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Nature abhors a monoculture, but not necessarily a monochrome culture. Against a leafy green backdrop, a single color stands out dramatically—particularly when that hue is white. Here are 15 of our favorite white-on-white plant palettes for a garden bed: For more monochromatic(ish) gardens, see: 11 Ideas to Steal for a Moonlight Garden Now Trending: 9 […]
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All week, we’re republishing some of our favorite Garden Visits that have a personal connection to our writers. No public gardens here, no vast estates, no professionally designed landscapes—just the backyards, vegetable patches, and flower beds that remind our writers of home. This story by contributor Justine Hand is from July 2016.
After bouncing along an undulating, rutted track, wheels crunching over shell drive while wisteria vines lap at the windows, the entrance to my friend Marnie’s garden is like a transition to another world.
Her landscape is an informal, unfussy affair that draws equally from the traditions of English cottage gardens and the wilds of Marnie’s native Cape Cod. Here and there is also a dash of the Mediterranean, reflecting Marnie’s travels to Italy and California. It’s a romantic, unfettered place, full of discovery—the kind that invites children to romp around its pathways. Among the blooms one might find edible treats like thimble berries, or an old pot perfect for the clubhouse, or an ocean-tossed treasure that Marnie has collected from the sea.
Full of proliferous blooms that encroach on paths and climb the walls, Marnie’s world borders, Secret Garden-style, on being overgrown. “I like to let plants do their thing,” she notes. “Sometimes a plant will disappear for a year, and then the next it surprises me by coming back.” This laissez faire approach leads to a much more dynamic garden, “that, like me,” she adds, “changes every year.”
Photography by Justine Hand.
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In general, flowers are probably less important than form. Some have a fleeting season, perhaps blooming just once before doing nothing for the remaining eleven months of the year (I’m looking at you Iris germanica). Others have an important support act, providing an abundance of flowers or beautiful foliage for the majority of the year.
Yes, I want plants that are beautiful (and that work well together), but I also want them not to be too much trouble. So increasingly, as I’ve realized that you can never really fight the existing conditions in your garden, I just plant more of these low-work plants. If something does well, and needs little to no TLC then it’s very welcome in my garden.
Earlier this week I read a quote from the late plantswoman Beth Chatto, about her much-copied borders in Essex, England. “The point I need to stress,” she wrote in her ground-breaking book Drought-Resistant Planting, “is that copies of my gravel garden will not necessarily be successful or suitable if the principles underlying my planting designs are not understood. When visitors to my garden tell me they have attempted to make a gravel garden but the plants don’t look or behave as they do in mine, they wonder what they have done wrong. I ask ‘What type of soil do you have?’, ‘Very good,’ they reply. The amount of rainfall? ‘Twice what we have here,’ they tell me. I laugh and tell them if I had good soil and adequate rainfall I would not be growing drought-resistant plants.”
Favorite plants should always come with this disclaimer—what works in one garden may not work in another, because the soil, moisture, and conditions will vary immeasurably. Some of my most cherished plants will flourish in all conditions, but some do particularly well because they are especially suited to my garden, which has very free-draining sandy soil and is largely in full sun.
With that in mind, here are the plants I would not be without.
Photography by Clare Coulson.
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We’ve interviewed landscape designer Wambui Ippolito before (read our Q&A with her here), and we were so enamored of her that we decided to have her take our Quick Takes questionnaire. The daughter of a Kenyan diplomat, Wambui has lived all over the world, including Costa Rica and throughout Europe. Today, she resides in New York City, where she designs for clients in the tri-state area (her speciality is in fine estates). “But my home is in East Africa,” says Wambui, referring to her family’s lush estate in the suburbs of Nairobi.
Below, Wambui discusses her respect for those who grew up in the countryside and the reason she despises “Instagram gardenening.”
Photography courtesy of Wambui Ippolito.
Watching my mother work in our gardens when we lived in Nairobi when I was a very small child. Another memory is watching my grandmother talking to her gardener at the farm in the Rift Valley when I was little. I was always surrounded by pretty flowers and lots of trees and green.
I am always inspired by Kenya’s marathoner Eliud Kipchoge (@kipchogeeliud) and Nirmal Purja’s account (@nimsdai). Eliud grew up a few miles from my family’s home in the Rift Valley and his mindset and work ethic are a great influence on me. Nimal Purja is Nepalese, an ex-Gurkha and record-breaking mountaineer. I love that he has shifted the focus towards the Sherpa community who are the backbone of high-altitude climbing. I worked with a group of Nepalese gardeners early in my career, and they were very kind to me and looked out for me. I’ve always felt an affinity with Sherpas from those days.
Clear. Simple. Open.
Tussock grasses and mulleins always make me swoon.
Hosta, except for Hosta ‘Empress Wu’ which is so majestic.
Anything in the Lamiaceae family because they work so well together. I especially love Perovskia atripcifolia ‘Denim ‘n Lace’ .
I have learned that unless I am gardening for myself, there is no guarantee that my gardens will last for years. Clients may sell a property and the new owners can come in, tear out the garden and replace it with a pool or concrete slab. I have learned non-attachment and to take lots of pictures!
I don’t think it’s an unpopular opinion; I think it’s a realistic opinion to say that I tend to trust the design aesthetic of people who grew up in the countryside more than I do people who grew up in a city. I believe that people whose childhood was spent out in unspoiled nature—whether desert, mountains, savannah or forest—tend to have a deeper gardening optic.
Instagram gardening. Gardens are looking the same all over because we all look at and follow the same social media accounts. One person does something pretty and ten people try to replicate it.
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There are two main reasons that you might consider planting a pollinator garden in pots instead of in the ground: Either you don’t have a garden bed—or you’ve run out of space to plant anything more in your garden. In either scenario, a container garden can support pollinators just as well as an in-ground garden. Even if you aren’t dealing with space constraints, you might consider adding some pollinator pots, says Alicia Whitaker, a master gardener and a co-leader for the Suffolk Alliance for Pollinators’s South Fork chapter. “If they’re near an outdoor seating area, the gardener can see and enjoy the wildlife that will be attracted.” Plus, she notes: Containers are also a great option if the gardener has a mobility issue or other handicap that makes gardening in the ground difficult.
Here, nine tips on how to garden for pollinators in pots:
The most common mistake with any container garden is underwatering. “The soil in pots dries out faster, especially in a very sunny and hot environment, such as a windy deck or brick patio surface,” says Whitaker, who notes that people often underestimate the water needs of container plants because they are accustomed to worrying about overwatering indoor houseplants.
Garden pros recommend choosing the largest container possible. “A higher volume of soil will dry out less quickly,” explains Whitaker. But there’s another reason to go big: The more plants you cram into a pot, the better the chances the pollinators will find them. “When we use large pots or gang pots together in groups, we create some floral targets for pollinators,” says ecological horticulturist Kim Eierman, the author of The Pollinator Victory Garden and founder of EcoBeneficia. “That’s really important. Having a larger target makes it much easier for the pollinator to find the resource.” If you’re worried about weight, you can use a false bottom planter.
Both Whitaker and Eierman suggest mixing compost into the container’s soil, to nourish the plants and encourage root growth. “I apply a limited amount of compost a couple times a year to beef up the soil biology because there’s no interchange with any other soil,” adds Eierman. “I just put it on top and let rain do its thing.” Whitaker adds, “We often hear that native perennials prefer leaner soil and don’t require fertilizer, but the artificial environment of a container calls for better soil and the regular use of organic fertilizer.”
Just like humans, pollinators need a diverse diet, but that doesn’t mean you need to run out and buy dozens of different plants. Eierman says to aim for a balance between diversity and sufficiency of given plants. So, rather than having many tiny plants of a wide variety of species, focus on a few types. “It’s better to have a more substantial amount of that one species,” says Eierman. Whitaker adds, “Think drifts, not polka dots.” When pollinators forage they’re looking for that one plant species, so a repetition of bloom from container to container can attract them without having one massive target, Eierman notes.
“We know that pollinators have their color preferences,” says Whitaker. Hummingbirds are attracted to red flowers, while many bees love purples and yellows. Butterflies are drawn to a wide range of colors, but moths are attracted to white blossoms. “it’s good to have a variety of colors, and a variety of shapes,” says Whitaker, noting, “There are almost no wrong choices.”
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New Yorkers who discover Rockaway Beach, the sandy peninsula at the end of the A train, tend to fall in love. Alexandria Donati and Jonathan Chesley, the husband and wife duo behind Ktisma Studio, were among those who appreciated the charms of the beach-meets-urban setting. The couple first visited Rockaway Beach more than a decade ago when their friends began buying up houses on a block where 1920s bungalows had survived development. In 2017, Donati and Chesley finally got a chance to buy their own bungalow in the community, and perhaps equally important to Donati, who is a landscape architect, the tiny yard that came along with it.
Over time Rockaway’s original wooden boardwalks have been replaced with concrete, and Donati and Chesley’s yard was no exception. “When we moved in there was an old privet shrub growing on a fence line, a pile of debris, and a lot of concrete,” says Donati. So, the first order of business was to remove concrete to make way for planting beds and to replace and repair fences. (Donati had already been on a years-long campaign to convince friends to rip up their concrete. “I told them I would help them plant it if they just jack-hammered it out,” she says.)
Since buying the property, Donati has experimented with the planting and carved out distinct gardens within the petite lot. In front, the west-facing garden has a warm palette inspired by the sunsets; there’s a rambling berry patch along the side of the house; and the back garden, which is all about scent, even includes an area rug-sized stretch of lawn. Pots of herbs and flowers are scattered everywhere.
Donati has been strategic about using plants to both conceal and reveal views from their small yard. Espaliered fruit trees, for example, soften the border between neighboring yards and an elderberry hides an unattractive deck. String lights and a shade sail that they hang in the summer help to enhance the feeling of enclosure, while matchstick blinds add privacy (and shade) to the front porch. “There’s a giant apartment building that says ‘luxury condos’ nearby, but that’s New York City life,” says Donati. “Even in a Brooklyn brownstone, you could have the nicest house and garden, but you can’t change what surrounds you.”
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This week, as the Chelsea Flower Show goes viral on every media outlet, we take a look at Tom Stuart-Smith, the comeback—after an absence of 14 years. A super-heavyweight of British garden design, Stuart-Smith’s show resumé describes his work as combining “naturalism with modernity, and built forms with romantic planting,” before reminding us that one of his clients was HM the Queen. And just to recap: He has now won nine gold medals at Chelsea, including three Best in Show. Stuart-Smith’s gardens caused such a stir in the 1990s that their legacy is still very much with us: water-filled tanks of Corten steel, peeling river birch, cloud pruning, and strongly disciplined color all come to mind.
Stuart-Smith has implied during his long absence that he didn’t have a compelling reason to do another garden on Main Avenue. He was lured by Project Giving Back, a private funding collective (who last year bagged the reluctant star Cleve West). One of PGB’s conditions for funding—that a show garden must be permanently re-sited afterwards in a place where it can do good—is also part of its attraction to garden designers. They make a garden for a charity of their choice, then Chelsea’s publicity machine puts it under a giant spotlight. Tom Stuart-Smith’s show garden for the National Garden Scheme is about the joy of garden visiting and garden making. It’s that simple.
Photography for Gardenista by Jim Powell.
The National Garden Scheme is a staple of summer for British gardeners, allowing them to look in other people’s backyards, while having a bit of tea and cake—all for a nominal fee. Since this is a transaction that takes places all over the British Isles, from spring until autumn, the NGS makes a lot of money, which is donated to nursing and health charities. It is also inherently “good for you” to be out in a garden, gazing at plants and listening to birds singing, so the benefits are exponential.
Stuart-Smith is a reliable purveyor of unusual plants in his gardens but also, the very, very familiar, which are the elements that will be reproduced all over the world: towering white foxgloves in a sea of cow parsley (Anthriscus sylvestris), almost shockingly “common” since it’s found on every wayside and, now that the Royal Parks allow unmowed areas, in every park.
Since we are talking about garden visiting, this is a good one to walk on, should you be so lucky; it is lightly shaded by three multi-stemmed hazels, which give an idea of coppicing, a practice which only real gardeners understand the value of, since hazel re-sprouts after cutting down almost to the ground, providing useful straight poles.
On describing his last woodland garden for Chelsea, Stuart-Smith said that he uses repeats of species, focusing on texture and form, over color. This still rings true, and in the 2024 garden he takes his restricted palette to the point of monochrome, and a slightly chilly, detached air. But if you look, and then look again, the garden reveals itself. The plant basics haven’t changed much either, with iris, umbellifers, astrantia and hardy geraniums also making a comeback.
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