To a certain sector of the design world, Sea Ranch is a legend—but many people have never heard of it. A planned community two hours north of San Francisco, Sea Ranch is a prime example of 1960s West Coast modernism. Its minimalist cedar-clad buildings sit on a seemingly untouched stretch of the Sonoma Coast, thanks to the original master plan by landscape architect Lawrence Halprin.
Halprin and the developers imagined Sea Ranch “living lightly on the land” and wrote strict rules about the landscaping to enforce this vision. Over time, though, the property surrounding the shared public buildings, including the Sea Ranch Lodge, lost its definition and become a hodgepodge of plants with confusing pathways.
When the Sea Ranch changed hands in 2018, the new owners hired Seattle architecture firm Mithun and interior designer Charles de Lisle to update the communal buildings, and California landscape architecture firm Terremoto to redesign the landscape surrounding them. While the building refresh received accolades in the design media, the landscape went mostly unmentioned. “People said, ‘It looks like it’s always been there,’” says David Godshall, a partner at Terremoto, “I say that’s hard!” In fact, the Terremoto team went to extraordinary lengths to make the new plantings meld seamlessly into the surrounding land. “The wildness is what makes Sea Ranch so wonderful,” says Story Wiggins, the lead designer on the project. “Our goal was to embed the buildings further into what is this existing epic landscape.”
Here’s how Terremoto achieved their subtle redesign.
Photography by Caitlin Atkinson, courtesy of Terremoto.
1. Read the fine print of the surrounding land.
Before any sketches were drawn or plants chosen, the Terremoto team familiarized themselves with the Sea Ranch property and the surrounding area. “We would go on hikes to see what we really loved and what felt good,” says Wiggins. “We were trying to mimic what’s there in a very basic way, and not getting too fancy with it.” Terremoto didn’t just make a list of the plants they saw in nature, they noted the patterns in which they grew and even studied the way that rocks were scattered in the earth. Wiggins suggests that any home gardener could do the same by going to a piece of preserved wilderness near their own home and taking notes and photos.
