At first glance, pairing the work of rising star Paloma Contreras Lomas and established multidisciplinary artist Ines Doujak—as the Center for Art, Research and Alliances (CARA) has done—seems like it could be a juxtaposition. Contreras Lomas (b. 1991) and Doujak (b. 1959) come from different generations. Hail from different nations. Work in very different styles. But that work, however dissimilar, is very much focused on critiquing patriarchal systems—and in showing Contreras Lomas and Doujak together, opportunities arise for examining hierarchies of race, class and gender in new ways.
CARA curator Manuela Moscoco told Observer that her intention with the “Paloma Contreras Lomas and Ines Doujak” exhibition was to “foster a space where these profound dialogues can unfold organically… sparking contemplation and perhaps even transformative insights.”
It would be easy to declare Doujak’s Hope Against Hope (2023) the most striking work on display, if only for the styrofoam, wood and metal sculpture’s size and intensity. Pepto pink, large and unabashedly naked, the subject seems poised to make a furious or possibly wildly triumphant noise as she straddles a similarly roseate goat in the act of bucking. Ditto for Contreras Lomas’ life-size car installation—the latest in a series—festooned with an overwhelming grouping of characters, flora, entwining limbs and what could be a monumental plush knife or a ghost wearing an elongated top hat.
Perhaps more interesting, however, are Contreras Lomas’s drawings and Doujak’s Ghostpopulations collages, all of which are rich in both detail and meaning and offer a lot for exhibition visitors to visually digest. Together they create, as Moscoco put it, a “compelling feminist narrative,” even if the theme is not always immediately clear.
Both artists have worked diligently to open the door to interpretation in the hope that the viewer will put in a similar level of effort. “Though previously unacquainted with each other and with distinct aesthetics,” she added, “Contreras Lomas and Doujak share a political approach that prioritizes the attempt rather than providing definitive answers.” Whether that feels empowering or like a chore will depend on how you prefer to consume art. Here, active consumption is rewarded.
“Paloma Contreras Lomas and Ines Doujak” is on view at CARA through May 12.
