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Tag: Adobe Photoshop

  • Adobe Photoshop upgrades its Firefly-powered generative-AI editing tools

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    Adobe Photoshop introduced some new features that are rolling out for creators today. As you’d expect from any service operator in this day and age, there’s some AI involved. Adobe has improved the tools for Generative Fill, Generative Expand and Remove that are powered by its Firefly generative AI platform. Using these tools for image editing should now produce results in 2K resolution with fewer artifacts and increased detail all while delivering better matches for the provided prompts. The Reference Image option for Generative Fill has also been upgraded to deliver “geometry-aware results that better match the scene.”

    One of the other new updates is a beta version of Dynamic Text, which should allow simpler transformation of a text layer into a curved shape. Photoshop has also added new adjustment layers: Clarity, Dehaze and Grain. These allow non-destructive image editing on layers.

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    Anna Washenko

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  • Kate Middleton Admits To Editing Family Photo

    Kate Middleton Admits To Editing Family Photo

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    After releasing a Mother’s Day photo of her and her children that immediately drew skepticism due to several glaring Photoshop errors, Kate Middleton, Princess of Wales, admitted that “Like many amateur photographers, [she does] occasionally experiment with editing.” What do you think?

    “My god, who knows what other software she’s been learning?”

    Taliyah Ortega, Salt Inspector

    “Sounds like something a dead person would say.”

    Lyndon Burch, Shop Instructor

    “Did anyone notice?”

    Brodie Whyte, Ballet Grader

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  • Adobe Embraces AI Art, Can Get In The Bin

    Adobe Embraces AI Art, Can Get In The Bin

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    One of the AI-generated images Adobe used to promote their announcement

    Adobe used to be known as the company that made Acrobat and PhotoShop. Adobe is increasingly becoming known, however, as one of the great digital grifters of the modern age.

    From its shonky subscription models to making people pay for certain colours in PhotoShop (which is also Pantone’s doing in a “jointly” made decision), the company is, like so many others in these tumultuous times, more concerned with growing its bottom line no matter the cost than it is in taking a moment to consider the needs of its users, or the consequences of its actions.

    I’m bringing this up today because, a week after forcing people to check they weren’t reading an Onion story when learning about the colours thing, the company has announced that it is embracing AI art. This is not only an enormous grift, but also a serious threat to the livelihoods of artists around the world, big and small.

    I’ve made my feelings about AI very clear on this website already—I wrote this feature back in August interviewing a range of video game and entertainment industry artists—and think it sucks not just because it’s a threat to artists, but to art. While people’s jobs are of course important, we’re not just talking about cotton gins here, and how this is in many ways a labour v capital breakdown; we’re talking about a process that is encroaching on a fundamentally human pastime and creative pursuit.

    Machines don’t make art. They’re machines! They’re just making an approximated casserole out of human art that has been fed into it, in the vast amount of cases without credit or compensation. As Dan Sheehan says in his fantastic piece, Art In The Age Of Optimization, it’s merely “a technology that clearly exists to remove the human element from the process of artistic expression.

    Anyway! Last week, Adobe dropped an announcement saying that AI-generated art was going to be made available as part of the company’s vast library of stock images, going so far as to say the field is “amplifying human creativity. The company boldly says, repeatedly, stuff like they have “deeply considered these questions and implemented a new submission policy that we believe will ensure our content uses AI technology responsibly by creators and customers alike, and that “generative AI is a major leap forward for creators, leveraging machine learning’s incredible power to ideate faster by developing imagery using words, sketches, and gestures.

    Creators? Fuck off! These people aren’t creating anything! They’re punching words into a computer that has been fed actual art! And even if Adobe can, as they’re claiming, only release images that have been “properly built, used, and disclosed, it still sucks! Gah! Attempting to make good on one of AI art’s issues—art theft—doesn’t absolve it from its others, like the fact nothing to do with these images or their creation has anything to do with art!

    Reaction among artists has of course been as wildly negative as any other AI art announcement over the past six months, with some criticising the company, while others resort to more traditional cries, encouraging people to seek out alternatives to Adobe’s products.

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    Luke Plunkett

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  • Photoshop-maker Adobe has a third of its global innovations happening out of India   

    Photoshop-maker Adobe has a third of its global innovations happening out of India   

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    A third of Adobe’s global innovations, including those on key products such as Acrobat and Illustrator, are happening out of India as the country has grown as a critical strategic focus area for the Photoshop-maker, according to Adobe India MD Prativa Mohapatra.  

    “In terms of innovation, Adobe India contributes about a third to Adobe. So, our engineering and product development teams become very relevant for the global strategy. Most of them are based out of Bangalore and Noida,” Mohapatra told Business Today recently. Besides, the India team is the second largest globally after the US, with around 7,000 employees. Adobe has more than 26,000 employees worldwide. The firm reported $15.79 billion in revenue as of the fiscal year ended December 3, 2021.  

    Apart from its Creative Cloud, which includes softwares such as Photoshop and Illustrator, Adobe India is also going big on providing customer journey management, data analytics, content personalization, commerce, and marketing workflows to businesses under its Adobe Experience Cloud as enterprises are digitising, especially post-pandemic.  

    The firm counts among its clients’ well-known brands across verticals such as travel & hospitality (Vistara, SpiceJet, Indigo, Taj Hotels), Telecom (Airtel, Vodafone-Idea), e-commerce and retail (Flipkart, ABFRL, Myntra-Jabong, MakeMyTrip, Yatra, Tata CLiQ, Nykaa), BFSI (HDFC Bank, BFL, Tata Capital, HDFC Life, IDFC Bank, Reliance General Insurance). 

    But apart from consumer-driven sectors such as airlines, hospitality, banks, and retail chains, traditional B2B is the new category going in for digitisation, Mohapatra said. “Companies manufacturing steel and cement never thought they would need digital portals. But the trend now is to have marketplaces. For instance, a steel company maybe making steel rods and sheets, but they are selling the house design and not just their product to the end customer. Cement firms are using the experience of building a house as the experience strategy rather than selling cement,” she said, adding that B2B firms are also targeting the end customer rather than the godown.  

    Also read: Economic instability, inflation a major concern for Indian workforce, Adobe warns

    Also read: Adobe to buy Figma for $20 bn; leads to drop in $30 bn market value of Photoshop maker

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