Category: Atlanta, Georgia Local News

Attorneys who are defending Donald Trump and his co-defendants are seeking to add new witnesses in their efforts to have Fani Willis disqualified from prosecuting the Fulton County RICO case. This comes days after closing arguments were presented in the hearing. 

On March 5, Trump attorneys claimed that Cindi Lee Yeager and Manny Arora are new witnesses who can testify that Terrence Bradley told them that Willis began a relationship with Nathan Wade prior to becoming a special prosecutor in the election interference case. 

Testimony from Arora could be conflicting considering that he represents Kenneth Chesebro, a defendant in the RICO case who took a plea deal in 2023. 

While testifying, Bradley claimed that he did not know when Willis and Wade’s relationship began. 

The attorneys have attempted to prove that Willis benefited from a relationship with Wade by hiring him as a special prosecutor. 

But while an alleged affair between Willis and Wade has created poor optics, there’s no basis under Georgia Law to disqualify Willis or Wade from continuing to prosecute the Trump RICO case. 

Under Georgia Law, a prosecutor is disqualified from a case due to a “conflict of interest” when the prosecutor’s conflicting loyalties could prejudice the defendant leading to an improper conviction. Georgia law states, “[t]here are two generally recognized grounds for disqualification of a prosecuting attorney. The first such ground is based on a conflict of interest, and the second ground has been described as ‘forensic misconduct.’

The RICO case centers around the 2020 election probe when Trump asked former Secretary of State Brad Raffensperger during a phone call to help him secure over 11,000 votes, the amount in which he trailed Joe Biden in Georgia.

During a recorded call that took place on Jan. 2, 2021, Trump told Raffensperger, “All I want to do is this. I just want to find 11,780 votes, which is one more than we have. Because we won the state.”

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On a recent Sunday, the White pastor of a California megachurch passionately delivered a fiery sermon, admonishing his congregants and saying Rev. Martin Luther King Jr.  misrepresented Christianity, and was considered “not a Christian at all.”

The 85-year-old John MacArthur, leader of Grace Community Church in Sun Valley, California, located about 30 miles north of Los Angeles, has allegedly criticized MLK for his alleged role as a race-baiter and labeled him as “immoral.”

“I’m not saying [King] didn’t do some social good, and I’ve always been glad he was a pacifist or he could have started a real revolution. But you don’t honor a non-believer who misrepresented Christ and everything about the gospel,” MacArthur said.

This critic of Martin Luther King also claimed that Christianity does not liberate the enslaved.
For the congregation, MacArthur had more outlandish statements, including the belief that there is no such thing as being “gay.” He also claimed that Christianity does not “free the slaves” or provide “equal social rights.”

According to LGBTQ Nation, MacArthur previously expressed astonishing beliefs to his congregants, stating that being a true Christian means embracing slavery as the core of their faith, and emphasizing that Christianity does not advocate for freeing slaves. Equal social rights are not granted by Christianity. Jesus neither advocated for equal rights nor disrupted the social order. With great fear of God and great respect, all of them affirmed that you are to be submissive to your masters. You are expected to submit, whether they are good and gentle or unreasonable.

MacArthur has stated that, in relation to the LGBTQ+ community, “No one is gay.” Comparing 

Comparing alternative sexual orientations to a person admitting, “I am a robber, despite constantly robbing banks.” I engage in illegal activities as a bank robber. What should I do now? ‘I’m a bank robber.’ MacArthur added, “What you do is not excusable.” Do certain impulses lead people in that direction? Certainly! Here is the revised paragraph: Allowing people to define themselves as gay is one of the truly harmful aspects of this situation in my opinion.

MacArthur, as he proudly points out, is accustomed to having folks walk out on his sermons.

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If there is any sports team that best encapsulates the city of Atlanta, it’s the Hawks. From their community events to their collaborations, the Hawks always strive to continue being “True to Atlanta.” Beyond the hardwood, being part of the Hawks family is not just about the game; it’s an experience.  Over the last few seasons, the Hawks and State Farm Arena have been continuously recognized and awarded for their in-game experience, food and beverage, overall fan satisfaction, and so much more.  

Last season, the Hawks sold out 38 out of 41 home games and reached their highest number of season ticket members. As another season comes around, the Hawks and State Farm Arena continue to up the ante, ushering in a new era of leadership on and off the court. This season saw even further improvement to Hawks and State Farm Arena experience. Award-winning and critically acclaimed Chef G. Garvin joined the organization as Chief Culinary Officer to oversee the food experience throughout the venue. In addition, the Hawks recently made new renovations to the award-winning sensory room, serving as a model for venues across the country prioritizing an environment of total inclusivity. Now, it’s your turn to join the Hawks family and be a part of the experience for yourself, your friends and your family. 

Whether you become a full-season or Stack Pack Member, becoming a Hawks Member establishes a closer connection on and off the court. The new online merchandise shop, exclusively available for Hawks Members, reinforces the commitment to improving the member experience, offering discounts on all Hawks Shop items.  As a Hawks Member, you’ll enjoy personalized assistance throughout the year, interest-free payment options, priority perks like parking, seat upgrades, playoff ticket priority, and exclusive VIP experiences such as Meet the Team, Brews & BBQ, and Taste of the Hawks, among other benefits! By joining as a Hawks Member, you gain unprecedented access to the team and create lifelong memories while playing a vital role in the organization’s journey. It’s not just about wearing team colors; it’s about embracing the Hawks DNA. 

Under unified leadership from GM Landry Fields, Assistant GM Kyle Korver, and Head Coach Quin Snyder, the team’s aspirations transcend the conventional pursuit of victory. Fields underscores sustainable habits and continuous improvement, envisioning an organization built on selflessness and disciplined work. Korver lauds Snyder’s humility, collaboration, and passion for the game, while Snyder emphasizes a team grounded in unselfish play and a shared commitment to communication. Together, they are determined to create a selfless, communicative organization that extends beyond the court, prioritizing day-in, day-out processes and embracing values such as humility and collaboration. 

Hawks three-time All-Star Trae Young captains the ship on-court and is quickly becoming one of the greatest Hawks to grace the city of Atlanta. So far, he’s become the fastest player in NBA history—in terms of games played—to 10,000 career points, 3,500 assists and 1,000 three-pointers, ranking in the franchise’s top-10 in these career statistical categories. Additionally, this season, Young tied the NBA’s longest streak for 30-or-more point games and 10-or-more assists, tying Hall-of-Famer Oscar Robertson.  

State Farm Arena recently achieved TRUE Platinum Certification for Zero Waste and won the Fan Experience Award at TheStadiumBusiness Awards in 2023. Additionally, the arena has also hosted impactful community and civic events, including becoming the first professional sports and entertainment venue to serve as a voting precinct for the 2020 General Election and its signature Million Meal Pack, which has packed more than three million meals to fight food insecurity throughout Metro Atlanta. These accolades showcase the Hawks’ commitment to excellence, not only on the court but also in providing an unparalleled experience for fans. With recent achievements on-court and State Farm Arena’s countless awards, attending a Hawks game is a world-class experience that’s unmatched in the southeast. 

As the Hawks usher in a new chapter, they stand ready as a team forged in selflessness, communication, and a relentless pursuit of excellence. The hardwood echoes with the promise of an exciting, fast-paced style of basketball, reflecting the collective vision of Landry Fields, Kyle Korver, and Quin Snyder. The Hawks are more than a team; they’re a family, inviting every fan to be a vital part of their journey as a Hawks Member. 

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The Atlanta Decorative Arts Center (ADAC), the cornerstone of design in Atlanta, the Southeast, and beyond, continues to evolve as a dynamic hub for interior design and home fashion. Built more than 60 years ago by renowned architect and developer John Portman, ADAC remains the go-to destination for interior designers, architects, builders, and design lovers of all trades, offering over 550,000 square feet of retail space including 25 design offices and 65 showrooms. These showrooms display over 1,200 of the industry’s finest product lines, spanning furniture, fabric, rugs, lighting, accessories, floor and wall coverings, antiques, fine art and framing, kitchens, bath, tile, and stone, and home theater products. In 2018, ANDMORE and parent company Blackstone, the world’s largest operator of premier showroom space for the furnishings, home décor, and gift industries, acquired ADAC.

While ADAC is open to both the public and trade, the vast array of product categories and customizable options make navigating the center under the guidance of a designer highly beneficial. Designers not only assist in finding the right products but also understand the customization capabilities and how products can be tailored to specific design projects. Whether you’re a seasoned designer or someone looking to shop for your home, hiring a designer ensures a streamlined sourcing process.

ADAC not only provides professional design and showroom resources but also hosts a variety of events and opportunities throughout the year, offering the ideal environment to explore the center, connect with designers, and maximize the use of its diverse offerings. Whether for the public or trade, these events are designed to encourage involvement in the design community and serve as a platform for education, networking, and engagement.

Specialized events that are free and open to the public, such as DESIGN ADAC and Spring Sample Sale, as well as others throughout the year, offer unique opportunities to be inspired by and connect with celebrity designers, local and regional industry notables, lifestyle influencers, photographers, and even media. These networking opportunities not only provide the chance to navigate the building and learn how to use ADAC as a resource for your home in a more intimate, intentional setting, but they also provide access to designers located in Atlanta and across the Southeast who can help on your next design project.

“At ADAC, our events not only showcase the latest in design but also serve as invaluable opportunities for inspiration, connection through networking as well as general design education,” said Katie Miner, ADAC General Manager. “They create an optimal setting for navigating the design center, fostering connections, and exchanging ideas with fellow enthusiasts and industry professionals alike, making each event a gateway to see the world of design through a new lens while cultivating relationships in our vibrant design community.”

DESIGN ADAC, the center’s annual spring market, brings together a vast array of people from around the country for three days of programming including keynote presentations from distinguished designers, panel discussions with Q+As, showroom tours, product launches, book signings, networking parties, and the chance to explore ADAC. This annual spring market invites the public and trade to discover the endless possibilities of creativity, providing a glimpse into the latest trends and innovations, and fostering a lively and collaborative design community.

Spring Sample Sale is another annual event that is free and open to the public. For three days only, select showrooms offer discounted prices on samples, prototypes, and floor models of various design products from furniture to décor. This sale provides a unique opportunity for design professionals and consumers to access high-quality furnishings and décor at more affordable prices that are many times only sold to the trade community. As design professionals and enthusiasts gather to explore unique pieces during this sale, it creates a dynamic atmosphere for individuals to connect, exchange ideas, and build relationships. The pursuit of high-quality furnishings becomes common ground for networking and fostering collaborations among industry experts, designers, and those seeking inspiration for their homes.

For a captivating dose of design inspiration, make sure you stay updated on all of the events and experiences happening at ADAC throughout the year. Visit adacatlanta.com for comprehensive details on everything ADAC and stay connected through Instagram, Facebook, X, YouTube, and Pinterest, and subscribe to ADAC’s newsletter to stay in the loop.

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What do outré Pink Flamingos director John Waters and poetic R.E.M. frontman Michael Stipe have in common?

Both have a side hustle as photographers. And both have visited Atlanta to talk about their artistic vision and share this under-the-radar side of their creative output. For 26 years, creatives like Waters and Stipe (along with such photo luminaries as Annie Leibovitz, Gregory Crewdson, and Larry Sultan) have come to Atlanta at the behest of one of the city’s formative arts organizations: Atlanta Celebrates Photography.

Founded in 1998, the organization’s goal is to promote Atlanta’s importance as a photo-centric town. “It has become an integral part of a pretty strong photography community,” says Joe Massey, an arts patron and early supporter of Atlanta Celebrates Photography through his family’s H.B. and Doris Massey Charitable Trust.

Atlanta Celebrates Photography is best known for its annual monthlong photography festival in October. “The festival allowed people from all walks of life, no matter what they do, who have a love for photography to discover Jackson Fine Art, the High Museum of Art, Spelman College Museum of Fine Art, all these places that they may not normally go,” says Amy Miller, who helmed the organization for 14 years. “That was one of the most important aspects of the festival.”

But, like so many arts organizations dealing with a changing funding landscape (as in, less money to go around from grant sources), Atlanta Celebrates Photography has recently reinvented itself, moving away from its focus on the signature festival. (The festival will remain, but with a shorter run.)

Rebranding as the Atlanta Center for Photography, the reimagined organization will feature a more year-round approach. That mission is anchored in its first brick-and-mortar gallery space, on buzzy Edgewood Avenue across the street from Staplehouse. Large windows on a busy street make the tiny, 300-square-foot ACP Project Lab the perfect venue for a driving city, a beacon for rotating exhibitions of photo-based work, including that of recent Yale MFA grad Davion Alston, whose solo show exhibits through April 27.

And there’s more to come, says the organization’s new executive director, Lindsey O’Connor. She has held positions at the High Museum of Art and New York City’s Whitney and Guggenheim Museums. O’Connor says audiences should look for further expansion by the ACP in 2024; the organization supports an emerging artist fellowship and recently earned W.A.G.E. certification to ensure fair wages for their artists. She hopes to soon offer artists’ studios, community education classrooms, and perhaps even a photo printing lab for community members.

The shift in focus comes after some organizational flux following Miller’s 2021 departure. She is now the director of institutional advancement for another beleaguered Atlanta arts institution, Art Papers, which has announced plans to sunset in 2026. “Post-pandemic realities for arts organizations, particularly in the Southeast, are dire,” says Miller.

Massey agrees. “Growing any arts organization, any nonprofit arts organization outside of the Woodruff Arts Center, it’s hard,” he says.

O’Connor understands the financial challenges that small and midsized arts organizations face. “But it’s not like there’s not money here,” she says. “I try not to dwell on the scarcity and to really focus on the potential for abundance.”

This article appears in our March 2024 issue.

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While in Atlanta for his “New Blue Sun” tour, André 3000 stopped by Morehouse College to speak with Atlanta area college students from the Atlanta University Center, Georgia State University, and Georgia Tech. As part of the Sony Music University, the intimate event was moderated by hip-hop scholar Joycelyn Wilson and acclaimed artist Fahamu Pecou. 

Held at the Ray Charles Performing Arts Center, the students gathered in a circle on stage as André 3000 shared lessons on life and growth. 

He spoke fondly about the beginning of his career with OutKast and how he and his rap partner Big Boi started the group as teens after seeing other rappers who came before them. But while they both had dreams of making it big in hip-hop, Atlanta lacked a musical infrastructure at the time. 

“When we were in high school, Atlanta did not have an identity at all,” André shared. “It was New York or West Coast rap music and that was it.”

After meeting Rico Wade of Organized Noise, the duo would sign with LaFace Records, owned by L.A. Reid and Babyface with national distribution from Arista Records. They released the classic album Southernplaylistic and began to make a mark from a city that was often ignored by the mainstream. 

They would encounter backlash after winning the award for Best New Group at the controversial 1995 Source Awards. After facing boos during their acceptance speech, André 3000 would make the statement, “I’m tired of these closed minded folks. It’s like this, the South Got Something To Say.”

André 3000 shared with students that he was nervous before making the statement that served as the beginning of Atlanta’s dominance in hip-hop. 

“I was acting out of nervousness,” he said. “It was more out of discussing you trying to big up your city. I just felt like they didn’t know us well enough. So that saying came out of the boos. So it was the situation that sparked that saying that people quote now, which I guess is fitting.”

André also spoke about finding his true rhyming voice after the debut album. In the early ’90s, rap was very loud and bombastic and André revealed that he followed suit during his early days. But after a studio session with Rico Wade, André said he began to rap in a lower tone, almost as if it was a conversation with the listener. That rhyme flow was presented on the song “Elevators,” the group’s first single on the sophomore album, ATLiens.

He also shared how he began to explore with the playing of wind instruments, collecting them in different cities and countries as he traveled.

By delving into this new space, it reminded him of his early days in rap when he and Big Boi would just experiment with music as teens. With wind instruments, he’s doing the same by learning through experimentation. However, he spoke about how the approach of playing instruments is different from rap. He said that when rapping, artists can lean on the chorus and beat, but that same luxury isn’t present when playing wind instruments. André noted that the performances of the “New Blue Sun” tour is mostly improvised. 

When asked by a student about finding stillness, André 3000 shared that there’s “movement, even in stillness” noting that things are always moving and evolving. André’s evolution from rap legend to wind instrumentalist has been unexpected and awe-inspiring. 

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Last week, the Biden administration hosted a group of students from Historically Black Colleges and Universities at the White House. During their visit, a panel of celebrities who graduated from HBCUs joined the students for a discussion moderated by White House Correspondent April D. Ryan. The panel included Spelman alum Keisha Knight-Pulliam, who shared some valuable life lessons with the young adults.

“Life and success are in the journey,” she told the students. “It is in all of wisdom that you pick up along the way that prepares you for that final destination, and know that that final destination really isn’t final. Because you are always learning, always growing, and always evolving and unfortunately guys, it doesn’t stop.”

Actor and North Carolina A&T alum Terrence J, along with Real Housewives of Potomac star and Howard University alum Candiace Dillard-Bassett, also participated in the panel. Terrence emphasized the importance of financial literacy, stating, “Being financially literate is key to achieving financial freedom. When you understand money, you’re empowered.”

Following the panel, Candiace spoke to BIN exclusively about her experience at Howard, saying, “The experience I had at Howard really shaped the way I’ve been able to move through the world as an entertainer.” She also encouraged students to collaborate laterally. She also encouraged students to foster lateral collaborations. In line with this sentiment, Executive Director of White House Initiatives on HBCUs, Dietra Trent, emphasized the Biden administration’s “whole of government approach,” stressing the importance of having diverse voices represented at the table.

The Biden administration has made historic investments in HBCUs with more than $7 billion in support.

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Jon Batiste and his band played to a sold-out Tabernacle crowd on March 3 as part of his Uneasy Tour.

The five-time Grammy Award winner and former music director and band leader for The Late Show with Stephen Colbert played an upbeat, almost two-hour set, parading his band through the crowd during the encore. Here, check out the scenes photographer Perry Julien captured at the show.

Photograph by Perry Julien

Photograph by Perry Julien

Photograph by Perry Julien

Photograph by Perry Julien

Photograph by Perry Julien

Photograph by Perry Julien

Photograph by Perry Julien

Photograph by Perry Julien

Photograph by Perry Julien

Photograph by Perry Julien

Photograph by Perry Julien

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Rina
When an Atlanta restaurant opens a second location in the suburbs, it can sometimes feel like they just clicked copy and paste. Such is not the case with Rina, Tal Baum’s elevated-casual Israeli restaurant, which originally opened on the BeltLine in 2020. The new outpost of Rina, at Alpharetta’s Avalon shopping center, bears some similarities to its older sister. It was also designed by Smith Hanes Studio, and therefore has some of the same beachy charm in its blue and white accents and colorful pennant flags, but is perhaps a little more polished in its suburban setting. Those beach vibes were appreciated on a recent visit during a January day that felt anything but warm or sunny. Rina’s colorful atmosphere sets a fun tone for standout dishes, like the Hummus No. 2, with roasted butternut squash, dukkah, and harissa. The hummus was whipped so smoothly, it made me wonder why the store-bought stuff is even allowed to be called the same thing as Rina’s. The squash topping popped nicely on the creamy hummus canvas. The eggplant sabich, served over lettuce (though pita and rice are options, too), proved a star for this lover of textural variety: Crispy eggplant presented beautifully alongside a hard-boiled egg, fries, sumac-spiced slaw, tangy peach amba, and Israeli salad. The lamb and beef burger, served on a challah bun with herb tahini, also satisfied. But it’s the Israeli street food dishes, like the shawarma and sabich, that really shine. When it warms up a bit, I look forward to enjoying one of those dishes alongside a frozen cocktail. Alpharetta

Fluffy Fluffy
Normally, an international chain wouldn’t be something to write home about, but Fluffy Fluffy is special. As the name hints at, it’s all about spectacularly thick, fluffy pancakes here. The dessert cafe opened in Duluth in December, bringing soufflé-like pancakes to the hungry masses. They may seem like pure Instagram and TikTok fodder—the pancakes come in a high stack, coated in toppings like strawberries and matcha tiramisu in saturated hues—but they are actually quite light and enjoyable. There are other items on the menu, like croffle sandwiches (that’s a croissant and waffle, of course) and a play on Basque cheesecake, but it’s really all about the pancakes. Just be prepared to wait: On a recent visit, it took about 90 minutes to order and receive the pancakes. Duluth

Bar Blanc
While Little Sparrow in the Westside Provisions District runs the gamut of bistro dishes, its sexy upstairs sister, Bar Blanc, is far more streamlined. Bar Blanc opened above Little Sparrow in November, presenting a sleeker, more intimate alternative to the busy restaurant downstairs. The cocktail list is tighter, with an emphasis on the classics, and when it comes to food, there’s but one option: steak frites. It’s actually a three-course meal, with green salad, bread, and the steak frites. The frites are unlimited, though you may want to save room for the decadent flourless chocolate cake. Westside

This article appears in our March 2024 issue.

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Experimentation has always served as a key aspect of André 3000’s career. He and his partner-in-rhyme, Big Boi, introduced OutKast to the world 30 years ago with their debut album, Southernplaylistic. Often dressed in Kangol hats and Braves jerseys during that period, the duo’s aesthetics represented the quintessential street styles of Atlanta area D-boys.

The 1994 version of OutKast made it a point to put Atlanta on the map and find acceptance in an era when East Coast and West Coast hip-hop dominated the genre. 

OutKast’s sophomore effort, ATLiens, didn’t play by the rules of normal hip-hop. André 3000 exchanged the Braves hat for a turbon as the duo embraced extraterrestrial themes, Afro-futurism mixed in with Atlanta culture.  

Aquemini and Stankonia continued to challenge hip-hop norms sonically. André 3000’s style also remained eclectic as he would often perform in football shoulder pads and colorful wigs. 

And with Speakerboxxx/The Love Below, André 3000 provided elements of jazz, R&B/soul, and rock & roll in what currently stands as hip-hop’s biggest selling album of all-time. 

Delving into the unknown is André 3000’s forte. So when he announced that his debut solo album would consist of him playing wind instruments and void of any rap lyrics, most of his fans were unsure of what to expect. 

This past week, André 3000 performed in Atlanta for the first time since 2016 as he brought the “New Blue Sun” to his hometown. 

Dressed in overalls, a red beanie, and black Air Jordan 3 sneakers, André 3000’s entered a dark stage, partially lit by laser lights which added to the mysticism. Void of an actual setlist, André 3000 and his band mostly improvised throughout the show, vibing with each other while taking audience members on a hypnotic journey. 

André 3000 addressed the audience several times while providing backstories of how he began to develop his love for wind instruments. A chance encounter with musician Carlos Nino at a store in Venice Beach, California helped André 3000 meet other like-minded artists and set on a path of creating the album, New Blue Sun. 

During the show, André 3000 also shared his unique sense of humor by pranking the audience. At one moment, he began speaking in what sounded like a native or tribal language. After the conversation, he revealed that he made it all up as the audience erupted in laughter. 

But André 3000 also shared how experimentation has always helped him throughout his career. He spoke about how he and Big Boi began rapping because they heard other rappers before them. And he revealed that he began experimenting with wind instruments in the same manner. 

He knows that he hasn’t perfected the art of playing wind instruments. But André 3000 being unafraid to explore and find new ways to reintroduce himself is a key takeaway. It inspires a generation to expand and be fearless when attempting to explore unfamiliar territories on career and personal levels. Change  consistent  

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Ebenezer Baptist Church on March 3, 2024. (Credit: EbenezerATL)

Ebenezer Baptist Church – a symbol of the civil rights movement and the ongoing battles for equity and justice – was again the site of peaceful protest as a group of students from the AUC rose from the congregation on Sunday, March 3 to call for an end to U.S. support for Israel in the Israel-Hamas conflict. 

Ebenezer pastor Sen. Rev. Raphael Warnock had barely begun his Sunday morning sermon when the students stood up and removed their jackets to reveal t-shirts that said, “Stop Arming Israel,” and then filed out of the sanctuary and left the church. The students claim to represent the Atlanta University Consortium.

Sen. Warnock, the first Black senator from the state of Georgia took the floor on Feb. 29 to address the U.S. Senate and called for a ceasefire in the Israel-Hamas conflict and the provision of aid to the Gaza Strip along with the release of all hostages being held by Hamas.

“I want to thank God for the students and the young folk. I wish they’d hang out, so we could talk after church,” Warnock said. “Let them know that they’re welcome to stay. Let’s talk after church.”

“The whole world must see that Israel must exist and has the right to exist,” Warnock said. “The dignity of self-determination is among the values he was seeking to uphold. Israelis deserve it. So do Palestinians. Two peoples, two states living alongside one another in freedom and in peace. That must remain our North Star. And if we would be true to our own values, we must call to task any politician who would reject that right to self-determination, especially if that rejection comes while, at the same time, one is engaged in massive and indiscriminate bombing of the very same people. From the ugly and dangerous specter of it all, the world cannot and must not turn away.”

Warnock’s sermon on Sunday, March 3 was entitled “A Seat at the Table.”

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