With over 2 billion streams under his belt and over 9.5 million monthly listeners on Spotify, rising pop sensation Nicky Youre releases his new single “Mile Away.”
Get it HERE via Thirty Knots/Virgin Music.
The new track chronicles Nicky chasing a love that he knows will probably end in heartbreak. “I don’t wanna make a mistake. I think I wanna make them all,” he sings, tantalized in the feelings he has for her before continuing, “I’m insane for thinking that I could survive the fall.” A relatable story of lust taking over, “Mile Away” continues to share glimpses into the various types and stages of relationships we’ve all experienced, following previous singles “Part Time Lover” and “S.A.D.”
“’Mile Away’ is about chasing someone that you know is 100 percent not the right person for you, but you want to make it work anyways,” says Nicky. “I get a gut feeling when I know I should probably stop talking to someone, but sometimes I choose to ignore that feeling to see what happens (and because it’s fun). This song is about giving things a try for the hell of it, even if it all inevitably comes crashing down.”
The creation of meaningful art can only occur in moments of despair or triumph; there is no grey area.
iskwē | ᐃᐢᑫᐧᐤ (short for waseskwan iskwew, meaning “blue sky woman”) is an award-winning Indigenous creator whose catalogue drips of a spectrum of emotions and is powered by resilience. Following several seasons of high highs being met with low lows, the Cree Métis artist retreated south to Mexico and inward to her soul to paint a 10-song collection that illustrates the gut-wrenching roller coaster ride that has been her recent life.
nīna, the opus of iskwē’s rebirth, is the Cree translation for “me” and was chosen as the title of her fourth solo album as an ode to the profoundly autobiographical elements. The album is the sonic manifestation of the divine feminine explored through vignettes of love, passion, anger, betrayal, and loss.
To bring her incredible stories to life, iskwē teamed up with 10x Grammy-nominated producer Damian Taylor (Björk, The Killers, Bomba Estereo.) Damian also co-wrote a selection of the songs, including the Top 20 Alt-Rock charting lead single “I Get High” ft. Nina Hagen. The culmination of their sounds resulted in an offering of ethereal eclecticism, reminiscent of the sensuality of late 90s R&B with the most delicious twist of Esthero.
Allow nīna to seduce you as you bathe in the rhythmic beats and feel hints of tropical sea breezes and the electrical current of Mexico City. This album is a realist’s journey through the deep, visceral experience of love.
nīna follows iskwē’s travels back to herself in real-time. The opening track, “A Little Piece,” sets the scene with a look behind the mask of someone lonely and overwhelmed by an extra-marital affair. We get caught up to the seemingly insurmountable crossroads where iskwē currently resides, and thus begins an incredible auditory journey of resilience.
The album then escorts us along the winding path of leaving a marriage to finding oneself in the passionate throes of being against new skin and the incomparable delight of brand-new love. The middle of the album offers your first climax with “The Other Side,” a deliciously insatiable introspective into sex—the intoxicating, back-breaking kind.
Acid Tongue is an American garage band heavily influenced by classic soul, punk & psychedelic rock. Formed in a damp Seattle basement in 2015, the band immediately hit the road, extensively touring the US & Europe and refining their unique brand of rock & roll. Consisting of a core duo—singer/songwriter Guy Keltner & drummer/vocalist Ian Cunningham—the band also includes numerous touring & studio musicians scattered between Paris, New York, London, Mexico City, & Los Angeles, with a rotating roster that seems to grow larger by the day.
In 2015, Acid Tongue established their own label, Freakout Records, and in 2017 the band released their debut album, aptly titled Babies. The album is a soulful, stoney, heartfelt approach to modern psychedelia. Their 2020 sophomore album, Bullies, expanded upon the themes of their debut, cementing the band as the Pacific Northwest’s most unique garage-rock proprietors. For their third studio album, Arboretum, the band recruited veterans from the psychedelic rock scene during production, resulting in first-rate collaborations with artists such as Death Valley Girls, Naked Giants, and Canadian singer-songwriter Calvin Love.
Acid Tongue’s fourth full-length, Acid on the Dance Floor, due out Spring 2024, showcases their now signature sound and a back-to-basics approach to rock music. Incorporating elements of glam, R&B and post-punk, the album is a loud, funky and chaotic acid trip that redefines “the Seattle sound”.
Essex-born R&B come jazz-pop songstress Ruti shares her stunning new single ‘Don’t Make A Sound’, which is rich in her signature emotional fuelled vocals and angelic artistic essence. Since Ruti Olajugbagbe’s emergence onto the scene in 2018, Ruti has been growing from strength to strength. With her racking up millions of streams over the years and recent co-signs from James Blake and Tyler The Creator, Ruti is a hotly tipped artist destined for a year of great successes. Alongside this release Ruti has announced the upcoming release of her EP ‘Lungs’ and her headline snow at The Victoria Dalston.
With her new EP ‘Lungs’ dropping in a few months time, Ruti enters 2024 with a tidal wave of momentum and continues to bring original, transformative music to the UK music scene and beyond. Coming up next, Ruti is set to play a headline show at The Victoria Dalston on 23rd May, which will shortly be followed by her EP Release on the 24th May. Here listeners will get a first listen of the bliss body of work that is soon to grace them.
June last year Ruti released her debut mixtape ‘MixTea MilkTape!’ which was a stunning project built on introspection and eclectic, genre-diverse notes. Working with names such as Jordan Rakei and GuiltyBeatz, The project garnered reputable critical acclaim across the board, with notable press highlights from the likes of tastemakers Wonderland, 1883 Magazine, Clash, and Dork Magazine. Citing Charli XCX, Rina Sawayama as influences and having supported Adele at Hyde Park, 2024 promises to be a breakthrough year for Ruti.
Maijah Anastasia Sanson-Frey (born May 24, 2000), known professionally as first-name-only Maijah (MY-yuh), is a West Coast-based singer-songwriter and up-and-coming popstar. Maijah, who has been writing and performing her entire life, began officially releasing music in 2021, eventually gaining over 10 million combined Spotify/Apple Music streams in just 2 years. Influenced by a multitude of artists from Lana del Rey, Amy Winehouse, and Sza, to the Beatles, David Bowie, and Frank Ocean, Maijah mixes powerhouse vocals with a love of harmonies and lyricism, bringing an alluring layer of depth to the pop genre. Coining the term “Main Character Music,” Maijah’s genre and subject-matter-diverse sound is tied together by the intention that no matter the song, the listener will feel like the main character of their own movie while listening. A lyricist at heart, Maijah aims to inspire, empower, and charm those who listen to her music through raw authenticity and the glittering hints of magic that she has grown up in — often including playful lyrics riddled with references to astrology, spells, and spirituality. Maijah, who is open about mental health struggles, also hopes to demonstrate to her listeners that you can be a confident baddie while simultaneously dealing with the realities of life. Whether it’s through relating to everyday human existence, promoting confidence and self-love, or simply by entertaining, Maijah hopes to make the world a better place through music.
Friedberg release their stunning new single ‘My Best Friend’, co-written and produced by Dan Carey via Clouds Hill, as part of their debut album due for release later this year, stream here. The track comes alongside an enthralling music video, directed by award-winning directing duo Nüesch Sisters, watch here.
The band also kicked off their Giant Rooks support tour last week, taking place across the U.S this month. The track follows on from their recent single ‘Hello’, which featured the critically acclaimed video from director Talia Beale.
Co-written and produced with prestigious post-punk producer Dan Carey (Wet Leg, Foals, Been Stellar), ‘My Best Friend’ crawls with an anticipating sense of climatic urgency that ultimately leads to a chorus of chaotic yet cohesive energy. Partnered perfectly with frontwoman Anna Friedberg’s silky vocals and signature cowbell chimes, the essence of the track is non comparable to anything other than Friedberg.
Anna, of Friedberg, says “It was the first song I wrote with Dan Carey: It started with a jam at his studio in South London – with just 2 guitars and a cowbell. Well… and a few cowbell hits later the song was there in its whole glory. I had such a good time making this track with Dan. I kind of already felt from the very first second I met him and entered his studio that this was gonna be amazing. The track is about non-commitment, I am experiencing more and more in all aspects of modern society.”
This track is more than just a melody; it’s a reflection of Marella’s artistic evolution, blending the excitement and vulnerability of love with a unique musical style. With its upbeat, surfy vibe, “I Think She’s In Love With Me” evokes the nostalgic feeling of backyard shows and college town adventures. This single marks a significant moment for Marella, revealing a carefree yet introspective side of his music. “I’ve held on to this song for three years,” Marella shares, reflecting on the song’s journey from a college room demo to a fully realized track, thanks to the collaborative efforts with close friend Kian Brouwer and producer Max Bienert. Marella skillfully navigates through genres, including rock, indie, and surf, to create a sound that’s distinctively his own.
Daniel Marella is an emerging singer/songwriter within the Southern California rock and roll scene, making waves with a fearless fusion of boldness and sincerity. Originally hailing from the Bay Area, his music weaves his experiences, blending the demanding expectations of academia and extracurricular pursuits, along with the memorable moments from his beer-soaked years as a Division 1 swimmer and music major at UC Santa Barbara. This unique combination fuels his lively and dynamic performances, characterized by their rowdy nature, yet tight and sharp execution. Now based in Los Angeles, Marella also drums for a diverse range of artists, yet his true passion is Marella, which holds a special place in his heart as a cherished and personal undertaking. Marella’s forthcoming projects promise to delve deeper into these themes, offering fans a glimpse into the life of an artist who’s just like them – passionate, dedicated, and relentlessly creative.
Cork-born artist LYRA releases her debut, self-titled album, unveiling a comprehensive reflection of who the artist is today. Written between Los Angeles and London, the 14 tracks express the broad range of her musicality, journeying from the dark and sultry “Chess” to the ethereal radio hit “Falling” and the pulsating dance anthem of “Lovers”, all of which elevate her powerful vocals that have given her a one-to-watch status.
“When I began writing music, I aimed for a specific style,” she explains. “But as I started developing, I wanted to write a ballad when I was heartbroken, or an irreverent song when I had a one-night stand, or an upbeat song about going on the lash with my friends and dancing until three am. To me, music should be fun and evoke different emotions, and you’re not going to do that through one sound.”
Underpinning these textures is Lyra’s commanding voice that effortlessly plays wavers between lightness and depth, and fragility and strength, which immediately enriches the emotion in her words. Her raw and powerful vocals are put to exacting use: lyrically, the album offers snapshots of past relationships – specifically one turbulent end and its liberating aftermath. “The first ballad I ever wrote was ‘Someone New’, and it took me a lot of heartbreak and learning to get there,” she says. “But the album also documents when I embraced my single life and went a bit carefree and wild. People will understand much more about me, because all the songs are about my life. Except for ‘Naked’. That’s my alter ego coming out.”
In 2016 Lyra picked up a record deal with Polydor and relocated to London. The first Polydor-release single “Falling” garnered great interest, with strong radio play and a Choice Music Prize Song of the Year nomination in 2019 alongside acts like Hozier, Roisin Murphy and Lankum.
To develop Lyra’s craft, manager Caroline Downey (credited for discovering Hozier) put her in contact with Burns (Lady Gaga, Charlie XCX). Enamoured by her promise, he invited Lyra to LA for writing sessions in Max Martin’s studio to kick off the process of making the album. “It was an incredible experience, it was like a whole different world,” she says. “These are people who created Lady Gaga’s sound, they’re masterminds in the industry. That they were interested in working with me gave me the confidence to believe in myself more, which in turn allowed me to experiment and have fun.”
Singer, guitarist and songwriter, Mike Matney ’s genre defying, creative music blends together elements of the blues, funk, hard rock and heavy metal that needs to be heard!
Originally from Virginia and now living back there on a farm, in a log cabin, Matney ‘s career has seen him rub shoulders with some of the biggest names in rock music over the years. His influences include Billy Gibbons, Frank Marino, Pat Travers and Robin Trower.
Matney started piano lessons aged six but when he was 8 the music on the radio captivated him and he started to play guitar. Although he moved several times as a child and had to make new friends, his music was always a constant in his life. One day a friend invited him down to his basement where his older brother and some friends were jamming with electric guitar, bass and drums. He was hooked! He played in bands all through school and immediately after school moved to Nashville where he met Kriss famous and I took Ron keels place in his band, Tabu when Ron left to go to LA to play with Steeler. Because of Kriss he got to hang out with people that summer like Adrian Belew, Willie Dixon, Roy Acuff, etc. After six or seven months he returned home for a while and hung out at a local record store that had a small 4 track studio in the back. The owner let him record there some. During his time in Tabu, Matney gained the nickname `White Boy’. This is where the name of his next band, White Boy and The Average Rat Band originated. Having saved up yard mowing money, the band had 300 albums pressed. Their 1980 debut album is now a collector’s cult and those are worth over $1000 apiece and in 2023 he signed a record deal Riding Easy Records out of Los Angeles for its 4th reissue. Matney also played guitar for David Allan-Coe in the mid-80s for a while.
Matney completed a music degree as well as a degree in recording industry management in 1997 at Middle Tennessee State university. During his time in Nashville he interned at Asylum Records in the A & R department and also worked for a PR company on music row.
Now Matney has teamed up with multi-platinum producer/artist Stevie Salas to produce an album by his new band, Matney. Salas has previously worked with Buddy Miles, Mick Jagger and Rod Stewart, and is also an award-winning composer in his own right. Rolling Stone called Salas one of the 50 all-time greatest guitar players. He has sold 2,000,000 albums and won the Sundance Film Festival award for his documentary ‘Rumble’. The album was recorded at Assembly Line studios, Austin, Texas. With Stevie Salas producing and playing guitar, Matney playing guitar and singing, and Matt Novensky on bass this album is destined to be a big seller.
Leading single “All Fired Up”, is an invigorating, hard-hitting rock song all about “a night out on the town, feeling cocky and running on all cylinders,” shares Matney. The hypnotic, relentless pulsating drive is definitely going to take listeners someplace.
Second single “Rebel Saint” details the immense personal struggles Matney went through in rural Virginia and his battles with addiction and grief. He was brought back on the healthy path through his love of music and faith. “Rebel Saint” thrills with Southern rock infused guitar riffs, bluesy basslines and hard-hitting vocals.
Sarah Tromley lets the world know that ‘things are different now’ as she dives headfirst into the complexities of real life, the burdens of love and the joy of metamorphosis. Introducing fans to her elevated persona, “Rexford.” The emergence of Rexford marks a moment in Sarah’s career where she is pulling from deep within. Writing from a space of truth and raw power in order to share the fullness of her entire world with fans.
Marrying the essence of then and the spirit of now, Rexford isn’t running away from the moments that shaped her but embracing the scars that made her. Rising from the bricks and rubble of broken structures to being present in this current state of “home.” Rexford is a symbolic representation of the place that allowed her to grow.
Sarah Tromley is a native Pacific Northwest singer/songwriter and actress based in Los Angeles. A multi-hyphenate artist whose work is layered with experiences that inform her creative process with both clarity and depth. Sarah has worked with industry heavy hitters responsible for the projects of Frank Ocean, Tyler the Creator, and the late Mac Miller. She is changing the game as an artist on the rise.
Horrorcore rap luminary Brotha Lynch Hung has announced the long-awaited sequel to his debut album Season Of Da Siccness: The Resurrection. Titled Season Of Da Siccness 2: Kevlar, the album is set to be released on CD and digital formats May 31 and on vinyl in July via RBC Records/BMG.
After years of teasing and promising fans a sequel, Lynch is now ready to bring Season Of Da Siccness full circle. Reflecting on personal setbacks and triumphs, Brotha Lynch Hung‘s journey to create Season Of Da Siccness 2: Kevlar has been one of resilience and artistic rediscovery. From overcoming struggles with addiction to relearning the craft of rap, Lynch’s dedication to his artistry shines through in every track of the album.
Season Of Da Siccness 2: Kevlar delivers an updated and enhanced version of the music that made Brotha Lynch Hung an underground icon. Featuring 14 brand new tracks and 3 skits, the album highlights his signature blend of intricate wordplay, eerie beats, and vivid storytelling.
Notably, Season Of Da Siccness 2 sees Lynch return to producing his own music, adding an authentic touch to the project reminiscent of the raw energy on his debut album. With a nod to his roots in horror and darkness, Brotha Lynch Hung invites listeners to delve deep into the shadows and embrace the darkness within.
Alongside the announcement, Brotha Lynch Hung shares “Da Siccness” which sets the tone for the project with its haunting melodies and visceral lyricism, offering listeners a glimpse into the dark and twisted world of Brotha Lynch Hung
Silent Mass invites disciples of Post-Punk, Ethereal Wave, Shoegaze, and 90s Alternative to a wailing wall of sound that is irresistible for anyone who has prayed for a darker and heavier Enya or is beckoned to embark on a sonic pilgrimage through territories claimed by The Cranberries, Chelsea Wolfe, Cranes, and Dead Can Dance.
Silent Mass emerged as a solitary pursuit in sun-drenched pre-pandemic Los Angeles by Ammo Bankoff. Her debut single, a cover of ‘Total Recall’ that Big Takeover Magazine called “melancholic escapist dreamery,” was released in 2020 on Dune Altar as part of the charity compilation ‘Do You Feel That Way Too? A Tribute to Adrian Borland & The Sound.’
Encompassing haunting vocals and lush guitar lines with primal percussive rhythms that nod to Ammo’s punk-infused youth, Silent Mass released two more singles, ‘Rose + Crown’ and ‘A Cold War City’ in 2021. “Ammo recalls so many different artists (Kate Bush, Jane Siberry, Cocteau Twins, Slowdive), while not sounding particularly like any of them very much. This is melancholic loaded reverie, capable of entrancing you into Lynchian territory” noted The Spill Magazine.
Ammo eventually relocated with audio engineer and guitarist Robert Duncan to join drummer and producer Alex Posell in NYC. With demand for live performances, bassist Kevin LoBiondo completed the band’s final incarnation.
Currently hailed as “ethereal Brooklyn goths” by Brooklyn Vegan, Silent Mass will get you into a “dreamy state” with a sound that has disseminated to sold-out shows as far as Berlin and Los Angeles. They have shared the stage with occult rockers True Widow and played NYC’s five-day New Colossus Festival. Leading single “Land of Heart’s Desire” is about unfulfilled aspirations inadvertently affecting those around you. While the second single “Nest of Flowers” “is an ode to walking a directionless path into the unknown. It’s a reminder to trust that a way out always reveals itself in time.” proclaims Ammo.
SUSS’ fifth release, Birds & Beasts, on Northern Spy Records, finds the New York-based ambient trio digging deeper, populating its stark, ethereal soundscapes with primal currents of sound inspired by the cycles and rhythms of the world around us. But while conveying the power of natural forces, it also embraces occasional warm rays of hope and humanity.
“For once, it looked like the stark, vast landscapes that we had been painting before were starting to be populated with a bit of creature warmth,” says Bob Holmes (mandolin, guitar, harmonica, violin). But, he adds, “this is not Garden of Eden kind of stuff.” Pat Irwin (electric guitar, resonator guitar, keyboards) adds, “I think of the fragility of the world around us. I think of the humanity, and the lack of it. The world seems out of balance. There are birds and there are beasts.”
Birds & Beasts follows on the heels of SUSS’ acclaimed 2022 self-titled double album, cited by Pitchfork as “music that dilates the world to a high-lonesome point, a pastoral quintessence that doesn’t change so much as it gradually opens and closes, telescopes and recedes.” As in the past, the band combines ambient synths, loops and found sounds with more traditional Americana instrumentation to create what Aquarium Drunkard describes as “country music, mutated and stretched along a vast horizon — open music for open souls.”
But if the horizons here are deeper — more Gulf Stream than Grand Canyon — in the primordial pull of tracks like “Birds” and “Prey,” which imply both natural and societal disquiet, Birds & Beasts offers the freedom of celestial and terrestrial peregrinations in “Flight,” “Overstory” and “Migration.” Taking a cue from the 30-minute collaboration Rising that SUSS recently released with Australian banjoist Andrew Tuttle, the tracks on Birds & Beasts are generally longer, with fewer elements and a greater sense of space.
As always, the band’s discovery of new horizons evolved organically. When it comes to defining the next step in their journey, “the music is the articulation,” says pedal steel guitarist Jonathan Gregg. “We’re not sure where we’re going, but we know when we’ve arrived, and it’s never the same place twice.”
Keira Gray grew up in Red Earth Creek, Alberta before eventually moving to Faust, Alberta.
She has aspired to be a singer since she was a little girl listening to Ariana Grande, Rihanna, and Christina Aguilera. Most of her time was spent teaching herself to sing their songs.
Keira currently lives in Slave Lake, Alberta where she works as a server. When she’s not working, you can find her collaborating with other music professionals writing songs and recording music to share with the world.
Her new single, “After You,” was inspired from a personal experience that Keira has since moved on from. It was very therapeutic to express her feelings at that time and she hopes you all enjoy it as much as she enjoyed writing it.
Malini Sridharan’s Tombeaux is a first, and perhaps a new beginning. Though it proceeds from, and deals in, the ultimate end.
The seven songs of Tombeaux comprise the Brooklyn-based composer and multi-instrumentalist’s third full-length recording, and her first written and arranged for a large ensemble. Frustrated by the limitations of self-production and solitary home recording, Sridharan set out to create something sonically broader, featuring sitar, vibraphone, woodwinds, horns, strings, and piano. Tombeaux is richly textured and deeply felt, weaving medieval and classical influences into a distinct art pop tapestry that will be much loved by fans of Laurie Anderson, Bel Canto, Anna von Hausswolf, and Julia Holter, who produced the record.
The record’s subject is as expansive as the ensemble; each song is a discrete tale of a death, imagined by Sridharan and told in the first person. From reimagining the work of 16th-century Indian poet Mirabai to exploring Ursula K. Le Guin’s Earthsea afterworld, The Dry Land, to writing about her own grandmother’s death, Sridharan teases out the varied nature of death, applying a broad range of historical and cultural lenses to this great inevitability.
Sridharan was raised by an Indian father who exposed her to Indian classical music and a mother whose passion for history, archeology, and medieval music informed and inspired her from an early age. Her upbringing in the woods of Michigan and high school years on the shores Lake Michigan perhaps further inspired her tendency toward reverie, imagined narratives, and the drama that unfolds between this shore and the next.
Quickly rising Argentinian producer and DJ Nathan Katz is set to unveil his latest musical offering, the Parallax EP, on April 26, 2024, via Lee Burridge’s esteemed All Day I Dream record label. In the wake of his recent notable successes and quickly rising international acclaim, Nathan Katz continues to carve his unique sound in the world of melodic and organic house.
The Parallax EP promises to be a sonic journey crafted with influences from diverse corners of the musical spectrum. Drawing inspiration from a myriad of bands and musicians beyond electronic music, Nathan Katz infuses each track with its own distinct narrative and emotive depth.
Reflecting on the EP, Nathan shares: “The direction of an object appears to differ when viewed from different positions… Parallax.” This quote encapsulates the essence of the Parallax EP, suggesting a dynamic shift in perspective which can be achieved through Nathan Katz’s unique world of sound.
The titular track is a standout on the EP. Nathan kicks things off with a crisp, energizing percussive pattern, but doesn’t wait long before introducing a hypnotizing melody. The track remains fairly stripped back during its introduction, but additional elements are gradually introduced, and around the two minute mark, we are greeted by a variety of playful melodic components dancing over an energizing bassline. Around halfway through the track, there is a breakdown, and we are greeted with the only vocal component of ‘Parallax’, an incredibly powerful description of a perspective changing experience: “Somehow everything was different. Like a new person had emerged from me. I could see myself in a perspective that I’d never seen before. No inhibitions, no worries. For the first time I felt like I knew where I belonged, and nothing could stop me from being there. Nothing and everything felt real. The world was underneath me, around me, above me. I could see everything and everything could see me. I found… peace.” In the latter half of the track, Nathan delicately brings us back down to earth, leaving listeners eager to experience the remaining three tracks of the EP.
Bozeman, Montana bluegrass/Americana band the Kitchen Dwellers are thrilled to announce two more late summer shows. August 29 at Center For The Arts in Jackson, WY and August 31 at Bridger Brewing in Three Forks, MT. The 8/31 date in Three Forks, MT will feature support from North Fork Crossing and Moonlight Moonlight. Tickets go on sale this Friday, April 19 at 10am MT.
All tour information and up to date news can be found at kitchendwellers.com.
KITCHEN DWELLERS ON TOUR
4/14-18 @ Panic En La Playa | Puerto Aventuras, Q.R.
4/25 @ The Eastern | Atlanta, GA*
4/26 @ Ryman Auditorium | Nashville, TN*
4/27 @ Oskar Blues Brewery |Brevard, NC
4/28 @ Toulouse Theatre | New Orleans, LA – A Bluegrass Tribute to Dr. John
5/17-19 @ Tico Time River Resort | Aztec, NM
5/21 @ The LAWN at Surf Hotel | Buena Vista, CO
5/22 @ The LAWN at Surf Hotel | Buena Vista, CO
5/24 @ Mishawaka Amphitheatre | Bellvue, CO
5/25 @ Mishawaka Amphitheatre | Bellvue, CO
5/26 @ Mishawaka Amphitheatre | Bellvue, CO
5/31-6/2 @ Pine Creek Lodge | Livingston, CO
6/20-6/23 @ Sawtooth Valley Gathering | Stanley, ID
7/3 @ Burley Oak Brewing | Berlin, MD
7/5 @ The Range | Mason, NH
7/6 @ Narrow Gauge Cinemas | Farmington, ME
7/7 @ Levon Helm Studios @ Woodstock, NY
7/10 @ Brooklyn Arts Center | Wilmington, NC
7/11 @ New Realm Brewing | Virginia Beach, VA
7/12 @ The Outpost at The New River Gorge | Fayetteville, WV
7/13 @ Sip, Rock and Duck Drop | Johnstown, PA
7/26 @ Crystal Saloon | Juneau, AK
8/1-4 @ Salmonfest | Ninilchik, AK
8/9-11 @ Hoxeyville Music Festival | Wellston, MI
8/10 @ JamPacked Craft Beer & Music Festival | Richmond, VA
8/29 @ Center For The Arts | Jackson, WY
8/31 @ Bridger Brewing | Three Forks, MT**
9/12-9/15 @ Bender Jamboree | Las Vegas, NV
9/21-22 @ Annapolis Baygrass Festival | Annapolis, MD
12/12-16 @ Strings & Sol | Puerto Morelos, Q.R.
BOLD = Newly announced
*w/ Leftover Salmon & The Infamous Stringdusters
** w/ North Fork Crossing & Moonlight Moonlight
Nashville femmecore four-piece The Dreaded Laramie today share the anthemic power pop shredder “Life Is Funny”. From the deceptively airy intro to the crunching hooks that soon show themselves, this new single is a testament to the group’s commitment to befriend dark feelings with humor and soaring guitarmony.
The feelings at play in “Life Is Funny” swirl around an experience with a crush that led Dreaded Laramie frontwoman MC Cunningham from initial rejection to growing discomfort. She explains, “At one point, I tried to make a move, and he politely turned me down (reasonable), but then starting that night at about 3AM flooded me with a TON of very cryptic text messages, including the title, ‘Life is funny.’” She continues, “It’s very confusing to be both sad that someone has rejected you and uncomfortable with the advances he makes following the rejection. I am still friends with this person, but he texts me a lot less now, and only during business hours.”
Award winning artist Trent Beaver is known as one of the Pacific Northwest’s premier singer-songwriters. His songwriting and style spans multiple genres such as Soul, Americana, vintage rhythm & Blues. Mixed with rock n roll swagger and country influences. He captivates audiences with his raspy vocals and heart-felt lyrics. Watching and listening to Trent, you will immediately recognize his passion for music and connection with his listeners, as well as his immense vocal and acoustic guitar talent. Trent Has shared the stage with multiple larger artists throughout the years, such as, Art Alexakis of Everclear, Deana Carter, Sunny Sweeney, Ray Scott, Phil Keaggy as well as sharing the bill with names such as Zach Bryan, Marcus King and Morgan Wade to name a few.
“Being a small town kid growing up I felt it was important to write an honest song about what I’ve been through. This song was challenging because of the amount of honesty and vulnerability that went into the production. It’s easy to write songs as metaphors but it’s not so easy showing the world the hardest / darkest moments of your life on such a public scale. Nevertheless, If there is a small chance I can reach just one person that needs to hear this song, then it was worth all the effort and heartache.”
Otlo is the moniker of 21-year-old bedroom pop crooner Preston Bearden. The wide-eyed, yellow polo-wearing Chattanooga native has been making a name for himself in the underground indie scene since early 2023. He made his first small break in early 2024 after his song “But A Dream” off of his cathartic lo-fi debut debut album Woozy was featured on Spotify’s Fresh Finds Indie editorial playlist. Fast forward to present day, his fresh new track “Sweet Nothings” marks the beginning of a fresh new era for the singer. Otlo still has a lot left to prove, but more new music from him this year is a certainty.
R&B Pop Singer-Songwriter, Nikitaa, is set to captivate audiences once again with the release of their latest single, “Elevator.” Co-written by Nikitaa, this dynamic track showcases a seamless fusion of dance-pop and R&B that promises to ignite the senses and propel listeners to new heights. With “Elevator,” Nikitaa doesn’t just deliver music; they craft a sonic journey designed to uplift and inspire. Drawing inspiration from powerhouses like Janelle Monáe and The Carters, Nikitaa’s captivating vocals soar over a production reminiscent of their breakout anthem “Throne.” Bold, campy, and unapologetically queer, “Elevator” pulses with eclectic synth sounds and innovative samples, creating a wholly unique sonic landscape. But “Elevator” is more than just a catchy tune; it’s a celebration of identity and empowerment. The bridge serves as an ode to Nikitaa’s journey as a demi and genderfluid individual, with lyrics reflecting the vibrant colors of the demi and genderfluid flags. Nikitaa invites listeners to seize control of their destiny, embracing the freedom to ascend to greatness on their own terms.
Boy Jr. is the songwriting/production project of Ariel Allen-Lubman (they/them). Allen-Lubman has established a consistently viral internet presence through original music that is both catchy and creative, while staying true and personal. While Boy Jr.’s charming, energetic indie pop-rock flourishes from Allen-Lubman’s academic music production background, the immense genre versatility is the backbone of the project.
Through an entirely DIY ethos, Allen-Lubman’s career is just about to fully blossom. Through a combination of genuine musical talent, and high energy, oddball personality, Boy Jr. has attracted a variety of followers, from music lovers to critics to creators. As they gear up to promote their upcoming full length DIY album, I Love Getting Dumped, Allen-Lubman continues to use their platform to explore expression in artistry, gender, and influencership. Leading single “I Hope You Feel Terrible” is an honest and relatable narrative of wanting to confront the one who did you wrong. Boy Jr. confides, “You know how people will tell you to write a letter you’ll never send when you’re upset with someone? “I Hope You Feel Terrible” is like the letter I wasn’t supposed to send. It is for everyone who wishes they could have a romcom-like confrontation with someone who hurt them and tell them exactly how they really feel, with the perfect closing one liner and everything.”
on-the-rise Australian trio Telenova returns with their latest elegant, disco track “Power.” The song comes with an official video directed by frontwoman Angeline Armstong that is brimming with vibrant colour and otherworldly imagination. In a day of big announcements, the band has also shared news of their debut album “Time Is A Flower” (to be released on August 16th via Fiction) which will be played live across their forthcoming European tour which will see them touch base in London on October 1st at The Outernet’s The Lower Third.
indie-pop sensation, Jack Kane unveils his third EP ‘Sequins’. Known for his heartfelt storytelling and evocative musicality, ‘Sequins’ offers a raw exploration of teenage anxieties, addiction, entitlement, and self-criticism, inviting listeners on a deeply personal journey of self-discovery and resilience. ‘Sequins’, led by brand new single ‘Spoon Feed Me’ is now available on all major streaming platforms.
Electronic tastemaker duo IS U IS U (Kito and Chrome Sparks) have returned with their new second single ‘Lights On’ out now via Mad Decent. ‘Lights On’ arrives with the announcement of the duo’s debut MelterEP, due out May 8th.
The follow-up to their debut single ‘All I Need’, ‘Lights On’ radiates with the bright, dancefloor-focused melodies that continue to establish IS U IS U as one of electronic’s most exciting new superduos. ‘Lights On’ will instantly grab listeners with its hypnotic vocal chop that is pitched and flipped throughout the track. From there, IS U IS U let their masterful production soar through dynamic movements filled with piano stabs and driving basslines. Kaleidoscopic and everlasting, ‘Lights On’ is a spellbinding sophomore single that will leave fans anticipating IS U IS U’s forthcoming Melter EP.
From the imaginative, yet highly-analytical mind of Alannah Kavanagh comes Grizzly Coast, the Toronto-based musical project blending dreamy indie rock instrumentation with introspective pop lyricism.
Starting in 2017, Grizzly Coast cut her teeth playing the Toronto solo acoustic circuit before expanding into a four-piece indie band in 2019. Nine months after the band’s inaugural live show, they were honored as part of Exclaim! Magazine’s Class of 2020, tearing up the stage in celebration of Canadian music.
Since kicking off the project, Grizzly Coast has been sharpening her songwriting, growing her loyal following, and tightening her live show in Toronto’s vibrant live music scene, supporting acts like Fast Romantics and Begonia. Her first single, Zuzu’s Petals, was featured as one of CBC’s top contenders for the 2019 Searchlight Competition. Her second, Half-Light Boy, had its mid-century-inspired music video go viral on Reddit’s R/ListentoThis.
2020 saw the culmination of years of songwriting with the release of her debut EP, Party of One. The EP successfully blended dreamy guitar rock sensibilities with Grizzly Coast’s trademark thoughtful lyricism, and was supported by Sirius XM while charting on college radio.
Her debut LP is slated for release in Fall 2024
Jay Lang, the prolific Canadian author known for her dynamic storytelling, proudly announces the release of her 13th novel, One Take Jake: Last Call. Officially launched on April 1, 2024, the book continues the gripping saga of Jake, delving deeper into themes of revenge and justice that challenge the moral fibre of society.
In this thrilling sequel, Lang explores the complex interplay between vengeance and justice through a narrative that captures the reader’s imagination from the first page. One Take Jake: Last Call weaves a tale of characters caught in the precarious balance of right and wrong, making readers question not just the characters’ decisions but their own views on justice.
The novel has already garnered attention from notable figures across various industries. Rock legend Joe Lynn Turner, along with other celebrities like Arlo Guthrie, Graham Bonnet, and Chris Hadfield, have not only contributed their perspectives but also praised Lang’s ability to intertwine societal issues with deeply personal stories. Turner’s reflections on revenge and justice add a profound layer to the narrative, echoing the novel’s exploration of these timeless themes.
One Take Jake: Last Call is available in both digital and print formats. The novel’s compelling cover art, crafted by Michelle Lee, visually encapsulates the intensity and emotion of Lang’s narrative, promising a journey that is as aesthetically engaging as it is thought-provoking.
Jay Lang, expressing her gratitude for the collaboration and support received during the writing process, states, “This novel is a testament to the power of community and the shared human experience of seeking justice. I am immensely grateful to everyone who has been a part of this journey, especially the rock icons and visionaries whose real-life vibrancy breathes life into the pages of this story.”
Readers can find One Take Jake: Last Call at major retailers including Amazon and Ingram Spark, as well as directly through BWL Publishing. For more details on where to purchase and how to engage with the themes of the book, please visit Jay Lang’s official website.
Rosalie James is a multi-instrumentalist and singer-songwriter from Cornwall, UK. She grew up learning piano and guitar, listening to The Beatles and The Bangles on her bright yellow Sony Walkman, weeping over the impassioned drama of 80s synth-pop and new wave, obsessing over the lyrics of 90s dreampop and indie artists and drawing inspiration from anyone who could write a good song.
Rosalie has experienced sensory sensitivities and difficulty managing emotions and social interaction since she was nine years old. She has been treated for severe depression and anxiety, premenstrual dysphoric disorder and substance use issues but it wasn’t until January 2023 that she was finally diagnosed with autistic spectrum disorder. For the first time, she feels able to live an authentic life. After two degrees and ten years working as a Social Worker in social care and mental health, Rosalie decided in June 2023 that it was time to return to her creative roots. Her desire to change the world abides, instead using her music to raise awareness and reduce stigma in areas including neurodiversity, domestic violence, addiction and mental health.
Rosalie’s recent Kickstarter campaign raised £5000 in 28 days on the strength of a short video including clips of her songs. She played a range of festival gigs over the summer of 2023, supported top UK pianist Ben Waters at Mylor Sessions and appeared on Radio Cornwall for some amusing and direct interviews. Her previous singles Will We Ever Rest? and her cover of Kate Bush’s Running Up That Hill received adds on BBC Introducing South West to huge positive response from listeners.
Rosalie writes and records prolifically and has a back catalogue of over 200 songs (growing every couple of weeks), giving her a head-start for future albums and publishing/sync deals. Her songs have already been featured on UK primetime soap opera Hollyoaks and US drama The Black Donnellys.
Rosalie’s music is expected to appeal equally to fans of classic songwriters (Joni Mitchell, Neil Young, Carole King, Kate Bush, Fleetwood Mac, Deacon Blue) and progressive and emotionally literate indie artists (Conor Oberst, Elliot Smith, Sharon Van Etten, Angel Olsen, Bon Iver, boygenius, The National). She has a broad reach, with brutally honest and striking lyrics, hooky tunes, a dreamily soulful voice, and a slightly chaotic stage presence.
It is relevant that a lot of Rosalie’s forthcoming album Full of Chemicals was produced and recorded in Los Angeles. Her father lived in California during the early 70s, touring as a stage manager, roadie and lighting engineer for Grateful Dead, Wings, Santana and The Tubes. She’s spent her whole life hearing about the West Coast of the US, both the landscape and the musical influences, and this gives an interesting circular narrative. Her recent trip to Los Angeles allowed her to finalise the lead vocals for the album in Balboa Recording Studio, with producer Daniel Knowles (Sharon Van Etten).
FUTURE & METRO BOOMIN WE TRUST YOU TOUR DATES:
Tue Jul 30 – Kansas City, MO – T-Mobile Center
Wed Jul 31 – Saint Paul, MN – Xcel Energy Center
Fri Aug 02 – Milwaukee, WI – Fiserv Forum
Sat Aug 03 – Chicago, IL – Lollapalooza *
Sun Aug 04 – Detroit, MI – Little Caesars Arena
Tue Aug 06 – Nashville, TN – Bridgestone Arena
Thu Aug 08 – Atlanta, GA – State Farm Arena
Sat Aug 10 – Columbus, OH – Schottenstein Center
Sun Aug 11 – Toronto, ON – Scotiabank Arena
Tue Aug 13 – Boston, MA – TD Garden
Wed Aug 14 – Philadelphia, PA – Wells Fargo Center
Thu Aug 15 – Brooklyn, NY – Barclays Center
Sat Aug 17 – Washington, DC – Capital One Arena
Tue Aug 20 – New Orleans, LA – Smoothie King Center
Thu Aug 22 – Houston, TX – Toyota Center
Fri Aug 23 – San Antonio, TX – Frost Bank Center
Sat Aug 24 – Dallas, TX – American Airlines Center
Sun Aug 25 – Tulsa, OK – BOK Center
Tue Aug 27 – Denver, CO – Ball Arena
Wed Aug 28 – Salt Lake City, UT – Delta Center
Fri Aug 30 – Las Vegas, NV – T-Mobile Arena
Sat Aug 31 – Inglewood, CA – Intuit Dome
Tue Sep 03 – Sacramento, CA – Golden 1 Center
Wed Sep 04 – Oakland, CA – Oakland Arena
Fri Sep 06 – Seattle, WA – Climate Pledge Arena
Sat Sep 07 – Portland, OR – Moda Center
Mon Sep 09 – Vancouver, BC – Rogers Arena
With Texas charm and New York grit, Lorena Leigh is the feminine fusion of homegrown story-telling, danceable rhythms, and summertime obsession. Her songwriting journey began at the ripe age of 3 with her first single “I’m thirsty, and I want something to drink.” The song debuted in her family’s kitchen and mingled with tunes by the likes of Trisha Yearwood and the Dixie Chicks.
Though Lorena’s musical foundations may have begun with country, classic American rock, and the Spice Girls, a wave of island influence crashed into her sound in her early 20s when she was given a ukulele and lived in Rockaway Beach, Queens. Lorena’s catchy hooks, lyrical stories, and electrified, pedal-popped ukulele melodies propel her music to the core of your soul.
It’s part cowgirl. It’s part mermaid. It’s all water theory.
After two EPs and numerous singles, Lorena’s sound has been described by fans as “cowgirl-mermaid” music. Riding the momentum of those previous EPs Bella Vista (2015) and Jellyfish Queen (2018)- which contained the breakout single “Headstrong”- Leigh released her debut LP in the fall of 2019. Entitled ‘Water Theory’, the 11-song adventure was produced by Ernesto Valenzuela (Tommy Genesis, Espé, B-52s) and featured an all-star cast including drummer Sterling Campbell (David Bowie, B-52s, and Duran Duran). Laced with hints of Alanis Morrisette, Nelly Furtado, Kacey Musgraves, and Cyndi Lauper, Water Theory is a complete galaxy with engaging sentiments, vibrant characters, and cinematic soundscapes.
Ahead of the European Athletics Championships this summer, singer-songwriter Grace Davies releases ‘Illuminate’, as the official 2024 championship track.
Embodying the drama, energy, and passion that define world athletics, ‘Illuminate’ is an anthem that is poised to become the rallying cry for many athletes and fans alike.
Perfectly capturing the fiery essence of the championships, the electrifying track was written by Grace Davies, Ben Lythe and Paul Whalley. She and Paul produced the track and it was mastered at the iconic Abbey Road Studios in London. Featuring pulsing piano, driving drums and a tense build up to a euphoric chorus, the track propels the listener through an emotional journey akin to that of an athlete giving their all to train, sacrifice and perform for the ultimate prize. Grace beautifully delivers her inspiring words: your heartbeat is a reminder that you’re stronger than you know, when it gets dark and you can’t find your way, hold your heart up, illuminate.
New Jersey rock band, Can’t Swim have released new single “No Backbone”
“One of my favourite songwriters ever said “a good tune should take 30 minutes to write” and “No Backbone” certainly falls into that category. Once we finished it we went back a few times to see if we should add a part or bring more instrumentation/layers to the mix but whatever we did seemed to take away from the song rather than add to it. As time goes on I think as a band we are more and more drawn to do what excites us creatively in that moment and to do things we haven’t done before. I’m not saying this song is reinventing the wheel by any means but having a tune that feels raw and stripped down with incredibly literal lyrics (haha) is something that feels new and fresh for us to put out. All Killer No Filler as Elton John once said” – Chris LoPorto
Elements Music & Arts Festival, the premier immersive electronic festival of the Northeast, has announced its phase two additions ahead of its 2024 edition in Long Pond, Pennsylvania on August 9-11. Elements is the ultimate arena of exploration, where music, community, art, camping, and adventure coalesce in perfect unison. Best described as an escape unlike any other, the festival is co-created by those who embark on the journey, fostering a home for childlike wonder and a creative space for like-minded individuals.
Lineup additions include standout back to backs from Late Checkout party starter Chris Lorenzo and Night Bass label head AC Slater as Fly With Us, plus seasoned house favorites Green Velvet B2B Patrick Topping. Fans will also be treated to two unique sets from bass behemoth Subtronics, live jam band stalwarts The Disco Biscuits, unifying dance figure The Blessed Madonna, high priestess of hard techno Sara Landry, enigmatic production mastermind G Jones, and live electronic duo Kasablanca. Additional highlights include in demand next generation risers like Odd Mob & OMNOM present HYPERBEAM, Hamdi, and Max Styler.
Speaking on the new round of additions, Elements Co-Founder Timothy Monkiewicz says, “We tried to go out of the box and worked hard to bring fans some fresh house & techno artists as well as some rare b2b sets for phase two. We are excited to add your most requested Jam band and Pennsylvania royalty, The Disco Biscuits! This well-rounded lineup gives something for everyone and we can’t wait for you all to enjoy it.”
These additions join an initial lineup that already featured some of the most electrifying names in dance music, from chart-topping stadium-filling superstar Illenium, to a Redux set from pioneering GRAMMY-nominated DJ and producer Kaskade, the darker shades of forward thinking producers Liquid Stranger and LSDREAM, and the head-splitting sounds of Excision.
New Jersey-based singer-songwriter Eric Sleeper carries a unique, dreamy, and tangible vibe that sets him apart from his peers. Taking pride in bending multiple genres, he encapsulates indie, acoustic rock, and folk all to create his own distinctive sound. Directing focus toward his lyrical mind frame, Eric writes his songs to be captivating, riveting, and relatable. Taking inspiration from the likes of Bob Dylan, Nick Drake, Elliot Smith, Nirvana, Tom Waits, and Bon Iver, he values their minimalistic approach to songwriting. “I am homegrown, literally recording everything on my own in my no-frills bedroom studio,” Eric explains.
Strumming the strings to his first guitar at age 14, Eric Sleeper has been making music ever since. After guitar, he immediately began writing his own songs and later picked up the MIDI keyboard. He quickly took to expressing his thoughts and feelings through lyricism, writing about his personal struggles, ambition, and tales of the underdog.
With his unique writing style, and a dreamlike ambiance that adds an element of nostalgia, alongside his edgy and rebellious attitude, Eric Sleeper is setting off on a musical journey of his own. With several successful singles including, “Emily,” “Son of a Gun,” “K is For Karma,” and “Junkie,” already under his belt and more on the way, Eric is the breath of fresh air the singer-songwriter scene needs.
Calling All Crows, a nonprofit organization that connects and mobilizes music fans to join feminist movements for justice and equality, announces the official launch of AMPlifying Democracy with an evening kick off event on June 5 at the Crystal Ballroom in Somerville, MA including live performances by Chadwick Stokes of Dispatch and CMT Next Women of Country artist Julie Williams. Tickets are on sale now here. Plus, Calling All Crows appoints Courtney Cavaiola as Director of AMPlifying Democracy. Calling All Crows will be present at Kilby Court Block Party in Salt Lake City, UT next month to provide resources and encourage voter registration with Ballot Ready.
AMPlifying Democracy is dedicated to mobilizing music fans and artists to engage in democracy. Calling All Crows believes protecting reproductive freedom is a fundamental aspect of democracy, and threats to reproductive rights undermine equality and justice for all. By advocating for policies that safeguard reproductive freedom, the organization affirms the dignity and rights of every American. On June 5 at Somerville’s Crystal Ballroom, Calling All Crows will host an evening filled with empowering live music by Chadwick Stokes and Julie Williams, meaningful advocacy and community building. Guests will be able to explore interactive displays highlighting the importance of advocacy and making your voice heard. There is also a VIP option where guests enjoy exclusive access to private lounges and viewing areas, mingle with artists, activists, and fellow supporters in an intimate setting. Executive Director of Calling All Crows Heatherjean MacNeil is pleased to dive into this meaningful work, adding, “The campaign was built in response to the erosion of democracy and the imminent threats to reproductive freedom. Calling All Crows sees this as an important cultural and political moment to partner with artists to leverage the power of music to celebrate and defend democracy and reproductive freedom. Through partnerships with artists and engagement with their fans, we endeavor to safeguard these fundamental rights for all.
To encourage voter turnout and AMPlifying Democracy’s efforts, Dispatch will embark on a short tour in battleground states in October. Dispatch hopes to leverage the power of music to inspire, activate, and boost civic engagement during this election year. Fans will be able to participate in activities that promote a thriving and equitable democracy both nationally and locally. Dispatch frontman Chadwick Stokes is looking forward to getting audiences and peers involved in a worthy cause. Stokes adds, “We face some really critical months ahead. Our democracy and our rights are contingent on the people rising up and voicing what is important to them. Calling All Crows help makes this happen. Reproductive rights is a major issue in our country and a driving factor in the ‘1972’ rock opera. To have Calling All Crows along side us is much appreciated.”
Neill Frazer
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