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Tag: Fred Again..

  • Coachella Couldn’t Pull Kendrick Lamar or Rihanna

    Coachella Couldn’t Pull Kendrick Lamar or Rihanna

    Reported Coachella headliner Fred again.. and non-headliner Kendrick Lamar.
    Photo: Vulture; Photos: Simone Joyner, Astrida Valigorsky

    Coachella just keeps striking out. Bloomberg reported that not one, but two of the festival’s top-choice headliners turned down 2025 appearances. Founder Paul Tollett reportedly approached Kendrick Lamar and Rihanna with offers last spring, and both declined. That would’ve been before Lamar even got the Super Bowl gig; per Bloomberg, he’s planning a stadium tour to follow. Rihanna, meanwhile, just seems to be focused on growing her business. (Sorry, no new-album hope there.) But how about Fred again.. — again? Hits Daily Double reported the U.K. dance producer “is a lock” for one of the headlining slots, just two years after he closed weekend two with Skrillex and Four Tet. Hits, a usually trusted Coachella source, also speculates that a country-pop act like Post Malone or Morgan Wallen could headline. (Hits also suggested Jelly Roll, but he’s already set to play Coachella’s country counterpart, Stagecoach.) On the rap front, Hits pitched Travis Scott after he was first set to headline in 2020. If Lamar’s out of this one, we hear Lil Wayne is available too.

    Lamar and Rihanna would’ve helped the festival rebound after multiple pandemic cancellations, a chaotic 2023, and a pretty safe lineup earlier this year (that took weeks to sell out). While Fred again.. may be headliner material after closing Bonnaroo this year, he’s certainly not the A-list talent Coachella seems to be shooting for. Where’s a big rock reunion when you need one? Just not them.

    Justin Curto

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  • Your Weekend Playlist: New Music To Listen To This Friday

    Your Weekend Playlist: New Music To Listen To This Friday

    I’m sure by now you were worrying if there would ever be another Weekend Playlist again. After a brief hiatus, we’re back with a week’s worth of fresh new music wrapped into one cute playlist that will get you through the weekend! And, personally, I couldn’t be more excited than I am now.


    After obsessing over Sabrina Carpenter’s new album, Short n’ Sweet, for the past few weeks…it’s time to look for some fresh tunes. There’s no better feeling than when you’re playing a song and someone asks you what the name is because they love it so much. It means, as the DJ, you’re doing your job.

    And maybe it’s because my name is 50% of the word “DJ,” but I love to be on the aux. I have a constant stream of playlists going that fit every mood and situation. Want to be hyped up? I’ve got you. Want to be sad and weep your eyes out? I have a playlist for you. Sad the summer is over? Check my End of Summer playlist.

    Since there’s new music released every Friday, I like to comb through press releases, Spotify playlists, and more to find the best new songs released that day. Whether it’s a big artist like Taylor Swift, or a more indie sound, I’m looking everywhere for music you’ll actually want to listen to.

    Now that we’re all equally excited, there’s no more time to waste! Here are my picks for the best new tracks released the week of September 6, 2024! Let’s get listening.

    Joe Jonas, Alan Walker, Julia Michaels- “Thick Of It All” 

    What I love about this collaboration is that it bands together three titans in the music industry. Joe Jonas, the childhood heartthrob who made headlines as one of The Jonas Brothers. Alan Walker, the mastermind behind some of the biggest dance tracks in the world. And Julia Michaels, one of the most prolific singer-songwriter-producer combinations in the game right now.

    “Thick Of It All” combines what each artist does best in one smooth track. With a dreamy back beat, Julia Michaels’ rings in the chorus as she croons “all the way in the thick of it all.” It’s a great mix of Jonas and Michaels’ complementary vocals with an iconic backing from Walker. You can’t lose.

    Sabrina Sterling- “take a shot” 

    If you need a silky, synthy pop song that details what it feels like to be in a toxic relationship, then come listen to Sabrina Sterling’s new song. With lyrics like “my boy hates who I’m out with/says it’s not allowed if/I do things for me I know he’ll tell his friends about it,” Sterling sums up the pain and confusion of not being able to leave.

    We all need a song that puts our feelings into words, which is exactly how Sterling steals our hearts with this introspective, honest single. An easy pick for this week’s playlist. This one’s for the heartbroken, yearning listener who likes a melancholic, upbeat track.

    The Chainsmokers, Kim Petras- “Don’t Lie” 

    We already know that Kim Petras and The Chainsmokers can make a radio hit with their eyes closed. A bouncy, sexy house track that I can already hear being played in New York City clubs…”Don’t Lie” is yet another reason why Petras and The Chainsmokers are so highly reveled in the industry. They understand their audience, and they make music everyone can enjoy.

    The summer of house music continues into fall, and who better than The Chainsmokers to remind us they still have it?

    Fred again…, SOAK- “just stand there” 

    Fred again… keeps pushing boundaries with his progressive house music that has stolen the hearts of millions. He’s become one of the most innovative DJ’s in the game right now, whose music may be unconventional at times but equally thrilling. “just stand there” is another example of how Fred again… is akin to RUFUS DU SOL in terms of groundbreaking dance music.

    “just stand there” may not be your most typical dance song, but it’s classic Fred again…calm in the right places, nostalgic in others, and an overall good time.

    A$AP Rocky, J.Cole- “Ruby Rosary” 


    A$AP has finally put his time in in the studio and he’s coming in hot. Linking up with another big name in the rap game, J. Cole, proves A$AP Rocky can reclaim the crown at any time. This melancholic rap song is quintessential for those who like to keep it old school.

    “Ruby Rosary” is classic and familiar in a good way. Not unoriginal by any means, but a reminder that real rap still exists.

    BENEE- “sad boiii” 


    BENEE has a sexy, synthy, dreamy voice that has captivated listeners. She has the ability to slam a catchy hook into a fun chorus, and that’s exactly what she’s done again with “Sad Boiii.” BENEE is every bit the jazzy popstar that we needed in the world.

    This song is a reminder that she doesn’t need another sad boy, someone who’s going to disappoint her. It’s the bad bitch energy this playlist needed.

    Rex Orange County- “2008” 


    On a more relaxing note, Rex Orange County reminds us how he’s going to prioritize mental health, take life slow, and enjoy. It’s a sweet, calming number that shows Rex Orange County’s maturation as an artist, and as a person. The song is delicate, lighthearted, and feels like the beginning of a new era for the singer.

    It’s a confident approach to a song that is much needed for many. A great end to our Weekend Playlist.

    Jai Phillips

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  • Fred Again.. Concert Review: You’ll Want to See Fred Again and Again and Again and Again

    Fred Again.. Concert Review: You’ll Want to See Fred Again and Again and Again and Again

    “Fred’s fans are the best in the world,” said Leif Vollebeck, the opener for Fred Again..’s 3-show run at Stanford’s Frost Amphitheater. “They love music so much.”


    Undoubtedly, that was the energy at Frost. Even in the heat, music fans came in droves to watch Gen Z’s favorite DJ spin songs about loneliness and love and turn them into communal artifacts.

    Three nights at the 8,000-person capacity Northern California venue sold out in mere minutes, so it’s no wonder the crowd was worked up into a frenzy for Fred. Some concert-goers were experienced Fred devotees who had seen him 45+ times. Others were experiencing Fred Again.. for the first time. But when the lights came on, and Fred took the stage — starting the show simply sitting at a piano with a mic — multiple cameras projected his face onscreen. We were enraptured as if it was the first time.

    Perhaps this is part of Fred’s charm: his ability to make every show feel like your first, which goes to explain his meteoric rise to fame and his cultish following of music lovers.

    But just how did this DJ take over the internet and go from small shows to headlining stadiums seemingly out of nowhere?

    Fred Again..’s Meteoric Rise: How did Fred Again.. Get So Famous?

    It’s hard to believe that Fred Again..’s landmark Boiler Room performance was only two years ago. Boiler Room is to EDM artists and DJs what Tiny Desk is to indie and alt performers — it can change your life overnight.

    But that’s not to say that Fred is an overnight success. He’s been working on his music since he was a kid. It just didn’t always sound like this.

    Before shifting to pop music and later EDM, Fred Again.. was a classical composer. Yup — the man making beats on a computer studied classical music. But it’s this bedrock, not to mention classical music’s discipline, the precision, and technical skills that are drilled into you (I’ve seen Whiplash), that gives him a solid foundation in the genre.

    It also doesn’t hurt that his vision and his sound were supported by none other than Brian Eno — his godfather. That’s right, Fred Again.. is a nepo baby. His family are wealthy British old money and while his parents aren’t in the creative industries, he’s related to the creators of the James Bond franchise.

    If this surprises you, it’s because Fred manages to stay humble and down to earth. While I love some nepo babies’s eccentricities — Dakota Johnson talking about her need for 10 hours of sleep is unforgettable — Fred.. has built a dedicated fanbase by putting his head down and churning out song after song.

    But how did he transition from classical music to the DJ scene? With Brian Eno as his mentor, he’s always been immersed in the music industry and collaborated with megastars in pop music. He’s listed on the credits for people from Ed Sheeran to Skrillex. These aren’t just business relationships, they’re friendships that he maintains today. With those accolades and a fine reputation, he became a massive name behind the scenes while building his own audience.

    During the early days of the pandemic, his expertise at forging connections was channeled into livestream DJ sets. It can be tough to sustain the energy of a DJ set when there’s no real audience, but Fred’s enthusiasm and genuine joy on stage can’t help but draw people in. Even over livestreams, it’s contagious.

    Dropping new tracks about COVID during the pandemic made Fred Again.. a household name — literally. By the time people were finally venturing out of their homes, he was booking impressive gigs like Coachella. Playing Coachella as your first US show is unheard of. But this supercharged his rise to superstardom. Combined with the now-legendary Boiler Room set around the same time? The rest is history.

    Where to see Fred Again.. — And how to get Fred Again.. Tickets

    Cut to: 2024. With his unconventional background, it should be no surprise that Fred Again.. continues to take audacious risks. And they’ve all paid off. And rejecting industry norms makes him even more GOATed to Gen Z fans who are disillusioned with industry politics and crave artists who feel real.

    Instead of tours and frequent collaborations, he does is pop up shows. Everything Fred Again.. does feels instantaneous — even if they take months of planning.

    Take his upcoming show at the LA Memorial Coliseum, for example. Announced just days before curtains, Fred Again.. sold out the 77,000-capacity venue close to instantaneously. Despite the detailed planning, he teased the performance just days before announcing the show. The June 14th show is his first stadium show ever and according to Fred’s social media it promises to be “the maddest live show we’ve ever tried to do so far.”

    It follows another landmark show for the DJ, who recently played San Francisco’s Civic Plaza with frequent collaborator and mentor — Skrillex. As the largest public space in San Francisco’s downtown, Civic Plaza has a 20,000 capacity. The entire crowd was alive with Fred’s incandescent energy. Especially when he brought out surprise guest, Anderson .Paak to perform their brand-new song, “places to be.”

    The June 12th show might also include surprise guests from collaborators and friends. But even if it’s just Fred.. and his decks, there’s nothing like his presence on stage. And after seeing him once, you’ll want to see him Again, and Again, and Again.

    Langa Chinyoka

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  • Sziget Festival Drops Phase 1 Lineup For 2024 Edition Featuring Fred Again.., Martin Garrix and Sam Smith | Your EDM

    Sziget Festival Drops Phase 1 Lineup For 2024 Edition Featuring Fred Again.., Martin Garrix and Sam Smith | Your EDM

    The first couple months of the year are like the offseason for sports. There’s no actual events happening, but there’s all sorts of speculation and waiting for lineups to drop. Although they were early in dropping their Stage 1 lineup, we would be remiss to not mention Sziget Festival taking place in Budapest, Hungary from August 7-12.

    Featuring Fred Again.., Martin Garrix, Sam Smith and Stormzy as headliners, Sziget is one of the premiere European festivals to visit, not just because of its stellar lineup, which ventures outside the dance music realm, but also because of its magical location on Budapest’s Óbuda Island. Other dance music highlights include Four Tet, Richie Hawtin, Dom Dolla and ARTBAT. For non-EDM fans, two names that stand out on the lineup are former One Direction-er Louis Tomlinson and indie-rock faves Big Thief.

    Secure your tickets for Sziget here. If you can afford the plane ticket, Sziget is truly one of the best values for any European festival. Check out the after-movie for last year’s edition of Sziget to see what you’re missing out on. Announced lineup is below as well.

    Mark Fabrick

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  • Too Early 2024 Grammy Predictions

    Too Early 2024 Grammy Predictions

    The end of the year calls for reflection — hence our 2023 Popdust Music Awards, celebrating all of the great music we heard last year. And now, the beginning of the year indicates a time of anticipation. For that, we have our
    2024 Artists to Watch, which also means that Awards Season is right around the corner.


    Starting with the Golden Globes on January 7, we are about to experience countless red carpet shots, couples debuts (
    still waiting for you, Sabrina Carpenter and Barry Keoghan), and teary-eyed acceptance speeches.

    While there are the BAFTAs, the Emmys, the Oscars, and the SAG Awards, my speciality is music. And there is no bigger mecca for musicians than
    the GRAMMY Awards. Held on February 4, 2024, and hosted by comedian Trevor Noah, the GRAMMYs are music’s biggest night.

    Awards Season brings out everyone’s inner critic. Suddenly, we think we know more than the Recording Academy. Every year, there are viral moments and scandalous decisions. The Recording Academy ultimately outrages the general public in some way or another — and inevitably, fandoms will take to apps like X to become the next Joan Rivers.

    It’s a delicious time of year when your favorite celebrities are forced out of hiding and into the spotlight, and we can’t wait. To get everyone in the spirit of judgment, here are
    some way-too-early GRAMMY predictions for the year!

    Record Of The Year: “Flowers” by Miley Cyrus

    Any Kid Harpoon song is a classic, and Cyrus’ return from a brief hiatus from music was met with high marks. It was Spotify’s most streamed song in a week ever, spent time at the top of Billboard’s Hot 100, and was the fastest song in Spotify history to reach 1 billion streams.

    Album Of The Year: Midnights by Taylor Swift

    She’s won this coveted award three times already, and it’s impossible to discredit the year of Taylor Swift. She is on track for the highest-grossing tour of all time with the Eras Tour, Midnights is Apple Music’s biggest pop album of all time in terms of first-day streaming, and the album is the reason she was all 10 of Billboard’s Top 10 Songs (the first time all women have dominated the charts ever). Give Swift her flowers.

    Song Of The Year: “A&W” by Lana Del Rey

    Another Jack Antonoff production, Lana Del Rey’s album is a spiritual awakening. With an essence of transcendentalism and a hint of gospel, it’s Lana to her core. “A&W” is hailed Song of the Year by many already, and it’s time we recognize her for the artist she is, was, and always will be.

    Best New Artist: Ice Spice


    I haven’t seen many people rise to the top as quickly as Ice Spice, nor have I seen someone garner such a passionate fanbase. The rapper has hits like “Deli” and collabs with rap queen Nicki Minaj on “Barbie World” and Taylor Swift on “Karma”, not to mention her Munchkin drink at Dunkin Donuts.

    Producer Of The Year (Non-Classical): Jack Antonoff

    Not only is Antonoff the mastermind behind many Taylor Swift albums, including Midnights, but he has Lana Del Rey’s multi-nominated album, “Did you know that there’s a tunnel under Ocean Boulevard?,” under his belt. He can’t miss, and for that, he wins.

    Best Pop Solo Performance: “What Was I Made For? [From The Major Motion Picture Barbie]”

    This song is stunning, productionally perfect, and sonically flawless. Billie and Finneas continue to grow as an unstoppable singer-songwriter duo who can make any song fit any moment.

    Best Pop Vocal Album: GUTS by Olivia Rodrigo

    Olivia Rodrigo wanted to have fun with her sophomore album following the immense pressure and success of her debut, SOUR. With GUTS, we had viral singles yet again that promise Rodrigo is here for the long haul.

    Best Dance/Electronic Recording: “Strong” by Romy + Fred again…

    Developing a cult following in the electronic music world, Fred again… is one of the hottest house dance artists in the world right now. Following a successful bout of live shows and reaching fans on almost every platform imaginable, “Strong” is a winner.

    Best Pop Dance Recording: “Rush” by Troye Sivan

    Troye Sivan understands how to make out-of-the-box pop music, and seals it with one hell of a dance number. He’s the embodiment of a popstar, and “Rush” was just an example of the high precedent he’s set.

    Best Rock Performance: “Not Strong Enough” by boygenius

    Compiled of Phoebe Bridgers, Julien Baker, and Lucy Dacus, boygenius is a supergroup showing the world how to rock again. “Not Strong Enough” showcases what each member brings to the group in one sound synergy.

    Best Rock Album: Starcatcher by Greta Van Fleet

    Hailed as The Next Led Zeppelin, Greta Van Fleet brings you on a journey with their Starcatcher album. Each song a delight, Greta Van Fleet has developed their sound and found their stride.

    Best R&B Performance: “Kill Bill” by SZA

    SOS is one of the best albums of the year, and while I don’t see it winning in the Big 4 due to competitors like Swift, I still think it wins in general. “Kill Bill” was one of the biggest songs and continues to be one of the most viral.

    Best Rap Performance: “Rich Flex” by Drake & 21 Savage

    The saying “I like what Drake likes” holds true for many…and the collaboration album, Her Loss, with 21 Savage was one of the biggest of the year. “Rich Flex” makes sense for two of the biggest rappers out there right now.

    Best Rap Album: Heroes & Villains by Metro Boomin’

    Metro Boomin’ is the rapper and producer responsible for countless hits like Migos’ “Ric Flair Drip”. His Heroes & Villains album is a masterclass for high quality rap, intricate detail in production and songwriting, and straight up hits.

    Watch the 2024 Grammy Awards live on February 4, 2024 at 8 PM EST exclusively on Paramount+!

    Jai Phillips

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  • Introducing Jersey: The Rising Force in French Dance Music | Your EDM

    Introducing Jersey: The Rising Force in French Dance Music | Your EDM

    When Fred Again burst onto the scene with his groundbreaking boiler room set, he sent shockwaves through the industry. Now, a fresh electronic duo is capturing that same feverish, cult-like energy reminiscent of Fred Again’s early days. In an era dominated by the TikTok algorithm, where artists strive to promote themselves authentically, only a few manage to forge a genuine digital presence without compromising their brand.

    Meet Jersey, a dynamic French duo comprised of siblings making waves in the electronic music scene. They stand out amidst the crowd, choosing a unique path to showcase their authenticity, taking an unfiltered approach, producing videos with using 360 cameras, eye-catching AI-generated visuals, and hosting boiler room-esque parties scattered throughout Paris. The results are impressive, with Jersey recently surpassing 100,000 followers on social media, signaling no signs of slowing down.

    Their journey began in the basement of their family’s home off the Normandy coast in France, evolving into the underground clubs of Paris post-high school. Here, they honed their production skills, crafting a sound using analog equipment and instruments that seamlessly blend high-energy house music with elements of UK garage and Drum and Bass. This distinctive style defines their music, reflecting the frenetic energy of their live sets and synonymous parties.

    Jersey’s modern and fan-declared “futuristic” sound, coupled with viral live sets, quickly garnered a devoted following. Fans not only connect with their music but also with the compelling narrative of two siblings pursuing a shared dream, navigating the music industry on their terms while staying true to their artistic vision.

    Transitioning from local gigs to larger stages, Jersey’s online presence grew organically. TikTok videos and Instagram Reels offer behind-the-scenes glimpses into their creative process and electrifying live performances. Unlike traditional promotional content, Jersey’s approach feels like an extension of their artistry, turning followers into active participants in a journey that blurs the lines between the digital and the real.

    In the realm of French dance music, names like DJ Snake, Tchami, Mercer, and Malaa of the Pardon My French collective dominate. With a name poised to reignite France’s dance music dominance, Jersey is positioned to be the next breakthrough act in the French electronic music scene.

    Don’t miss out on Jersey’s debut EP, “The World I’m Searching For,” available now via TH3RD BRAIN Records.

    Connect with Jersey on social media:

    Peter Berry

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  • Sister Duo Kinder Is Dance’s Most Exciting Act

    Sister Duo Kinder Is Dance’s Most Exciting Act

    For Kinder, talent runs in the family. Kinder isn’t your average DJ duo- the Australian-Ghanaian pairing are sisters who incorporate original vocals and multiple instruments like the piano and guitar into their music. Known for their production abilities, which exude talent and refinement, Kinder quickly established themselves as a force to be reckoned with in the dance music community.


    Bringing an infectious energy to their live performances, Kinder has a stage presence unlike any other…and it translates into the crowd as well. The love both Briony and Savannah Osei have for not only making music, but creating well-rounded, refined music that is innovative. Despite being insane remix queens (and dropping two this year with “Like It” and “This 1 Thing”), their latest single, “Lightyears”, is an original piece of work by the duo which solidifies their range in dance music.

    “Lightyears” is a bit of a change sonically for Kinder, the perfect club sound lies within this song. It’s Kinder to their core, despite it being a sound they haven’t really delved into yet. With club music roots, and help from London producer BCBC, they tapped their vocals, instrumental abilities, and production prowess into one of their favorite tracks yet. You can listen to “Lightyears” here:

    It’s been quite the year for Kinder, who headlined events like Vogue x Barbie and the Australian Formula 1 Grand Prix, and supported some of the biggest names in house music such as Marshmello, RL Grime, Big Freedia, and more. Hailed as the female version of Fred Again…, everywhere they go, the gain more and more fans thanks to the magic of their performances, the quality of their songs, and their vibrant personalities.

    “Lightyears” is the beginning of a new era for Kinder, and we spoke with them about this crazy year they’ve been having below!

    PD: You’ve done a bunch of fun live events this year like the Vogue x Barbie event and performing at the Australian Formula 1 Grand Prix! Do you prepare for these performances differently than a festival or tour show?

    These shows were so much fun. For shows like these, we usually select for the theme of the event. We played lots of throw back nostalgic 90’s songs at the Barbie event, compared to dropping heavy house tunes at festival shows!

    PD: What was it like supporting some of the biggest names in dance music like Marshmello and Big Freedia?

    Marshmello was one of our first big supports slots when we started, that was a surreal moment for us as we were so new to the scene and we were thrown into the deep end supporting him, but it was such a huge fun moment for us and our career. Big Freedia’s tour was really inspiring. The show is so engaging and high energy.

    PD: Your new track, “Lightyears”, is out now! What was the inspiration behind the song?

    It definitely has a 90s inspo to it! We love the techno / house music scene from back then, so we were definitely taking some cues from that celebrated era of dance music. And of course always inspired to add an energetic chant section like in the chorus.

    PD: When you’re sitting down to make a track together, what is your creation process like?

    It changes all the time, depending on if it’s just or a collaboration. When it’s just us, we start with the beat, usually finding a fun drum pattern, something that feels infectious, then we start riffing off vocal melodies – whatever we’re subconsciously feeling that day, and then that flows through lyrically.

    PD: You’ve had a big year with brand deals as well with Bonds, White Claw, and Levis! How has it been incorporating your music with these huge brands?

    They’ve all been super amazing to work with. We live in a time where it can be hard to discover music, specifically dance music, so we’re grateful to share our music in different and fun ways that might be a little alternate. It’s also fun for our family to see us randomly on Billboards or on cutouts inside the mall.

    PD: What’s next in this busy 2023 for you both?

    We’re preparing for festival session in Australia. We’ve been mostly overseas all year, so it will be nice to head back home for the summer. We might have some more “Soundsystem” tracks dropping at the end of the year too, which is our project where we make new club versions of iconic tracks.

    Jai Phillips

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  • Your Weekend Playlist: Today’s New Music Releases

    Your Weekend Playlist: Today’s New Music Releases

    If you’ve ever been sitting on your couch listening to the same playlist of songs you hyper-fixate on…same. I play the same songs on repeat once I find them until I am unable to listen for months after. It’s exhausting, and probably a bit unhealthy, but it’s the only way I know.


    So I cycle through music often. My friends go to me for new tunes, and it’s not just because I’ve taken up writing about music for a living. I have always been on the search for new music, long before I made it my job. My career has simply made the new music easier to find.

    If you weren’t aware, Friday’s are the big release day for artists. It’s a glorious reminder that with the new weekend, comes new soundtracks for our plans. And this week, I feel confident we have multiple songs that will be added to your daily rotation. I mean, who doesn’t love new Joel Corry and Chelsea Cutler?

    And after a long week, I’m looking forward to shutting my laptop and opening Spotify’s New Music Friday playlist. I like to compile my own list of new music releases from each week, so here is the best new music from the week of July 14, 2023!

    Joel Corry x Icona Pop x Rain Radio – “Desire” 

    Joel Corry has made a name for himself as one of the biggest hit-making DJ’s right now. With tracks like “BED” feat. RAYE and David Guetta, “OUT OUT” feat. Jax Jones, Charli XCX, and Saweetie, and others like “Sorry”, “Lonely”, and “Head and Heart” feat. MNEK, you can hear his music at just about any bar or club across the country. His new track with the icons Icona Pop and Rain Radio is no exception.

    “Desire” has everything you need for a summer beach club track, and it’s also the first single off Corry’s new project, Another Friday Night. With features from Rain Radio, a masked duo who is rumored to be the legendary Fred Again…, this track will get you on your feet to start off the weekend.

    Chelsea Cutler – “I Don’t Feel Alive” 

    As a longtime fan of Cutler’s, this has to be one of my favorites. An instant classic filled with Chelsea Cutler’s classic honesty and candid thoughts that sum up perfectly how we feel. Described as the “closest thing to a journal entry”, “I Don’t Feel Alive” talks about feeling inadequate and like you don’t have it together, how you don’t feel alive even and struggle with mental health despite trying to get better.

    A catchy, passionate bridge of “I keep coming up for air and ending up with water in my lungs” reminds us to actually live through the experiences of life and not just go through the motions. With an almost upbeat tune, the lyrics provide an eye-opening juxtaposition.

    Chloe Stroll – “Run” 

    We are excited to introduce Chloe Stroll, a rising singer-songwriter who released “Run” about a home invasion she experienced with her husband. It’s a song she’s using to cope, and you can feel the pain and trauma in her voice and lyrics as she recounts that horrifying experience. And while you may know her as being the sister of Formula 1’s Lance Stroll, Chloe’s music career proves he is not the only talent to be recognized in the family.

    She’s been creating music since she was seven, growing up in Canada…and while she pursued other careers for a while, music was always pulling her back. “Run” is a sensational entry into the industry, Chloe’s melodic tone and crushing lyrics will have you begging for more.

    Khloe Rose – “The In Between” 

    Rapidly rising for a reason, Khloe Rose does it all. She’s a singer, songwriter, and multi-instrumentalist who is looking forward to releasing her debut EP, The In Between, on August 18. The title single represents who Khloe Rose is as an artist perfectly: unique, relatable, and insanely catchy.

    It’s a song about those in-between stages in relationships where the lines feel blurry and you aren’t sure what’s going on. It sums up the thoughts of a generation, while staying true to Khloe’s strong vocals and ability to make a hit track. Her other singles “Fictional” and “The Other POV” are worth the listen as well, giving you a grounded glimpse of who Khloe Rose really is.

    Becky Hill x Chase & Status – “Disconnect” 

    Becky Hill has won two BRIT awards and has become a staple feature vocalist on tracks for the Dance world. Her new dance floor anthem is not to be missed, soon to be heard at parties across the world. Ms. Becky Hill does not miss, getting us up out of our seats every single time.

    “A decade on from ‘Afterglow’ and I honestly didn’t think that I’d be able to do it again, but I have never been more excited about a drum ‘n’ bass tune like I am about ‘Disconnect.’ It’s a true dance floor record that tows the line between the rave and the radio, and to be working with the likes of Chase & Status, who I have dreamed of working with since I was a teenager, is a real moment for me. It’s been going off at festivals over the last few months and I can’t wait for everyone to have it for themselves. I’m so proud of this one.”

    Jai Phillips

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  • Romy Builds On the Queer Musical Canon With “Loveher”

    Romy Builds On the Queer Musical Canon With “Loveher”

    As far as songs about women loving women go, well, they’re pretty few and far between. Unless one wants to count queerbaiting singles like Katy Perry’s “I Kissed A Girl” and Rita Ora, Cardi B, Bebe Rexha and Charli XCX’s “Girls.” But, more and more, the disingenuousness of such “songs for straights going through a phase” has no place in a climate that continues to make claims of “inclusivity.” Fortunately, as Romy (still so often referred to as “the xx’s Romy”) continues to roll out singles for her debut solo album, Mid Air (though maybe it should be called Romy Madley Deeply), she’s seen fit to present us with “Loveher,” a queer anthem through and through. Co-produced, once more, with Fred Again.., the mid-tempo track starts out with minimal instrumentation as Romy says, in her modest tone, “Can you turn it up a bit more? Thank you.”

    As the track goes on, however, it’s her we should be thanking. For finally providing the world with an honest, unbridled love letter from one queer woman to another. And sure, someone could make the argument that Romy is “speaking from the perspective of a man” when she sings, “See in her eyes that she’s lost in the moment/Holding on tight and all that I know is/Love her, I love her, I love her, I love her, I,” but why in the fuck would that be the case? Save to placate more narrow-minded traditionalists. And, in case any doubt was cast on the song’s intent, Romy cleared up any such “confusion” by saying, “Over time, growing up and also just noticing how the world is changing, I felt a lot more comfortable being more public. To write about loving a woman and not feel afraid or embarrassed… maybe it’s a growing up thing, and just not caring as much what people think.”

    What’s more, lines like, “Lover, you know, when they ask me, I’ll tell them/Won’t be ashamed, no, I can’t wait to tell them” (if only this song had been around in time to be featured during the credits of Happiest Season) infer that the only reason one would be “ashamed” to tell others about the one they love is because that “one” forms half of a same-sex relationship. Unless, of course, a listener wants to instead make a more classist interpretation of being ashamed about announcing who their “lover” (the word Romy uses) is, à la Edward Lewis in Pretty Woman or Blane McDonough (Andrew McCarthy) in Pretty in Pink. But again, that would be a decidedly homophobic interpretation considering Romy has long been open about her sexuality, having come out to her father at the age of fifteen.

    But Romy wouldn’t be so publicly open about it during her time with the xx. Though it bears noting that none of the lyrics she collaborated on with her bandmates, including Oliver Sim (who is also gay), ever bore any specific pronouns. It was in the wake of the last album that the xx put out, fittingly titled I See You, that Romy seemed more comfortable with “parading” her sexuality. And it was in 2017 (the same year I See You was released) that news of her engagement to visual artist Hannah Marshall broke. That engagement would eventually end in favor of one to photographer Vic Lentaigne, followed by the completion of that engagement with their marriage, as opposed to another instance of “let’s call the whole thing off.” It was Lentaigne, in fact, who directed Romy’s most recent video for “Enjoy Your Life” (and now, the one for “Loveher”), a collage of nostalgic clips that inspire one to do just that (even in spite of constantly feeling like the end is nigh). With Lentaigne’s own work described as “capturing queerness and identity,” she’s the perfect choice for also capturing the essence of Romy’s new solo music.

    As for the overarching “theme” of Mid Air, it’s slated to be equal parts homage “to [her] formative years of queer clubbing” and to 00s Eurodance. Resultantly, Romy was taken back to that emotional place when she was just a teenager, going to the Soho (one shouldn’t have to specify that Soho refers to London, not New York Shitty) gay club Ghetto and watching from the sidelines as everyone around her danced, liberated in such a space as they could not be elsewhere. Someone who worked at the club eventually noticed her wallflower tendencies (though, as Romy stated, “I’d stand in the corner, stare and observe. But that was fun for me!”) and asked if she’d like to DJ. After all, what is a DJ if not the ultimate voyeur/wallflower within the club setting? Romy took to the gig like a lesbian to the Lilith Fair, and it would undeniably inform her solo work. Including “Loveher,” which, despite being a slower pace (call it, as Romy does, a ballad “within the context of club sound”) than something like “Enjoy Your Life,” still has ample club remix potential, rife with its rhythmic, house-y backbeat.

    Having written the song during the lockdown period, Romy seemed to have the epiphany that the next generation of youths might have the club experience that she got to enjoy robbed from them. Not just because they prefer to be in the matrix of their phones anyway, but because the world has become a less physically safe space despite being theoretically more “accepting” than ever. Thus, she stated, “I really hope that younger queer people can have those connections [in clubs] and learn how beautiful it is.” At least before the next inevitable pandemic.

    To accommodate those who would still like to experience queer club culture, Romy has specifically written an album that serves as the ideal soundtrack for that setting. And, going back to the abovementioned Lilith Fair analogy about lesbians, Romy also noted that, when she herself was a teenager, it was difficult to find “lesbian music” that “didn’t take itself too seriously.” So it is that she remarked, “When I was a teenager, and I was looking for explicitly lesbian love songs that I could connect to, I definitely wasn’t finding any pop-dance music. It was more like, lesbian acoustic music. That’s the stereotype, I think. What does a lesbian love song sound like? Someone with an acoustic guitar!” Well, thanks to Romy, that’s no longer the case. No offense to Ani DiFranco (who currently likes “what’s in boys’ pants better”).

    So it is that with simultaneously shy and declarative lyrics (e.g., “Dance with me, shoulder to shoulder/Never in the world have two others been closer than us/Closer than us/Hold my hand under the table/It’s not that I’m not proud in the company of strangers/It’s just some things are for us”), Romy builds on the canon of queer music with a much needed deviation from the usual lesbian cliches.

    With “Loveher” being the first track on Mid Air (setting the tone for the queer love letter to come), Romy also bookends the album with a song titled “She’s On My Mind.” And it’s clear that queerness itself is very much on Romy’s mind, as she seeks to do her part to make those who might still feel othered “to really celebrate life and live it to the best, that’s how I like to be.”

    Genna Rivieccio

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  • Against One’s Better Judgment, It’s Easy to Heed Romy Urging You to “Enjoy Your Life”

    Against One’s Better Judgment, It’s Easy to Heed Romy Urging You to “Enjoy Your Life”

    Although Romy Madley Croft, better known as the xx’s Romy or just Romy, still has yet to give us that solo album she teased back in 2020, at least she keeps releasing singles to placate listeners until the full-length debut arrives. And it all started with “Lifetime” almost a complete three years ago (a “lifetime” ago, as it were). It was with that specific single that Romy established herself as an artist with a jubilant message to convey. In contrast to much of her work with the xx, there is less a tone of moroseness and more a tone of ebullience in the singles she’s bequeathed us with thus far (e.g. “Lights Out” and “Strong,” both a collaboration with Fred again..). “Enjoy Your Life” proves no exception to the thus far customary rule for Romy’s solo work.

    Funnily enough, Romy isn’t the first Brit in recent years to tell us to “Enjoy Your Life.” In 2019, MARINA told us to do the same on Love + Fear. Sure, MARINA is technically Welsh, but it’s all part of the same island. In any case, it seems no coincidence that the shittier things get, the more people want to cling to positivity as best as they can (and, as another British bird from the Spice Girls claimed, “All you need is positivity”). Indeed, it seems positivity is on an upswing despite all evidence displaying that people should feel quite the contrary. Yet it’s all part of human nature, not just in terms of denial as a coping mechanism, but also the idea of “endurance” and “survival.” Because part of being able to endure through nonstop experiences of trauma—both concentrated and collective—is to put a “positive spin” on things. In the wake of the coronavirus lockdowns, it’s been: the world got a chance to stop for a moment and “take stock.” Apparently, though, not long enough to realize that the way we exist is fundamentally designed to doom us all. In any case, Romy, just as MARINA before the pandemic hit, doesn’t think that should keep you from having a good time. After all, this life is allegedly the only one we’ve got, so we might as well make the most of it…no matter how objectively shitty it might seem (especially to people who aren’t pop stars).

    But, similarly to Romy, MARINA admits that writing her own “Enjoy Your Life” was a way to stave off some of her overarching feelings of negativity, having penned it during a time when she was extremely depressed. During the promotion cycle of Love + Fear, she told Vogue of the song, “I just literally didn’t see the point in life. I didn’t understand what life was about. I definitely felt very depressed and didn’t understand why life was good, literally functioning day-to-day thinking, ‘Just get through today.’” So sure, her lyrics were more of a self-pep talk than anything else, urging her to “enjoy the now” without constantly worrying so much about the future. Appreciate what you have and try to see the beauty in the breakdown, etc. As for Romy’s take on the message, she also presents it with correspondingly upbeat music. And, in contrast to her usual style, she does something a bit different here musically, favoring the sound embodied by 90s dance beats (with help from co-producers Jamie xx, Fred again.. and Stuart Price) while also managing to incorporate Beverly Glenn-Copeland’s “La Vita” into the song (as well as Oby Onyioha’s “funkadelic” “Enjoy Your Life”). In point of fact, it’s Glenn-Copeland who played such a pivotal role in imbuing Romy with any sense of positivity. For, as she remarked of using the sample, “When I heard the line, ‘My mother says to me enjoy your life’… I was speechless. Those few words felt like the most simple and disarming sentence. Ever since I was eleven, I’ve been aware of and drawn to the phrase, life is short. I’ve felt inspired by people who I’ve seen react to this by trying to see the positives in life, even when things are going wrong and times are hard.”

    Romy, however, goes on to admit, “As much as I’d love to naturally be one of those people, I’m not always able to do this myself and often get in my own head and my own way, so sometimes a reminder goes a long way. Glenn’s lyrics were a direct connection to what had been a very quiet, private thought. It resonated especially deeply as it is because of my mum passing away when I was eleven that this perspective on living life was even a part of me.” Incidentally, Glenn-Copeland also adds in his song that, “La vita è dolce” a.k.a. “Life is sweet.” Even if bittersweet (as The Verve knows). That much is unwittingly captured in the accompanying video. Directed by Romy’s wife, Vic Lentaigne, the visuals are clearly personal. Hence, the “vintage home movie” effect often incorporated into it (look out, Lana Del Rey). And then there’s also the images of Romy thumbing through old photo albums when she’s still a child with her mother, in those years before she died. The aching for those memories to be present instead of past is negated by Romy’s insistence upon living exuberantly—what her mother would have wanted for her, to be sure.

    Scenes of Romy at the ocean and other various bodies of water play an important role in the baptismal nature of a song such as this. For every time one falls prey to negative thoughts, they can “be born anew” with a positive outlook (in addition to the presence of dogs, many dogs)…no matter how ephemeral it may be. Of course, with existence itself being so ephemeral, it doesn’t really matter much to the universe what “state” you decide to be in from one day to the next. All Romy can say is that, “I hope this song celebrates and shares the words that Glenn said so beautifully and my reaction to it and hopefully uplifts a dancefloor along the way,” adding, “I hope you know I would never want to tell anyone how to feel or to pretend to feel good when they don’t, I know how that feels.” Thus, “Enjoy Your Life” is more of a gentle reminder on Romy’s part than a “dancefloor edict,” if you will.

    And, talking of the dancefloor, it appears several times throughout the video, with Romy interspersing these moments amid scenes of her driving along (in the passenger seat) with the wind blowing in her hair or riding on a boat or soaking up the sun on the beach (a moment that comes full-circle when a photo of Romy’s own mother doing the same appears at the end). There are times when Romy herself is the architect of fun on that dancefloor, playing DJ in a far more adept way than Paris Hilton. Like Robyn once said in a song title, Romy finds herself “dancing on my own again/Anxiety, my old friend/Since when will you try something new?” That “something new” being to enjoy her life and embrace whatever comes her way with a positive attitude. After all, as she says in the song, “I made a promise to my mother/To stop running from my problems.”

    Or, as MARINA phrased it, “Sit back and enjoy your problems/You don’t always have to solve them.” The world has clearly taken this approach to heart as everyone sits back and watches it burn, resigned to the day when it might finally explode. So yes, why not just enjoy your life while it lasts? God or whoever knows that generations after this probably won’t be able to delude themselves as easily…or perhaps they will because “shite” will be all they’ve ever known.

    Genna Rivieccio

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  • 5 Remixes of “Rumble” That Will Have You Feeling the Aftershock – EDM.com

    5 Remixes of “Rumble” That Will Have You Feeling the Aftershock – EDM.com

    The instinctual scramble to remix Skrillex has already begun.

    It’s only been a couple of days since Skrillex returned with “Rumble,” his seismic collaboration with Fred again.. and Flowdan. And now we’re witnessing the aftershock—right on queue.

    Considering the track was perhaps the scene’s most sought-after ID prior to its release, it shouldn’t come as a surprise that many producers had lingering remix ideas for “Rumble” that were top-of-mind.

    Here are five of the best remixes of “Rumble” released so far for fans looking to double down on their Skrillex fix as they await his long-awaited sophomore album.

    Cameron Sunkel

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  • 5 Absurd But True Stories That Captivated the EDM World In 2022 – EDM.com

    5 Absurd But True Stories That Captivated the EDM World In 2022 – EDM.com

    2022 was another banner year for electronic dance music history as festivals returned en masse, the scene’s biggest artists released albums and live music records were broken.

    But then there were times when things got… weird.

    From head-scratching revelations on social media to dance music veterans taking the genre where it hasn’t gone before, read on to discover just a handful of the stories that had us doing double-takes in 2022.

    Bizarre Reddit sex confession spikes Hudson Mohawke’s “Cbat” on the charts

    There’s no manual to achieving a chart topping hit—but having your music be the subject of an embarrassing sex confession may be one of the most absurd paths possible.

    Cameron Sunkel

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  • Fred again.. Asks for Help Finding Space to Record New Music, Finds Solace In Fan’s Living Room – EDM.com

    Fred again.. Asks for Help Finding Space to Record New Music, Finds Solace In Fan’s Living Room – EDM.com

    Why bother with expensive studio spaces when you can meet a new friend and record in his living room?

    While traveling through Amsterdam, Fred again.. and Joy Anonymous had the itch to hit the studio and work on some music. They could have taken the traditional route and booked a professional studio space, but they decided to get creative. Fred took to social media the night prior and asked if anyone had speakers in their living room for an impromptu recording session.

    They quickly received a message from a local producer named Marc, who makes music under the moniker Baril. He offered them his home, and it wasn’t long before they pulled up and built a makeshift studio before jamming out and recording a bevy of new demos.

    Nick Yopko

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  • This AI-Powered App Makes You the Subject of a Fred again.. Song – EDM.com

    This AI-Powered App Makes You the Subject of a Fred again.. Song – EDM.com

    You can now generate an endless feed of song titles using Fred again..‘s distinct discographic nomenclature—all with the help of artificial intelligence.

    If you’ve ever wondered what being the subject of a Fred again.. song would look like, visit the AI-powered “You as a Fred again.. Song” site. Enter your first name and a selfie, and viola—you too can (spiritually) become a part of Fred’s Actual Life 3 universe.

    Built by Claire Wang, the programmatic platform applies Fred’s signature transparent blue tint to your image and generates a song title with your name, followed by a tongue-in-cheek parenthetical ad-lib.

    Cameron Sunkel

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  • EDM.com Playlist Picks: Dom Dolla, ARTBAT, PinkPantheress and More [11/18/22] – EDM.com

    EDM.com Playlist Picks: Dom Dolla, ARTBAT, PinkPantheress and More [11/18/22] – EDM.com

    The electronic music community is constantly evolving with new sounds every week, as artists become more innovative with their compositions. EDM.com’s weekly “Playlist Picks” series highlights the top releases in the genre, helping uncover the latest tracks that will soon dominate the dance music scene.

    EDM.com Top Hits

    PinkPantheress – Do you miss me?

    Koji Aiken

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  • The xx’s Romy Teams Up With Fred again.. for Sublime Single, “Strong” – EDM.com

    The xx’s Romy Teams Up With Fred again.. for Sublime Single, “Strong” – EDM.com

    If music is anything, it’s therapy.

    Just ask Romy of The xx, whose haunting new single, “Strong,” is a soul-stirring ode to resiliency. Produced in collaboration with Fred again.. and prolific record producer Stuart Price, the cathartic track is about learning how to process grief.

    It’s only the second-ever solo track from Romy, who said “Strong” was inspired in part by the loss of her mother and written to “ultimately find a sense of release in the euphoria of music.” The single arrives ahead of her debut studio album, which is still in the works.

    Jason Heffler

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