Category: Video Gaming

Resident Evil Requiem, launching on February 27 for PlayStation 5, is the ninth and latest entry in Capcom’s iconic Resident Evil series. 

We recently sat down with the game’s director, Koshi Nakanishi, to chat about the latest and most immersive entry in the series yet.

Koshi Nakanishi Resident Evil Requiem director, Capcom

PlayStation Blog: When did development start, and how was the project greenlit?

Development began on a small scale six years ago, but it really took shape in its current form about three years ago. Ethan’s storyline concluded with Resident Evil 7: Biohazard and the eighth mainline entry, Resident Evil Village. While both Resident Evil 7 and Resident Evil Village were very well-received, they veered away from the main storyline leading up to Resident Evil 6. So, we decided it was time to steer the story back on track, and that’s how the development of this title started.

“Leon’s back in Raccoon City – the place where his bioterror nightmare began and caused his early struggles and losses.”

The demo threw us right into the game, so the story felt a little abrupt. Will the final product be accessible for players who haven’t played the earlier entries?

The game is designed to be welcoming to complete newcomers who don’t know anything about the Raccoon City Incident or haven’t played any Resident Evil titles before. While series fans will instantly recognize Leon, Grace is a brand-new character who’s never faced a zombie and only knows about the Raccoon City Incident through her mother’s involvement. New players can dive into their first Resident Evil adventure right alongside Grace.

This marks Leon’s first mainline return since Resident Evil 6, at which point he was a little over 30 years old. Exploring his character development is one of the central themes of this game. He’s back in Raccoon City – the place where his bioterror nightmare began and caused his early struggles and losses. Throughout the game, players will witness how the battle-hardened Leon feels and what he reflects on after all these years.

Did you explore any new approaches to horror in this game?

A big focus for us was reinventing the zombies. Zombies are so ubiquitous in games now that their weaknesses and behaviors have become predictable; for instance they’re typically weak to headshots. However, that familiarity kills the fear and tension. Zombies in this game retain some traces of human intelligence and instincts. Some obsessively repeat bizarre human behaviors, while others pick up weapons dropped by other enemies to attack. We wanted to transform zombies into threats that consistently defy player expectations and keep them on edge.

“Overall, this game may be scarier than Resident Evil Village, but it alternates between tension and relief, so it isn’t a continuous, suffocating experience.”

Many players found Resident Evil 7 intensely frightening, leading you to dial things back in Resident Evil Village. Where would you place Resident Evil Requiem on the terror scale?

Yes, some players found it hard to finish Resident Evil 7, so we toned down the horror a bit in Resident Evil Village. In Resident Evil Requiem, however, Leon’s segments lean more into satisfying action, which allowed us to really push the horror in Grace’s sections. Leon’s parts are still spooky, of course, but I’d say they’re more exhilarating than purely horrifying. Overall, this game may be scarier than Resident Evil Village, but it alternates between tension and relief, so it isn’t a continuous, suffocating experience.

The demo took place within a dubious sanatorium. Will the full game open up to more areas?

As you’ve seen in trailers, the game eventually takes you to present-day Raccoon City. Resident Evil games often switch up locations as you go, and Resident Evil Requiem does the same. Also, in the demo, Grace and Leon’s sections both took place in the same sanatorium, but their stories branch out to different spots later on.

“If you switch from Grace to Leon in the same location, any enemies Grace took down stay dead for Leon, and the same goes for items on the ground.”

Do one protagonist’s actions impact the other’s?

Yes, for example, if you switch from Grace to Leon in the same location, any enemies Grace took down stay dead for Leon, and the same goes for items on the ground. However, it’s tough for Grace – who’s always short on ammo – to wipe out all the enemies. Using Leon to take down enemies that Grace fled from is one of this game’s highlights.

With that in mind, it’ll be fun to strategize and maximize efficiency during subsequent playthroughs.

Exactly. The more you play, the more you discover how actions in one part affect the other, so it creates a different kind of replay value compared to previous games in the series.

Grace could collect antique coins, whereas Leon found them unnecessary and would not pick any up. Is the upgrade system using antique coins exclusive to Grace?

Antique coin upgrades in the sanatorium are exclusive to Grace, so Leon can’t pick any up. There are still traditional upgrades available for Leon, like weapon enhancements and modifications. The demo emphasized Leon’s action-packed gameplay, but as the game progresses, even he will face uphill battles. Properly upgrading Leon will become crucial too.

You were able to crouch and evade attacks as Leon in the Resident Evil 4 remake. Can you do that in this game too?

Absolutely. Try crouching when an enemy sweeps at you from above. This tactic works for both Leon and Grace, although Grace tends to lean more on survival and items rather than direct combat.

“This time, we came up with the ‘chainsaws for everybody’ concept, which was a fresh take that unlocked a lot of creative possibilities.”

Were there any specific scenes or moments in the demo that your team put particular effort into?

Near the start of Leon’s section, you encounter a chainsaw-revving zombie doctor. Chainsaws are an iconic Resident Evil weapon, and with so many variations across past games, we always challenge ourselves to innovate. This time, we came up with the “chainsaws for everybody” concept, which was a fresh take that unlocked a lot of creative possibilities. For example, if a weaker nurse zombie swings a chainsaw, it’ll slip from her grip and go flying. The team put a lot of care into those kinds of details.

“We added third-person support with the Village DLC, and some players were finally able to play comfortably. That inspired us to offer the choice from the start, and our experience working on the DLC made it a pretty smooth integration.”

Why did you add the option to switch between first-person and third-person perspectives? Were there any challenges or discoveries that your team encountered during the development of the two viewpoints?

As you know, mainline Resident Evil titles were in third-person from Resident Evil 4 through 6, then shifted to first-person in Resident Evil 7 and Village. However, some players struggled playing in first-person. We added third-person support with the Village DLC, and some players were finally able to play comfortably. That inspired us to offer the choice from the start, and our experience working on the DLC made it a pretty smooth integration.

We recognized that some players found first-person mode too frightening but could still enjoy the game in third-person. That said, seeing Grace panic on-screen caught some players off guard and startled them unexpectedly, which was a nice surprise.

In first-person view, you can see Leon’s and Grace’s hands when aiming a gun, and their responses are clearly different. Grace’s hands shake because she’s not used to combat, and the recoil hits her harder, too. We encourage players to try a different perspective in subsequent playthroughs.

“Adaptive triggers dynamically adjust trigger resistance depending on the weapon, while gun reloads trigger vibrations and audio from the controller’s microphone.”

Previous games in the series, such as Resident Evil Village and the 2023 remake of Resident Evil 4, were available on both PS5 and PS4. This title, however, is a PS5 exclusive. Did any PS5 features, including the DualSense wireless controller’s haptic feedback and adaptive triggers, contribute to the game’s performance and immersion?

Resident Evil thrives on evoking genuine terror, so we harnessed PS5 features to amplify the horror elements. For example, during a zombie attack, haptic feedback simulates the zombie’s grip and bite on your arm through the controller.

Adaptive triggers dynamically adjust trigger resistance depending on the weapon, while gun reloads trigger vibrations and audio from the controller’s microphone. In puzzles requiring players to rotate a box filled with gems, we simulated the clattering of gems through vibrations and controller audio to deepen the game’s realism and immersion.

3D audio’s immersive soundscape is crucial for pushing the boundaries of horror games. What techniques does this game implement to amplify terror through sound design?

This game’s ambient sounds are captured across 12 channels, including vertical positioning. Unlike simple mono or stereo IR waveforms, this approach offers far superior spatial reverb, creating an unprecedented sense of presence.

Are there any PS5 Pro enhancements?

On PS5 Pro, ray tracing can be turned on or off. With it enabled, players can enjoy the game in 4K at 60fps with full ray tracing. Disabled, it supports up to 120fps (averaging 90fps) on high-refresh-rate monitors. We spent a lot of time on optimization.

 Resident Evil Requiem launches on February 27 for PlayStation 5.

To make it to the top of Kami, the mountain at the heart of Cairn, you’ll need to develop skill and intuition for climbing and use all the tools at your disposal. There’s a lot in the game you’ll need to learn through experience, particularly as you reach the more treacherous challenges at higher altitudes. Here are a few tips that’ll help you reach greater heights and see fewer dangerous falls as you make your way to Cairn’s summit.

It’s all about planning, patience, and stamina

The climbing gym at the start of Cairn is a great way to get some training that will save you on Kami, and it’s worth trying all of its available walls to see what you’ll face ahead. The gym will teach you three things: to plan your route, climb slowly, and conserve your stamina.

You can check the wall ahead of you by angling the camera so that your protagonist, Aava, looks straight up, or by pressing L1 to get a zoomed-out view of the whole area. It’s always worth it to check your path so you don’t hit a point where you’re trapped or snagged and forced to climb back down, wasting energy and items.

Patience is a virtue in Cairn; you almost always want to climb slowly and carefully, even if you’re on what appears to be an easy stretch of wall. The trick to climbing successfully is picking good handholds and footholds. Aava’s limbs start to shake when one is getting tired, indicating that it’s in a bad position or her weight is distributed poorly. Stay in a position like that too long, and she’ll slip and fall. If you move too fast up the wall, you’re more likely to commit to bad holds without realizing it, only to find that Aava is tiring out and unable to move to a more solid position before falling. Going slow lets you be sure the holds you’re using are safe before moving on.

As you go up a wall, you also need to manage Aava’s stamina. When you’re in a solid position, you can hit Triangle to have Aava shake out a tired limb, regaining stamina for the next push. You can tell how much stamina Aava has by the color that flashes when you press Triangle. Green means you’ve recovered well, while yellow indicates caution, showing you that you need a better rest position soon or you’re going to be in trouble. Stamina recovery is essential to avoid falling, so stop frequently for a quick rest.

Through it all, pay close attention to Aava’s reactions and what she says. Slowly, regular breathing means she’s doing well through the climb, but when her breathing starts to quicken, it means she’s tiring out and getting worried. You’ll need to find a more natural, comfortable position so she can rest and recover stamina.

Drop pitons frequently

Pitons are essential, and you’ll want to get into the habit of putting them down at regular intervals on every wall. Clipping into a piton stops you from falling off the mountain, while also acting as a checkpoint so you can quickly return if you should slip. You can also use pitons to rest by hitting X to “off belay,” which fully restores Aava’s stamina. And when you off belay at a piton, you can access items in your backpack, giving you a chance to eat food or refill chalk.

You can place a piton by holding Up on the directional pad, but you’ll then have to hit X at the right moment as a slider moves across a bar to complete the placement. It’s essential to practice your piton timing — getting the right timing doesn’t just save you from breaking pitons, it can allow you to place one fast in an emergency when Aava’s about to fall. But don’t wait to hear Aava panicking before you set a piton. Train yourself to place them regularly when things are going well, so you’re not trying to place one in a panic to avoid a fall.

You’ll find lots of pitons on Kami, and Climbot can make one piton from two sets of piton scraps, so don’t worry too much about running out or wasting them. They’re essential to a successful climb.

All holds aren’t equal

Especially when you’re first starting out, you might wonder why Aava keeps getting tired or falling when you’re climbing a wall that seems like it’s full of holds. The answer is that some holds are smaller and tougher to use than others, and it’s not always immediately obvious looking at them that a grip isn’t great. Vertical cracks, for instance, seem like they should be useful for climbs, but they can tire you out quickly. Look for big ledges to stand on and hold with your hands to provide Aava with more comfortable positions where she can rest, and try not to use smaller holds for very long. Listen for Aava to remark about whether you’ve picked a good position to know that she’s comfortable — and restore stamina often.

When you climb slowly, you can test each hold before moving to the next to see how Aava handles it, and you’ll be able to tell if you should move Aava back down to a more stable position. You always want to watch for how Aava places her hand or foot, also; you’ll sometimes place a hand or foot on what you think is a grip, only for Aava to flatten that hand or foot against the rock, which means she’s braced but not holding anything. It’s usually a good idea to stop and reset that limb before moving on, because she’ll tire out quickly without a solid grip.

Don’t forget chalk

Chalk greatly improves your grip and can be essential to get over tough walls. You’ll almost always have chalk available, and it’s almost always a good idea to use it. You can quickly add chalk to your hands by holding Right on the directional pad, making your next 12 handholds extra grippy. Chalk is great for making bad holds a little easier to grip, and even makes it possible to move over rock that doesn’t have good holds so you can reach a better spot, as long as you’re quick about it. You should use chalk often, especially when holds are small or spread out — Climbot creates more whenever you compost trash, so you’ll always have a healthy supply.

Manually choose Aava’s limbs for extra control

Cairn’s developers suggest you use its automatic system for choosing which limb Aava moves every time you take a new foot- or handhold, but there will be lots of moments when you’ll want to move a foot and the game will suggest you move a hand or vice versa, and moving the wrong limb can sometimes be disastrous. You can choose which limb to move yourself by holding R1 and highlighting it using the right analog stick. Choosing limbs manually is essential when you’re trying to quickly leave a dangerous position to get to a safer one, but it’s also just good practice to make sure you have complete control of Aava and are making exactly the moves you want to.

Change your approach depending on the kind of rock you’re climbing

Most rock walls are gray and craggy, but you’ll sometimes see smooth, glossy brown rock mixed in across a wall. This rock is more slippery, with holds that are often smaller, and it’s too dense for you to place pitons into it, making it potentially dangerous. Check your route and watch for patches of brown rock so you can either climb around them or plan a smart route over them. Chalk and food boosts are great for dealing with these climbs as well.

Be sure to explore

Kami was once home to a people called the troglodytes, and while you’ll find very few of them left during your climb, you can still visit their homes, temples, and villages. Making your way into different caves and structures can help you find save points, vital supplies, and special items to make your climb easier. Troglodyte pitons are the greatest prize — they’re indestructible and can burrow into any kind of rock — but you might also find things like upgrades for your chalk bag, recipes for different kinds of food, and lots more. Exploring caves and troglodyte structures can also help you find alternative, often easier or safer routes up the mountain.

Ice can be easier to climb, but slower

Late in your ascent up Kami, you’ll start to come across ice walls. Aava is ready with ice axes and spikes for her feet, and these are automatically equipped whenever you aim a limb at ice. These walls can be easier to deal with than rock because you can make a handhold or foothold anywhere, but you’ll need to go more slowly and recover stamina more often as you climb, because overall, climbing ice takes more effort. Try to pick cracks in the ice to place your ice axes and shoes. If an axe or shoe bounces off the ice before settling, that’s a bad hold, and you should move it to a better one, because Aava will soon slip. If you’ve got no crack to dig into, you can create one by holding down Square and then releasing it, kicking your foot or slamming your axe into the ice. The effort drains your stamina faster, though, so be sure to take frequent breaks.Making your way to the top of Kami is a tough journey, but it’s also a rewarding one. Take your time and be careful and you’ll keep the climb from going from challenging to frustrating. You can start your ascent today — grab Cairn today at the PlayStation Store.

Set for release on February 5, Dragon Quest VII Reimagined for PlayStation 5 reinterprets the classic 2000 PlayStation title, Dragon Quest VII: Fragments of the Forgotten Past. Featuring distinctive 3D diorama visuals with a warm, handcrafted doll-like aesthetic, the remake also introduces new storylines, including one that reunites the hero with his now-adult friend, Kiefer.

Over 25 years after the original release, producer Takeshi Ichikawa shares insights on the creative process and the decisions behind reimagining this beloved RPG for a new generation.

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Takeshi Ichikawa, Producer, Dragon Quest VII Reimagined 

PlayStation Blog: Before we discuss the upcoming Dragon Quest VII Reimagined, let’s take a moment to revisit the original Dragon Quest VII: Fragments of the Forgotten Past, released for the original PlayStation in 2000. The title drew major attention at the time as the first in the series to feature 3D polygons and for offering an adventure that stretched beyond 100 hours. Do you have any special memories of that game?

I was a young kid in elementary school back in 2000, so my memories are a little fuzzy, but I do remember playing the original Dragon Quest VII. Funny enough, my first Dragon Quest game wasn’t one of the mainline entries – it was Dragon Quest Monsters Terry’s Wonderland. So when I finally played one of the mainline installments, I was surprised to learn that you actually fight as human characters.

Dragon Quest VII is known for its sheer scale, and it takes a while to reach your first battle. Honestly, as a child, I remember getting impatient, wondering when the fighting was going to start. Ultimately, I didn’t finish the game and gave up partway through. However, when I revisited the game later as an adult, I was really struck by how dark and unsettling the game’s world was, and how strangely relevant it felt in this day and age.

*Screenshot of Dragon Quest VII: Fragments of the Forgotten Past on the original PlayStation

It’s one of the more melancholic works in the series, isn’t it?

Yes. In conversations with Yuji Horii, the creator of the series, we often used the word “irrational” to describe the game’s world and its themes.

What parts of the game felt irrational to you?

Even though the protagonists haven’t done anything particularly wrong, the story keeps drifting into darker territory and shows the raw, ugly sides of human nature. I think that lack of salvation and sense of unfairness made the game feel irrational at times.

And that Dragon Quest VII is now being remade as Dragon Quest VII Reimagined. Can you tell us how this project first came about?

The original game was released in 2000 and celebrated its 25th anniversary in 2025. We felt that its distinctive world and story would resonate even more strongly with players today, which is what led to the start of this project.

Why did you choose to develop a full remake from the ground up, rather than a remaster?

After 25 years, we wanted to create a game that was enjoyable for both past players and those new to the series. That’s why we went back and reviewed every single element from square one and rebuilt everything for a wider audience.

Figuring out where to begin on an epic exceeding 100 hours sounds quite daunting. What was your guiding principle, and what type of experience were you envisioning?

Our core concept was “nostalgic yet innovative.” We aimed to preserve Dragon Quest VII’s signature essence and nostalgic charm while adding new touches that we thought were fitting as the series’ latest installment. Development revolved around three key pillars: story, visuals, and combat.

What kind of input did Yuji Horii give after he saw your proposal?

We pitched to Horii-san the idea of restructuring everything around those three pillars, overhauling the framework of the narrative, and adding new storylines for certain characters to create a deeper emotional connection with the players. He was on board right away.

Did Horii-san provide any feedback during development?

He gave us input on the UI. Past Dragon Quest games stuck to pop-up window-based interfaces, but we went with tabs for the main menu this time, which was a bold move. Horii-san liked the overall feel but suggested tweaks for specific elements, like the shopping interface. His insights helped us create a more user-friendly UI.

You highlighted story, visuals, and combat as the three main pillars. Could you elaborate on the changes your team made to the story?

While preserving the original’s distinctive vibe and atmosphere, we refined sections of the story – which can exceed 100+ hours – that felt redundant. We aimed to streamline the overall structure of the narrative so it was easier to follow and get immersed in.

Yes, the overall story felt tighter when I played the preview. You mentioned you didn’t just trim the story; you also added new storylines?

That’s right. We trimmed or condensed parts that didn’t deeply impact the core narrative while also adding new scenarios. For example, the reunion with an adult Kiefer gives original fans something new to enjoy.

Does the adult Kiefer play a big role in the story?

Yes, he properly appears as part of a new storyline. I can’t go into details because it’s integral to the story, but I’m excited for players to experience it firsthand.

Let’s talk about the graphics – the doll-like visuals really stand out. Why did you choose this style?

Akira Toriyama oversaw character designs for the Dragon Quest series, and Dragon Quest VII stood out with its endearing character designs with shorter proportions. We chose a doll-like aesthetic to match that. Given the global popularity of doll-inspired visuals in films and games, we thought this style would suit Dragon Quest VII perfectly.

I understand the character creation process was unique, too. You worked with doll artisans to craft wooden dolls by hand, photographed them, and turned the photos into CG models.

Yes. Given the doll motif, scanning actual dolls felt like the best method for nailing the texture and creating a distinctive visual style. We commissioned Studio Nova, a Japanese doll studio, to handcraft the dolls of the main characters, then scanned them to capture their unique texture in the game.

The velvety texture of Kiefer’s outfit and similar details are very realistic. Are there any visual elements you want players to pay particular attention to?

We’ve put a lot of care into each character’s outfit. Kiefer wears a plush royal attire fit for a prince, while the protagonist, a fisherman’s son, wears something humbler, and Maribel, the mayor’s daughter, wears an, elegant fancy dress. The highlights are in the fine details, like the worn, scuffed texture on the protagonist’s leather shoes. You’ll find many hidden details if you pay close attention.

The environments and buildings also blend in seamlessly with the doll-like characters. Can you describe the creation process?

Once we settled on the doll motif, we styled the towns like dioramas and the buildings like dollhouses to complement the characters. I think the standout is the protagonist’s hometown, Estard Island. We started working on this area first, so we put extra effort into creating Estard.

The original lets you spin the camera around to find hidden chests, pots, and barrels. That has been faithfully recreated as well.

That’s right. Spinning the camera around for exploration was a key feature in the original, so we made sure to keep it. We hope players spend time investigating every nook and cranny.

Let’s talk about the final pillar of the three: combat. What was the thinking behind its redevelopment?

The basic idea was to keep regular battles “quick and snappy” while making fights against tougher enemies more “intense and deliberate.” For regular combat, we focused on pacing, such as adding battle speed options and a “Field Attack” feature where you can one-shot weaker enemies as your party levels up.

Meanwhile, powerful enemy encounters are key story moments, so we wanted players to spend their time strategizing and taking it slow. Some fights ended up being quite challenging, but we received a stamp of approval from Horii-san after he tested it out, so I believe we’ve achieved a good balance.

Tell us about the Vocation system. Special Vocational Perks activate when a character gets “worked up.” How does this new mechanic make combat more dynamic and engaging?

Characters “let loose” at optimal moments during battle. It unleashes powerful effects based on your Vocation, and once you can “Moonlight” two Vocations, you can equip two Vocational Perks at the same time. Experimenting with different Vocation combinations is a lot of fun.

How does the Moonlighting feature work?

As the story progresses and Vocation changes become available, you can choose one preferred Vocation, like warrior or mage. Further into the game, you unlock the ability to “Moonlight” two Vocations. During battles, you can use skills and perks from either Vocation. Character attributes are also combined, which significantly affects your character’s overall capabilities.

So, players can mix and match any Vocations they want?

Yes. For example, you can combine warrior and martial artist for a powerful attacker, or pair warrior with priest for a balanced fighter. The choice is yours, depending on your playstyle. Once your Beginner Vocations reach maximum proficiency, you’ll unlock Intermediate Vocations that you can also Moonlight. Mastering both warrior and martial artist unlocks the gladiatrix, which can then be paired with either a Beginner Vocation or another Intermediate Vocation.

The Buccanham Palace: Battle Arena has been added as an extra feature. What are its key highlights?

The Battle Arena is one of the new side contents. With its unique format, it delivers fights unlike the regular battles for a fresh experience. There’s also content designed to test your strength, so players can jump in and test their limits.

How is it different from regular battles?

Regular battles are fought with a party of up to four members, but in the Battle Arena, you pick one character to fight solo. Players can beat the challenges to earn rewards, and if they finish within a set number of turns, they can win even better prizes. We hope these extra rewards make your journey a bit easier.

Speaking of rewards, you can also score valuable items from the Lucky Panel.

That’s right. Both the Battle Arena and Lucky Panel can sometimes reward you with powerful items or weapons that you cannot normally pick up at that point in the story. Horii-san often calls this “cheating” (laughs). Of course, it’s not really cheating, and there’s a lot of fun in gaining an advantage that way, so we encourage players to keep trying their luck.

Did you take any new approaches to production?

We added voice-overs to Dragon Quest VII for the first time. The battles and adventures feel much more immersive, and the story pulls you right in. The voice actors really brought the characters to life.

Upon playing myself, the overall pacing felt noticeably smoother while perfectly capturing the original’s unique charm. Striking that balance between nostalgia and modern RPG standards must have been quite challenging.

Yes. The Dragon Quest series is celebrating its 40th anniversary this year, and it’s been loved by so many people for decades. Mindful of our most dedicated long-term fans, we prioritized equilibrium between nostalgia and innovation. We made sure to preserve the classic feel and core narrative, so I think many of the cutscenes will bring back a lot of emotions and memories from their original playthroughs.

Dragon Quest VII Reimagined launches on PS5 on February 5.

“We want to put Runescape back on the map,” associate director of design Ryan Philpott says. But, reader, I need you to know the cost of this metaphorical cartography. Over the years, the Monty Python-infused medieval world of RuneScape has expanded in many directions. It’s gained new landmasses, professions, raids, and characters, but also many many many odder cosmetics. Some of them, like the delightful sharksuit, walk a distinctly non-medieval path.

Philpott says these are a problem. The meanie.

(more…)

Nioh 3 is one of the most anticipated games of 2026, and it’s easily among the biggest releases of February. We’re a few days away from the start of that month, however, but we don’t have to wait until then to actually play Team Ninja’s next major release.

The previously announced demo has arrived, and it’s one any fan of action games should check out, especially if you missed the PlayStation-exclusive beta held last year.

Unlike previous tests, the Nioh 3 demo is available on PC and PS5, just like the main game. This is pretty new for the series, which has typically launched first on PlayStation before coming to PC months later.

The Nioh 3 demo includes a decent portion of content from the beginning of the game. It’s enough to show off the core duality mechanic, letting you switch between the Samurai and Ninja styles at will. It also includes a preview of the game’s open field level design, which makes it sit somewhere between full open world and the more linear level design of past Nioh games.

Feedback from the previous beta has been implemented into the demo (and full release), so you may see some familiar faces, as well as areas you visited before – assuming you played that one.

Another big reason why you might want to grab the Nioh 3 demo is that your progress in it will carry over to the full version. This includes the character creator, too, meaning you can spend all day perfecting your character without having to worry about missing out on playing the actual game.

The demo even supports online multiplayer for up to three players, in case you come to Nioh for co-op. If you complete the available content, you’ll earn an in-game bonus in the full version. This is something Team Ninja has done with past Nioh titles, of course.

This time, your reward is the Twin-Snake Helmet. Just make sure you complete the demo before February 15.

Nioh 3 is out February 6 on PC, and PlayStation 5.

The nostalgia-packed The Disney Afternoon Collection finally has a Nintendo Switch and Nintendo Switch 2 release date, and it’s bringing two more games for patient fans.

A Switch version of the bundle of ‘90s Disney video games was announced today after first launching for PC, PlayStation 4, and Xbox One back in 2017. Retro remaster developer Digital Eclipse has the original collection – which includes DuckTales, DuckTales 2, Chip ‘n Dale Rescue Rangers, Chip ‘n Dale Rescue Rangers 2, Darkwing Duck, and TaleSpin – set with a digital Switch release date of February 26, 2026, with Goof Troop and Bonkers packed in, too.

Nintendo Switch and Switch 2 announcement trailer for The Disney Afternoon Collection. Eight games total: DuckTales, DuckTales 2, Chip ‘n Dale Rescue Rangers, Chip ‘n Dale Rescue Rangers 2, Darkwing Duck, TaleSpin and they’re adding Goof Troop and Bonkers. pic.twitter.com/BHXAClWaiD

— IGN Deals (@IGNDeals) January 28, 2026

Both are Capcom games that made their way to the Super Nintendo Entertainment System in the ‘90s, and both will only be available on the Switch and Switch 2 versions of The Disney Afternoon Collection. Goof Troop sees Goofy and his son, Max, go on a swashbuckling co-op adventure to save Pete and PJ, while Bonkers follows Bonkers D. Bobcat as he solves crimes in Toontown.

It’s a bundle fit for the biggest fans of classic gaming from the House of Mouse, with the total game count now reaching eight. The February re-release will finally bring the bundle to Nintendo’s hybrid consoles, with access to soundtracks, a behind-the-scenes gallery, and rewind features, available, too. There are also Time Attack and Boss Rush modes for those looking to shake up that classic gameplay.

A Disney Afternoon Collection physical edition is also confirmed to be in development for those willing to wait until after the February digital release. Disney says the physical Switch release – which comes with the game cartridge, two sticker sheets, eight retro milk caps, and three collectible cards – is now available for pre-order and will ship “at a later date.”

The Disney Afternoon Collection Nintendo Switch Announcement Screenshots