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Tag: recording

  • Recording immigration agents: Legal do’s and don’ts

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    A federal agent in Minnesota grabbed a woman’s phone as it recorded him approaching her Jan. 9, two days after a federal agent shot a U.S. citizen. “Have y’all not learned from the past couple of days?” the agent asked the woman. 

    Weeks later in Maine, a woman let her phone camera roll as an agent filmed her license plate and told her her name would be added to a database and she was now considered a domestic terrorist.

    “For videotaping you?” the woman asked. “Are you crazy?”

    And on Jan. 29, a Minnesota driver with a dash cam filmed masked immigration agents as they swerved in front of her car, got out of their vehicle and pulled their guns. 

    What are the rules around filming immigration agents in public?

    Minnesota Gov. Tim Walz encouraged the state’s residents to record agents to create a record of evidence. Bystanders’ video footage has been critical in painting fuller pictures of what happened in agent’s confrontations with civilians, including the fatal shootings of Alex Pretti and Renee Good.

    Homeland Security Secretary Kristi Noem, who is overseeing the Trump administration’s immigration enforcement tactics, said recording on-duty immigration agents is an act of violence. The department’s spokesperson also called videoing officers “doxing,” a “federal crime and a felony.”

    After immigration agents fatally shot Pretti, bystander video from multiple angles challenged Noem’s statements that Pretti had brandished his gun at immigration agents before he was killed. 

    The incidents reveal tension between the public’s First Amendment protections and what law enforcement officers see as obstruction. 

    A federal judge in January ruled against DHS’ attempt to dismiss a case brought by journalists who say the department infringed on their constitutional rights while they were covering immigration enforcement in California. The judge said the journalists had established that DHS has a policy considering filming immigration agents as unlawful civil unrest.

    We spoke to five legal experts about bystanders’ rights when recording immigration agents. 

    “Knowing your rights is paramount. Reminding officers of your rights is important. Standing on your rights is a personal decision,” Kevin Goldberg, vice president at Freedom Forum, a First Amendment rights advocacy group, said.

    Federal Bureau of Prisons officers threaten Associated Press video journalist Mark Vancleave with arrest on Jan. 28, 2026, in Minneapolis. (AP)

    Is it legal to record immigration officials?

    Yes. Recording in public is allowed under the First Amendment. 

    A few states require bystanders to stay a certain distance away from first responders. For example, under Florida’s Halo Law, people are required to stay at least 25 feet away from law enforcement officers, firefighters and emergency medical responders.

    Some buffer-zone laws, such as one in Indiana, have been struck down in federal courts. 

    What does it mean to obstruct law enforcement?

    Even though it’s legal to record law enforcement officers in public, it is not legal to obstruct their activities. 

    Obstructing law enforcement generally requires physical action under federal law, legal experts said, such as standing between an officer and the person they’re trying to arrest. An obstruction must impede officers from carrying out their duties, which is why filming or yelling doesn’t count, Rachel Moran, a law professor at the University of St. Thomas in St. Paul, Minnesota, said.

    Immigration agents have accused several bystanders who record them of obstruction. 

    In many cases agents approach people who are in their cars recording agents. Agents tell the bystanders that this is their one warning and if they continue to follow the agent they will be arrested for obstructing.  

    Goldberg said, “Holding up a camera at an appropriate distance and filming should not inhibit any law enforcement officials from doing their jobs unless they think they’re doing something wrong.”

    A federal judge ruled Jan. 16 that following federal agents “at an appropriate distance does not, by itself, create reasonable suspicion to justify a vehicle stop.”

    An appeals court temporarily paused that order.

    “Following a police car or ICE vehicle on a public road is not obstructing,” Jessica West, a professor at Mitchell Hamline School of Law, said. “Blocking a car in to prevent it from moving in the direction it was headed, might be considered obstructing.”

    Moran agreed, she said the only way following an ICE officer could rise to the level of obstruction would be if a person yelled threats at an officer or drove so close to them “that the agents reasonably believed they were in danger of getting hit.” 

    People’s rights to observe and record law enforcement officers don’t change when someone is in a car, Goldberg said. However, because cars take up more space they can increase the likelihood of an obstruction in small spaces.

    “People are allowed to drive cars on public roads. People are allowed to film from public spaces. But all rules of the road must be followed,” Goldberg said.

    Federal agent brandishing a firearm approaches activists for following agent vehicles Tuesday, Feb. 3, 2026, in Minneapolis. (AP)

    Who decides obstruction? 

    The decision about whether someone is obstructing law enforcement can be subjective. 

    First, a law enforcement officer must determine that there is probable cause — meaning, it’s more likely than not — that someone physically obstructed their actions, West said. Once that’s determined, the officer can make an arrest.

    A judge or a grand jury reviews the evidence and decides whether to charge the person. If charged, a judge or jury decides whether to convict.

    “Courts have given a lot of deference to law enforcement officials and so that is something that anyone who’s recording should be aware of,” Goldberg said.

    However, several grand juries have recently refused to indict cases related to impeding or assaulting immigration officers. Other cases have been dismissed.

    Can immigration agents take an observer’s phone or legally compel them to stop recording? 

    Immigration agents cannot legally compel somebody to stop recording so long as the person is not obstructing their work. They may tell observers to step back for safety reasons. 

    There have been recent cases of agents acting unconstitutionally by yelling at people to stop recording or knocking phones out of people’s hands.

    “It can be scary to maintain your rights when an agent is threatening you so ultimately it is the choice of the person recording whether to continue doing that and risk retaliation by the government,” Moran said.

    Agents also can’t take phones without arresting people.

    “It is a violation of civil rights to confiscate someone’s phone or other recording device if they are merely recording and not actively interfering with or obstructing law enforcement activities,” Timothy Zick, a constitutional law professor at William and Mary, said.

    Legal experts recommend disabling Face ID as that might make it easier for officers to unlock a phone.

    To search a person’s phone, agents need a warrant signed by a judge.

    Is recording law enforcement officers doxing and, if so, is that illegal? 

    Homeland Security officials have said that recording immigration agents is a form of doxing, which means publicly identifying or publishing private information about a person, especially as a form of punishment or revenge. (However, DHS’s social media profiles include several videos and photos of immigration agents conducting enforcement operations.)

    Legal experts agreed that recording an immigration agent in public is not considered doxing.

    “It is not doxing to film something that is happening in public, even though somebody would rather not have that information public,” Goldberg said. “Even if someone is masked to hide their identity.”

    Doxing often refers to publishing personal information, such as home or email addresses, phone numbers or private financial information, without someone’s consent.

    Some states have anti-doxing laws that hinge on whether there was an intention to harass or harm someone. ​

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  • Dreaming Up Hits? These Are Our Favorite Audio Interfaces

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    While open-source crusaders and techno-libertarians are applauding Universal Audio’s recent efforts to move away from its “walled garden” approach to plug-ins, the truth is that most of the good ones still require the presence of an interface or a processor core to load up and run in your DAW of choice. As we mentioned in the write-up of the Apollo Twin, above: “good” is a massive understatement when describing UAD’s most popular plug-ins.

    Its digital re-creations of optical mix bus compressors, legendary reverbs, and warm, vibey tape machines are unmatched by any other prosumer-level manufacturer, and the fact that its hardware powers the CPU-hungry algorithms that apply the magical high-end sheen to your mix makes the pricey leap into the UA universe well worth it.

    Direct monitoring on the four included XLR unison preamps is crystal clear, nearly latency-free, and loaded with clean headroom for anything you plug into it. A wide array of inputs like a pair of ADAT I/Os and eight line-level 1/4″ jacks can handle sessions of all sizes, and the UA Console app makes routing, monitoring, and plug-in management a breeze. If you go to a major studio, this is the most common interface you’ll see, often with multiple stacked together for even more channels, which you can do with a single cable between devices. —Pete Cottell

    Specs
    Connectivity Thunderbolt 3
    Microphone Inputs 4
    Instrument Inputs 2
    Headphone Outputs 2
    Analog Audio Outputs 8
    MIDI In/Out? N/A
    ADAT In/Out? Yes (2)

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    Parker Hall

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  • Elgato Game Capture 4K S Captures or Streams Perfect 4K60 Game Footage

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    This compact device from Elgato can stream or record video game footage at 4K resolution at 60 fps with zero-latency passthrough for gaming. It can also capture 1080p footage at up to 240 fps. Compatible with Xbox Series S, Switch 2, PlayStation 5/5 Pro, Mac, PC, and iPad. The pricier 4K X supports 144 fps video. Be sure to enable 4K to watch the demo video.

    When you buy through links on our site, we may earn an affiliate commission. As an Amazon Associate I earn from qualifying purchases.

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    Paul Strauss

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  • Elgato Game Capture 4K S Captures or Streams Perfect 4K60 Game Footage

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    This compact device from Elgato can stream or record video game footage at 4K resolution at 60 fps with zero-latency passthrough for gaming. It can also capture 1080p footage at up to 240 fps. Compatible with Xbox Series S, Switch 2, PlayStation 5/5 Pro, Mac, PC, and iPad. The pricier 4K X supports 144 fps video. Be sure to enable 4K to watch the demo video.

    When you buy through links on our site, we may earn an affiliate commission. As an Amazon Associate I earn from qualifying purchases.

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    Paul Strauss

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  • Student who elicited “F— the police” from L.A. council candidate works for Kevin de León

    Student who elicited “F— the police” from L.A. council candidate works for Kevin de León

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    In a room full of students at Cal State L.A. last week, a young man told Los Angeles City Council candidate Ysabel Jurado that he supports the idea of abolishing the police and wanted to know where she stood on the issue.

    Jurado’s reply, which included the phrase “F— the police, that’s how I see ‘em,” drew sharp criticism this week from parts of the Eastside, where she is seeking to unseat Councilmember Kevin de León.

    On Wednesday, De León confirmed that Martin Perez, one of his staffers, is the Cal State L.A. student who posed the question.

    De León declined to say whether Perez, who handles constituent services in his office, made the recording of Jurado’s remarks, which first appeared Monday on the website of the Westside Current. But he commended his aide, saying Jurado has been sidestepping questions about police abolition.

    “He got the answer that we’ve been asking [during] five consecutive debates as to why she wants to abolish the police,” he said. “And she confirmed it with a very vulgar and crude “F—the police.”

    Jurado’s remarks at the Cal State L.A. meet-and-greet have delivered an unexpected jolt to the campaign for the 14th District, which takes in all or part of downtown, Boyle Heights, El Sereno and Eagle Rock. De León has been struggling to emerge from a two-year-old scandal over a different recording — one that featured crude and racist remarks — and is facing a fierce opponent in Jurado, a tenant rights attorney who has never run for office before.

    Councilmember Monica Rodriguez labeled Jurado’s use of the phrase immature, while Councilmember Bob Blumenfield called it “incredibly offensive.” The Los Angeles Police Protective League, which endorsed De León and represents about 8,800 officers, is now airing 30-second attack ads criticizing Jurado.

    “Her plan for public safety starts with an F-bomb,” the ad states.

    In recent weeks, Jurado has pushed back on assertions that she intends to defund the police, while also arguing that too much money is being spent on the LAPD, putting the city on the brink of a financial crisis.

    On Monday, she downplayed her use of “F— the police,” saying it was “just a lyric” from a rap song. Although she didn’t say which song, her wording parallels parts of N.W.A’s “F— Tha Police” and Kanye West’s “All Falls Down.”

    Jurado declined to comment about Perez on Wednesday. But she described the police union ad as “just noise.”

    “Our community is focused on how they’re going to put food on the table and pay their rent on time — not song lyrics,” she said in a statement. “That’s why we’re more determined than ever to lift up their needs and be their champion in City Hall. This campaign is about delivering results, not distractions.”

    Perez declined an interview request from The Times. In the recording of the meet-and-greet, he began his question by noting that he lives in the council district and is “a punk from East L.A.”

    More than a dozen people attended the event, and several recorded different questions and answers, said Elliot Avila, a Cal State L.A. student who took part in the discussion. Nevertheless, Avila said he is convinced that Perez made the recording of Jurado’s remarks.

    “He’s the one who claims to be a police abolitionist, and he’s clearly working for Kevin de León,” he said. “The only person with the motive to do that would be him.”

    Avila, who plans to vote for Jurado, said her full response to the abolition question was actually “centrist.” After using the phrase “F— the police,” Jurado pointed out that some of her constituents want more police and said the LAPD needs to focus on violent crime.

    “She was meeting [Perez] where he was at, but then walking back to a more centrist, pragmatic position,” Avila said. “I would have liked for her to go much harder against the police.”

    Perez has been an aide to De León for about a year and half, according to his LinkedIn profile. He founded and managed a clothing company in the “vibrant East L.A. punk scene” while also working as a security guard, the profile says.

    Perez has been volunteering for De León’s reelection campaign, door-knocking, phone banking and creating “art for tote bags to be used by other staffers,” his profile states.

    Jurado identified herself as an abolitionist — someone who supports the “abolition of police and the “prison industrial complex” — in a questionnaire she submitted to the Democratic Socialists of America-Los Angeles.

    De León has assailed that stance, saying it would leave neighborhoods from downtown to Boyle Heights vulnerable to violent crime. Earlier this week, he described Jurado’s use of the F-bomb as “irresponsible,” saying wealthy neighborhoods will always have the ability to hire security personnel.

    “Poor neighborhoods, low-income neighborhoods, neighborhoods that struggle every single day to make ends meet, they deserve public safety as well,” he told KTLA.

    Jurado has pushed back on the idea that she plans to defund the LAPD, saying she wants officers to focus on gangs, drugs and violent crime.

    On the campaign trail, she has also argued that the city’s approach to public safety “isn’t working,” saying that more money should be devoted to street lighting, sidewalk repairs and youth programs.

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    David Zahniser, Dakota Smith

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  • The Best USB Microphones

    The Best USB Microphones

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    Good content starts at the source. If you want to sound your best for coworkers, fans, or teammates, the mic you have built into your headphones, laptop, tablet, or smartphone likely won’t do the job. I’ve spent close to a decade with various USB microphones for podcasting, gaming, and even music recording, and I have to say up front: We’re living in a golden age of easy-to-use options. These days it’s not hard to find a great microphone with simple software for very little money. So we’ve rounded them up! These are the best USB microphones around.

    While you’re at it, be sure to check out our guides on How to Start a Podcast and How to Upgrade Your Home Audio, as well as our lists of the Best Home Office Gear to kit out your space further.

    Updated May 2024: We’ve added new mics from AKG, Audio-Technica, and Steelseries.

    Special offer for Gear readers: Get a 1-year subscription to WIRED for $5 ($25 off). This includes unlimited access to WIRED.com and our print magazine (if you’d like). Subscriptions help fund the work we do every day.

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    Parker Hall

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  • Review: Teenage Engineering TP-7 Field Recorder

    Review: Teenage Engineering TP-7 Field Recorder

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    Recorders, generally speaking, are meant to sit in the background, quietly absorbing sound without contributing to it. They’re a neutral, inconspicuous product type almost by necessity. If you’re recording field audio, like trying to capture the perfect loon call out in the wild, you’d be better served by a proper shotgun mic to pinpoint the sound. Audio recorded directly in a studio sounds great on the TP-7, but again, you can handle that with some far less expensive yet still really good microphones.

    The device can also be tricky to navigate, with some menu diving required to access certain features that won’t feel intuitive right away. There’s also some kinks you’ll find if you’re coming from another type of recorder.

    As one example, I tried to feed music from Spotify through the TP-7 to test the line-in functions, with a pair of headphones plugged into the output jack so I could monitor the sound. At the time, I didn’t realize that by default the audio still played through both the plugged-in headphones and the on-device speakers. That is, until my girlfriend came in from the other room, laptop in hand, to tap me on the shoulder and say, “I’m getting on a call with my boss. Can you please stop blasting that song.”

    I was able to solve this little problem, along with a few similar snafus, by sifting through the thick little flip-book that is the instruction manual. But sometimes there wasn’t exactly an intuitive way of figuring that out without manual diving. And some interactions take a bit to get the hang of.

    Leaving the recorder running, for instance, takes two button presses—one tap of the red Record button, then a separate press of the Play button right next to it. On similar devices from other brands, you usually just tap the Record button once and it starts taping. These little idiosyncrasies are the price you pay for something like this. (Besides, you know, the actual price you pay for it.)

    Girls Just Wanna Have Fun

    Viewing the TP-7 from some kind of hoity-toity professional standpoint is perhaps a little disingenuous. Because the TP-7 is just a good time. It’s far more fun than you’d expect a recorder to be. After all, you’ll recall that the whole front disc spins while you’re recording, and the thing just feels great in your hand, with all its clicky-clacky buttons and smooth switches.

    There’s also clever, well-thought-out functions that make recording more interesting. If you press the Play button a second time while playback is going, the disk will reverse its spin and play the audio backward. It’s a fun little option that could be great for music producers fiddling a sample or anyone checking their recordings for any secret satanic messages.

    Also the ability to mix and match inputs and outputs with the plugs at the top offers a great deal of flexibility for combining with other audio gizmos. I paired the TP-7 with another of Teenage Engineering’s creations: the EP-133 K.O.2, a remarkably affordable (for Teenage Engineering) sampling device. By mixing and matching the input and output cables between the devices, I could record from the sampler into the TP-7, then manipulate the sound there and port it back over to the sampler, with the DJ scratch sounds fully intact.

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    Boone Ashworth

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  • Love On The Spectrum: Thoughts and Feelings

    Love On The Spectrum: Thoughts and Feelings

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    “Love On The Spectrum” is a reality television show centered on how people with autism view, seek, and find love. It’s a fun, inspiring, and heartwarming series that we can all draw many lessons from.


    Related Articles


    Enter your email to stay updated on new content on self improvement:

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    Steven Handel

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  • common grande meaty

    common grande meaty

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    embarrassed, he later went in a draconian campaign of book-burning, but historians kept recording the fact and hiding it in increasingly obscure places. Ironically, it’s unknown how much of his history was lost, but King Taejong of Korea later was mostly known for falling off his horse and trying to censor the event.

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  • Video app Detail’s new feature helps you record multi-camera podcasts using iPhones | TechCrunch

    Video app Detail’s new feature helps you record multi-camera podcasts using iPhones | TechCrunch

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    Detail, a startup with video recording and editing apps for Mac and iPhone, has released a new multiplayer feature that lets users easily record a multi-camera podcast through two iPhones (or iPads) wirelessly.

    The multiplayer feature, launched as an update to Detail for iOS,  also automatically syncs video and audio feeds between two devices to remove editing overhead. Plus, you can quickly edit the podcast to switch between different layouts such as side-by-side, picture-in-picture, or full-screen layouts.

    Two phones recording podcast in Detail

    Image Credits: Detail.co

    The company released its Mac app in 2022 on the App Store after testing it in public beta for a year. The startup released its iOS app earlier this year. The iPhone app offers features including easy templates and tools to make reaction videos, tutorial videos, and video resumes with features such as a live green screen editor, AI captions, and teleprompter. The Mac app facilitates video editing with features like AI-generated video descriptions and hashtags.

    Users can record the audio from the iPhone’s built-in mics. But they can also use lavalier mics (small mics) to record with better audio quality. Detail app captures both audio and video locally and then syncs them. This helps you if you don’t have an external audio interface or mixer for separate audio tracks.

    Tools like Zoom and Meet let you record a call, but Detail founder Paul Veugen said that podcasts don’t need to look like video calls.

    “While our product on Mac evolved, we realized that people come to us for two things: a fully edited podcast episode that they can share instantly and great short-form content that helps them reach and build an audience on different platforms. But setting up cameras and recording on your Mac is still pretty complicated. We now simplify this to a few taps on iOS. It feels like we finally deliver on our promise of making pro video accessible for everyone,” Veugen told TechCrunch over an email.

    He added that multi-camera setup is complicated and Detail wanted to make it easy for creators to have that freedom of different camera angles by just using iPhones. Notably, the iOS app already allows users to record with front and back cameras simultaneously.

    Detail has raised a total of $7 million in funding with backers including Adjacent, TQ Ventures, Point Nine Capital, Connect Ventures, Hustule Find, Alexander Ljung, AnkeHuiskes, Hiten Shah, and Sten Tamkivi.

    Veugen noted that in the coming weeks Detail aims to roll out features such as remote recording, AI-powered auto-editing (introduced for Mac last week), and AI highlight clips for its iOS app.

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    Ivan Mehta

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  • Macadins Company and Santa on the Roof Celebrate 25 Years of Fulfilling Dreams and Christmas Magic

    Macadins Company and Santa on the Roof Celebrate 25 Years of Fulfilling Dreams and Christmas Magic

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    Press Release


    Dec 13, 2022

    25 years ago, Macadins Company created and released a recording of what it might sound like to hear a magical rooftop visit from Santa on Christmas Eve. This recording has become a holiday tradition for many families and in its 25th year of production, “Santa on the Roof” is easily downloadable to any Computer, Tablet or Cellphone and is certain to continue rewarding listeners with joyous memories of Christmases past and present. “Santa on the Roof” is available for purchase and download now at www.santaontheroof.com.

    Your child will hear Santa’s sled landing with a thump and gliding to a gentle stop. His footsteps as he walks around the roof, his playful antics with his team of Reindeer and of course Santa enjoying his cookie snack left by the children. And more.

    An introductory story sets Santa’s visit not as a true recording but as a storybook-like magic fairy tale that took place long-long ago, thus preserving the Santa legend and mystique. This story also allows “Santa on the Roof” to be played for a child anytime during the Holiday Season. More adventurous adults start the recording after the story and get somewhat creative late at night on Christmas Eve.

    Spreading Memories

    For 25 years, parents have been able to provide their children with a magical Christmas Eve rooftop visit with “Santa on the Roof.” Watch and enjoy your child’s eyes twinkle and dance in delight with awe as their dream to hear the sounds of Santa unfold for the very first time.

    This Christmas season capture the magic and wonder of Christmas as you share a very special childhood moment with your children. Celebrate memories of what was and help keep alive a historic and delightful Christmas tradition that is as enchanting and awe-inspiring as the event itself. 

    Customer Comments

    Feedback from customers is always sincere and heart-warming with one customer commenting they played it at midnight through hidden speakers and their kids were at the window screaming they saw Rudolf’s red nose. Another stated they played it at 2 am as an excuse to go downstairs and get the skis Santa had left him. And finally, an elderly Lady ordered “Santa on the Roof” because she always wondered what it would sound like to hear a sled landing on her roof.

    For anyone who loves the Santa tradition and wants to share it with their child or grandchild this recording is a must have.

    Macadins is a mail order company headquartered in Wethersfield, Connecticut and has been in business since 1997.

    Source: Santa on the Roof

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  • $100,000 for a Song! Impact Theory seeks Holiday Theme Song in its global MERRY MODZ Songwriting Contest

    $100,000 for a Song! Impact Theory seeks Holiday Theme Song in its global MERRY MODZ Songwriting Contest

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    Impact Theory Gives a Holiday Gift to Songwriters Worldwide with the $100,000 Christmas Songwriting Contest to promote its MERRY MODZ animated property. Celebrity Judges to join in the family fun at xmassongcontest.com

    Press Release


    Oct 10, 2022

    Impact Theory, the digital-first entertainment studio dedicated to stories of empowerment, is celebrating their entertainment property, MERRY MODZ, with a global songwriting contest. Impact Theory will be paying the winning songwriter a $100,000 prize for the greatest theme song for this “holiday family comedy with edge.” Entrants are encouraged to submit a fully-produced family-friendly celebratory Christmasy song of any musical style, approximately 2-3 minutes in length, inspired by MERRY MODZ property lore. Finalists will be reviewed in late November by a panel of all-star celebrity chart-topping judges, including Good Charlotte lead vocalist Joel Madden and multi-platinum singer/songwriter/producer Mike Posner.

    Contest details at XMASSONGCONTEST.COM

    The theme of MERRY MODZ is that everyone must find the courage to face obstacles, even when those obstacles seem impossible. As our main character, SnoBo will be forced to learn, courage is not the absence of fear, it’s rising up in the face of fear. MERRY MODZ is a feature-length family-comedy-with-edge. It’s a holiday tale about SnoBo, a terrified teen snowman who must learn to fight his fears and be brave when he and his friends find themselves in way over their heads as they brave a forest full of monsters in their attempt to save Christmas. With art by renowned artist Francisco Herrera, a screenplay by Hollywood veteran screenwriters Dan Carrillo Levy and Eugenio Villamar, and produced by Tom & Lisa Bilyeu, MERRY MODZ is poised to take families and the holidays by snowstorm. For more information, go to merrymodz.io

    IMPACT THEORY is the studio founded by entrepreneurs Tom & Lisa Bilyeu, dedicated to empowerment, sharing inspiring stories and meaningful experiences around belief in oneself. A new kind of studio where storytelling, tech, and community collide, Impact Theory platforms include hit interview shows Impact Theory and Women of Impact (available on YouTube and podcast), Impact Theory University (curriculum with actionable lessons to build a growth mindset), scripted stories (feature film, television, web comics, and books in development) and Web3 experiences on the bleeding-edge of technology, delivering full interactivity and immersion. Impact Theory has grown a community of 10 million subscribers & followers worldwide.

    Source: Impact Theory

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  • ADASISAN 3D 360-Degree Surround View AHD Car Cameras – Eagle Parking Assist

    ADASISAN 3D 360-Degree Surround View AHD Car Cameras – Eagle Parking Assist

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    Adopt 3D virtual tech to provide a 360-degree scene of a car with a bird’s-eye view without blind spots

    Press Release



    updated: Oct 28, 2019

    Drivers have heard of dashcams and also might have even tried a dashcam. ADASISAN blows every single dashcam out of the water. It’s made up of not one, not two, not three, but four cameras, all keeping an eye on the environment around the car and recording everything. Moreover, it doesn’t just record four different videos. The ADASISAN system stitches together four different images to present a 3D virtual reality, real-time view of the entire world surrounding the car. What drivers see is like a drone’s-eye view of the car as it moves down the road while changing lanes or confidently reversing into a parking spot.

    What if the car is parked but the driver is not around? Many car owners have experienced the horror of returning to cars and seeing scratches made by someone else backing into or out of a neighboring parking spot. Most of the time, the driver has fled the scene. ADASISAN senses the tiniest of movements and immediately reacts by recording video. The offender will be captured on video. Therefore, car owners can track down the escaped car by using its license plate number.

    Drivers don’t want to invest in a car camera that only works during part of the day, which is why it pays to use a car camera that works just as well at night as it does during peak daylight hours. ADASISAN uses night vision that ensures images that are clear and crisp, even while driving or parked at night or in low-light places.

    Features and Specs:

    • Four super-wide-angle, high-definition cameras
    • IP67 waterproof
    • Seamless image splicing technology
    • Night vision
    • Intuitive power management
    • Auto brightness and color balance image control

    For more info, please visit https://bit.ly/2MHFGTP.

    Source: ADASISAN

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