UK-based Psych-pop newcomer Kieran Ivy dropped his funk-inspired new single, “Get out my house” via 10K Projects. Get it HERE.
Following the resounding success of his recent tracks “Evidence” and“Lightning” the Nottingham-based DIY artist is back with his swinging, funk track “Get out my house.” Inspired by funk acts such as Thundercat, the new track features a classic, slapping bassline dancing with a swinging drum rhythm, creating a laid back, nostalgic vibe made for late night car rides and smoke breaks. Kieran’s unique blend of psychedelic rock, garage rock, and pop melodies collide into a vivid snapshot acting as the anthem for the cool kids.
While Kieran Ivy started his journey in music working with Soundcloud rap scene such as Taz Taylor of Internet Money, he’s no stranger to 70’s inspired sonic experiences citing psych-rock and 00s rock as some of his inspirations. Growing up in the U.K. he’s extremely influenced by the diverse rock genres that blossomed across the pond.
Continuing his boldest and biggest chapter yet, multiplatinum R&B iconoclast, style icon, and entrepreneur Brent Faiyaz uncovers a gripping music video for his fan favorite new record, “Upset” [feat. Tommy Richman & FELIX!], out now. Watch HERE. Meanwhile, MTV touted it as a“First Look.” In momentous fashion, “Upset” made its broadcast premiere on MTV Live, MTVU, MTV Biggest Pop, and on the Paramount Times Square billboards. The track remains a standout from his acclaimed chart-busting new opus, Larger Than Life, available now. It marks the first release under his ISO Supremacy imprint in partnership with UnitedMasters. Listen to Larger Than Life HERE.
Directed by LONEWOLF, the action-packed visual finds the trio in trouble with the law. Paced like an action flick with cinematic scope, the clip unfolds with the energy of an alternative R&B The Usual Suspects. Lie detector tests, mugshots, and smoky backrooms can’t stop Brent, Tommy, and FELIX! though. Set against a shadowy soundscape with emotionally charged vocals, the video elevates “Upset” to another level.
Tonight, these three titans will deliver what promises to be an unforgettable performance of the track on MTV’s Fresh Out Live at 5pm ET. He will also appear for an exclusive interview on the show. Be sure to tune in!
Already, “Upset” has stacked up 15M+ global streams and arrived at #1 on Spotify New Music Friday upon release.
Larger Than Life has exploded as a phenomenon. It has already moved north of 111K album equivalent units in the U.S. It bowed at #11 on the Billboard 200 in addition to catapulting to #2 on the Billboard Independent Albums Chart and #2 on the Global Spotify Album Chart and #2 on the US Spotify Album Chart. Not to mention, it earned critical acclaim. In addition to plugs from Variety, Billboard, and more, Pitchfork proclaimed, “He’s got the moody-yet-cool lane on lock, and it’s made him one of the most prominent men in R&B right now,” and Our Generation Music hailed, “Brent Faiyaz’s ability to make the world stop when he drops is unmatched – embodying the LARGER THAN LIFE energy the record gives at its core.”
SKRAM are a Wellington, New Zealand based band whose vibrant and energetic music provides an exploration of the journey of life and its many intricacies. United, Henry Ashby and Felix Nesbitt, alongside performing members including Ruby Fraser, Dylan Jennings and more, deliver wholesome songs that connect with your inner-child, weaving in vulnerable, honest and passionate themes. SKRAM’s passionate epic pop sound is laced with rock and indie influence, brought together with a combination of emphatic vocals, dynamic rhythms and memorable melodies.
Their latest single “Serendripity” is a chaotic and fun experience and a total mood-booster. Oozing with confidence, the quirky track is a reminder to never forget the importance of your self-image and self-worth. “Serendripity” or ‘serendipitous drip,’ is the idea of wearing whatever you want, feeling safe and confident when venturing into the world. The act of wearing what you want, the “drip,” becomes a medium through which you express your unique identity and personality. “Serendripity” celebrates the freedom to make choices based on your own tastes, rather than conforming to societal expectations or trends.
Lead singer Henry Ashby shares, “The first time I put bright sparkly blue eyeliner on I had a war with myself, loving the way I looked but also being terrified of how others would judge me as a man wearing makeup. As I started to put myself out there more and explore my feminine side, I found I became more confident with my chaotic style, and I began to feel more comfortable actually expressing myself. Serendripity is a call out to people to help others feel like they can be whoever they want to be and wear anything they think is cool, even if it’s insane”SKRAM have streaming numbers in the hundreds of thousands, performed sold-out tours, featured in the NZ Charts and have an exciting festival-laden summer ahead. You definitely want to stay up-to-date with SKRAM!
Rounding off a frightfully good year, HANNAH ROSE PLATT, prepares one last gift before 2023 is out.
A true nightmare before Christmas, Platt has paired her grizzly black comedy with an artfully animated video to match. Presenting… the official video for “The Wendigo Rag”.
WATCH “THE WENDIGO RAG” ANIMATED VIDEO HERE
Bringing a whole new meaning to “driving home for Christmas”, “The Wendigo Rag” takes listeners behind the wheel of a road trip gone wrong, where an ill-judged left turn comes to test the boundaries of friendship versus survival. Brought to life in eye-popping fashion with expert modelling craft and stop-motion technique reminiscent of Tim Burton classics, you can watch the animated video by William Davies here.
Elaborating on the tale behind this cannibalistic Christmas caper, Hannah Rose Platt says:
“Wendigo rag is a grizzly festive dark comedy song about a road trip gone wrong, and the testing of boundaries between friendship vs survival…Beware the cry of the Wendigo folks, or you may be filled with a desire for more than your turkey or nut roast this year!”
Taken from her horror-themed recent album ‘Deathbed Confessions’ (out now on Xtra Mile Recordings), “The Wendigo Rag” is a swaggering goth-rock groover with shades of Nick Cave, to Tom Waits, or even The Cramps.
ROYALTY CAPES is pleased to present a special seasonal single: “This Christmas”.
A festive release laced with sleigh bells, solos, and thoughtful sentiments; all proceeds from the sales of the track will go towards the mental health charity MIND.
Speaking about the track, Ben Adey aka Royalty Capes says:
“I wanted to write something that captured the ‘other side’ of Christmas Time. A song that captures the feeling of the time of year, a song that captures the feeling of spending time apart from a loved one, a period of loneliness after a relationship, adjustment and the feeling of wanting to run away from all the usual tunes we associate with the advent period.
I was always drawn to the emotion in the older Christmas songs by Slade, Wham, Paul McCartney, Band Aid etc and so tried to capture a little bit of that essence in the song, as well as some chiming festive guitars, sleigh bells and harmonies.
Christmas isn’t wonderful for everyone, especially for those of us struggling with mental health problems. Donate £3, or whatever you feel so we can help raise funds for the vital services MIND provides.”
More information on the vital work MIND does can be found here: https://www.mind.org.uk
“This Christmas” was written by Ben Adey, Mastered by Hippocratic Mastering, and Mixed & Produced by Tim Scott at Bakerland Studios, Leeds.
With Adey on Vocals, Bass, Guitars, additional Guitars were performed by Scott, while its Drums/Percussion were laid down by Jordan Rose.
STREAM // PURCHASE NOW ON BANDCAMP HERE
Play On Shakespeare, the not-for-profit organization dedicated to exploring the world of Shakespeare in performance through translation and adaptation, today announces their Winter/Spring 2024 Season.
Winter/Spring 2024 Season:
Building upon Play On Shakespeare’s mission to enhance the understanding of Shakespeare’s plays in performance, Play On Podcasts bring timeless tales directly to modern audiences. The series – presented by Next Chapter Podcasts in partnership with Play On Shakespeare – has released Macbeth, Pericles, A Midsummer Night’s Dream, and Coriolanus amongst various other titles over the last three years.
Play On Podcasts recently won two Signal Awards – for Best Original Music/Score (Gold) and for Best Scripted Fiction (Silver).
On December 18, Play On Podcasts will release episode 1 of Romeo & Juliet. The NAATCO / Two River Theater production is translated by Hansol Jung and directed by Dustin Wills – with radio play by Catherine Eaton.
Milwaukee-born singer Felix Ames shared a truly cinematic music video to accompany his soul-stirring single ‘7711’. Directed by Tanner Deutsch, Ames sums the video up as “The celebration of a life worth living”.
Watch the official music video for ‘7711’ below
Speaking further on the meaning behind the music video, Felix Ames expresses that it is “A celebration of life while recognizing the weight of existing we all carry.”
Originally released in May 2022, ‘7711’ was one of the first songs to be released by Ames. Fast forward to the 19th of October, the single featured on his debut album ‘JENA’ which blissfully featured a medley of vibrant Jazz, R&B, soul and gospel notes, taking you on a journey through Felix’s varied musical inspirations in life. In making ‘JENA’ Felix mastered the fine art of gelling together the very best from music, new and old, to create a sound which feels distinctly modern with a crucial nod to his old school R&B roots.
Throughout the campaign and release of ‘JENA’, the album garnered tremendous support and acclaim from the likes of Wonderland Magazine, House Of Solo, Wordplay Magazine and was described by Metal Magazine as “a soulful debut album that just exudes coolness and sensitivity through its twelve tracks”.
Listen to ‘JENA’, the album below
Album tracklist:
1) Always, I’ll Stay
2) Taxi Driver
3) 2Million
4) Don’t Be Alarmed
5) LeftRight
6) Irish Goodbye
7) Liquor Locker
8) ‘97 Nissan
9) Bend, Don’t Break
10) Shoestring
11) 7711
12) Half A Man
Boyce Avenue is an American band formed in Sarasota, Florida by brothers Alejandro Manzano, Daniel Manzano, and Fabian Manzano. They are the most viewed independent band in the world (Guinness Book of World Records). They have done many successful musical collaborations with actors, influencers, and artists like Sarah Hyland (Modern Family), Bea Miller (X-Factor), Fifth Harmony, and Connie Talbot (Britain’s Got Talent). Boyce has had massive success in touring, headlining shows in over 20 countries, and selling out legendary venues like Royal Albert Hall and Araneta Coliseum.
Kill The Pain – the new collaborative project of Phoebe Killdeer & Melanie Pain – will be coming to the UK in 2024.
Announcing a string of shows as chief support to Nouvelle Vague, the duo will be appearing in venues across the UK throughout February and March next year.
Kicking-off at Leeds’ Old Woollen on 21st February, the 8-date tour will see stops in Liverpool, Manchester, Glasgow, Edinburgh, Brighton, and London. Kill The Pain will also be performing an exclusive ‘Golden Slippers’ fan show in London on 5th March. With tickets on sale now, full dates and details are included below.
Expressing their excitement for the upcoming shows Killdeer and Pain say:
“We are really excited to come and play in the UK, we feel like the public will understand our music, our sense of humour and our style perfectly! Playing Post Punk with funky bass lines and 2nd degree lyrics in front of a British audience makes a lot of sense to us. Most of our inspiration and role models are from the UK. We can’t wait to perform our music there. It’s gonna be fun to Kill The Pain in a British manner!”
Kill The Pain is the meeting of minds between Phoebe Killdeer (Australian singer and songwriter of the international #1 hit “Fade Out Lines”), and French counterpart Melanie Pain (the unmistakable voice behind Nouvelle Vague).
Striking gold with an alchemic partnership, Kill The Pain’s work flits between futuristic antagonism and nostalgic hedonism. Chopping and splicing angular post-punk with elastic synth-pop, off-kilter funk and far-flung genres, listeners will hear reference points in Le Tigre to the Slits, the raw energy of ESG to the poetic musicality of Peggy Lee, the pent-up force of Patti Smith to the sardonic lyricism of Kim Gordon.
Bozeman, MT-based alt-Americana-tinged bluegrass outfit the Kitchen Dwellers are thrilled to share “Pendulum (V)” the second song to be released off the band’s forthcoming studio album Seven Devils – due out March 1, 2024, via No Coincidence Records.
“The groundwork for “Pendulum” came from observations within and around me of the concept of addiction replacement and my own interest in how dopamine and other hormones influence compulsion and decision-making in daily life,” explains Joe Funk. “I’ve long had a theory that everyone has a baseline addictive tendency that must be satisfied, and it is up to the mind to decide at which point on the “good” and “bad” spectrum that habit is chosen.”
“Pendulum (V)” follows November’s release of the title track, “Seven Devils (Limbo)” which was accompanied by an official music video.
In the heart of the “sad girl” pop scene, Jenny Stenger emerges as a captivating voice, sharing her journey through songs that resonate with authenticity. Jenny makes music that speaks to complex human emotions and experiences, hoping that sharing her own story can help others feel less alone in theirs. Hailing from a small town in California that serves as the bedrock of her inspiration, Jenny’s musical roots trace back to her early days, when she self-taught basic chords on her sister’s keyboard at the age of 13. Transitioning from cover songs to improvising melodies and crafting full-fledged compositions, Jenny’s artistic evolution embodies relatability and vulnerability.
Taking cues from her musical influences like Gracie Abrams and Olivia Rodrigo, Jenny Stenger aspires to create raw and truthful music that resonates with listeners on a deep, emotional level. Her debut album, Trying My Best, released in November 2022, explores themes of unrequited love, jealousy, and mental illness, firmly establishing her mark on the industry. Jenny’s signature style, marked by soulful vocals and thoughtful compositions, sets her apart in the “sad girl” pop scene. Her latest singles, “Rose Colored Lenses” and “What Ifs,” have enthralled audiences with their depth. Working with producers Seth Wentland, Brady Sossaman, and Claudia Mills, Jenny skillfully navigates the nuances of falling in love, showcasing her ability to convey the simultaneous euphoria and apprehension of new relationships. Her introspective lyrics, coupled with her vulnerable voice, resonate with listeners, offering solace in shared experiences.
Jenny Stenger has made a notable impact on the music scene, accruing positive press coverage from Ones to Watch, Grimy Goods, and Divine Magazine. Described as creating “lush lovelorn pop” by Grimy Goods, Jenny’s music aligns her with contemporaries like Lizzy McAlpine and Phoebe Bridgers. As she continues to navigate the intricate balance between love and fear in her music, Jenny Stenger invites listeners to join her on a genuine and moving musical voyage. Stay connected with her journey on Instagram @JennyStenger.
Emerging Egyptian-American artist Michael Isaak has shared his earnest debut EP titled Forever is a Scary Word. Blending indie pop and folk elements, the release narrates his coming-of-age journey and is now available across all streaming platforms.
Michael Isaak’s music embodies the internal conflict between honoring tradition and finding newfound freedom. His six-track EP, Forever is a Scary Word, which he’s been crafting since May 2022, intertwines his heritage with a fresh musical perspective. Drawing from classical Arabic music and learning to play the oud, Isaak infuses his songs with a unique blend of cultural sounds. The EP’s recent single release, “hey boy,” reflects Isaak’s childhood experiences and the assurance that, despite chaos, things will unfold as they should. The EP’s lead single, “okay with this,” serves as an empowering anthem, celebrating the resilience and growth he has experienced in his young adult life. Despite the challenges of leaving college, navigating changing friendships, and embracing his true self, the song underscores his journey of overcoming and thriving. Self-produced in collaboration with Owen Korzec and featuring Arabic instrumentation by Abanoub Samir on “plane thoughts,” Forever is a Scary Word presents an intimate glimpse into Isaak’s life and internal monologue, characterized by his distinctive vocals and delicate guitar patterns.
Canadian singer and songwriter Annabel Gutherz reveals her new single, “Eclipse,” out today on all streaming platforms. Blending classic rock influences with modern pop sounds, “Eclipse” is a vivid and textured song that showcases an artist who has found her voice. The new single was co-written with and produced by Mikal Blue (OneRepublic, Jason Mraz, Colbie Caillat) and Bret “Epic” Mazur (Crazy Town, Prince, The Black Eyed Peas).
“‘Eclipse’ is about my tendency to compare myself to others and the impact this has on my self-esteem,” Annabel says. “I would rather be concentrated on purpose than consumed by comparison despite how challenging it may be at times, especially given the ubiquitous nature of social media. This single showcases my desire to focus on my own path and nurture my inner confidence.”
Born and raised in Montreal, Annabel Gutherz creates timeless music that speaks to the soul of what it means to be human. Combining her compelling and diaristic storytelling with honeyed melodies, distinct vocals, and her keen musical intuition, Annabel’s songs take listeners on a heartfelt journey packed with raw honesty and emotional conviction.
Since the release of her 2021 album, Loose Ends, Annabel has continued to develop her sound by working with an array of esteemed collaborators, including Bleu McAuley (Selena Gomez, Demi Lovato, Jonas Brothers) and Bonnie Hayes (Bonnie Raitt, Bette Midler, David Crosby). Fiercely committed to her craft, Annabel also holds a baccalaureate and a master’s degree in songwriting from Berklee College of Music. With her undeniable talent and more music in the works for 2024, Annabel Gutherz is certainly an artist to keep on your radar.
Los Angeles-based, brother sister duo BETWEEN FRIENDS drop their brand new single, “Really good cry” Get it HERE via 10K Projects
After packing out venues across North America and the UK on their sold out I love my girl she’s my boy tour, BETWEEN FRIENDS is back with their brand new single, “Really good cry.” Earlier this year, the brother sister alternative pop duo unveiled their long-awaited debut album, I love my girl she’s my boy, produced in collaboration with Luka Kloser of Max Martin’s MXN team. Delivering some of their most intimate songwriting to date, the project boasts impressive features from artists such as Teezo Touchdown, Bakar, and EDEN. Following the album’s impressive debut of over 14M+ streams in the first month, Savannah and Brandon embarked on a 24 date fall tour, selling out some of the largest markets including Los Angeles, New York City, and London.
To finish off the year, “Really good cry” debuts as an extension to the pop masterpiece, I love my girl she’s my boy. The brand-new track reminisces on the lasting effects of a previous relationship. In the explosive chorus, Savannah chants, “All I got was a really good cry / and I guess I really needed it so thank you a lot / cause my face is all wet but it feels kind of nice when it’s hard to see” while Brandon acts as the male perspective singing, “I just want to try and be your friend when you’re ready / we can even start by making plans with your family.” Inspired by the duo’s real-life experiences, the new single embraces the challenging aspects of relationships and lessons learned in love.
Eighty Ninety – the indie-pop project of NYC-based brothers Abner (vocals, production) and Harper (guitar, production) James – share their self-titled debut album, Eighty Ninety, out on all streaming platforms today.
Their much-anticipated full-length debut, Eighty Ninety, is undoubtedly the band’s most cohesive and confident work to date, both sonically and lyrically. The 10-song set includes past favorites, like “Stay Alive” and “2 Carat,” alongside a handful of brand new tracks. Fusing intimate storytelling, sticky melodies, and minimalist pop productions built on acoustic instruments and electronic sounds, Eighty Ninety’s debut LP showcases the very best of their signature sound.
“The album explores unspoken words, missed opportunities, and moments that may seem wasted,” they explain. “But it’s not just about dwelling on these experiences – it’s about how they combine to create a meaningful life. In these songs we wanted to reflect the transformative power of these moments, showing that as we navigate them we may discover depth, purpose, and genuine connection.”
Since making their debut in 2016 with their viral hit “Three Thirty,” Eighty Ninety have released 3 EPs – ‘Elizabeth’, ‘The Night Sky,’ and ‘Bowery Beach Road’ – and have steadily grown their loyal fanbase. With over 33 million streams across their repertoire, as well as praise from tastemakers like Alternative Press and Billboard, the duo have continuously proved they’re one of indie pop’s most promising acts.
Kid Prexy is a talented powerhouse who is making a name for himself in contemporary Pop, Hip-Hop, and Alternative music. Born in Baltimore, Maryland, the 16-year-old prodigy grew up and lives in Edmond, Oklahoma. Kid Prexy has been playing guitar, drums and singing in the School of Rock band since he was 8 years old and has performed many live concerts in different music genres such as alternative, pop, rock, punk, grunge and blues.
In the summer of 2021, the promising artist recorded his first EP, Broken Promises, at 13 years old exuding an emo Rap and smooth melancholic style, inspired by the likes of Juice Wrld, Post Malone, Kid Laroi, Lil Peep & Xxxtentacion. Then in early 2022, he wrote and recorded five Lo-Fi Chill Acoustic songs for his second EP Lights in the Forest, which was inspired by BoyWithUke and Powfu.
Now in 2023, Kid Prexy is writing songs for his third EP, inspired by Machine Gun Kelly, Jxdn & Blink182 to explore the Pop Punk and Alternative Rock genres that he loves, while showcasing his guitar playing and singing skills.
The highly anticipated EP is produced by Grammy Nominated Multi-Platinum Producer Kevin “Thrasher” Gruft (Travis Barker, Machine Gun Kelly). Leading single “In My Head” is a riveting emotional rollercoaster, with moody vocals atop gritty guitar riffs and intense pop punk sonics while in “Shooting Star”, Kid Prexy blends saccharine chords of ukulele, subtle currents of percussion, and a powerful vocal for a vibrant, pop-dipped rock escape. Prexy’s new single “I Think That You’re Pretty” is an anthemic, early 2000’s meets Gen Z ode to first lust that features a kaleidoscopic blend of annihilating guitars, soul-baring vocals, rich power chord basslines, and relentless, ferocious drumming.
South East London emcee KayOrAlpha delivers his explosive drill cut “Shake It”.
Bursting with sharp percussion and heavy-set basslines mixed by UK veteran Tweeko, KayOrAlpha’s incendiary new cut instantly defines his artistry as standout. Across “Shake It”, the 21-year-old talent seamlessly glides with smart, intricate wordplay that portrays his unwavering confidence growing with purpose and persistence. “On the hunt for funds”, he chants, battling a clear vision for development and the intoxicating temptations of inner-city life that can take control. With integrity and style that
embodies his high-calibre approach, KayOrAlpha feels like a significant new voice of authenticity and vision across London and beyond.
Speaking on the track, KayOrAlpha mentions: “Shake it” is an embodiment of high energy, fun, UK Drill. For this track I wanted to create something with a vibe that both man & women can turn up to, get lit & have a good time, it’s only right with a beat like this! I feel like the cadence of delivery definitely brings that much-needed life to the track, that’s the cherry on top.”
rlyblonde – the project of Brooklyn-based multidisciplinary artist Carina Allen – reveals her new single & video, “Girl in Your Story.”
The B-side to her electrifying alt-rock anthem “Your Angel,” “Girl in Your Story” uncovers a more sincere and tender side to rlyblonde’s artistry. While a sonic contrast to her previous work, the dreamy rock ballad continues to expand on the themes of identity, femininity, and romance that she has long explored in both her music, photography, and videography.
“My artwork across various mediums has often played with ideas of female tropes and stereotypes. ‘Girl in Your Story’ continues that exploration of my own identity, through performance and by embodying these various characters,” she elaborates. “At the end of the day, behind every scorned woman is just a hopeless romantic. Nothing consumes quite like a crush…and while it was devastating to realize my tendency to fantasize was not limited to men, it was also a very affirming moment in my queer journey to realize I could imagine my life with another woman.”
gold-certified singer/songwriter AJ Mitchell returns with his new single, “Passionate.” Get it HERE via Vol. 1/Epic Records. “Passionate” is the first taste of the budding superstar’s upcoming sophomore album, As Far As The Eye Can See, slated for release in 2024. Additionally, AJ couples the release of the song with a visualizer, giving fans a peek inside the creative world he is set to explore throughout the next year. Watch HERE.
Written over the course of the last two years, AJ Mitchell’s upcoming sophomore effort is a true coming-of-age. Intimately detailing stories that explore a young man entering adulthood, As Far As The Eye Can See encapsulates all the thrilling, terrifying adventures that come alongside the course of a relationship. “Passionate,” co-written and produced by Kid Culture (Justin Bieber, Cordae, Eddie Benjamin), begins chapter one of the story—where the inevitable clash between the heart and the head starts to take over the dance floor.
“The past two years I took myself on a journey to find the fire in life again,” says AJ. “I explored the world, moved to New York City, fell in and out of love, made decisions simply for the pleasure of tasting life and all it has to offer, for better or worse. It was important to me to rediscover my passion for my music and for what I wanted to express as an artist. ‘Passionate’ is the perfect introduction to my new album and the next stage of my music because it was one of the first songs on this project my producer and I wrote to jump start the entire thing. I am truly proud of this song and excited to share it with my fans.”
More information on AJ Mitchell’s upcoming sophomore effort is set to be released within the early new year. Watch this space for more info, coming soon.
New Orleans-based duo sfam release their new single ‘not playin’’, the titular single off their upcoming EP, out now on Rezz’s label HypnoVizion.
A thrilling follow-up to their neutral ground EP, ‘not playin’’ twists and turns with the unpredictable nature that has continuously set sfam apart. Delivering a wide-ranging and impactful lead single, ‘not playin’’ is an amalgamation of heart-racing builds and paralyzing drops driven by a sense of spontaneity and impulsivity. Inline with sfam’s kaleidoscopic approach to trap and bass music, ‘not playin’’ marks the first single off their forthcoming EP of the same title, due out in 2024.
Co-captained by childhood friends Jacob Hoerner and Michael Pearson since 2014, New Orleans-based producer/duo sfam have established themselves with their flair for the experimental. The pair have collaborated with Buku, TVBOO, and Mersiv, and in 2022, they self-released their first album below sea level. This year, sfam made their debut on HypnoVizion with their neutral ground EP and supported Rezz at the first-ever FrostVizion at Stanford’s Frost Amphitheatre.
‘not playin’’ serves as the final HypnoVizion release of 2023, following recent releases by Lucille Croft, EDDIE, and ANTAGONÏZER.
MAISY KAY
“Running Up That Hill”
• This classic Kate Bush cover, shared as a ‘thank you’ to fans, caps off a busy 2023 for Maisy Kay following the release of her Metamorphosis EP featuring the singles “Doorway” and “First Time” this past fall.
• “It was so much fun performing this song on tour with JVKE, because I could interact with the fans. And since everyone watches Stranger Things, I thought ‘Running Up That Hill’ would be the perfect song. A lot of the other music wasn’t out yet, so it was such a cool experience to have everyone singing the lyrics with me.” — Maisy Kay
• New original songs along with an exciting remix are slated to drop in 2024.
Solidifying a spot amongst the next class of Bay Area rappers, John Mackk drops his hard-hitting new single “Han Solo.” Get it HERE via 10K Projects.
Over a stripped orchestral backtrack and deep 808s, the rapper oozes confidence with his crisp flow saying, “I’m 1 of 1, you won’t find it. It’s the future b***h, see I’m psychic.” The track highlights the young rapper’s signature sound and continues to put the Bay Area on the map as a hotspot for rising talent.
“Han Solo” follows the release of previous single “Slow It Down,” which has zoomed to 15 million streams and over 112K UGC. The track also featured remixes from fellow buzzing rappers 310babii, Mike Sherm, and Heembeezy, who he recently performed alongside at The Observatory in Southern California.
Continuing his reign this year, John Mackk will also be performing with 310babii on 12/30 at The Roxy in Los Angeles (tickets HERE), as well as opening for Blueface on 12/21 at The Observatory (tickets HERE).
With more music arriving at the top of 2024, be on the lookout for the continued rise of John Mackk.
Breakout multi-platinum Pontiac, MI rapper DDG teases a red-hot 2024 with the release of his new single, “She Don’t Play.” DDG, known for his effortless melodic rap ventures, teams with the prolific producer Hitmaka (Wale, 2 Chainz, Nicki Minaj) for the song, which is available at all DSPs HERE via Epic Records.
“She Don’t Play” puts a new spin on Lil Mama’s classic 2008 record “Lip Gloss,” and even interpolates some of its original lyrics as DDG brings his patented party-starting energy to the song. With his patented sing-songy delivery, DDG weaves a subtle tale of a woman much too above the fray to be bothered with trivial games. “You can tell that she don’t play, she don’t really care what n—-s say,” chants DDG on the song’s contagious refrain.
DDG has blazed an impressive trail for himself since his 2019 debut, Valedictorian, which landed him his first RIAA Gold-certified record, “Arguments.” He’s remained consistent and staunch relevant throughout the 2020s, picking up another Gold record, “Hood Melody,” which includes an assist from Youngboy Never Broke Again, and achieving double-Platinum status with his ubiquitous “Moonwalking In Calabasas” in 2020, which became his first Billboard Hot 100 hit. His 2022 album It’s Not Me, It’s Youleveled up DDG even further, incorporating the artist’s most personal reflection to-date, and included singles “9 Lives” ft. Polo G and NLE Choppa, “Bulletproof Maybach” ft. Offset, “Love Myself” ft. Kevin Gates, and the hit “Elon Musk” ft Gunna.
the gold certified rock artist Two Feet has announced the opening of the independent record label, 477 Records.
477 Records was created with the goal of discovering, signing and nourishing independent recording artists by harnessing the unique authenticity that appeals to audiences longing for connection and creativity under the guidance only a fellow artist can provide.
477 Records offices and studio are located in Tribeca, New York City.
As one of the few artists of today who still writes, plays, sings and produces all his music in his own studio, Two Feet paired his label announcement with the release of new single, “Kill Anyone” ft Ari Abdul produced by Two Feet via 477 Records.
Brooklyn-born luminary Mink has unveiled his own label, Love On Cropsey, encapsulating the sonic heartbeat of decades past and present. Mink has today released the label’s inaugural EP ‘NY/LDN,’ a four track collection of dancefloor ready grooves in collaboration with rising London star Azaad.
Helmed by Mink, a native of Brooklyn immersed in the city’s nightlife from his early teens, Love on Cropsey is a musical expression deeply rooted in the borough’s rich heritage. The imprint’s sonic identity is steeped in hypnotic rhythms, lush melodies, and pocket grooves inspired by the cultural tapestry of the city’s musical legacy.
The label’s name pays homage to Mink’s grandparents who lived on Cropsey Avenue. During the late 90s and early 2000s, Mink’s grandparents would frequently take him a few blocks away to Coney Island. It was there, on the boardwalk, that he was initially introduced to the infectious sounds of Louie Vega, Danny Tenaglia, and Todd Terry, among others. This experience ignited Mink’s passion for house music and became the cornerstone of his musical journey.
Speaking on the label’s first release, Mink said:
“I see this release having something for everyone across the world’s dancefloors, starting with NY & LDN. Happy to have this label’s first release with Azaad & myself. He’s one of my favorite producers on the come up. From our first conversation we shared a mutual respect for the scene and its amazing history. What better way to start Love On Cropsey”
McKowski – the solo alias of Mark McCausland (The Lost Brothers / The Basement) – has confirmed a surprise record for the festive season: ‘Winter Guitar Hymnals From The Boneyard’. Available now on Bandcamp, the record will be made available to hear on all streaming services next Friday (22 December) in time for Christmas.
The album is preceded by two singles, an original composition called “Laura’s Theme”, plus “Christmas Medley”, an atmospheric instrumental that borrows from Mendelssohn and other traditional pieces.
STREAM “LAURA’S THEME” HERE || “CHRISTMAS MEDLEY” HERE || BANDCAMP THE ALBUM HERE
Melodic, melancholic, and dusted with a pinch of Christmas magic, McKowski continues his exploration of ‘the Boneyard’ with his ‘Winter Guitar Hymnals From The Boneyard’ release.
Hallmarked with a hushed, hymnal aura intended for those long winter nights, the Irish artist delivers nine pared-back instrumentals centred primarily around a six string acoustic, sparsely embellished with string sections and vocal harmonies.
Amongst its tracklist, listeners will find spacious renditions of traditional hymns (“Auld Lang Syne”, “Away In A Manger”, “Silent Night”, “Joy To The World”), McKowski originals worked in a festive style (“Bells of the Pygmy Pony”), an uplifting “Christmas Medley” that draws on the works of Mendelssohn and classical contemporaries, and even a Country & Western version of “White Christmas”. ‘Winter Guitar Hymnals…’ also features one brand new composition, “Laura’s Theme”, made available for the first time here. The album is dedicated to ‘Blind Joe Death’ AKA the late American fingerstyle guitarist and composer John Fahey, whose “Red Pony” is also covered here.
Taking us inside his latest creation, McKowski says:
“As winter takes hold and darkness falls, a candle light is glowing from the shack on Boneyard Hill. Inside, McKowski is playing a collection of guitar hymnals to warm the soul. Recorded in a single night, these songs are a homage to Blind Joe Death, and a stripped back ode to winter.
Along with solo renditions of Christmas classics, there’s a brand new composition, “Laura’s Theme”, a piece that was written for an upcoming movie score. This is an early live version of the song, with accompaniment from Laura McFadden on cello, who also lends her name to the title of the track… So sit back, put another log on the fire, and let McKowski’s Winter Guitar Hymnals from the Boneyard keep you sheltered from the cold dark nights ahead. ”
All tracks were played and recorded by McKowski at Boneyard Studios, except “Laura’s Theme”, “Return Of Pygmy Pony”, and “Red Pony”, which were recorded in the BBC’s Foyle Studio. Mixed by St Francis Hotel who creates a pin-drop atmosphere throughout, the record was mastered by Stephen Ceresia. Additional cello sections were added by Laura McFadden.
On the heels of their debut album release, Eighty Ninety – the indie-pop project of NYC-based brothers Abner (vocals, production) and Harper (guitar, production) James – give their fans one final gift for the year with the release of their new original holiday song, “Snowflakes in Your Hair.“
“We wanted to give our fans something extra, a thank you for the incredible way they’ve embraced our music this year,” the duo write. “’Snowflakes in Your Hair’ is about the experience of spending the holidays alone, and we tried to capture the mix of nostalgia and solitude that comes with it. We like snowflakes as a metaphor for the unique and fleeting nature of experiences and relationships: just like every snowflake is different and melts away, the moments and people in our lives leave a lasting impact on who we are even after they’re gone. It’s a symbol of both the beauty and transience of life’s encounters…it’s also just a Christmas song!”
“Snowflakes in Your Hair” is the cherry on top of a banner year for the New York City-based duo. On December 15th, Eighty Ninety released their highly-anticipated self-titled debut album. Fusing intimate storytelling, sticky melodies, and minimalist pop productions built on acoustic instruments and electronic sounds, their debut LP showcases the very best of their signature sound.
Brazilian producer DJ Glen returns to the label with ‘Fanfare’ out now via Dirtybird Records.
Closing out the year with a raucous, ‘Fanfare’ is a fitting title for DJ Glen’s latest original. Anthemic in all the right ways, ‘Fanfare’ is instantly enticing with its high-spirited melodies and energy-inducing builds. An eclectic tech-house hit made for dancefloors far and wide, ‘Fanfare’ is sure to find its way into countless DJ sets this New Year’s Eve.
“Last year, I spent the day in the studio with Claude VonStroke and one of our conversations was about how snare rolls have been overused. I thought it could be used in a different way, and decided to sample and convert the swing to the drum machines with the best punch I could do. The rest is my analog machines screaming as usual in a lucky session and a “Whos Afraid Of Detroit” inspired lead to stay in the dancefloor mind like an earworm for ages.” – DJ Glen
Brooklyn-born recording artist Lola Brooke caps a momentous 2023 year garnering 10 + million views for her rising hit single “You” featuring Bryson Tiller. Watch the official music video HERE. The sizzling track has gone on to receive highlights from Forbes, Interview Magazine, Earmilk,Lyrical Lemonade, Rated R&B, The Source, That Grape Juice, Hot New Hip Hop,Rap Radar, and Revolt and stems from her recently released debut project, Dennis Daughter. Get Dennis DaughterHERE.
Fresh off his accolade as Liberia’s Afropop Artist of The Year, JZyNo makes a blazing return with his latest track, ‘Yakunay’. This vibrant Amapiano single, translating to ‘Hello’ or ‘Good Morning,’ embodies JZyNo’s warm embrace of the global music scene.
In a year marked by incredible success, Liberian Afropop sensation JZyNo’s newest musical venture dives into the beats of Amapiano, setting the stage for a lively and immersive experience. ‘Yakunay’ emerges as the perfect soundtrack for this season, delivering an electrifying combination of rhythms that is set to captivate listeners worldwide!
As JZyNo continues his rapid rise to the top of the global music market, ‘Yakunay’ reaffirms his relentless pursuit of musical excellence, solidifying his take-off within the Afrobeat landscape.
‘Yakunay is all about lifting my country’s music industry to another height. It started at envisioning myself as my entry into the global market through my hit single ‘Butta My Bread’ but then it dawned on me that I am the first and only global artist to come out of Liberia at this moment. This feeling inspired me to do Yakunay, pretty much a hello from the “Rula” of Liberian music to the globe.’, says JZyNo.
‘Yakunay’ is produced by Nhlonipho from Johannesburg, South Africa. Nhlonipho is famous for working with prominent artists such as Robot Boii, MFR Souls, Aymos, Baby S.O.N, Mörda, Black Coffee and Heavy-K.
Stay tuned for ‘Yakunay,’ set to drop December 22nd, available on all major streaming platforms.
NYC singer-songwriter Annie Dressner kicks off 2024 with news of her brand-new album – I Thought It Would Be Easier out 5th April via Dharma Records and releases another track from the record, the contemplative ‘Dance We Do’, out 12th January.
In the new single, Annie finds herself unable to read into how another person feels about her. Do they care? Do they not? ‘It’s like a dance we do,’ she sings with her signature crystal clear harmonies atop some gently understated guitar lines. Speaking about the track, Annie says: ‘This is a love song about someone who has put themselves out there over and again, but only to be turned down and let down. There are some people with whom you cannot tell where you stand.’
With the single coming up in the New Year, it arrives with the announcement of her upcoming new album, I Thought It Would Be Easier. Out 5th April via Dharma Records, the singer-songwriter conveys a multitude of emotions with songs that feel open, welcoming and understanding of how complex being human can be. The album ranges from soothing gentle ballads to fast-paced Americana, showcasing her skill in crafting relatable songs.
Annie Dressner: ‘“I Thought It Would Be Easier” encompasses the theme of the record. I didn’t realize how hard life could be and would be at certain times. I hope that the record will resonate with people. Perhaps they have gone through similar things and therefore feel heard and comforted by the songs. Maybe the songs can express the listener’s emotions that they couldn’t articulate themselves. Or maybe people will just like the way that they sound! I guess I just hope people like the record… I know I do!’
Born and bred in the heart of NYC, Annie picked up her family’s guitar for the very first time on the night of her high school graduation, and discovered a hidden passion that would change her life. Inspired by icons like Simon & Garfunkel, Carly Simon, and Ben Kweller, she began crafting her own melodies, often humming her thoughts like a secret soundtrack to city life.
Annie’s artistic odyssey led her to countless open mic nights in the bustling streets of New York, which became her training ground, cultivating not only her craft but also a vibrant community of fellow songwriters and musicians. She eventually played her debut solo show at legendary NYC venue The Bitter End in 2008, and thereafter began collaborating with the likes of David Ford, Polly Paulusma, and Matthew Caws (Nada Surf), who would go on to work frequently with Annie.
For two albums Parisian quartet Hoorsees received heaped praise for their 90’s inspired sardonic, guitar pop steeped in equal parts melancholy and nostalgia. Returning with their third LP, Big, via Howlin’ Banana and Kanine Records, Hoorsees channels less Pavement or Weezer and instead, embrace their French roots. Evolving a synth pop sensibility, they don’t manage to completely shake their adoration of American sounds though, complementing warm walls of electronic pads with angular riffs that pay tribute to The Strokes. Big is not just a stylistic shift for the band, but also a shift in responsibilities. For the first time, Alex Delamard (voice/guitar) shares lead vocal duties with Zoe Gilbert (vocals/bass), with both continuing to be backed by Thomas Gachod (guitar/keyboard) and Nicolas Coste (drums).
Neill Frazer
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