In a refreshing twist for the rom-com genre, Anyone But You unfolds its love story in the midst of a bathroom emergency. Sydney Sweeney’s Bea, desperate for a restroom key, encounters Glen Powell’s Ben, who, with a flair for rom-com charm, poses as her husband to rescue her from the clutches of café bureaucracy. While Powell effortlessly embodies the quintessential rom-com guy, Sweeney initially struggles to portray the hapless rom-com girl, with a voice that hints at a challenge in selling cutesy insecurity. Yet, as the narrative evolves, Sweeney finds her footing, drawing on her experience from HBO’s Euphoria to deliver moments of annoyance and sultriness.
The film’s loose Shakespearean adaptation takes the audience through the romantic journey of Ben and Bea, culminating in a destination wedding in Australia. As the two protagonists grapple with a mutual grudge, fate intervenes, revealing unexpected connections and setting the stage for comedic chaos. The ensuing schemes, designed to mend their relationship, unfold in a series of foibles and shenanigans, generating genuine laughter amid intentional, focused comedy.
Despite lacking comedic chemistry, Sweeney and Powell’s on-screen pairing remains enjoyable, their attractiveness and likability shining through. There’s a fresh and charming dynamic between both Sweeney and Powell that resonates with audiences. Anyone But You, although sweet, silly, and uncomplicated, also carries an R rating, signaling its appeal to adult audiences seeking a break from the detached, ironic tones seen in other genres.
The movie’s reliance on established rom-com tropes may not make it a groundbreaking addition to the genre, but its genuine moments and the palpable chemistry between the leads offer a heartwarming experience. In an era where superhero films decline, Anyone But You suggests a cultural shift toward embracing authentic emotions and real storytelling.
Neill Frazer
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