The play is nearly 60 years old. What has surprised you about it?
ISAAC The way she talks about identity, that feels eerily prophetic. What’s surprising to me is that this queer Black young woman, in the ’60s, wrote this play that has so much freedom. Every character has moments of extreme selfishness, ignorance and ugliness. Then, within a sentence, they say something that breaks your heart. You don’t see that kind of bravery these days.
BROSNAHAN She gives each and every character the grace to be exactly who they are. She’s extraordinary. And so much of her extraordinary self is in this play. She could hold so many prophetic ideas in her head at once. We are revisiting a huge conversation right now about white apathy and the consequences of that in our political system and world. She explores that with such nuance in this play.
Oscar, you mention identity. Sidney is Jewish as written and you were not raised Jewish. Does that make you feel any particular responsibility?
ISAAC We could play that game: How Jewish are you? It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.
Has the play made you reflect about your own commitments, your own beliefs?
BROSNAHAN I’ve been very inspired by the play’s criticism of inaction. As someone who can be an absolutist, very all or nothing, it feels like a very hopeful and healthy reminder that you can do something, even something small, even something local. If that’s all you can do, that is enough. If we all do a little bit, we have the ability to make great change. Lorraine believed deeply in people’s ability to make change.
ANNE KAUFFMAN Doing this play and having people come watch it and making sure that it’s accessible, that’s my mission. People need to hear her voice and they need to see this play.
BROSNAHAN We need her in this moment.
KAUFFMAN In every moment. We haven’t even caught up to her. The way that she thinks.
Alexis Soloski
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