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Can Daniel Kitson Redefine the Relationship Between Comic and Audience?

I was grateful that in the most fearful moments of 2020, he started a radio show from his home that I listened to every day, providing some quiet charm to interrupt the steady bass line of sirens outside my Brooklyn window. More significantly, he taped a new show, an audio play named “Shenanigan” that he sold on his site. But, consistent with his ethos, he kept distribution small, just 2,000 copies, available only in record, CD or cassette tape formats. (None are currently for sale.)

An intricate, layered narrative told with literary precision and propulsive sound effects, “Shenanigan” feels less like his stand-up or solo shows than something entirely new. Its premise, reminiscent of “Eternal Sunshine of the Spotless Mind,” turns the romantic comedy inside out. Darting back and forth in time to chronicle the dissolution of the relationship between a couple, Bob and Poppy, Kitson introduces each section he narrates by the number of weeks, days or hours before the breakup.

This structure creates suspense but also draws attention to its own artifice, as does the science-fiction conceit at its center: A dystopian company called A Better Beginning erases memories of couples’ first meetings and implants a more romantic version. It was founded by a heartbroken man who believes art has ruined relationships by setting up unrealistic expectations for love.

Kitson periodically interrupts the narrative to give us scenes of him making the show, a spoof of himself as pretentious and obsessive but also a running commentary on the themes he’s exploring, especially in conversations with a female friend. She wants to know if the show is really about his own aversion to long-term relationships. Kitson balks, not just offering the dodge that it’s all made up, but going further, adding that there is no such thing as a true story. “It’s like a wood fire,” he says. “The story-ness affects the truthiness.”

He’s right, in a way, and in focusing on the origin story of a relationship, he found a resonant metaphor to illustrate and expand his point. For many people, telling this tale is as close as they will get to understanding how a comedian’s set, refined through repetition, can’t help but blur the line between truth and fiction. To take one example, after so much retelling, the memory of the story of how your parents met tends to crowd out the actual events in their minds.

Jason Zinoman

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