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[ad_1] “Peppermint Candy” (2000) was the touchstone movie for an entire Gen X cohort. Courtesy Metrograph By now, the Korean New Wave is almost so...
[ad_1] A musical, but not exactly a comedy. Matthew Murphy No animals are harmed in the Broadway production of Water for Elephants; in fact, no live...
[ad_1] MUBI The Romanian New Wave’s preeminent bad-boy muckraker, its Carpathian morph of Godard and Hunter S. Thompson, Radu Jude lobs yet another holy hand grenade...
[ad_1] “The Marionette Show,” by Martha Graham, for her trio: (from left) Thelma Biracree, Evelyn Sabin, and Betty Macdonald (November 18, 1926). Courtesy Farrar, Straus and...
[ad_1] Director Jessica Hausner’s new film, Club Zero, is one of those self-conscious micro-movies that appears simple out of the gate — slyly satiric concept, low-key...
[ad_1] A24 / Anna Kooris Rose Glass’s Love Lies Bleeding is a tough little movie that’s not concerned about narrative constraints. Or stylistic ones, either. The...
[ad_1] The Tedeschi Trucks Band onstage: Chandeliers in the house. Bradley Strickland As if by silent mutual consensus, when the Tedeschi Trucks Band walked onstage...
[ad_1] Murphy, Downey, and Nolan will all hang out with Oscar on March 10. Joaquín Aldeguer White guilt pervades the current Oscar films, from Christopher Nolan’s...
[ad_1] IFC/Shudder It’s a little on the nose that Robert Morgan’s first feature would be titled Stopmotion — the writer/director’s been an unabashedly gross-out micro-body-horror stop-motion...
[ad_1] Still from Rosa von Praunheim’s “A Virus Knows No Morals” courtesy of the Brooklyn Academy of Music Way back in the mid-1980s, you’d have needed...
[ad_1] Bleecker Street The Paleolithic Age constitutes more than 99% of tool-making human history, but movies usually ignore it — you could, after all, throw your...
[ad_1] Ali Smith, self-portrait, ca. 1989. ©Ali Smith Like most women, musician/photographer Ali Smith has weathered sexual abuse, harassment, misogyny, and sexism in one form...