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Reasons Why Good Omens’ Crawley is the Best Character
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What is it about someone who seems bad but is ultimately good that appeals to the human psyche? Perhaps it’s just me, but this character archetype intrigues me and is the one I’m most drawn to. It could be because they’re the outsiders, the misunderstood, and the most complex human characters, making them relatable. Whatever it is, Good Omens‘ Crowley — a demon who was responsible for tempting Eve in the Garden of Eden — is the quintessential representation of this character trope. A word of warning: this contains spoilers.
1. Chaotic Good

Anyone who’s ever played Dungeons and Dragons has probably encountered the nine traits representing game characters. This list can also be applied to books, TV shows, and movie characters. Crowley is the “chaotic good” — a character who challenges the rules if it means a positive outcome. Some may argue that he represents “chaotic neutrality.” Still, while Crowley never openly admits to wanting good outcomes, his actions tell the audience otherwise.
2. Sense of Style


I admit, I’m a bit of a sucker for goths, and so much of what Crowley wears is incredibly goth, albeit expensive goth. While most of David Tennant’s clothes for the character were made for the series, he does wear one stylish Balenciaga jacket. He also wears a Devon Tread 1 watch valued at more than $18,000. Of course, we must remember the cool sunglasses he uses to add to his style and hide his snake-like eyes from humans. His sense of style is apparent no matter what era Crowley is in.
3. Sense of Humor


Oscar Wilde said, “Sarcasm is the lowest form of wit but the highest form of intelligence.” Crowley’s humor in Good Omens is a concoction of sharp wit, dry sarcasm, and a touch of irreverence. Known for his quick and clever remarks, he infuses scenes with irony and sophistication. Much of Crowley’s humor arises from his keen observational skills, whether he’s poking fun at human quirks or offering witty commentary on celestial and demonic matters.
4. He Loves Baby Goats


Who doesn’t love a man who loves baby goats? In Good Omens 2, we see Crowley turn Job’s children and baby goats into critters to make it look like he did God’s bidding to kill them all, when, in fact, he knew it was wrong and did his best to hide the truth. This is the first time Aziraphale openly lies because he also feels what God wanted was wrong.
5. He Loves Aziraphale


Their relationship is the perfect embodiment of yin and yang. Aziraphale is the “lawful good” character but occasionally leans towards “neutral good” when his conscience tells him something isn’t right. This frustrates Crowley, but he will stick up for and protect the angel he regards as his only friend. We also learn that his feelings go deeper than that.
6. The Bentley


Does Crowley need a car? No, but he has one, and a specific model. His dream ride is a 1926 black Bentley, which Crowley treats like a friend. Crowley is reluctant when Aziraphale asks to borrow the car in season two. The car seems to be an extension of the character. Losing the Bentley would be like Crowley losing a limb.
7. Adaptability


Whether maneuvering through historical periods or responding to unexpected events, such as mixing up the antichrist with a human child at birth, Crowley’s ability to adapt underscores his resourcefulness. There’s nothing more alluring than someone who can think on their feet and is willing to change when needed.
8. Character Development


We’ve established that Crowley is a complex and interesting character. However, watching him develop throughout the show is still fascinating, especially now we know his origins. Initially presented as a demon inclined to mischief, his experiences on Earth lead to a subtle transformation. His evolution from a stereotypical demon to a character with depth and moral conflict is a big part of why he appeals to fans.
9. Love for Earthly Pleasures


People love characters they can relate to, and both main characters love their human things, just as most of us do. In season one, Crowley lives in an apartment in an expensive part of London. He has a collection of soul records and a stereo system, but not much else. We’ve also mentioned his taste in clothes and cars.
10. Facial Expressions and Gestures


While Crowley seems to spend a lot of time with a deadpan expression, actor David Tennant’s ability to convey a wide range of emotions through subtle shifts in facial movement adds depth to Crowley’s character. Whether he’s delivering a clever quip or expressing genuine concern, Crowley’s non-verbal communication enhances the humor and emotional resonance of the character.
11. Awesome Taste in Music


While we see that Crowley owns soul records in season one, creator Neil Gaimann says that Crowley’s playlist would also include the bands Queen, Velvet Underground, and The Beatles. While driving in his Bentley, we hear “Bohemian Rhapsody.” Aziraphale asks, “What’s Velvet Underground?” while looking at an album cover in Crowley’s car.
12. Quick Thinking and Resourcefulness


When Crowley is faced with unexpected challenges or the need for improvisation, he demonstrates a remarkable ability to think on his feet. One great example is when he and Aziraphale switch bodies to escape punishments in hell and heaven. Another is when Crowley tricks the angel Muriel into “arresting” him in season two and taking him to heaven so he can learn what really happened to Gabriel.
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Ree Winter, an Australian journalist now based in New Orleans, combines her love for solo travel with a sharp eye for great flight and accommodation deals. She eagerly shares her travel insights with her audience, drawing from her rich experiences. Ree holds a Master’s degree in Journalism and a Bachelor of Arts in Literature and History. Her fascination with history is evident in her stint as a tour guide at historic house museums, showcasing her knowledge of architectural history. Beyond journalism and history, Ree has a unique flair for coffee culture. As a barista, she’s operated a coffee van at various events and markets, showcasing her skill in coffee preparation.
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