-degree films by Fernanda D’Agostino and Hungry Mantis that “expand what we can and can’t see in the living world around us.” (I don’t know quite what that means, but I’m on board!) “We don’t just want to give [our audience] something to look at, we want to give them something to feel,” ProLab Dance artistic director Laura Cannon explains. LC
(Kendall Planetarium at OMSI, Hosford-Abernethy)
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Over 30 of Portland’s best improvisers will gather again for this who’s who of Rose City comedy. Each Secret Aardvark event features an extra-special mystery guest (past guests have run the gamut from David Lynch to random high school theater students), and the show’s so spicy that it’s named after the organizers’ fave local hot sauce, so it should warm your chilly bones at this time of year. LC
(Kickstand Comedy, Ladd’s Addition)
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You know what’s romantic? Ham, and no, I will not be explaining at this time. In fact, let young Javier Bardem and Penélope Cruz, aka two of the hottest people who have ever lived, explain it for you. This “Ham-entine’s Day celebration” (hey, Tomorrow Theater came up with it, not me) includes a screening of succulent ’92 romance Jamón Jamón, which follows an underwear executive and a working-class girl who fall in love before an underwear MODEL gets in the way. Where does the ham come in? You’ll have to watch the film to find out!! Socially engaged singer-songwriter Larry Yes, who’s performed alongside Elliott Smith and Michael Hurley, will sling some tunes, too. LC
(Tomorrow Theater, Richmond)
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Live Wire’s spring offerings will kick off with another edition of the honest and funny conversational show hosted by Luke Burbank. This time around, featured guests will include spectacled stand-up and The Endless Honeymoon podcast co-host Moshe Kasher and New York Times bestselling essayist Sloane Crosley, who’ll chat about her disarmingly funny and fresh off the press memoir Grief Is For People. Portland-based indie folk outfit Glitterfox will sling the indie rock tunes that earned them high acclaim—they won the High Sierra Music Festival Band Competition in 2023. LC
(Alberta Rose Theatre, Concordia)
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You might have first heard York’s name when a bust of his likeness was installed on Mt. Tabor, replacing a toppled statue of longtime Oregonian editor Harvey W. Scott that was created by a Klan-affiliated sculptor. On July 28, 2021, the statue of York was destroyed in an act of white supremacist violence. At this event co-organized by the Oregon Historical Society, 1803 Fund, and the City of Portland, Zachary Stocks of Oregon Black Pioneers will share more about York’s legacy, his journey on the Lewis and Clark expedition, and his life before and after the famous trek. LC
(Alberta Abbey, King)
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The Denver-based orchestral-pop quartet DeVotchKa gets its sound from a unique blend of influences such as cabaret, spaghetti western soundtracks, norteño, punk, and Eastern European dance music. They will return to Portland with their cinematic tunes, which have soundtracked films including Crazy Stupid Love, Whiskey Tango Foxtrot,and Paddington. The Portland-based, genre- and culture-blending project Mbrascatu will open. AV
(Revolution Hall, Buckman)
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In 2022, Jon Batiste won the coveted Grammy for Album of the Year, beating out pop radio heavies like Taylor Swift, Olivia Rodrigo, Lil Nas X, Billie Eilish, and Doja Cat—and for good reason! On his award-winning album WE ARE, Batiste is credited for playing over two dozen instruments along with self-producing, writing, arranging, and composing. He will support his newest output, World Music Radio, which is more radio-ready than ever with pop hooks, hip-hop beats, and A-list features like Lana Del Rey, Lil Wayne, and Kenny G.
(Arlene Schnitzer Concert Hall, South Park Blocks)
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As you may imagine from its title, Now That I’ve Been Honest, Idaho-born pop sensation Maddie Zahm gets real in her sophomore release. The album documents her grappling with identity through tales of religious trauma and queer relationships. Although Zahm is best known for tearful piano ballads, the new album tackles the other side of the pop coin. “Eightball Girl” is a light, celebratory electro-pop anthem about a queer crush with poignant lyrics like “while the boys at the bar are buying us drinks / I’m undressing you inside my head.” She will support the album after an opening set from kindred pop gem Leanna Firestone. AV
(Hawthorne Theatre, Hawthorne District)
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Priscilla Block is the latest country music-turned-pop girlie to follow in the footsteps of our lord and savior, Taylor Swift. After a chance encounter with Swift, who stopped her on the street to compliment her RED tour shirt, Block took it as a sign to quit her job and pursue music full-time. Her debut album, Welcome to the Block Party, blends country-pop songwriting with Southern rock grit for relatable songs like “Thick Thighs” and “Peaked in High School.” Don’t miss the rising star at the beginning of her career alongside country singer-songwriter Ryan Larkins. AV
(Wonder Ballroom, Eliot)
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With shows like Reservation Dogs and writers like Tommy Orange on the rise, Native arts and performances are getting some overdue shine. This evening of laughs spotlights Native comedy greats like Miguel Fierro, Oakland-based stand-up Jackie Keliiaa, Kiowa Tribe of Oklahoma member Adrianne Chalepah, and queer trans comic Howie Echo-Hawk—expect a night of stereotype-shirking laughs and thoughts on the land back movement. LC
(Winningstad Theatre, South Park Blocks)
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This spirited event will gather more than 120 spirits from over 30 of Oregon’s top distillers in one place, along with six chefs, various food vendors, and plenty of cocktails. Sip all the whiskey, gin, vodka, rum, and aquavit you can handle, brush up on your cocktail-making skills, and savor small plates. JB
(The Redd on Salmon, Buckman)
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Sample a selection of 10 dark beers, from barleywines to stouts and from dark lagers to dark sours. While you’re at it, round up some friends and grab nosh from the neighboring food carts. JB
(John’s Marketplace, Creston-Kenilworth)
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Prime your liver for Zwickelmania, the annual event where breweries open their doors for your drinking pleasure, with free samples, tastings, meet-the-brewer events, pairings, tours, and beer releases. (What’s a zwickel, you ask? According to the official website, it’s “the valve or sample port mounted at the outside of a cask or tank,” which “allows the brewer to take samples for assessing the brew’s progress during fermentation.” You learn something new every day.) JB
(Various locations)
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While St. Patrick’s Day might not seem like an obvious holiday to celebrate a month early, the Celtic punk band Dropkick Murphys begs to differ. They will bring their St. Patrick’s Day tour to Portland to support their latest release, Okemah Rising. The album pays tribute to folk icon Woody Guthrie by adapting his unrecorded lyrics to their signature jig-shred sound. Skate punk quartet Pennywise and Irish metalheads the Scratch will open. AV
(Theater of the Clouds, Lloyd District)
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Clanging cymbals will cue the colorfully costumed dancers of local troupes International Lion Dance, White Lotus Dragon and Lion Dance, Portland Lee Association’s Dragon And Lion Dance, and the Portland Trail Blazers Rip City Crew at this raucous celebration. The party will take over a block in the heart of Chinatown and Lunar New Year revelers will receive lucky red envelopes before going on the move as Portland Chinatown History Foundation’s 150-foot dragon leads a parade to the Oregon Historical Society’s Park Plaza. JW
(Chinese Consolidated Benevolent Association, Old Town-Chinatown)
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Checkers, anyone? RuPaul’s Drag Race season 12 runner-up and candy-sweet glamour clown Crystal Methyd will venture out of her Missouri home and invite us ordinary folks into her enchanted forest, which appears to pull together her signature blend of psychedelia, whimsy, and mild spookiness. (If you told me she’d drawn inspiration from the weirdness of our own Enchanted Forest theme park, I wouldn’t be surprised.) LC
(Hawthorne Theatre, Hawthorne District)
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We recently raved about an installment of Sunday Sessions that headlined neo-soul singer and multi-talented extraordinaire Blossom, but let’s face it, we don’t really need an excuse to attend one of Rontoms’ free weekly shows. During the summer, you’ll find the lounge’s patio packed with music minglers, but the sessions are cozy and charming this time of year too—held inside the dimly lit hipster bar. This week we’re jazzed to see a more rap-happy lineup, showcasing the respective talents of Portland-based emcees Bocha and Covi. Produce Organics-affiliated rapper Bocha will no-doubt be spitting rhymes from his project Everything Must Go, from September, and Covi. also released a new album recently—Just Have Fun!, a fun project that’s fully produced by Drae Slapz. And pssst! Don’t be surprised if either artist brings a special guest for their set, as Bocha has strong connections to Donte Thomas and other Produce Organics artists such as R&B singer Scooty, while Covi. is in a romantic relationship with rising singer/songwriter/DJ extraordinaire Zyah Belle. PORTLAND MERCURY CONTRIBUTOR JENNI MOORE
(Rontoms, Buckman)
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Aiming to upstage its previous years’ offerings, the eighth annual NW Black Comedy Festival will return with 10 “bigger, Blacker, and funnier” showcases and over 60 comics hailing from all over the country, including Niles Abston and Ken Hamlett. The funny folks will head to Curious Comedy Theater for one jam-packed weekend of laughs—we’re stoked for the up-and-coming comedian showcase Young Guns and the raunchy Red Light Special. LC
(Curious Comedy Theater, King, Thursday-Sunday)
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The “longest-running annual, non-profit, non-commercial, largely volunteer-run African film festival in the United States” features works by African directors, centering non-Western perspectives on African culture with films like Burkinabé award winner Sira. Join in on the Connection, Centerpiece, and Women Filmmakers-themed weekends, or head to a Family Fest matinée screening of the French film Hawa. The after-screening Q&A sessions with directors round out the cultural event, with virtual and in-person viewing opportunities. LC
(Various locations, Thursday-Saturday)
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This fresh, flesh-eating restoration of Michele Soavi’s ’94 black comedy follows a cemetery groundskeeper who’s forced to kill the dead a second time after they all start rising from their graves. Naturally, the local politicians won’t listen to him about this very serious issue, and after he falls for a woman whose husband is recently deceased, things get even more gory and complicated. You’ll get a kick out of Cemetery Man if you’re into film noir and Italian giallo weirdness. LC
(Hollywood Theatre, Hollywood District, Saturday-Sunday)
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Real Lanthimos heads know that he doesn’t direct anything without dystopic, black comedy underpinnings and plotlines that make audiences ponder why they’re on the planet at all. He is weird, as directors should be, and you’re either in or you’re out. This time around, he’s adapted a ’92 Scottish novel for the screen, painting the picture of a young woman (played by Emma Stone, who is raven-haired and looks charmingly bananas) brought back to life by an unorthodox scientist (played by my famous dad, Willem Dafoe). Best part? Poor Things “saved” my other dad, Mark Ruffalo, from “depressed dad typecasting.” Praise be. LC
(Hollywood Theatre, Hollywood District, Monday-Thursday)
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Over the last 30 years, Studio Ghibli has become legendary for its lush visuals, emotional and affecting storytelling, and poetic, intelligent approach to nature and the more-than-human world. OMSI’s Studio Ghibli Film Festival will return for its ninth presentation of audience faves like My Neighbor Totoro and Kiki’s Delivery Service, as well as underrated classics like Pom Poko and The Tale of the Princess Kaguya. LC
(Empirical Theater at OMSI, Hosford-Abernethy, Tuesday-Sunday)
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If you’ve been keeping up with A24’s films by international directors lately, including solid entries like After Yang and Dream Scenario, you’re probably already jazzed for The Zone of Interest, which is a co-production between the US, the UK, and Poland. Filmmaker Jonathan Glazer (who directed the Scarlett Johansson-as-an-extraterrestrial flick Under the Skin) tells the story of a Nazi commandant and his family, who attempt to build a happy life near the Auschwitz concentration camp. Call me presumptuous, but uh, I’m not rooting for them. The film has been shortlisted for Best International Feature at this year’s Oscars. LC
(Hollywood Theatre, Hollywood District, Monday-Thursday)
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Biamp PDX Jazz Festival is back for its 21st annual celebration of jazz music. The stacked lineup features a jaw-dropping mix of award-winning masters and a new wave of musicians who are innovating the genre, including Grammy-winning multi-instrumentalist Jon Batiste, veteran jazz keyboardist Bob James, neo-soul gem Sudan Archives, experimental jazz saxophonist Shabaka Hutchings, and improvisational guitarist Mary Halvorson. AV
(Various locations, Friday-Sunday)
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Most of us know Leslie Feist for her 2007 twee hit “1234,” which was used to market iPod Nanos to the masses back in the day. But, the Canadian singer-songwriter is so much more than that. In my opinion, her best work came in 2019 with Pleasure. The album showed her range with angsty PJ Harvey-esque wails and delicate harmonies—to this day, it’s my favorite album to listen to while taking a bath (if you’re a bath person, then you know that this is high praise). Last year, Feist returned with her sixth album, Multitudes, which leans into avant-folk with plucked guitars and ethereal layered vocals. Yet another immaculate bath-time record—props to her! AV
(Wonder Ballroom, Eliot, Saturday-Sunday)
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Hello, Year of the Dragon! Lan Su’s Lunar New Year celebration (inspired by the Lantern Festival, or Yuan Xian Jie) pulls out all the stops with its glowy hanging red lanterns—the garden’s sweeping rooflines cast warm shadows, and floating lanterns glide across Lake Zither, including “four never-before-seen installations of the Four Gentlemen Floral Lanterns from China.” This year, Lan Su is offering two ways to celebrate; visitors can take part in the Chinese dragon dance procession, or be among the first to explore the newly reopened Lan Su teahouse, which will serve a special tasting menu on select evenings. LC
(Lan Su Chinese Garden, Old Town-Chinatown, Thursday-Sunday)
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Trey McIntyre’s interpretation of J.M. Barrie’s 1911 novella maintains its magic, no “Clocks” required. The production boasts “spectacular flying sequences, swashbuckling sword fights, and giant puppets,” all of which sounds cool as hell, and founding OBT orchestra music director Niel DePonte arranged the soaring score, so prepare yourself for a heavy dose of enchantment. I’m intrigued by Peter Pan‘s emphasis on punk fashions, which were inspired by the legendary Broadway costume designer Jeanne Button. LC
(Keller Auditorium, Downtown, Saturday-Sunday)
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Guided by cosmic host Max Little and featuring performances by intergalactic drag stars, this sliding-scale experience blends DIY energy with stellar vibes to play around with Uranus. (Sorry, I had to.) Head to Black Water before the show starts to meet with local astrologers and peruse heavenly wares by local makers. LC
(Black Water Bar, Irvington, Friday-Saturday)
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How might the Constitution impact generations to come? Playwright Heidi Schreck, who won debate competitions defending the Constitution across the country as a teen, digs into it in this funny, insightful play. What the Constitution Means to Me traces the relationship between four generations of women, was a finalist for a Pulitzer Prize, and “culminates in a live debate with an actual teen,” so brace yourself to get told what’s really up. LC
(Portland Center Stage, Pearl District, Wednesday–Sunday)
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London’s Victoria and Albert Museum curated this major exhibition, bringing dozens of well-dressed mannequins to the Portland Art Museum for an exploration of African fashion culture and history from the mid-20th century to the present. Africa Fashion includes “garments, textiles, adornments, personal testimonies, photographs, film, and catwalk footage,” with artifacts pulled straight from the archives of legendary African designers like Shade Thomas-Fahm, Chris Seydou, Kofi Ansah, Naïma Bennis, and Alphadi and contemporary creatives Imane Ayissi, IAMISIGO, Moshions, Thebe Magugu, and Maison Art. Not sold? The exhibition was featured in Vogue, Forbes, and CNN, which deemed the show “an archive of achievement.” LC
(Portland Art Museum, South Park Blocks, Wednesday–Sunday; closing)
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Conceived in 1985 by human rights activist Cleve Jones, the AIDS Memorial Quilt aimed to honor those who died of AIDS and document the lives of those living with the devastating impacts of the disease. Today, it’s a 54-ton tapestry and a living symbol of a lost generation. “As we have recently experienced, science communication, information sharing, and awareness building are crucial in combating pandemics,” says OMSI in this exhibit’s promotional materials. Selected panels from the AIDS Memorial Quilt will be on display at OMSI; the quilt can also be viewed in its entirety online. (Before you head to OMSI, I suggest reading Duane Puryear’s powerful quilt panel.) LC
(OMSI, Central Eastside, Monday-Sunday)
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The first of its kind to “consider the work of Black artists collectively in Oregon,” PAM’s fresh exhibition will showcase Black artists in and outside its collection, with special attention paid to underrepresented regional artists. Black Artists of Oregon thinks carefully about the African American experience in the Pacific Northwest, with pieces spanning the last 100 years by heavy hitters like Carrie Mae Weems and professional puppeteer Ralph Chessé. I’m particularly stoked for the exhibition because it was guest curated by Portland-based artist Intisar Abioto, whose own practice fills gaps in our region’s history with critical context on lived Black experience. LC
(Portland Art Museum, South Park Blocks, Wednesday–Sunday)
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Kelda Van Pattern’s still-life photography explores “species loneliness,” which the botanist and author Robin Wall Kimmerer describes as “a deep unnamed sadness stemming from estrangement from the rest of creation, from the loss of relationship.” In If I had a flower for every time I think of you, Van Patten includes compositions photographed during residencies in diverse landscapes, including the northern plains of Wyoming and San Francisco. The artist’s layered collage approach shifts notions of reality, artifice, discord, and dissonance to achieve playful, curious results. LC
(Well Well, Kenton, Saturday-Sunday)
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If you caught Kenji Ide’s first Portland exhibition (A Poem of Perception at the Portland Japanese Garden) back in 2022, you’re in luck—the Japanese artist will return to the city to showcase new wood and found object sculptures that “theatrically weave a narrative based on both the artist’s imagined and real-life experiences.” American Friend takes its title from the ’77 Wim Wenders film, which Ide had heard of growing up in Japan, but never seen, only imagining what the film might be about. Paralleling his experience of creating an alternate storyline for an unseen film, Ide’s sculptures create space for the viewer to project their own narratives within the frameworks of puzzles, built environments, and poetic abstractions. The result is a “stylized landscape” that’s both meditative and brain-tickling. LC
(Adams and Ollman, Northwest Portland, Wednesday–Saturday; closing)
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This group exhibition spotlights eight West Coast artists whose work aims to modernize and complexify folk art traditions, from paintings of everyday objects to “whimsical ceramics,” self-portraiture, and mixed-media works. I’m excited to see Portland-based fave Lisa Congdon’s snazzy visual language of luminous color and patterning with a folk art twist, as well as Justin Morrison’s “raw” sculptures and Godeleine de Rosamel’s clay pieces. LC
(Chefas Projects, Central Eastside, Wednesday–Saturday)
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Brooklyn-based photographer Nona Faustine’s She was a culmination of all things in Heaven and Earth encompasses a decade of her explorations into “the perseverance and strength of Black life,” including selections from her lauded self-portrait series White Shoes and the new domestic life series Mitochondria. Of the fresh series, Faustine explains: “I wanted to show the quiet, normal moments of this family of African-American women: our everyday life, our happy moments, our down moments. Mitochondria is a family album, a visual diary of our intimate lives.” LC
(lumber room, Pearl District, Friday-Saturday)
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In Pace Taylor’s 2022 Nationale exhibition Breathe when you need to, the painter developed a warm-hued dialogue with the surrealist gender-nonconforming artist Claude Cahun, exploring the mask as an identity-driven self-preservation tool and domestic spaces as sites for unmasking. Now, in Before the Doors Open, Taylor draws from references to Joan Didion(!) and Shirley Jackson(!!!), reckoning with “self-imposed isolation, agoraphobia, and their cyclical impact on the creative process.” The series of framed paintings and smaller watercolors is lush and smooth—previous fans of Taylor’s work won’t be disappointed. LC
(Nationale, Buckman, Monday/Thursday-Sunday; closing)
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Jessica Jackson Hutchins’s tactile works transform everyday objects into art forms that are both intimately familiar and reverently heightened, and her ambitious, raw, playful style, which runs the gamut from massive sculptural installations to clothing pieces, is easily recognizable. The artist often employs castoff household objects to create her earth-toned, figurative, and vessel-like forms. Her process has expanded since 2016 to include collage-like window pieces in fused glass, and in Ruined Windows, Adams and Ollman showcases glass sculptures created in collaboration with painter Marley Freeman. The exhibition’s pièce de résistance is Presence, a 2017 sculpture that blends fused glass with ceramics to create a “rich assemblage of texture, color, light and imagery.” LC
(Adams and Ollman, Northwest Portland, Wednesday–Saturday; closing)
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In last year’s Pathways at Seattle’s Winston Wächter Fine Art, Joe Rudko focused on “hyper-specific abstraction” through found photo collages that created curious networks of memory. In Scrapbook, the Washington-based artist continues to pull at the threads of collective memory through Bauhaus-influenced photo collages and sculptures that reference textiles, mosaics, and paintings. I’m intrigued by Rudko’s use of found photographs collected from shops, which he layers with scraps of his personal ephemera. LC
(PDX CONTEMPORARY ART, Slabtown, Tuesday–Saturday)
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Hello, everyone! Happy Super Bowl hangover day to whomever celebrates; I don’t, so I’m normal today, just dumb for the same ol’ reasons. Can you believe it’s almost Valentine’s Day? Or maybe it actually is Valentine’s Day, depending on when you read this! Personally, I like that candy has shattered the limitations placed on it by Big Ghiradelli and I look forward to foregoing chocolate in favor of heart-shaped boxes of Sour Patch Kids. Also, I hope you’ve checked out the Mercury’s gorgeous Valentine’s Day print issue. It’s pink! And I’m in it!
Now it’s time for the trash.
I am all about the monoculture and I love to love things but I am so tired of football and Taylor Swift! No more brain space; I simply cannot. I mean look: Am I glad she made it to the game in time after her Tokyo shows? Yes. Do I think this was a challenge or hardship for her when she has her own airplane and team of professionals to ensure it happens comfortably and efficiently? No. Am I impressed that her lipstick always looks so damn good? Yes. Am I also glad that her boyfriend’s team has red jerseys so she can keep her signature red lip and remain on theme? Extremely yes. Did I like her pants? No, I hated them. Do I think it’s hilarious that Republicans hate Taylor Swift so much that they’d rather root for the team out of San Francisco than the cornfed midwestern one? Yes, a thousand times yes, this is incredible, put it in my veins. Will I listen to her new album? OBVIOUSLY. But that’s it! No more thoughts!!
Because I am feeling like a hater, I didn’t watch the halftime show, but I was refreshing my social media apps as it happened. Danny DeVito seemed into it, and for that I am glad!
USHER !!!!
The Crusher!!!!!— Danny DeVito (@DannyDeVito) February 12, 2024
Speaking of Usher, apparently he got a marriage license while in Vegas so he’ll probably be tying the knot soon. Will he roller skate down the aisle? Because if my 45-year-old partner revealed himself to be a gifted roller-dancer in his middle age you can bet your ass I’d have him doing it all the time.
The real news out of yesterday’s event is that Beyoncé is releasing a new album of country music! And I’m sure that all the people who found it distasteful that Taylor announced her new album at the Grammy’s will be equally mad that Beyoncé announced her album at the Super Bowl, both women in violation of the heretofore unwritten rule that giant promotional events should not also be used as mini commercials for other things. *eye roll*
Final thing on this: Trolling MAGA is fun, but you’re the President, man. Act like it. Everyone has made everything weird and cringe, exhibit A:
Just like we drew it up. pic.twitter.com/9NBvc5nVZE
— Joe Biden (@JoeBiden) February 12, 2024
Dudes, I am elated to share an extremely stupid piece of gossip: Gina Carano, the actress who was fired from The Mandalorian for being a transphobic jerk, is now suing Disney with lawyers bankrolled by Elon Musk. This is peak loser behavior. Carano is doing whatever she can to stay famous enough to eventually get some of the Fox News talking head “celebrity” spots currently kept warm by such esteemed actors as Rob Schneider and one of the lesser Baldwins. This will be effective. Musk is hoping that flexing his fortune will somehow convince his trans child to hate him less. This will not be effective, but at least it will be expensive and embarrassing!
In other celebrity legal news, rappers Snoop Dogg and Master P are suing Walmart for not keeping their cereal brands on the shelves. Did you know that Snoop Dogg made cereal? It’s called Frosted Drizzlers. I can’t get behind Walmart as a corporation, but I do think this was a marketing failure on the part of Snoop’s cereal team. So many perfect cereal names were right there: Drop It Like It’s Honey. Nothin’ but a Graham Thang. Muesli was the Crunch That They Gave Me. (Call me, Snoop, I can help you out!)
The Rock and Roll Hall of Fame released its current class of nominees, and congratulations are in order for Cher! Except excuse me, how is she not already in the Rock and Roll Hall of Fame?? Others on the nomination list this year include Mary J. Blige, Sinead O’Conner, Oasis, Mariah Carey, Foreigner, A Tribe Called Quest, and Peter Frampton. And I’m like, shit, did I write this list? Do I live a shadow life, Severance-style, in which I’m secretly in charge of nominations for the Rock and Roll Hall of Fame? I feel like I am! This list rules!!
In other Cher news (and can there ever be enough?) Paul Giamatti just went on Howard Stern and revealed that he periodically gets word from Cher’s people that she wants to talk to him, but he doesn’t know why. What a great mystery! I hope they never connect. I hope that every time Giamatti misses a call from an unknown number, he’ll wonder if it was Cher. It’d be like a Hollywood version of how Anita Hill has been waiting 30 years for Joe Biden to call her up and apologize for supporting Clarence Thomas, but less depressing, and with fewer long-term constitutional implications (I would assume.)
Editor-in-chief of British Vogue, Edward Enninful, is retiring, and his send-off was an epic cover featuring 40 of the most beautiful famous women of all time. And they look bored out of their gourds! For real, click through on that link. Not all of them, but most of them are seriously lacking in face. People have been giving Vogue all sorts of props for pulling off the logistics of having so many superstars in one place, but the real props is for making so many stunning humans look like normal tired women who are sick of their jobs.
Weird and cringe, exhibit B:
Is this an ad for that Boeing door https://t.co/rMISTVeSG4
— Chase Mitchell (@ChaseMit) February 11, 2024
Did you know that people regularly steal the tree from Mill’s End Park, AKA the world’s smallest park? They just did it again. What the actual fuck is wrong with some people? Let there be nice things!
In other local news, Bob Moore of the grain company Bob’s Red Mill passed away last week at the age of 94. It sounds like he was healthy right up to the end, so think about that the next time you’re trying to talk yourself out of making steel cut oats for breakfast.
Damn, and I am 94-year-old man? Because I am feeling cantankerous AF today. Sorry about that, team! I’ll get my steel cut oats and an attitude adjustment pronto. Thanks for spending this time with me even though I’m a mess. I’ll make it up to you next time, I promise.
Crankily,
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Elinor Jones
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WASHINGTON (AP) — Just a quarter of business economists and analysts expect the United States to fall into recession this year.
And any downturn would likely result from an external shock — such as a conflict involving China — rather than from domestic economic factors such as higher interest rates.
But respondents to a National Association of Business Economics survey released Monday still expect year-over-year inflation to exceed 2.5% — above the Federal Reserve’s 2% target — through 2024.
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Grant McHill
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Portland Police posted on socials that speed and alcohol appear to be a factor in the crash.
PORTLAND, Ore. — A notorious stretch of road known for street racing and takeovers in North Portland was the scene of a fatal car crash late Saturday night.
The Portland Police Bureau (PPB) say two people died and the driver of another car was seriously injured, after two cars crashed on North Marine Drive just after 11 p.m. on Saturday night. Police said one of the cars caught fire — the two people that died were in the car that was on fire.
PPB have not said yet if this crash was a result of street racing, but according to dispatch audio on Broadcastify. Dispatchers were heard saying, “Report of 2 racers crashed. One car completely smashed up and another on fire.” Moments later, dispatchers followed that up saying, “There’s still about 25 street racers in the area.”
Police say most of those that were there when the crash happened, took off before police could talk with them. PPB posted on socials just after 1 a.m. that the “crash appears to be alcohol and speed related. Suspect driver in critical condition.”
Police have not yet released names of those that died and have not said if the injured driver faces any charges.
For years the area along North Marine Drive, with its long stretch of road, has been a popular spot for street racing. Saturday night’s fatal crash was not the first time someone has died or been seriously injured there.
In July, a 21 year old motorcyclist from Canby was killed when his motorcycle crashed into the side of an SUV during an illegal street race event.
Street racing is something that PPB, the city, and the state have attempted to crack down on for years.
Most recently, in late December during a two day enforcement mission. Portland police arrested 19 people and towed 21 vehicles.
Last year, legislators passed and Governor Tina Kotek signed off on Senate Bill 615, which imposes harsher penalties for street racers which include a jail sentence of up 364 days and or a $6,250 fine. If a person is convicted of the same crime within five years it then becomes a Class C felony with a maximum of five years in jail and, or up to a $125,000 fine.
In late January, the Oregon Criminal Justice System gave the city of Portland a $100,000 grant to help stop street racing. According to the Oregonian, that money would allow police to double the number of enforcement missions than it did last year.
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PORTLAND, Ore. (KOIN) — Just across the river, Vancouver is one of the biggest cities in the Portland metro area.
Much like Portland, Washington’s fourth-largest city is taking steps to tackle the ongoing issue of homelessness.
Vancouver mayor Anne McEnery-Ogle joined AM Extra to discuss the city’s recent emergency declaration.
Watch the full video in the player above.
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Ken Boddie
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Moore founded Bob’s Red Mill 40 years ago, which first served only Portland, then spread to become a natural foods powerhouse.
MILWAUKIE, Ore. — Bob Moore, founder of Bob’s Red Mill, died Saturday, company officials confirmed. He was 94, having celebrated the occasion last February.
“Bob’s legacy will live on forever in all of us who had the opportunity to work with him and is infused into the Bob’s Red Mill brand,” said Bob’s Red Mill CEO Trey Winthrop in a statement. “He did everything in his power to leave us on a strong path forward. All of us feel responsible and motivated to preserve his old-world approach to unprocessed foods; his commitment to pure, high-quality ingredients; and his generosity to employee owners and educational organizations focused on nutritional health.”
Moore’s passion for healthy foods and whole grains led him to create the company in 1978. The Milwaukie-based company began just serving Portland, but quickly grew into a national brand, which offers over 200 products in more than 70 countries, according to the company.
Moore also enabled more than 700 employees to own the company by establishing the Employee Stock Ownership Plan in 2010 on his 81st birthday. He remained a board member until his death, according to the company.
“I haven’t retired yet,” he told KGW on his 94th birthday, laughing. “I’m very pleased to have the life I live.”
Moore and his late wife, Charlee, were named Honorary Beavers for contributing to Oregon State University, where they helped fund the Moore Family Center for Whole Grain Foods, Nutrition and Preventive Health in the College of Health and Human Sciences. They also established research programs throughout the state, including the Bob and Charlee Moore Institute for Nutrition & Wellness at Oregon Health & Science University.
Moore passed away peacefully at home, company officials said. He is survived by his three sons, Ken, Bob Jr. and David; daughters-in-law Dora, Barbara, Ashleigh and Terry; nine grandchildren; and six great grandchildren.
A celebration of life is being planned, with details to emerge in the future, Bob’s Red Mill added.
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LAS VEGAS (AP) — Live updates from the Super Bowl in Las Vegas:
Jake Moody became the first kicker to make two 50-plus field goals in a Super Bowl –- and this one might be enough to give the 49ers the Super Bowl.
His 53-yarder with 1:53 left gave San Francisco a 19-16 lead. Moody made up for a missed extra point.
But Patrick Mahomes will get the ball. He’s shown what he can do in 13 seconds. Mahomes will have a lot more time now.
Big stop for the 49ers.
They kept the Chiefs out of the end zone even though they had first-and-goal at the 4, forcing a tying field goal with 5:46 left.
Both teams have missed opportunities, so in that way, it’s kind of evened out.
Now Brock Purdy can shed the quarterback-manager label or Patrick Mahomes will add to his extraordinary legacy.
Stay tuned.
49ers coach Kyle Shanahan went for it.
All Niners fans probably couldn’t believe it when he eschewed a field goal on fourth-and-3 early in the fourth quarter and converted it. San Francisco scored a touchdown to take a 16-13 lead.
16-13?
The extra point was blocked, keeping the Chiefs within three. Could be huge.
San Francisco’s Jauan Jennings joined Nick Foles as the only players to throw a touchdown pass and catch one in a Super Bowl. Foles did it six years ago for the Eagles against the Patriots.
49ers QB Brock Purdy is hoping to pull off his third playoff victory in a row while trailing in the second half.
He led the Niners on a late touchdown drive to beat the Packers and then erased a 24-7 halftime deficit to beat the Lions in the NFC championship.
The 49ers enter the fourth quarter against the Chiefs down 13-10, but are at Kansas City’s 42.
The 49ers entered the fourth quarter trailing 13-10, but sportsbooks still believe in them. FanDuel Sportsbook made the Niners 1 1/2-point favorites after the end of the third quarter.
One play after the 49ers had a punt bounce off one of their players and get recovered by Kansas City, Patrick Mahomes lofted a 16-yard pass to Marquez Valdes-Scantling in the end zone to give the Chiefs a 13-10 lead in the Super Bowl.
Valdes-Scantling was almost universally loathed by Chiefs fans for much of the season. He dropped several passes at crucial moments, including one that may have cost them a game. And considering he was the highest-paid wide receiver on a group that struggled all season, he became an easy target for failing to live up to his contract.
But he had a big catch against Baltimore to help put away the AFC title game, and now has an even bigger one in the Super Bowl.
The 49ers had their chances to put away the Chiefs.
They might soon really regret it.
A punt bounced off the Niners’ Darrell Luter’s leg, and Kansas City’s Jaylen Watson recovered at San Francisco’s 16.
One play later, the Chiefs took their first lead of the game.
You can’t hand any team, but especially a Super Bowl champion, those kinds of breaks.
Patrick Mahomes and Travis Kelce are the headliners, but the Chiefs are in the Super Bowl largely because of their defense.
And did it show up in the third quarter.
They forced three 49ers three-and-outs, holding San Francisco to 3 yards.
Quarterback Brock Purdy is 4 for 12 for 17 yards since the start of the second quarter. Those game-management criticisms aren’t going away.
One bit of good news for SF: Deebo Samuel is back after limping earlier with a hamstring issue.
Chiefs kicker Harrison Butker made a 57-yard field goal with 5:01 left in the third quarter, breaking a Super Bowl record from… two quarters ago.
Jake Moody’s 55-yarder to open the scoring had been the longest in Super Bowl history, topping a 54-yarder by Buffalo’s Steve Christie.
The kick came moments after a shirtless fan ran onto the field during a third-and-11.
Beyoncé is…. Back?
After a Verizon commercial starring Beyoncé aired during the Super Bowl ended with the superstar saying “They ready, drop the new music,” the question became — was she serious?
Later, a cryptic Instagram video with country iconography appeared on her page, teasing “act ii” on March 29. Beyoncé’s 2022 album “Renassiance” is frequently referred to as “Act I: Renaissance.”
49ers receiver Deebo Samuel limped off the field early in the third quarter of the Super Bowl.
San Francisco said it was a left hamstring injury and his return is questionable.
The Niners’ do-everything receiver went down on a third-down pass on San Francisco’s second drive of the third quarter. Trainers came out to attend to him before walking off under his own power. He went briefly to the injury tent.
The 49ers have struggled this season when Samuel has been hurt. They lost three straight games in October when he hurt his shoulder and struggled for most of a divisional round win against Green Bay after he hurt his other shoulder on the opening drive.
Well, there was Usher. And Alicia Keys.
But not so much to see after halftime.
The Super Bowl is the NFL’s premier event, but the 49ers and Chiefs are playing like it’s the second game of the preseason. Penalties, punts and turnovers. Not exactly what the league wanted for the first big game in Las Vegas.
At least there were the multiple cutaways on the stadium screens to Taylor Swift.
Usher emerged at Las Vegas’ Allegiant Stadium for the 2024 Super Bowl halftime show seated on a throne, joined by a marching band and a trove of Vegas performers — but stayed its center.
It was an immediate confirmation of his position as the ideal halftime performer: one with timeless, well-known hits, masterful choreography, and a devoted audience, AP’s Music Writer Maria Sherman writes in her review.
Suwasit Ritthiphon, clad in silver and black, was one of hundreds of people partying on the field during the halftime show. A longtime fan of Usher, Ritthiphon, 43, said he couldn’t believe his luck when his application for a spot on the field was accepted.
“My heart was beating. It was exciting,” he said, flashing a smile. He described the experience of running through the tunnel and onto the field as “an opportunity of a lifetime.”
A steady stream of stars joined Usher during his 13-minute halftime show. H.E.R. took the field with a guitar solo, and he made a costume change into a purple and black sparkling suit with roller skates, which he used to glide in circles around the stage.
Lil Jon joined, starting with a rousing snippet of his “Turn Down for What” before Usher’s biggest, hit, “Yeah,” began blaring on the stadium speakers.
Lil Jon and Ludacris – with shoulder pads and big afro – recreated their roles on Usher’s 2004 recording of the song from the midfield stage as the R&B star danced amid a bedazzled crowd to close the show.
Alicia Keys joined Usher as a surprise guest during his halftime show, singing her “If I Ain’t Got You” while standing at a midfield piano that looked like a red hunk of abstract sculpture.
She then stood up and entangled with Usher as they sang their duet “My Boo,” with her dressed in sparkling red and in contrast with his sparkling white. The singer shed his shirt soon after.
Usher was also joined by a marching band on the field as he raced through both dance and slow jams including “U Don’t Have to Call.”
Usher has kicked off his halftime show in Vegas style – surrounded by a field full of showgirls and other showy dancers, he shed an extravagant feather cape as he stepped from a stage onto the field while singing his 2004 hit “Caught.”
It’s the first song in a medley of many from the R&B star as he tries to squeeze highlights from a 30-year career into 13 minutes.
Be careful about betting against Chiefs quarterback Patrick Mahomes.
He is 7-1 in playoff games over the past five seasons after trailing by at least seven points.
All other QBs? They are 12-55.
The Chiefs are 4 1/2-point underdogs going into the second half, according to FanDuel Sportsbook.
One story of the first half was a nonstory.
Players didn’t slide around on the field as if it was ice like they did in last season’s Super Bowl in Glendale, Arizona.
Of course, that was before halftime when hundreds of fans danced on the turf as Usher performed.
This is why the Chiefs deferred after winning the coin toss.
KC trails 10-3 but will get the ball first to start the second half, giving them a chance to double up after finally getting on the scoreboard late in the second quarter with Harrison Butker’s 28-yarder.
The Chiefs are quite comfortable coming from behind. They have rallied from double-digit deficits to win two Super Bowls, including against San Francisco four years ago.
Patrick Mahomes has trailed in all four Super Bowls by double digits, yet he is 2-1.
The 49ers were the better team for most of the first half, but the combination of the Chiefs mounting a scoring drive and San Francisco blowing earlier opportunities to score has made this a game.
After Andra Day finished her Super Bowl pregame performance, the soul singer’s nerves are still getting the best of her.
The Grammy winner was all smiles after she performed “Lift Every Voice and Sing” ahead of the Kansas City Chiefs and San Francisco 49ers championship game Sunday at Allegiant Stadium.
“I’m excited but still feeling some nervousness,” said Day, who was a pregame performer along with Reba McEntire and Post Malone. McEntire sung the national anthem and Malone performed “America the Beautiful.”
Day said she’s happy with her performance, and relieved it’s over. She said her experience on the field was a “blur.”
“The trick is not to look at people’s faces,” she said. “I just see this one big blur. If I was to see faces, I would flip out.”
The Chiefs are fortunate to be trailing 10-3 at halftime of the Super Bowl after making the same silly mistakes that caused them to lose five of eight games midway through the season.
The AFC champions were penalized five times for 50 yards. They fumbled three times but were lucky to lose only one of them. Justin Watson dropped a long pass for the team that led the NFL in drops this season. And there have been so many blown assignments up front that Patrick Mahomes, who is rarely sacked, has been brought down twice already.
The Chiefs get the ball to start the second half after winning the coin toss and deferring, and Andy Reid is one of the best coaches in the NFL at making halftime adjustments. But unless his players start to execute, nothing that Reid says or does in the locker room will matter.
The Chiefs are on the board with a 28-yard field goal from Harrison Butker with 20 seconds left before halftime.
The 49ers have done a nice job on Travis Kelce so far — even in the red zone, where he and the Chiefs are often so effective.
Kelce only has one catch for 1 yard on the day. On that last third down from the San Francisco 9, he lined up in the slot and was covered by safety Ji’Ayir Brown. Kelce appeared to swing an arm in frustration when Patrick Mahomes was taken down before being able to throw.
The San Francisco 49ers got tricky for the first touchdown of the Super Bowl.
Coach Kyle Shanahan dialed up a rare trick play that led to a TD pass from receiver Jauan Jennings to running back Christian McCaffrey.
Brock Purdy started the play with a lateral to the left side to Jennings, who immediately threw it back to the other side to McCaffrey, who had a convoy of blockers and ran in for a 21-yard TD to put San Francisco up 10-0.
McCaffrey has tied an NFL record with his seventh straight playoff game with at least 50 yards from scrimmage and a TD.
San Francisco has moved to a 7 1/2-point favorite on FanDuel’s live line after the spread was a good bit closer at the start of the game.
There has been plenty of Taylor Swift on the big screens of Allegiant Stadium, and during the last timeout, cameras caught her in a race to chug what appeared to be a beer in her suite.
Swift was the first to finish, and she triumphantly slammed the cup down as the video cut away to other fans. But not before an appreciative roar rippled through the stadium.
If only the Chiefs were able to move the ball as successfully as she downed her drink. Their offense has gone nowhere in the first half of their Super Bowl showdown with the 49ers.
“Bennifer” has teamed up with Dunkin for a second Super Bowl in a row.
In an ad for the Massachusetts-based chain, Ben Affleck enlists Matt Damon, Tom Brady and more to visit Jennifer Lopez at work and give a “DunKings” performance full of Boston pride. Rappers Jack Harlow and Fat Joe also make an appearance in the celebrity-filled commercial.
49ers linebacker Dre Greenlaw was carted to the locker room midway through the second quarter after injuring his left Achilles tendon in a bizarre moment.
He began to sprint onto the field for the start of a defensive possession when he stumbled, fell and needed medical attention.
Greenlaw already had made an impact in this game with three tackles when he went out.
Travis Kelce bumped into coach Andy Reid and yelled at him after teammate Isiah Pacheco’s red-zone fumble in the second quarter. Frustration is clearly building for KC, which still trails 3-0.
In an ad for Hellmann’s, Kate McKinnon makes an unusual discovery: her cat can talk. Well, sort of. Her furry friend can say one word, “may-ow” — which skyrockets her to celebrity status and causes a mayonnaise-buying frenzy. The “Mayo Cat” becomes so famous that she even dates (and soon dumps) Pete Davidson.
For all the talk of stars Patrick Mahomes, Brock Purdy, Christian McCaffrey and Travis Kelce, it’s defenses that have had the edge early in the Super Bowl. The teams have combined for one score on the first six drives.
Kansas City looked to be on the verge of a breakthrough when Mahomes connected on a 53-yard pass to Mecole Hardman to get the Chiefs to the 9. But Isiah Pacheco lost a fumble on the next play with Javon Hargrave recovering.
Kansas City had gained only 16 yards in the first quarter and now has gone nine straight possessions in the postseason without a point, dating to the AFC title game.
San Francisco has had its own issues with McCaffrey losing a fumble on the opening drive and Trent Williams committing two penalties to stall the second possession.
Jake Moody made a Super Bowl-record 55-yard field goal just 12 seconds into the second quarter to put the San Francisco 49ers on top 3-0.
Buffalo’s Steve Christie held the record with a 54-yarder against Dallas in Super Bowl 28.
This could be a confidence booster for Moody, who missed field goals in the past two playoff games.
The 49ers are their own worst enemies midway through the first quarter. Christian McCaffrey fumbled on their first drive, and then San Francisco lost yardage on three consecutive plays — two penalties and a run by Deebo Samuel.
Then as the 49ers were about to punt, they were penalized another 5 yards because of a false start.
That kept the game scoreless even though the Niners have outgained the Kansas City Chiefs 84-6 in yardage.
San Francisco opened the game with an impressive drive but wasted the opportunity to score when Christian McCaffrey fumbled at Kansas City’s 27-yard line.
Leo Chenal knocked the ball out of McCaffrey’s hands, and fellow Chief George Karlaftis recovered.
The Chiefs had a turnover ratio of minus-11 in the regular season, among the NFL’s worst.
This is the fourth time since 2000 that the game’s opening drive ended in a turnover.
The Chiefs didn’t do anything with the turnover, going three-and-out. That ended a streak of eight straight playoff games in which Kansas City scored on its opening possession, an NFL record.
“He Gets Us” returned to the Super Bowl again this year. The campaign, which is backed by a group of wealthy Christian donors, aired an ad with the message, “Jesus didn’t teach hate. He washed feet,” in the first quarter of the game.
Other early ads:
Dove’s ad begins seemingly whimsically showing young girls having mishaps playing sports to the tune of “It’s a Hard Knock Life.” But the ad cuts starkly to a girl looking self-consciously in the mirror. The message: low body-confidence leads to girls quitting sports, not the mishaps.
Hall of Famers Dan Marino, Bruce Smith and Terrell Owens never got a Super Bowl ring, but M&M’s and Scarlett Johansson present them with “Almost Champions” rings in a Super Bowl ad.
In a pregame promotion for gambling site FanDuel, NFL legend Rob Gronkowski missed a 25-yard field goal for a second year in a row.
That means fans who bet against Gronkowski are set to win a share of $10 million in FanDuel Bonus Bets.
A huge roar went up when Kansas City won the toss. Either Chiefs fans felt that was unusually crucial in this game — or a lot of people had bet on heads.
KC deferred its choice to the second half, meaning the 49ers get the ball first.
Reba McEntire made quick but majestic work of “The Star-Spangled Banner.”
The “Queen of Country” sang the national anthem moments before kickoff, backed by a recorded track of a country band with a horn section. Flag-bearing service members stood behind her, a huge U.S. flag covered most of the field, and military jets flew over Allegiant Stadium as she sang.
She got through the song in about 1 minute 40 seconds. That’s a good 10 seconds longer than the over-under from oddsmakers, but still the quickest version of the anthem at the Super Bowl since Kelly Clarkson sang it 12 years ago.
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AP Super Bowl coverage: https://apnews.com/hub/super-bowl
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I would love to say nice things about Portland. I would like to say, isn’t it grand that we abolished rent and poverty, and no one freezes or starves anymore. I would like to say, I am proud of how we have made values like inclusivity and accessibility into foundational practices, a stalwart pretext. I would like to say Portland lives up to the dream of itself, a pluralist beacon beyond privation.
But this is a city of pale heirs and company towns. Foul princelings govern ambivalently, divorced from any serious civic expertise so that only corruption guides their hand. Roads decay and bridgework in Bridgetown splays into boondoggle after boondoggle. Try as it might, the city’s civic backbone struggles under captured leadership and insufficient resources. The city that works, hardly does. Of course our governance cannot imagine enduring solutions to our crises, both because they are ignorant blue-bloods, and because our presence in this region descends from logging enclaves. Just as the great forests swallowed their traces, we lay temporary foundations because permanence has never been a part of settler culture. Any alternative is considered too expensive.
I would love to say nice things about Portland. We will have to live up to our values, first.
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A NOTE FROM THE I, ANONYMOUS EDITOR:
Hi, all! We here at the Mercury apologize for the lack of pithy rants and confessions lately in America’s sweetest column, I, Anonymous! There’s a currently a problem with a server that refuses to recognize the genius submissions you’re sending in (probably because it’s jealous), and the company that runs the servers are presently at a loss for explaining the problem. 🙄
That said, we expect this annoying situation to be fixed in the near future. In the meantime, you can still send your screeching, beautiful rants to anonymous@portlandmercury.com and we will put them on the site manually (and don’t worry—your identity will never be revealed). You can also find this address on our regular submissions page.
Thanks for your patience with bullshit, overrated technology (and we could write a lengthy rant about this very topic, but won’t, because it would be even more tedious than the people who write in complaining about bikes, homeless people, or who submit their poetry [NEVER submit poetry to I, Anonymous… what are you thinking??]), and we appreciate you!
Your friends at the Mercury ❤️
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