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Tag: series finale

  • Sex Education’s Final Season Comes to a Cozy Climax

    Sex Education’s Final Season Comes to a Cozy Climax

    This post contains plot details for Sex Education season 4.

    When Sex Education’s first season dropped on Netflix at the start of 2019, it felt like a raunchy, cringe-inducing relief from Trump and Brexit-era politics. Set in a retro parallel universe, it had one foot in the past (lots of 80s music and clothing) and the other in the present (iPhones, contemporary pop culture references). The series initially revolved around virginal teenager Otis (Asa Butterfield), who picks up a knack for advice from his sex therapist mother Jean (Gillian Anderson). With encouragement from tough girl-with-a-heart-of-gold Maeve (Emma Mackey), Otis begins an underground counseling service for his schoolmates at Moordale Secondary School, offering often graphic tips on a startling array of carnal challenges. Vaginismus, revenge porn, alien sex fantasies, breast-binding, chlamydia, abortion, anal douching, slut shaming, sexual assault: Sex Education explored them all with its trademark humor and kindness.

    It seemed like a fun, wholesomely filthy update of classic American teen comedies as reimagined by a smart young British playwright (creator Laurie Nunn). But four years later, as the series comes to a close, Sex Education feels less like an escapist romp and more like a front on the cultural battlefield. At a moment when American schools are increasingly banning books and blocking classroom instruction on LGBTQ+ topics and sex education generally, when abortion rights are ever more threatened and attacks on gender-affirming care for trans youth mount in both the US and UK, a series that sprinkles sex positivity over every surface resonates in a whole different way. Especially when this series is a massive global success.

    As if recognizing this, Sex Education ended season three in a blaze of rebellion against the forces of repression. Over the course of that season, new Moordale headmaster Hope Haddon (Jemima Kirke) had attempted to repair the school’s bad reputation (it was labeled “sex school” by a local tabloid) by forcing students to wear uniforms, censoring sex ed classes, and publicly shaming those she deemed sexually deviant. Moordale’s student body exploded in glorious insolence, mounting an extravaganza—complete with a school band version of Peaches’ “Fuck the Pain Away” and a student-painted Wall of Vulva—that led to the school being defunded and shut down.

    Now some of the characters have transferred to Cavendish. A ”student-led” school, Cavendish could not be more different from stuffy Moordale, thanks to its candy-colored color palette, its daily meditation practice and its flamboyantly progressive values. “Everyone seems happy,” Otis marvels to his best friend Eric (Ncuti Gatwa) when they first arrive. “And queer!” adds Eric, who has learned not to hide his own queerness over the last three seasons. He is delighted to discover that Cavendish’s most popular kids—Abbi (Anthony Lexa) and Roman (Felix Mufti) —are trans. They quickly absorb him into their clique, creating a small rift between Eric and Otis. “He’s always been my person, but sometimes I feel he doesn’t entirely get me,” Eric tells his new friends of Otis. When Eric later gently tries to explain that he and Otis really don’t talk about their racial or financial or religious differences, Otis squirms away from the conversation.

    Otis has always been alternatively endearing and self-centered. His brattiness takes center stage this season as he arrives at the new school assuming that he will resume his role as sex therapist, and finds a young woman named O (Thaddea Graham) already operating a practice at Cavendish. He asserts his privilege over O, nastily trying to swipe her clients. But his attempts to introduce himself to the school backfires when he inadvertently broadcasts his sad attempt at a dick pic (complete with poorly trimmed pubic hair) to his classmates. “No one will want to have therapy with creepy pube man,” he says mournfully afterwards.

    Joy Press

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  • ‘High School Musical: The Musical: The Series’ Takes a Final Bow

    ‘High School Musical: The Musical: The Series’ Takes a Final Bow

    Series creator Tim Federle peels back the curtain on original-cast cameos, Olivia Rodrigo’s career trajectory, and why this was “the season to go crazy.”

    Savannah Walsh

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  • Exclusive: Jeremy Strong on Succession’s Brutal Finale and Kendall’s Ending

    Exclusive: Jeremy Strong on Succession’s Brutal Finale and Kendall’s Ending

    When you’re doing it, the whole world turns on it, and it matters more than anything in the world to me. But then when it’s over, it’s, it’s like vapor. So I feel very detached from it. As an audience member, it feels like I’m watching somebody else.

    In the months since you wrapped, have you stayed in touch with the cast? 

    I haven’t, really. We’ll always have, uh, having shared this experience. But the truth is, when you work on movies, you become very close to people and you share something very intimate, and then when it’s done, you know, the circus kind of folds up its tents and leaves town, and you’re kind of back to your life. I feel connected to everyone, but in a way, my involvement and my work finished on March 1st in Barbados. 

    The kitchen scene seems like a fun way to have ended.  

    It was, it was! I loved doing that scene, and it’s rare that I didn’t feel an obligation as an actor to carry a tremendous weight with me into any scene. The characters were at ease, and [Kendall was] enjoying the company of his brother and sister. And my God, they put the nastiest shit you can possibly imagine into that blender! So every take, I had to go outside and retch and then jump in the ocean to reset. But it was fun. 

    You actually drank what they put in that blender?

    I guess my feeling is, I would not be committed enough to what that character wants in that moment if I didn’t drink that thing. She’s saying, “we’ll give this to you if you drink this thing.” So —yeah, that’s just me. Mark [Mylod] knew at a certain point he had to call cut, because if he didn’t call cut, I’m gonna do it, you know?

    Brian Cox said he gets people on the street coming up to him and saying, “Fuck off.” Do you have people come up to you who are sort of worried about Ken? 

    This character invites all kind of responses from people. Some people think he’s cringeworthy, and despicable or pitiable because he’s quite vulnerable. And then there’s other people who I think embrace that vulnerability and fallibility, and care for him. It’s a bit of a litmus test, actually—it tells you a lot about how people respond.  I get: “Is he okay? Are you okay?”

    Are you okay?

    I am okay. This is just a character. 

    There’s a thread in the show about masculinity and will to power. Kendall is always trying to find his own version of how to be a man. 

    I remember going to the writers’ room in Brixton six years ago or something, and seeing all the note cards on the wall. And at the very top was this question of: can you escape legacy? Does it define you? And by escaping it, are you still defined by it? So I think he is trying to attain a version of manhood or personhood. He’s trying to individuate, I think, in a certain way, but he has never been able to escape the tractor beam of his father. I wanted for him so badly to get on that boat with Naomi Pierce and just leave it all. But he couldn’t do that.

    Joy Press

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  • Who Is the Worst Person on ‘Succession’?

    Who Is the Worst Person on ‘Succession’?

    The fourth and final season of Succession has really tugged at the heartstrings. Kendall, Roman, and Shiv process their grief over Logan’s death in intensely human ways—improvised group hugs, dramatic eulogy breakdowns. In the capable hands of actors like Jeremy Strong, Kieran Culkin, and Sarah Snook, the Roys have become sympathetic enough to almost make you forget what truly terrible people they are. Almost. 

    “He has wrought the most terrible things,” says James Cromwell’s Ewan in his scathing eulogy for Logan. As much as we enjoy watching them, the same must also be said for the rest of the Roys. Remember that time Roman and Kendall convinced an unhoused person to get Kendall’s initials tattooed on his forehead? Or when Shiv intimidated a female cruise division victim into not testifying?

    While our hearts may be full of empathy for the Roys, as we head into Sunday’s series finale, we’re first taking stock of all the awful things they’ve done—and determining, for once and for all, who among them is the very worst. For those screaming out that the answer is obviously Mencken or Matsson, we’ve opted to keep the ranking in the family and their immediate orbit, focusing only on core Succession characters who’ve appeared on the series since season one—and have had more time to rack up dastardly deeds. Without further ado, here’s the very worst that Succession has to offer. 

    10. Gerri, Frank, Karl, and the Rest of Logan’s Cronies

    Sure, working for a boss you know is up to no good is definitely a little bit evil, at best. But if anything, Logan’s core crew have mitigated the damage done by the rest of the names on this list. In the week since Logan died, Frank has been more of a supportive father figure to the Roy children than Logan ever was. Saucy Karl is spitting fire this season, but seems more concerned with getting to his Greek island than ruining anyone’s life. And Gerri should be awarded the Presidential Medal of Freedom for putting up with Roman for so long. Sure, they’ve worked hand in hand with a greedy billionaire for multiple decades. But imagine how much worse things would be if they hadn’t been there. 

    9. Connor Roy

    Poor Connor. The eldest Roy and literal also-ran is undoubtedly the least evil of his immediate family, if only because he’s the least important. By keeping his hands out of the family business and not working for Papa Logan at Waystar Royco, Connor has avoided a lot of the craven jockeying for power that has brought out the absolute worst in his siblings. Whether Connor’s distance from Waystar was his choice or Logan’s design, it has helped him in the long run; staying out of the fray is the best way to preserve your moral compass. 

    That being said, Connor’s potential for evil was absolutely displayed in his ineffectual, ill-conceived, and ultimately unsuccessful presidential run. Arguably, the most evil thing Connor has done on the series is galvanizing his beloved Con-heads to support the white nationalist, fascist candidate Jeryd Mencken—all so that he can maybe be the ambassador to Slovenia in the new regime. But while selfish and brown-nosy, asking a million eccentric libertarians to vote for a dangerous candidate is pretty low on the list of Roy family sins. Also, Connor is a patron of the arts, serving as the primary investor in Sands, a play by his future wife, Willa. Supporting a flop playwright is one of the best things a person can do, landing Connor near the bottom of the evil list.  

    8. Marcia Roy 

    “We’re calling Kerry a taxi to the subway so she can go home to her little apartment.” Enough said.

    7. Tom Wambsgans 

    Yes, Tom has said some absolutely awful things to Shiv this season regarding their unborn child. But it’s hard to argue that she didn’t start the fire there; as the saying goes, it takes two to play “Bitey.” And other than his one major infraction against Shiv, Tom has been, well, a major simp for Shiv and Logan. During the big cruise ship scandal of season two—which saw the C-suite at Waystar Royco covering up a host of reported instances of sexual assault, abuse, and even deaths within the division—Tom was on the front line. Not only did he do Logan’s dirty work and instruct Greg to destroy incriminating documents, but Tom, after some coercion from Shiv, volunteered to be the sacrificial lamb, take the fall for the cruise scandals, and go to prison. Tom was more than ready to go down with the ship, which is more pathetic than pathological. 

    Covering up heinous acts of sexual misconduct is bad. But other than that, the most explicitly malevolent thing Tom has ever done was sell Shiv and her brothers down the river by clueing Logan into their plan to take control over the board at the end of season three. Even then that dastardly, backhanded move blew up in his face when Logan dropped dead a few months later, leaving Tom—the perennial outsider—once again without an ally. (Greg doesn’t count.) Plus, you can’t be all that evil if Karl can read you for filth

    6. Greg Hirsch

    Greg the egg? More like Greg the shred…der of important documents. Terrible Greg-esque joke aside, shredding incriminating cruise documents because Tom told him to definitely ranks as one of the more terrible things that Greg, Logan’s lowly great-nephew, has done. Greg definitely has an “I was just following orders” demeanor to him, from destroying the documents to firing hundreds of ATN employees on Zoom with little to no remorse. (“I look like I feel bad, but I don’t,” he memorably said.) That attitude doesn’t make Greg or his actions any less evil. 

    Chris Murphy

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  • What Succession’s Final-Season Fashion Means for Shiv, Kendall, and Roman

    What Succession’s Final-Season Fashion Means for Shiv, Kendall, and Roman

    Succession’s costumes have provided a four-season-long symphony of neutrals and fine materials, courtesy of Emmy-nominated designer Michelle Matland. For the most part, Kendall (Jeremy Strong), Roman (Kieran Culkin), and Shiv (Sarah Snook) have neglected bold colors and showy designs—instead choosing “quiet luxury” looks in black, navy, gray, cream, and khaki to tastefully complement their journey through a Logan Roy–constructed ring of hell. 

    Despite those design parameters, Matland has had some fun throughout the series—dressing Shiv in head-to-toe white for her mother Caroline’s wedding as a fashion-choice F.U., for example. This season, when the Waystar team made a last-minute trek to Norway for the GoJo summit, Matland figured that Shiv wouldn’t have had time to properly pack—and put her in a belted Mackage trench coat with Dorito-orange puffer lining. (“There was something kind of funny about her not looking exactly like Shiv and it being a little inappropriate,” Matland told HuffPo.) For Logan’s funeral, in last week’s “Church and State” episode, Matland had Logan’s wives and mistresses all wear various pieces of emerald jewelry—bits and bobs the billionaire had gifted them over the years, denoting their years in service like stripes on a uniform.

    Shiv (Sarah Snook) wearing a Mackage trench coat at the GoJo summit in Norway, with Matsson (Alexander Skarsgård’).By Graeme Hunter/HBO.

    In a phone call with VF ahead of the series finale, Matland says that, in spite of his rapid-fire jokes, Roman actually has “no humor in his clothes.” In “Church and State,” audiences get a peek at the racks of suits in his walk-in-closet as he prepares for the eulogy that never was. Matland says, “I think Roman’s closet hasn’t changed since he was 17.” Roman is the one sibling who pays sartorial homage to Logan this season, she says, by wearing the patriarch’s go-to at one point: a sweater. “I don’t think anyone else in the script is trying to emulate their dad,” she says. “They identify with him in a big way, but not through costumes.”

    Shiv (Sarah Snook) wearing blue(!) in season one, with Tom (Matthew Macfadyen).By Peter Kramer/HBO.

    Julie Miller

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