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Tag: E.T.

  • Trump Brings Back the Worst of the 80s

    Trump Brings Back the Worst of the 80s

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    Although some could argue that Ronald Reagan’s oppressive regime in the 1980s is part of what fueled better pop culture than the schlock of the moment, one thing that could never be improved was Donald Trump. A man who did become part of the pop cultural lexicon of that era despite being a New York-confined Patrick Bateman type. For whatever reason (apart from The Art of the Deal), he managed to infiltrate the mainstream consciousness—more than likely because, in those days, it was the height of “aspirational” to be rich. Not that it still isn’t, it’s just more “cloaked” behind “earnest,” “let’s save the planet” messaging.

    Trump, obviously, never gave a fuck about that. And still doesn’t. Nor did he ever care about reading, though he did feign being very taken with the “excellent” Tom Wolfe during both men’s heyday. “Excellent” was the word he used to describe the quintessential 80s author in a 1987 interview with Pat Buchanan and Tom Braden when asked what books he was reading. But, of course, 1) he wasn’t actually reading any and 2) Trump couldn’t resist the urge to ultimately say, “I’m reading my own book because I think it’s so fantastic, Tom.” That book was the blatantly ghostwritten The Art of the Deal, released, incidentally, in the month that followed The Bonfire of the Vanities landing on bookshelves everywhere. Indeed, that was the main reason Trump was on the show.

    Oddly, Trump’s book (an oxymoron, to be sure) was the thing that made him become a household name in America, as opposed to just being limited to the niche jurisdiction of New York City and certain parts of New Jersey. As for his abovementioned interview, some have speculated that Bret Easton Ellis used this bizarre moment for Bateman/American Psycho inspiration. For it does smack of Bateman saying whatever the fuck comes to his mind just to see if anyone’s actually paying attention (e.g., saying he’s into “murders and executions mostly” instead of “mergers and acquisitions”). A moment where, in one instant Trump is declaring he’s well-versed in all literature Wolfe but hasn’t yet read The Bonfire of the Vanities, and, in the next, claiming to be reading Wolfe’s “last book.” Which would have been, what else, The Bonfire of the Vanities. He certainly wasn’t talking about From Bauhaus to Our House. And yet, even when caught in a lie, Trump always counted on touting generalities with confidence as a means to deflect from his total lack of knowledgeability.

    So it is that he keeps repeating such generalities as, “He’s a great author, he’s done a beautiful job” and “The man has done a very, very good job.” Finally, realizing that there might be some people out there not falling for his bullshit, he relies on the excuse, “I really can’t hear with this earphone by the way.” (Or, as Mariah would put it, “I can’t read suddenly.”) Trump, in this and so many other ways, has brought back the “art” of the flagrant lie-con that was popularized by some of the 80s’ most notorious swindlers, like David Bloom and Jim Bakker. Everyone wanting to adhere to the “fake it till you make it” philosophy so beloved by the U.S., and which it was essentially founded upon. A “philosophy” that Trump has taken “to heart” his entire life. Except for the fact that, as Tony Schwartz, the true writer of The Art of the Deal, eventually said, Trump doesn’t actually have a heart. More specifically, “Trump is not only willing to lie, but he doesn’t get bothered by it, doesn’t feel guilty about it, isn’t preoccupied by it. There’s an emptiness inside Trump. There’s an absence of a soul. There’s an absence of a heart.”

    And it can be argued that this absence began to extend to the collective of America in a more noticeable way than ever during the Decade of Excess. Uncoincidentally, it was the decade when neoliberalism came back into fashion in a manner as never seen before, courtesy of the “laissez-faire” policies of Reagan and, in the UK, Margaret Thatcher. With such an emphasis on “me first” and “getting ahead at any cost,” it was no wonder that a man like Trump, emblematic of the Wall Street monstrosity that would come to be embodied by Gordon Gekko, was so “revered.” His “lifestyle” coveted. Of course, it was harder then to debunk myths, like the idea that anything about Trump was “self-made.”

    In the backdrop (or foreground, depending on who you ask) of Trump and Reagan representing the worst of the 80s, there were, needless to say, so many amazing things about that decade: the birth of MTV, and with it, a new generation of visual artists (including the 1958 Trinity, Madonna Prince and Michael Jackson), Square Pegs, Golden Girls, Pee-Wee’s Playhouse, They Live, E.T., Dirty Dancing, Flashdance, Footloose (a whole rash of dancing movies, really), any John Hughes movie, the eradication of smallpox, the aerobics craze and Jane Fonda’s Workout, Pac-Man (and the rise of video games in general, culminating in the release of Game Boy in 1989), the early days of the internet and personal computers, the first female vice presidential candidate (Geraldine Ferraro), the fall of the Berlin Wall… So many great, memorable things that should outshine the ickier moments today—like the rampant homophobia in response to AIDS, the Challenger explosion, Irangate, the Chernobyl disaster, New Coke, the rise of the yuppie, the death of vinyl (though it would have the last laugh) and George H.W. Bush managing to win the 1988 election so as to take more “Reaganomics” policies into the 90s.

    And now, Trump wants to bring all the worst of the decade back. The homophobia, the religious overtones (complete with satanic panic), rampant misogyny, the worship of money, the rollback of environmental regulations and, maybe most affronting of all, Hulk Hogan. The latter, like Trump, experienced his own heyday in the 80s, when interest in pro wrestling and the WWE reached an all-time crescendo. And, also like Trump, Hogan has a reputation for, let’s say, embellishing (read: fabricating) his lore. Because he found his success by being an over-the-top wrestler, Hogan never seemed inclined to shed his performative persona. As a result, many will remain forever haunted by Hogan at the RNC a.k.a. Trump rally ripping his shirt off to reveal a Trump/Vance tank top as he screamed, “Let Trumpamania [unclear why he wouldn’t just say ‘Trump Mania,’ but anyway] run wild brother! Let Trumpamania rule again!”

    As many pointed out, it was like seeing the plot of Idiocracy fully realized. A trajectory that can now be rightfully pinned on the “ideals” of the 80s. For while it was the best of times, it was also the worst of times—and those are coming back with a vengeance if Trump manages to win the presidency yet again. On the plus side though, it seems that CDs are making a comeback to align with this potential return to the Decade of Greed.

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    Genna Rivieccio

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  • The Best, Freakiest Little Guys From Star Wars

    The Best, Freakiest Little Guys From Star Wars

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    Image: Lucasfilm / Disney / Kotaku

    The Star Wars universe is massive, filled with hundreds of books, games, TV shows, and more. And let’s not forget the movies, which started all of this wild nonsense back in 1978 with A New Hope. Throughout all of Star Wars, from all the fan fighting over Last Jedi to people going wild over Grogu, one thing has remained true: The galaxy is filled with freaky little guys.

    When Star Wars Jedi: Survivor landed from EA and Respawn last year, the internet fell head over heels for Turgle, a frog man that is a perfect example of a freaky little guy.

    What is a freaky little guy? Well, it’s an alien that doesn’t have to necessarily be a male, they just need to be a bit freaky. A little weird. An oddball, if you will. The kind of character that shows up and you think to yourself, “What a freaky little dude, huh?” There’s really no specific definition or criteria. It’s more of a vibe they put out rather than a checklist of requirements that need to be met. Based on those vibes, we’ve collected this list of the 10 freakiest little guys in all of Star Wars.

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    Zack Zwiezen

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  • E.T.’s New Home? Mechanical Alien Model From Spielberg Film Is Up For Sale

    E.T.’s New Home? Mechanical Alien Model From Spielberg Film Is Up For Sale

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    Topline

    The mechanical alien model from Steven Spielberg’s 1982 classic E.T. the Extra-Terrestrial could fetch as much as $3 million when it goes up for auction in December, according to Julien’s Auctions.

    Key Facts

    The filming model, used as a stand-in for the film’s eponymous extraterrestrial character, is made of a lightweight aluminum alloy and features 85 fully mechanical points of movement.

    The result allowed a team of 12 animators to control E.T. facial expressions and body movement in the film, which predated modern CGI technology and special effects.

    The model was created by late Italian special effects designer Carlo Rambaldi, who won an Oscar for Best Visual Effects in 1983 for his work on the film.

    Spielberg once referred to Rambaldi as “E.T. ‘s Gepetto,” comparing him to the fairy tale creator of Pinocchio, according to Julien’s Auctions.

    Surprising Fact

    Drew Barrymore, who starred in the film as a six-year-old, admitted this week that she believed the E.T. mechatronic model was a real alien. “I really, really loved him in such a profound way,” Barrymore said during an episode of The Drew Barrymore Show in which she invited her E.T. the Extra-Terrestrial costars K.C. Martel, Henry Thomas, and Dee Wallace for a reunion. Barrymore said she remembered taking lunch to the model, and her co-stars said Barrymore insisted that E.T. be given a scarf to wear on days it was cold on set. When Spielberg was told Barrymore was having one-sided conversations with E.T., he instructed animators to control the model as if it was interacting with Barrymore, even if cameras weren’t rolling, Wallace said.

    Key Background

    The model is part of a two-day auction in Beverly Hills, California, on December 17 and 18. It will be sold off alongside other Hollywood memorabilia, including three dresses worn by Marliyn Monroe and a prop broomstick used in the filming of Harry Potter and the Sorcerer’s Stone, according to Julien’s Auctions. Hollywood memorabilia has an active market, and collectors often spend millions on items from the sets of their favorite movies. A dress worn by Judy Garland as Dorothy in The Wizard of Oz sold for more than $1.5 million in 2015, and the Cowardly Lion costume from the same film fetched $3 million the year before. In 2019, an Aston Martin DB5 used in the 1965 James Bond film Thunderball sold at auction for $6.4 million.

    Further Reading

    Star Wars Actor’s Memorabilia–Including Boba Fett’s Helmet–Up For Auction (Forbes)

    1952 Mickey Mantle Card Sells For Record $12.6 Million At Auction (Forbes)

    This Jacket Worn By Buzz Aldrin To The Moon And Back Could Sell For $2 Million At Auction (Forbes)

    Kurt Cobain’s Guitar From Nirvana’s ‘Smells Like Teen Spirit’ Music Video Up For Auction (Forbes)

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    Carlie Porterfield, Forbes Staff

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