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  • Harvest season and winter storage: how to manage an abundance of food – Growing Family

    Harvest season and winter storage: how to manage an abundance of food – Growing Family

    Collaborative post

    When the summer draws to a close and your homegrown produce is ripe for picking, the real challenge is knowing how to deal with this glut.

    Luckily there are lots of ways to store and manage each year’s harvest effectively. Here are some tips to help you make the most of harvest season and minimise waste.

    Canning & jarring

    Transforming your harvest into shelf-stable creations is a rewarding process. Canning not only extends the life of your produce, but it also allows you to enjoy homegrown goods year-round.

    From fruits and vegetables to soups and sauces, nearly every item from your harvest can be safely preserved with this method. If you don’t want to go all-out and acquire canning equipment, using well-sterilised jars will serve just as well.

    Once done, you can bask in the knowledge that with each pop of a jar lid, fresh, homemade food awaits you no matter what season.

    Freezing produce fresh

    Freezing is an excellent strategy for keeping both fruits and veggies tasting garden-fresh long after harvest season has passed.

    By blanching vegetables before freezing, you can retain their colour, texture and taste without losing any nutritional value.

    With fresh fruit, a simple rinse, pat dry and tray freeze process will do wonders in preserving their quality. So when winter rolls around, your freezer can be your best friend.

    jars of preserved vegetables on shelves

    Fermentation & pickling

    These are age-old processes which not only amplify your food’s taste profile, but fill it with beneficial gut-friendly bacteria too.

    Here’s a brief rundown on fermenting and pickling at home:

    • Start small: begin by pickling simple veggies such as cucumbers or cabbage before trying other ingredients.
    • Sterilise everything: be sure all jars, lids, and tools are squeaky clean for this bacterial reaction.
    • Choose your brine: most traditional ferments use saltwater brine, while others may call for dairy or vinegar bases.
    • Wait it out: patiently wait until you’ve achieved the desired tanginess, which is typically one to three weeks.

    Fermenting also keeps the concept of waste foreign in your household. Left-overs can easily become kimchi, sauerkraut or pickle, making them last longer and be more digestible too!

    Kitchen appliances

    Don’t overlook your everyday kitchen appliances in the fight against food waste. Your refrigerator, oven, and even dehydrator are powerful tools that can aid in preserving the quality of your harvest bounty.

    For instance, you can dehydrate fruits for easy snacking, or use low-heat settings on your oven to dry out herbs and veggies.

    Remember also that a well-stocked fridge is key to keeping produce fresh for as long as possible. Just make sure all tools are running smoothly to win at winter storage. If you need any components to fix up misbehaving appliances, you can always order them from PartsCentre.

    two pairs of hands holding a bowl of homegrown tomatoes

    Give it away

    When counters and pantries are overflowing, it might be best to share your bountiful harvest with others. Donating surplus produce to local food banks or community kitchens is a helpful option that reduces waste while helping those in need.

    Organising a neighbourhood produce exchange event can also enhance ties within your community, while fostering an appreciation for homegrown foods. Sometimes the most satisfying way of managing abundance is by spreading joy to other tables.

    The bottom line

    Managing an abundance of food is all about preservation techniques and community sharing. Whether it’s canning creatively, using kitchen appliances effectively, freezing fresh produce, or fermenting for added flavour, each method ensures you enjoy your harvest bounty well into winter. And what can’t be stored should be shared with others, creating a chain of wholesome happiness.

    Catherine

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  • Building a Garden With Bas – FineGardening

    Building a Garden With Bas – FineGardening

    Today we’re off to Canada to visit with Bas Suharto.

    I built this garden for Ms. Jeanette in Orleans, Ontario. It started July 5, 2023, from a simple sketch. I discussed with her and proposed the layout on the sketch. The garden is part of the back terrace and is 45 feet by 8 feet. At the very back of the property there is a 45-foot-long cedar hedge. The existing ground is clay soil.

    In searching for the plants at various places, sometimes I found more interesting ones to replace what I had proposed on the sketch, or some plants were not available at the local garden centers or nurseries, so I made some changes at the garden.

    adding new garden soil and compost to garden bed full of weedsThis is the beginning of the work, day 1. I added garden soil and mushroom compost over the existing weedy clay. I avoid using harmful products to kill the weeds. One of Jeanette’s family members helped me deliver the soil and river stones to the front house.

    newly planted garden bed with pink flowersThis is the first day of planting, when I put in boxwoods (Buxus sp., Zones 5–9), bigleaf hydrangeas (Hydrangea macrophylla, Zones 5–9), ‘Sum and Substance’ hostas (Hosta ‘Sum and Substance’, Zones 3–8), and some annual geraniums (Pelargonium hybrids, Zones 9–11 or as annuals).

    garden bed with new small trees and shrubs added to frontJeanette likes the white flowers of daisies (Leucanthemum × superbum, Zones 5–9), so I planted a row of them along with two Snow Fountains weeping cherries (Prunus ‘Snofozam’, Zones 4–8) on the left side and two dwarf Korean lilac standards (Syringa meyeri ‘Palibin’, Zones 3–8).

    close up of pink roses in the gardenAlong the border of the terrace, I planted hybrid roses ‘Grande Amore’ and ‘Peggy Rockeffeler’. They can grow in Zone 5a of Orleans, Ontario.

    gravel pathway lined with bright green ornamental grassesI made a “river” of stones to bring rainwater from the roof to the fences and on to the municipal rain drainage. I then planted a row of Hakone grasses (Hakonechloa macra ‘All Gold’, Zones 5–9) to grow over and hide the plastic edging along the side of the gravel.

    stepping stone garden path next to lots of ornamental grassesNext, I installed concrete stepping stones, and along the right border I planted the ornamental grass Panicum virgatum ‘Shenandoah’ (Zones 3–9).

    view of terrace garden from balconyIt took me 11 days to finish the garden. Here is a view of it from the balcony of the house.

    close up of pink and red flowersPink anemone (Anemone hupehensis, Zones 4–8) and annual geraniums

    close up of foliage plants in finished gardenA look at the finished product

    another view of stepping stone path and surrounding plantsAnd looking down the length of the garden

     

    Have a garden you’d like to share?

    Have photos to share? We’d love to see your garden, a particular collection of plants you love, or a wonderful garden you had the chance to visit!

    To submit, send 5-10 photos to [email protected] along with some information about the plants in the pictures and where you took the photos. We’d love to hear where you are located, how long you’ve been gardening, successes you are proud of, failures you learned from, hopes for the future, favorite plants, or funny stories from your garden.

    Have a mobile phone? Tag your photos on Facebook, Instagram or Twitter with #FineGardening!

    Do you receive the GPOD by email yet? Sign up here.

    GPOD Contributor

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  • Planting in the Fall: Why Plant Perennials, Shrubs, and Trees in Autumn

    Planting in the Fall: Why Plant Perennials, Shrubs, and Trees in Autumn

    Fall is upon us and, naturally, thoughts turn to shutting down the garden for winter and planning next year’s plantings. Thing is, as savvy gardeners know, autumn can be a wonderful time to plant perennials, shrubs, and trees. Why?

    Above: This is a great time to get roses in the ground. Photograph courtesy of David Austin Roses, from Dreaming of Roses? Now’s the Time to Plant Them Bare Root.

    1. Cooler temps = reduced water needs.

    Cooler temps this season reduce the stress on plants (and the humans digging the holes!).  In the spring and summer, the plant is actively growing and its water demand is high. However, in the fall, the plant is getting ready for dormancy, so its need for water is a fraction of that in the summer.

    2. The new plant can focus solely on root growth.

    When you plant in the spring, the plant’s energy is divided between supporting top growth and repairing and growing new roots. When you plant in the fall, all the plant’s energy is sent to the roots, and you may end up with a healthier and more robust plant that blooms fuller and earlier than its spring planted counterpart. (Plants will continue to grow roots up until the ground freezes.) You’re essentially giving the new plant a head start for next year.

    3. Fall means fewer pests munching on plants.

    As the weather gets colder, insects turn their focus from feeding on plants to looking for a place to overwinter and to diapause. Diapause is complete physiological dormancy, where the insect “pauses” its metabolism for the winter, as opposed to hibernation, when metabolism merely slows down.

    4. And fewer diseases, too.

    Most fungi and bacteria require a more moderate temperature range to be active. With temperatures trending lower and fewer available leaves to infect, there’s less chance of new plants getting infected.

    Tips for Planting in the Fall

    Photograph by Clare Coulson, from Landscaping 101: How to Plant a Bare Root Hedge.
    Above: Photograph by Clare Coulson, from Landscaping 101: How to Plant a Bare Root Hedge.

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  • Rhododendron Leaves Yellowing? Here’s What to Do

    Rhododendron Leaves Yellowing? Here’s What to Do





















    Rhododendron Leaves Yellowing? Here’s What to Do












    Jessica Walliser

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  • Tips for Growing ‘Crimson Queen’ Japanese Maple Trees

    Tips for Growing ‘Crimson Queen’ Japanese Maple Trees

    Acer palmatum var. dissectum ‘Crimson Queen’

    ‘Crimson Queen’ ticks all the boxes on the list of what people love about Japanese Maples.

    It’s a dwarf tree, features shockingly bright red fall foliage, has lace-like serrated leaves, and grows in a cascading habit that creates a unique focal point in the garden.

    It’s essentially that quintessential cascading red Japanese maple with lacy leaves.

    If that’s just what your landscape needs, ‘Crimson Queen’ has to be near the top of your list of Japanese maple cultivars.

    A close up vertical image of the deep red foliage of Acer palmatum var. dissectum 'Crimson Queen.' To the center and bottom of the frame is green and white printed text.

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    It’s not a perfect tree, though. It does have a few special requirements if you want it to look its best. Don’t worry, we’ll go over all of the pros and cons of this garden favorite.

    Part of what I love about ‘Crimson Queen’ is that after the beautiful foliage is done for the year, the twisting branches add visual interest to the winter landscape, and the shape becomes more impressive as the trees age.

    If you’re in USDA Hardiness Zones 5 to 8, you’re in luck. ‘Crimson Queen’ can be yours. Coming up, here’s what we will chat about to help you get to know Her Royal Highness:

    Can’t wait one minute more? Then let’s jump right in.

    Cultivation and History

    ‘Crimson Queen’ is a weeping Japanese maple cultivar. It’s a standout in the dissectum category, as discussed in our guide to Japanese maple types.

    Trees in this group tend to be much smaller than the species and have a more shrubby shape, often with a cascading habit.

    A close up vertical image of a 'Crimson Queen' weeping Japanese maple growing in a garden border.
    Photo via Alamy.

    ‘Crimson Queen’ was bred in the United States in 1965, and rapidly became a commercial success. It won the RHS Award of Garden Merit in 1993.

    This dwarf cultivar takes about 15 years to grow to its mature size of about five feet tall and seven feet wide, which may seem slow, but that’s about the average growth speed for any Japanese maple.

    It can get a bit taller with ideal sun exposure and moisture, but usually, it doesn’t grow much taller than that. It’s common for the tree to stay much smaller if it’s planted in a shady spot.

    If you aren’t afraid of a little pruning, you can train it to be shorter or taller than it would be naturally, and you can encourage a bushier shape or a more upright one.

    Looking for a good container option? You found it. The small size and cascading shape of ‘Crimson Queen’ makes it ideal for life in a pot.

    When the leaves first emerge in the spring, they unfold into a deep purple-red and shift to bright red over the span of a few weeks. It’s almost like fall in the springtime, and the foliage makes a beautiful contrast to all the bright spring colors.

    It lightens just slightly during the summer before putting on a fall show with a bright, fire-engine-red hue.

    A close up horizontal image of the bright red foliage of a 'Crimson Queen' Japanese maple pictured in bright sunshine.
    Photo via Alamy.

    ‘Crimson Queen’ is beloved for its ability to retain its color all summer long, with the exception of occasional leaf scorch or loss of color in hot, sunny areas.

    In hot regions, it might take on more of a bronze-green hue in the summer, especially if it’s growing in direct sun.

    The leaves are palmate, deeply lobed, finely dissected, with seven to nine lobes, and grow up to four inches tall and wide.

    The insignificant flowers appear in the spring and give way to samaras with two wings.

    Crimson Queen Propagation

    ‘Crimson Queen,’ as with many cultivated varieties, won’t grow true from seed.

    They are usually grafted rather than grown from seed. Feel free to give it a try if that’s something that interests you – with the understanding that you never know what you might get.

    Our guide will walk you through the entire process.

    Otherwise, stick to planting purchased plants or taking cuttings. Cuttings don’t always take, so plan on starting multiples just in case a few don’t turn out.

    Our guide to growing weeping Japanese maples will walk you through both planting a purchased plant and propagation via cuttings.

    The best time of year to do either is the spring or fall. With a newly planted tree, be sure to keep the soil moist but not wet for the first year. The soil should have the same texture as a kitchen sponge that you’ve wrung out really well.

    Space trees four feet away on all sides from buildings, other plants, or fences.

    How to Grow Crimson Queen Japanese Maple

    As with most Japanese maples, this one grows best in loamy, rich, moist soil. It will also tolerate sandy loam. The soil should be slightly acidic, with a pH between 5.5 to 6.5.

    After the first year, when the soil should be kept consistently moist, you can allow the top few inches of soil to dry out between watering.

    A close up vertical image of a 'Crimson Queen' weeping Japanese maple growing in the garden.
    Photo via Alamy.

    An inch or two of organic mulch, like well-rotted compost or shredded bark, can help the soil retain moisture and it also helps to suppress weeds.

    Don’t build up a layer of mulch against the trunk, though. Keep it a few inches away from the trunk itself.

    Remember how we talked about the downside of ‘Crimson Queen?’ We’ve come to that part. She’s prone to scorching. If her soil gets too dry or she is planted in a location with too much sun, the leaves will shrivel, turn yellow or brown, and look shabby on the “fingers.”

    You can avoid scorching in some trees by keeping them moist and providing afternoon shade. But even if you do that, the tree might still experience leaf scorch if it gets too hot.

    This tree really does best in a location with temperate summers, but if you give it afternoon protection from the sun, it should do fine even in warmer regions. If the leaves do suffer from scorch, they will eventually drop, and new foliage will replace them.

    That’s all to say that you should plant in partial sun with shade in the afternoon, or in full sun if it doesn’t get too sweltering in the summer in your neck of the woods.

    Those in regions with cooler summers like the Pacific Northwest or the northern Atlantic coast can grow these in full sun. If you’re in the West or Midwest, best to provide afternoon shade.

    Water is an important part of keeping a ‘Crimson Queen’ happy during the heat, so stay on top of your irrigation routine during warm weather.

    A close up horizontal image of the foliage of a weeping Japanese maple pictured in bright sunshine.

    I know I said that this tree is suitable for Zones 5 to 8, but you can grow it in Zone 4 if you choose your planting site carefully.

    Place it close to a south-facing wall that is protected from strong winds with a cement or brick foundation which will help to keep the roots warm. Add a thick layer of organic mulch in the fall to help protect the roots.

    ‘Crimson Queen’ maintains a compact size naturally, so it lends itself to container growing. Avoid using light pots made out of plastic or thin metal.

    You need something fairly hefty so the tree doesn’t tip over in high winds. A pot about two feet in diameter that’s slightly wider than it is tall would be ideal.

    Fill the container with a standard potting mix. If you don’t have a favorite already, I swear by FoxFarm Ocean Forest potting mix.

    It contains earthworm castings, bat guano, fish meal, sphagnum peat moss, and forest humus, which is an ideal combination for Japanese maples.

    FoxFarm Ocean Forest Potting Mix

    Pick up bags in 12-quart sizes at Amazon.

    Keep in mind that containers tend to dry out more quickly than the soil in the ground, so keep a sharp eye on your tree or install a drip irrigation system.

    Our guide to growing Japanese maples in containers has more information.

    Speaking of irrigation, whether in the ground or a container, avoid splashing water on the leaves. Water should be applied at the ground level to decrease the chances of fungal diseases.

    You likely won’t ever need to fertilize your Japanese maple, but if you notice your tree seems to be extremely slow-growing or stunted, do a soil test to check if your soil is seriously deficient in certain nutrients. If it is, amend your soil with the missing nutrients.

    If you know your soil is lacking in nutrients, feel free to feed your plant following our guide.

    Growing Tips

    • Plant in full sun in cooler climates or afternoon shade in warm climates.
    • Water when the top two or three inches of soil dry out.
    • Keep plants well-watered during high heat.

    Pruning and Maintenance

    All Japanese maples need regular pruning to maintain their beautiful appearance, but weeping types need extra attention.

    You can encourage the striking shape by pruning out the center of the tree so that there are just three to five main branches.

    A close up horizontal image of the weeping foliage of a 'Crimson Queen' pictured on a soft focus background.

    A crowded crown won’t be as dramatic as one that is carefully curated to include the most beautiful branches that contribute to the shape you want to see.

    Some of the most interesting and beautiful Japanese maple specimens out there didn’t happen by chance. They were carefully pruned, especially when they were young, to create a pleasing shape.

    If you were to crawl under your tree when it is in full leaf and look up, you should be able to see some sky through the leaves and branches. If you can’t, then your tree is in need of a good pruning.

    You can learn all about the process by visiting our comprehensive guide to pruning Japanese maples.

    Diseased, dead, dying, deformed, or damaged leaves can be pruned out anytime of year, while shaping should be done during the winter on a day when the temperature is above freezing.

    Where to Buy

    You can find ‘Crimson Queen’ all over the place. It’s an extremely popular option and is commonly carried by garden centers and plant nurseries.

    A close up square image of the foliage of a 'Crimson Queen' Japanese maple.

    ‘Crimson Queen’

    For instance, Nature Hills Nursery has live plants in sprinter pots.

    If you aren’t familiar with the term sprinter pot, it’s a pot just under a quart in size containing a tree under two years old.

    Or you can grab a one to two-foot or two to three-foot tree from Fast Growing Trees.

    Managing Pests and Disease

    ‘Crimson Queen’ is susceptible to all the usual common diseases and pests that attack Japanese maples.

    These trees are subject to attacks from aphids, borers, and scale. Infestations can range from minor to deadly serious.

    When it comes to disease, watch for anthracnose, powdery mildew, Pseudomonas, root rot, and verticillium wilt.

    We cover all of these in our guide to growing Japanese maples.

    General signs of a problem are yellowing or brown leaves, wilting, stunted growth, and dropping leaves.

    Best Uses for Crimson Queen

    ‘Crimson Queen’ is the ruler of specimen planting. Just try to look at anything else when she’s draped in her red robe in the summer.

    She also makes an excellent container option, whether that’s in a large planter or a tiny little bonsai pot.

    This little tree adds shape to the winter landscape and color during spring, summer, and fall.

    Quick Reference Growing Guide

    Plant Type: Deciduous tree Foliage Color: Red, bronze, green
    Native to: China, Japan, Korea Tolerance: Some shade
    Hardiness (USDA Zone): 4b-9b Soil Type: Sandy, loamy, silty, loamy clay
    Season: Spring Soil pH: 5.5-6.5
    Exposure: Full sun to partial shade Soil Drainage: Well-draining
    Time to Maturity: 15 years Attracts: Birds
    Planting Depth: Same depth as container (graft exposed) Companion Planting: Black walnut, camellia, crocus, dwarf conifer, ginkgo, iris, hellebores, hosta, rhododendron
    Spacing 4 feet Avoid Planting With: Barberry, cacti, crocus, forsythia
    Height: Up to 8 feet Uses: Bonsai, container planting, specimen
    Spread: Up to 10 feet Family: Sapindaceae
    Growth Rate: Slow Genus: Acer
    Water Needs: Moderate-high Species: Palmatum
    Maintenance: Moderate Variety: Dissectum
    Common Pests and Disease: Aphids, borers, maple scale; Anthracnose, powdery mildew, pseudomonas, root rot, verticillium wilt Cultivar: Crimson Queen

    All Hail the Queen

    She’s an undeniable beauty. It’s perfectly clear why she is considered one of the best options if you want a lacy, weeping, red Japanese maple.

    She’s sure to draw all the attention when she’s sitting on her throne in your garden.

    A horizontal image of a small 'Crimson Queen' weeping Japanese maple growing in the garden pictured in bright sunshine.
    Photo via Alamy.

    How will you highlight Her Royal Highness? Are you putting her in a container? Using her as an accent for a Japanese garden? Share your plans in the comments section below.

    Don’t end your Japanese maple journey here. These plants are fascinating. Here are some guides to expand your knowledge even further:

    Kristine Lofgren

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  • Irresistible Sweet Orange and Cinnamon Christmas Soap Recipe

    Irresistible Sweet Orange and Cinnamon Christmas Soap Recipe

    This orange and cinnamon soap is one of my favourite holiday treats to give away. When you combine uplifting orange with sweet and spicy cinnamon, you get a scent that comes straight from a Hallmark Christmas movie. If you’re feeling festive this year, learn how to make your very own Christmas soap to give away this season.

    While this Christmas soap reminds me of the holidays, the orange does bring a sense of freshness and renewal. Sweet orange essential oil reminds me of a hot summer day, which can be a friendly reminder when we’re actually closer to the winter solstice!

    Sweet orange is considered a top note in the realm of fragrances, which means it pairs well with warm scents. And cinnamon, as you probably guessed, is a warm note!

    Sweet orange brings the season’s joy, while cinnamon brings you the cozy vibes. The blend of cinnamon and orange reminds me of old-fashioned oranges filled with cloves used to scent the house over the holidays. The vanilla adds a yummy factor, making it smell like a treat you enjoy in the festive holiday months.

    Of course, this Christmas soap can be used year-round. Because it’s so lively and bright, it’s one of my favourite scents to give away. A very cheery soap, most people enjoy the smell of it. You’ll soon find them asking for more!

    This post will include…

    stacked Christmas soap next to oranges and cinnamon sticks
    This soap is ideal for gifting, thanks to its well-loved scent.

    Why You’ll Love This Christmas Soap Recipe!

    • Sweet orange, cinnamon, and vanilla make this soap smell just like Christmas. It’s a popular scent combination, which makes it great for gifting.
    •  Cinnamon is a mood enhancer, and the antibacterial properties in the essential oil help it act as a natural preservative.
    • This recipe is very moisturizing, which makes it great for winter weather. It contains olive oil, coconut oil, sunflower oil, cocoa butter, and rice bran oil.
    • The natural colouring and swirls make this orange and cinnamon soap look artisan-made, making it a great homemade gift option.
    stack of three  bars of Christmas soap
    Gift a couple of bars at a time!

    Orange Essential Oil Benefits

    Orange essential oil is made from cold pressing the rind of sweet orange. Not only does it smell like a little slice of heaven, but it also has a host of benefits for the body.

    Orange soap is especially good for reducing levels of stress and anxiety. Most citrus oils are known for being instant mood boosters, and studies have shown the smell has even been proven to help those with pain.

    The essential oils also help to stop the growth of bacteria and fungi, making this an extra cleansing orange soap.

    Some citrus oils are phototoxic, meaning they may cause skin irritation and reactions when exposed to the sun after applying to your skin. The good news is that orange essential oil has very low phototoxicity, but you should still be cautious. If you plan to apply it to your face, ensure you’re wearing sunscreen for safety.

    cinnamon sticks and oranges in cardboard produce basket
    Use cinnamon sticks as natural gift wrap decor.

    The Benefits of Cinnamon Oil

    We also have to give a shoutout to the other half of this duo, cinnamon oil! Without a doubt, this is the main component of the Christmas soap that gives it those festive and cozy vibes. Not a single bit shy, cinnamon is a strong scent that many find pleasing. To me, cinnamon smells of tasty baked goods I might consume in the days before Christmas.

    Sweet and spicy, cinnamon also acts as a mood enhancer. The antibacterial properties in the essential oil are a safe and natural preservative. This makes it a great addition to natural cosmetics, like cinnamon soap.

    As with any essential oil, you never want to rub it directly on the skin. This can cause a burning sensation or rashes. If applying it to the skin, be sure to keep the concentration low by diluting it with a carrier oil.

    In this cinnamon soap recipe, I use coconut oil, sunflower oil, cocoa butter, and rice bran oil so you can get all the sweet Christmas spice with none of the worries.

    close up of cinnamon soap
    Thanks to the swirl design, every soap bar will turn out differently.

    Why This Christmas Soap is Ideal for Winter

    Natural soaps are made of high-quality, natural oils. I designed this recipe to specifically be naturally moisturizing, so it’s ideal for winter skin that’s dry and flaky from the winter air.

    As part of the soap making process, glycerin is a natural by-product. Derived from plant-based oils, it’s commonly used as a moisturizer because it attracts moisture to itself and the surrounding skin.

    Most commercial soaps extract the glycerin from their soap to add to their other products. As a result, you need to use additional moisturizing products after you use the soap on your skin. They want you to buy more.

    Rather than contribute to your dry and itchy skin, this Christmas soap will aid and soothe it. I notice a big difference in the way my skin feels when I use natural vs. commercial soaps, especially in the winter.

    cinnamon soap on beige linen
    While moisturizing, you’ll still get a good lather with this soap.

    Make This Soap Ahead of Time

    Natural soap needs curing time before it can be used. Curing allows the saponification process, the process of lye and oils turning into soap, to complete itself and the water to fully evaporate.

    For my soaps, I always recommend six weeks for the soap to cure fully. If you’re gifting these Christmas soaps or want to enjoy them around the holidays, you need to have them done and curing by the beginning to mid-November.

    So don’t be a last-minute soap maker, and start making this cinnamon and orange soap now!

    Christmas soap in basket
    Soap should cure in a dry, dark location.

    Orange and Cinnamon Christmas Soap Recipe

    You’ll notice a difference in your skin as soon as you lather up this Christmas soap. It’s gentle on the skin but will clean well, all while hydrating your skin.

    Ingredients

    For exact measurements, please view the recipe card down below.

    orange and cinnamon soap
    Measure out all your ingredients before you get started using a kitchen scale.

    Materials

    Make It!

    If you’ve never made cold process soap before, I recommend you take a look at this guide first to get more detailed instructions before you get started. I won’t go into the nitty-gritty details about how to make lye water and combine your oils, but instead, get down to the technique of this particular soap!

    Once you have reached a light trace, add in your sweet orange, cinnamon leaf, and vanilla absolute essential oils. Use your immersion blender to blend the oils into the soap.

    Now it’s time for the swirls! The sweet orange oil itself gives this soap a nice light orange colour. But to add a little more pizazz, I add a teaspoon of turmeric. Add it to one side of the bowl and use a spatula to create tiny circles around the edge of the bowl. This ensures you don’t spread it through the whole soap mixture.

    cinnamon and orange soap recipe
    This swirl technique creates the swirl as you pour it into the mould.

    Once the turmeric makes a dark orange circle around the edge of the bowl, pull the colour through the soap once or twice through the mixture. Then, pour your mixture into the soap. This creates a delicate swirl of dark orange that resembles the cinnamon swirls you might see in a cinnamon bun. It’s simply gorgeous for Christmas gifting.

    You’ll have to let your soap sit somewhere nice and warm for two days before cutting it. Once cut, it must cure for six weeks before it’s ready for use.

    This is why I get all my Christmas soap-making done in November. This gives me plenty of time to wrap them up all pretty and even send some in the mail to friends and relatives out of town.

    Christmas soap recipe
    Use a straight soap cutter for even looking bars.

    Gift This Christmas Soap

    Part of the fun of making this soap is to give it away. I usually double or triple the batch below. While I do keep a few bars for myself, I give the majority away.

    I particularly enjoy wrapping these bars into a bundle using eco-friendly materials such as twine. You could even add dried orange slices and a few cinnamon sticks to the top for added oomph.

    Here are some of my other favourite ways to gift items using natural gift wrap. However you wrap it, this soap is a gift the recipient will love all season long.

    Let me know if you end up gifting this orange and cinnamon soap!

    Cinnamon and Orange Christmas Soap

    Add some joy to the world by combining the coziness of cinnamon with the cheeriness of sweet orange. This Christmas soap recipe makes enough for a 2 lb soap mold.

    • Use the scale to measure out your ingredients.

    • Heat oils and cocoa butter over low heat until they reach 115°F.

    • Combine your lye and water in a well-ventilated area. Stir continually until fully dissolved. Then cool in an ice bath until it reaches 115°F.

    • Add your lye water slowly into a large bowl with your oils. Use the immersion blender to blend until it reaches a light trace.

    • Add in your essential oils and blend again.

    • Add the turmeric powder to the edge of your bowl. Use a spatula to make small circles around the entire bowl until you have a large orange circle around the rim. Use the spatula and run it through the whole soap a couple of times.

    • Pour into a 2 lb soap mold and wrap it in a towel. Leave somewhere warm for 2 days.

    • Cut your soap into equal slices. Let it cure for 6 weeks in a dry, dark location.

    Pin image for cinnamon orange soap

    Stephanie Rose

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  • Modern Landscape Edging Ideas for a Contemporary Home

    Modern Landscape Edging Ideas for a Contemporary Home

    You don’t have to stick with traditional landscape edging anymore. Today’s contemporary homes deserve more than just the basics. It’s time to explore modern edging ideas that blend aesthetics with function. From geometric designs to innovative materials, we’ve got it all covered. We’ll even share some handy maintenance tips and inspiring case studies. So, let’s dive in and redefine the boundaries of your outdoor space with modern landscape edging.

    Image source

    Exploring the Basics of Modern Landscape Edging

    Let’s delve into the basics of modern landscape edging and see how it can transform your yard into a contemporary oasis. Landscape edging is an often overlooked aspect of garden design that can serve both practical and aesthetic purposes. It involves defining and separating spaces in your outdoor area with different materials like stone, metal, or even plants. This technique gives your yard a clean and organized look. Contemporary landscape edging leans more towards minimalist design and often uses materials like steel, concrete, or glass. These materials create a sleek and modern look, which is characteristic of contemporary design. Incorporating modern landscape edging into your yard is a simple way to bring a sense of sophistication and order to your outdoor space.

    Incorporating Geometric Designs in Landscape Edging

    Incorporating geometric designs in your yard’s border can truly elevate its overall aesthetic. With their sharp lines and angles, these patterns can bring a sense of order and modernity to your outdoor space. They can be as simple or complex as you like, depending on your personal taste and the existing style of your home.

    One popular option is to use rectangular or square pavers, arranged in a herringbone or chevron pattern. This can create a striking, graphic effect that is both contemporary and timeless. Alternatively, you might consider using circles or ovals for a softer, more organic feel. No matter what shape you choose, the key is to ensure that the pattern is consistent and repeated throughout the space. This will create a cohesive look that is visually pleasing and harmoniously fits with your home’s architecture.

    Material Choices for Contemporary Landscape Edging

    Choosing the right materials for your yard’s border is just as crucial as the design itself. For a contemporary home, sleek materials like steel, aluminum, or concrete make excellent choices. Steel provides a robust, minimalist appeal and is quite durable, but it may rust over time. Aluminum, on the other hand, is rust-resistant and lightweight, making it more convenient for DIY projects. Concrete presents a versatile option as it can be shaped and colored to match any aesthetic. All these materials can be used to create clean, geometric designs for a modern look. Ultimately, the choice depends on your personal preference, the existing landscape, and weather conditions. Remember, the edging should not only be functional but also enhance your home’s overall curb appeal.

    Maintenance Tips for Modern Landscape Edging

    You’ll find it’s essential to regularly maintain your yard’s border to keep it looking fresh and tidy. Modern landscape edging requires minimal yet consistent upkeep. Choose materials like metal and stone for durability and ease of maintenance. These materials resist weathering and can be easily cleaned with a simple spray of water. For a greener option, consider living edging with plants or grasses. This requires regular trimming to maintain the desired shape and to prevent overgrowth. Remember, mulch and loose stones need periodic replenishing to keep edgings looking new. Also, don’t forget to check for any signs of rust or damage in metal edgings and repair them promptly. With regular care, your modern landscape edging will continue to enhance your home’s aesthetic appeal.

    Case Studies of Innovative Landscape Edging Ideas

    Let’s delve into some case studies that showcase innovative yard border designs, shedding light on their unique features and practical benefits. In a Californian residence, the homeowners opted for a steel edging. This not only defined their garden areas but also created a modern, sleek look. The rusting effect over time added an aesthetic appeal, blending with the natural surroundings.

    Another example is a Melbourne suburban house that used recycled bricks for its edging. This sustainable approach not only enhanced the garden’s look but also reduced waste. The unevenness and different shades of the bricks added a rustic charm.

    Lastly, a Japanese-inspired garden in Seattle used natural rocks as edging. This design created a tranquil, organic ambiance, harmoniously merging with the Zen garden. These case studies demonstrate the endless possibilities for innovative landscape edging.

    Frequently Asked Questions

    How Much Does It Typically Cost to Install Modern Landscape Edging in a Standard-Sized Yard?

    The cost of installing landscape edging varies significantly based on materials and labor. On average, homeowners might spend between $200 to $400 for a standard-sized yard. Premium materials can increase this cost substantially.

    What Is the Average Lifespan of Contemporary Landscape Edging Materials?

    The lifespan of contemporary landscape edging materials varies. Metal edging can last over 20 years, while plastic can last up to 10 years. Durable materials like concrete and stone might even last a lifetime.

    What Are Some Common Challenges Homeowners Face When Installing Modern Landscape Edging?

    When installing landscape edging, homeowners often face challenges such as selecting the right materials, managing the cost, handling difficult terrain, and maintaining the edging’s appearance and durability over time.

    Which Modern Landscape Edging Designs Are Best Suited for Drought-Prone Regions?

    For drought-prone regions, gravel or stone edging designs are ideal. They do not require water, are durable, and add a modern aesthetic. Also, using native, drought-tolerant plants can enhance the overall landscape design.

    Can Modern Landscape Edging Increase the Value of My Property?

    Yes, modern landscape edging can increase your property’s value. It enhances curb appeal, creates clear boundaries, and shows meticulous care for your outdoor space, which can attract potential buyers and raise your home’s market value.

    Conclusion

    In conclusion, modern landscape edging is more than just creating boundaries. It’s about enhancing your outdoor space with innovative designs and materials that suit your contemporary home. With proper maintenance, these edging ideas can make your garden truly stand out. So, why not give your home a modern twist with these landscape-edging ideas?

    Ann Sanders

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  • Pawpaws: Everything You Need to Know About the Native American Fruit

    Pawpaws: Everything You Need to Know About the Native American Fruit

    As soon as late summer edges toward fall in New York, I begin to lick my pawpaw-loving lips. As this native North American fruit gains mainstream recognition it has become easier to source both the fresh fruit as well as the pawpaw saplings. Despite the rising tide of awareness, many people are still unfamiliar with them and have yet to taste a fresh pawpaw. And if you have lusted after the perfumed fruit but have not met one,  there are few things you may not know.

    Here are 15 of them.

    Photography by Marie Viljoen.

    1. “Pawpaw” actually refers to two completely different and unrelated fruit.

    Above: These are pawpaws (Asimina triloba), ripe in fall.

    The pawpaw under discussion is the native North American fruit belonging to the genus Asimina. The cold-hardy common pawpaw is A. triloba, but there are over a dozen other species, with regional distributions that cleave to the eastern and Mid-Western parts of the United States, from southern Canada down to Florida.

    Above: Is this a pawpaw? Yes, in some countries. But in others, it is a papaya (Carica papaya).

    In regions and countries with Commonwealth and British colonial histories (think Australia, England, India, South Africa, the West Indies, and more) the common name “pawpaw” refers to what anyone from the Americas calls papaya. Soft-skinned and subtropical, small or football-sized, that pawpaw, Carica papaya, has yellow to deep rose flesh and is filled in the center with little black, peppery seeds. It is available in many grocery stores, year-round.

    2. For the Shawnee, September is the month of the pawpaw moon, ha’siminikiisfwa.

    Above: A pawpaw fruit suspended beneath its plush leaves.

    The botanical genus name Asimina is derived from the Shawnee word for pawpaw: ha’simini. For the Shawnee, September is the month of the pawpaw moon, ha’siminikiisfwa, according to Joel Barnes, Archives Director for the Shawnee Tribe (via a West Virginia Public Radio interview in a 2020).

    Until the 19th century, before they were forcibly removed by the US government, the Shawnee’s ancestral lands were in pawpaw-rich Appalachia, including current southeast Ohio.

    Above: A country road in southeast Ohio. Can you spot the pawpaw tree?

    3. The fruit has inspired an annual three-day festival.

    Above: A best-tasting pawpaw competition at the Ohio Pawpaw Festival.

    The three-day Pawpaw Festival in southeast Ohio in September is a celebration of everything pawpaw. There are pawpaw tastings, and dozens of pawpaw dishes to choose from. Chris Chmiel is one of the founders of the festival and the co-owner (with Michelle Gorman, his wife) of Integration Acres, which has sold fresh pawpaws, frozen pawpaw purée, and other native wild things to the public since 1996. (The first pawpaws I tasted were shipped from Ohio’s woodland’s to my Brooklyn front door in 2016.)

    4. The crew of the trans-continental Lewis and Clarke expedition were sustained by “poppaws.”

    Above: A handful of wild pawpaws.

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  • Eric’s Stained Glass Conservatory – FineGardening

    Eric’s Stained Glass Conservatory – FineGardening

    My name is Eric Peterson, and like most gardeners I have been into gardening since I was a child. I live on a 3,900-square-foot lot in Portland, Oregon (Zone 8b). I started my garden when I moved in about 12 years ago. Originally I was renting the house and started a container garden made mostly of plants that I would find on Craigslist for free. It made sense to have my plants in containers so I could take them with me if I moved. I continue to rescue unwanted plants when people are ready to give them a new home. We ended up buying the house in 2017 and still have a lot of container plants.

    I like to collect a lot of antiques and display them in the garden wherever I can. In this photo I displayed a lot of my desert plants, including a golden barrel cactus (Echinocactus grusonii, Zones 9–11), Euphorbia lactea (Zones 10–11), Euphorbia ammak (Zones 10–11), Aloe ‘Hercules’ (Zones 10–11), and Aloe arborescens ‘Variegata’ (Zones 9–11).

    stained glass conservatory with small gravel garden patio outsideThe stained glass conservatory was made out of recycled bricks and old barn wood. I made most of the stained glass windows myself. I cut and folded the copper shingles with my family. I made them in the shape of dragon scales. When I designed it, I wanted the light to be filtered to keep it cooler in the summer so it would be more of a livable space instead of your average overheated greenhouse that is too warm to enjoy in the summer. It has taken about three years to complete this project.

    close up of bright pink passiflora flowerI am always pushing the zone with tropical plants and vines like Passiflora ‘Scarlet Flame’ (Zones 9–11). The antique phone booth in the background was quite a challenge to move in. I had to rent a crane because it’s cast iron and weighs 1,700 pounds. We had to lift it over and under power lines to move it to the house.

    garden patio with potted topical trees and succulentsThe small garden is surrounded by big Yucca rostrata (Zones 7–11) that were rescued when their previous owner posted them for free on the Nextdoor app. I saved them from the chainsaw that the owner was going to take to them if no one wanted them. There are also Agave parryi (Zones 6–9) and large Agave ‘Blue Glow’ (Zones 8–11). Photo: Loree Bohl

    large Yucca rostrata in a pot outside a stained glass buildingMost of the Yucca rostrata stand over 10 feet tall in their pots.

    close up of spiky plants in containersAnother Yucca rostrata sits next to a Nolina nelsonii (Zones 7–10) and an Agave americana (Zones 8–10) underneath an antique windmill.

    another view of garden patio with lots of tropical plantsOn the right there is a very large, very heavy Agave gentryi (Zones 7–10), another rescued plant. It took a small team of volunteers to help rescue this agave, as it weighed about 500 pounds. In the back there is a fireplace made out of recycled bricks and stone that were found for free on Craigslist.

    large succulent plants on side of houseThe rescued agave is about 6 feet wide and 4 feet tall. Behind it you can see a Trachycarpus fortunei ‘Wagnerianus’ (Zones 7–11). I’ve planted seven of them on my small lot. I’m hoping for a palm grove effect as they mature.

    stained glass greenhouse at nightI added a lot of lighting in the greenhouse in hopes of catching NASA’s attention with a glowing stained glass greenhouse.

    close up of lighting fixtures in the greenhouseI’ve hung three large chandeliers and a couple of phonograph horns with oversized lightbulbs for a steampunk effect.

    Chandeliers in the greenhouseChandeliers in the greenhouse

    Thank you for letting me share my garden and greenhouse with everyone. Like any good gardener I’m not finished, and I’ll have more for you to see later.

    If you want to see more from Eric, check out his Instagram: @ericpeterson89

     

    Have a garden you’d like to share?

    Have photos to share? We’d love to see your garden, a particular collection of plants you love, or a wonderful garden you had the chance to visit!

    To submit, send 5-10 photos to [email protected] along with some information about the plants in the pictures and where you took the photos. We’d love to hear where you are located, how long you’ve been gardening, successes you are proud of, failures you learned from, hopes for the future, favorite plants, or funny stories from your garden.

    Have a mobile phone? Tag your photos on Facebook, Instagram or Twitter with #FineGardening!

    Do you receive the GPOD by email yet? Sign up here.

    GPOD Contributor

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  • Why Is My Venus Flytrap Turning Black? | Gardener’s Path

    Why Is My Venus Flytrap Turning Black? | Gardener’s Path

    Venus flytraps (Dionaea muscipula) are carnivorous species native to the watery peat bogs of North and South Carolina.

    They’re best known for their striking colors – red, yellow, green, blood orange – and their unique method of catching prey.

    When an insect or a spider disturbs the hairs on the upper surface of their leaves, the trap will snap shut and the plant will slowly digest its prey.

    A vertical close up of a Venus flytrap trap and green leaf in the background. Green and white text are placed across the center and bottom of the frame.

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    Unfortunately, wild populations are considered endangered due to habitat loss and poaching. However, they are available commercially in a way that does not impact wild populations.

    In our guide to growing Venus flytraps, we cover how to cultivate these unique specimens in your home.

    It can be very disappointing to find the striking colors of your carnivorous beauty fading to an inky black.

    Can anything be done to save your plant or prevent it from happening again? That’s what we’ll cover in this guide. Here’s the lineup:

    Sometimes, a Venus flytrap turning black just signals that it’s entering dormancy.

    When the days grow colder and shorter, this triggers the plant to die back, conserving energy in the rhizome. The foliage will turn black before it eventually wilts.

    This is completely normal and the colors will return when the long days and warmer temperatures return.

    A horizontal close up of the bright green leaves of a Venus flytrap in a terra cotta pot sitting in a plastic water coaster.

    Venus flytraps require about ten weeks in dormancy to have strong growth next season.

    If you have your plant inside, place it in an area with low light and cooler temperatures for three months.

    If you do this, the lowest temperature your flytraps can be subjected to is 45℉. You can provide this by placing them on a porch or basement.

    After three months, move your plants back into their warm, brightly lit area or back under the grow light and they will start sprouting again.

    But why is this a common phenomenon when the temperatures are warm and the days are long?

    Traps can turn black for a variety of reasons, including inadequate light or the wrong type of water. It could also be an issue with the potting media they are growing in or a response to damage from pests.

    If it’s not the right time for the plant to be going dormant, then let’s take a look at the top five reasons why your Venus flytrap may turn black and what to do about them.

    1. Not Enough Light

    Since Venus flytraps are used to direct light exposure, they need at least six hours – preferably 12 hours – of sunlight per day.

    Without it, they will start to turn black and potentially die through lack of photosynthesis. Thankfully, this is an easy problem to fix.

    A horizontal close up of a Dionaea muscipula with bright green leaves and needled traps which are dark pink colored inside.

    If you are lucky enough to have an area in your home that receives six hours or more of bright light, then you are golden. Simply move the plants into an area with more light and they should recover.

    If your home is naturally quite dark, you may need to use a grow light to provide the sunlight your plants need.

    When choosing a grow light, you will need to purchase one that is at least 40 watts, and keep it on for 12 to 16 hours per day to mimic natural light.

    A square product photo of a 45W grow light panel isolated on a white background.

    45 Watt LED Panel

    I would recommend this 45 Watt LED grow light panel available from AeroGarden.

    I love this model because the stand height is adjustable and it can be tilted over your Venus flytraps to provide direct light.

    2. Pest Infestation

    When grown outdoors, Venus flytraps have natural enemies such as birds, raccoons, and squirrels, who will happily dig them up or cause damage.

    However, inside your home, the biggest problems for these carnivorous plants are aphids and spider mites. In the case of a large infestation, black spots may appear on the leaves, especially on young, new growth.

    A horizontal shot of a Dionaea muscipula in a black nursery pot standing on a balcony against an out of focus background.

    Aphids can be green, brown, or yellow in color and feed on the leaves. To get rid of them, pick them off with tweezers or gently wash them away with a spray bottle.

    Spider mites look like tiny dots scurrying across the foliage. To get rid of them, spray your plant with a miticide that will help kill the pests and help to prevent future infestations.

    Once the pest problem has been addressed, your plant will recover and regrow new foliage.

    If your Venus flytrap has been ravaged by aphids or spider mites to the point that it is black and decaying, you will have to dispose of the plant and start over. 

    In the wild, Venus flytraps thrive in bogs which typically consist of spongy, partially decayed plant matter called peat, which is naturally acidic and deficient in nutrients.

    A horizontal shot of two potted Venus flytraps (Dionaea muscipula) in decorative brown pots sitting on top of a blue pottery dish.

    To replicate these conditions you can use peat moss or coconut coir mixed with equal parts coarse sand.

    You have to be careful, however, since some peat and sphagnum moss are milled and can become contaminated with salt. To remove any salts that may have been introduced during the milling process, add gardening-grade charcoal.

    Alternatively, make sure to purchase a potting mix made specifically for carnivorous species, such as this one available via Amazon.

    Carnivorous Plant Soil Mix

    If you are growing your plants in regular potting soil, or a mix with a pH that isn’t between 3.9 and 4.8, they can start to wither and the traps turn black.

    Additionally, Venus flytraps are highly sensitive to fertilizer and any media high in nutrients or applications of fertilizer will cause the roots to burn, and the foliage to darken as it dies.

    4. Too Much or Too Little Food

    In the wild, Venus flytraps catch their prey by capturing them in their traps before digesting them slowly. Hopefully, your plant doesn’t have a ton of live prey to catch while living in your home!

    This means that you have to provide them with sustenance. However, feeding a Venus flytrap incorrectly can cause them to turn black and even die.

    You’ll need to give them small, soft-bodied insects like crickets, flies, and mealworms. Bigger insects such as cockroaches or large spiders that don’t fit fully inside the trap aren’t able to be digested and will rot.

    A horizontal close up of a horsefly on the center of a trap on a Venus flytrap.

    During the growing season, you should feed your plant one insect every four to six weeks. Only feed half of the traps at one time, or else you risk overfeeding which can kill the plant.

    Never, ever feed your Venus flytrap raw meat! This can introduce disease-causing pathogens and waste your plant’s energy, which will ultimately cause it to turn black and die.

    5. Water Issues

    Venus flytraps are very sensitive to contaminants or nutrients in water. Their roots will burn if you use tap water or bottled water, which will result in the foliage turning black and dying.

    A horizontal photo of a Venus flytrap (Dionaea muscipula) in a green nursery pot sitting in a black water drip plate.

    When you water, be sure to use collected rainwater or distilled water. Tap water is treated and can contain high amounts of chlorine or fluoride, and bottled water generally contains minerals that your plant will not appreciate.

    Overwatering or underwatering can also cause the foliage to blacken. The former can cause root rot, which will eventually kill the plant, and the latter will cause it to wilt and die.

    You want to aim to provide consistent moisture without making the potting medium soggy or waterlogged. Bottom watering can help you get the balance just right.

    Keep Calm and Flytrap On

    Now you know what to do if your Venus flytrap has started to turn black.

    Start by checking how much light your plant is receiving and the potting media that it’s living in before re-examining your watering and feeding schedule. And don’t forget to inspect for pests!

    A close up shot of a Venus flytrap trap with an additional trap in the background blurred out.

    Are you growing Venus flytraps? Have you had a problem with them turning black? Let us know in the comments section below!

    And if you want to learn more about carnivorous plants, check out these guides next:

    Makayla Voris

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  • How to Grow and Care for Hawaiian Ti Plants | Gardener’s Path

    How to Grow and Care for Hawaiian Ti Plants | Gardener’s Path

    Cordyline fruticosa

    In my 24-plus years on Earth, I’ve found that it’s difficult to feel bummed out in a tropical paradise.

    If you’re trying to bring a taste of the tropics into your home and lighten the mood, why not grow a Hawaiian ti plant? Pull back the shades, put on some Jimmy Buffett, and it’ll almost feel like you’re at the beach!

    Beams of sunlight and “Margaritaville” aside, an indoor space with a Cordyline fruticosa or two can be really inviting.

    A vertical image of a dark purple- and pink- leaved Hawaiian ti plant growing in a brightly-colored pot in front of an outdoor tree. To the center and bottom of the frame is green and white printed text.

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    With lush, colorful leaves and an eye-catching size, a Hawaiian ti plant makes for a delightful addition to almost any room.

    But keeping a Hawaiian ti plant healthy and happy indoors requires that you cater to its physiological needs so that it feels like it’s in the tropics… and that can be tough if you don’t know how.

    That’s why we’ve whipped up this guide: to give you that necessary know-how. After reading it, you’ll be able to keep your Hawaiian-themed hangouts looking quite on-brand.

    Here’s what we’ll cover:

    What Are Hawaiian Ti Plants?

    Hawaiian ti plants – aka Cordyline fruticosa, or simply ti plants – are broadleaf evergreen perennials which hail from tropical regions of maritime Southeast Asia, north Australia, and west Oceania.

    It’s hard to know exactly where they originated and where they were introduced early on, but they’re currently found in Central and South America, and most of Oceania.

    Formerly classified as a member of the Dracaena genus, ti plants are hardy in USDA Zones 10 to 12.

    Hawaiian ti reach heights of up to 10 feet and spread up to five feet when grown outdoors. But they’ll often top out at around half of that size when grown as houseplants.

    A vertical overhead shot of the purple, yellow, and green leaves of a potted indoor Hawaiian ti plant.

    C. fruticosa flaunts spiral arrangements of thin, lance-shaped leaves, each about one to two feet long, four inches wide, and set on a two- to six-inch petiole.

    In the standard species, the color starts off purple to red and can later mature to a deep green.

    As the plant ages, the lower leaves yellow and drop from the central stem, leaving rings of leaf scars that turn woody over time.

    In spring to summer, Hawaiian ti plants send up panicles of small, star-shaped flowers in white, pale yellow, pink, or light purple colors. Indoor flowering is rare, and it typically won’t happen without ample sunlight and fertilization.

    A vertical image of a tall Hawaiian ti plant with purple and bronze foliage growing outdoors in front of a light pole and a chain-link fence.

    If the flowers are pollinated – again, not very likely when grown as houseplants – they’ll give way to small berries of a green, yellow, or red hue. Below the soil line grow thick, rhizomatous root systems.

    The entire Hawaiian ti plant contains toxic saponins which can cause hypersalivation, bloody vomit and stools, depression, and anorexia if consumed by household pets such as cats and dogs.

    If they consume large quantities, it should be treated as a life-threatening emergency that requires swift medical care and/or poison control.

    If you’re human, then I wouldn’t go eating a raw C. fruticosa houseplant, either. Although historically, the roots have been steamed, fermented, or boiled to make them edible.

    Speaking of history…

    Cultivation and History

    Despite how awesome it looks, the Hawaiian ti plant is more than just a pretty face. Maybe not the best idiom for discussing something that’s faceless, but you get my drift.

    Nowhere is this more evident than in Polynesia. Early Polynesians believed that C. fruticosa had god-like powers.

    Its leaves were worn around the neck, waist and ankles as well as hung around dwellings to ward off evil, living ti plants were cultivated for good luck – earning them the nickname “good luck plant” – and the form of C. fruticosa was imitated in feathered kähili standards, which were displays of royalty.

    A horizontal image of a line of dark green, dark purple, and dark pink Cordyline fruticosa (Hawaiian ti) shrubs with slender, pointed leaves growing among grasses outdoors.

    Ti plants became even more significant once they were introduced into Hawaii.

    There, the plants became known as “Ki,” and they were revered as sacred flora of the deities Lono and Laka.

    Along with the above beliefs and uses, the leaves were placed in waters to test for sharks or supernatural creatures: a floating leaf signaled safety, while one that sank was an omen of danger.

    Hawaiians also use ti roots to make beer, brandy, and laxatives, and consume them straight-up as sweet treats after preparation.

    A horizontal overhead shot of the pink, purple, and green leaves of a potted Hawaiian ti plant.

    A ton of old-school applications are still in use in Hawaii today. The leaves are used in constructing rain gear, sandals, fishnets, sleds, hula dance outfits, luau decorations, and roofs.

    They can also be used as feed for cattle and horses, be wrapped around foods prior to steaming, and even compliment entrees as an inedible garnish.

    Many Hawaiian ti varieties are cultivated specifically for their cut foliage, which is used by florists in beautiful arrangements. Plus, the living specimens make wonderful plantings for indoor decor or outdoor landscapes.

    Hawaiian Ti Plant Propagation

    There are many different ways to propagate a Hawaiian ti plant. For indoor growers, you can take cane cuttings, use air layering, or transplant a purchased container plant.

    Division and sowing from seed are other effective means of propagation, but those are best left for gardeners who grow their C. fruticosa specimens outside, since indoor plants stay more compact and don’t flower as easily, much less set fruit.

    For a more in-depth breakdown on how to sow seeds or divide, check out our guide to growing ti plants outdoors. (coming soon!).

    From Cane Cuttings

    To take cane cuttings, you’ll need to find a mature ti plant, whether it’s your own or a friend’s. If it’s the latter, make sure to ask for their permission first. If someone hacked up my ti plant without asking, then they’d have made an enemy for life!

    If you observe the ti plant’s structure above the soil line, you’ll notice that the top portion will have the leaves, petioles, and soft central stem, while the portion below that will be a mature, woody stem.

    Using a sharp and sterile pair of hand pruners, make your first cut at least three inches below the point where the tender growth becomes mature wood. Remove the lowermost quarter of basal leaves to compensate for the lack of stem tissue, and you’ve got your first cutting.

    A horizontal image of a red Hawaiian ti (Cordyline fruticosa) growing to the left of a small waterfall, all in front of a lush backdrop of foliage.

    If you return your attention to the original ti plant, now you should have a thin, woody stem sticking up from the soil line. To take more cuttings, you can remove three-inch stem cuttings until the original stem is three inches tall.

    So now, you should have at least one cutting with the leaves still attached, and perhaps a number of three-inch stem sections. I know that taking cuttings from a C. fruticosa may seem a bit more drastic than what you’d do for other plants, but trust me – it’ll bounce back!

    Stick the leafy cutting in a four- to six-inch container filled with a 50:50 mix of sphagnum peat moss and vermiculite, making sure to submerge the lower three quarters of the stripped stem, and moisten the media.

    Scraping your pruner blades along the stem beforehand to lightly damage it can help speed up rooting, although it’s not necessary.

    A horizontal shot of a grouping of pink and purple Cordyline fruticosa (aka Hawaiian ti) plants under the shade of trees in an outdoor garden.

    Your stem-only cuttings should go in four- to six-inch containers filled with a similar media.

    Submerge three quarters of the stem section underneath the soil line, making sure it is the right way up, and moisten the media. Just like before, feel free to lightly damage the outer surface of the stem to promote faster rooting.

    Now that you have all your cuttings potted up and watered in, set them somewhere indoors where they will receive bright, indirect light with temperatures of 65 to 95°F.

    Make sure to keep the soil moist, but not wet, and mist the air around the cuttings with a water-filled spray bottle two to three times a day until rooting occurs, which should take two to four weeks.

    At this point, supplementary water vapor is only necessary if the ambient humidity is less than 40 percent.

    Repot as needed to provide the roots with an inch or two of elbow room, and you’ll have yourself an established houseplant after a month or two!

    Air Layering

    Normal layering won’t work for a ti plant as its stem is stiff and unbendable, but air layering is the perfect technique to try.

    Take a healthy and mature indoor Hawaiian ti plant, and observe the top three inches of the woody tissue. Take the bottom two inches of that section, and remove the outermost tissue from all around the stem with a sharp, sterile blade.

    A horizontal image of the leaves, stems, and inflorescences of a red cabbage palm aka Hawaiian ti plant.

    You should now be left with a two-inch-long ring of stripped stem underneath a single inch of undisturbed woody tissue.

    Take some moist sphagnum peat moss, clump it around the exposed stem, then wrap it up with some clear plastic wrap. Tie the ends so it all stays tight, and thus begins the waiting game.

    Keep the peat moist with a skinny watering can nozzle or syringe, and roots should form in two months or so.

    You can check for root growth by moving the peat moss aside as necessary.

    Gently unwrap the roots and snip your air layer away from the stem tissue below. Now you’re ready to transplant!

    Transplanting

    Whether you have a cutting that needs repotting, an air-layered propagule that needs a permanent home, a potted Hawaiian ti plant that you’ve purchased, or you simply want a snazzy container upgrade, transplanting is the move.

    Fill a container an inch shy of the lip with a 50:50 mix of peat moss and vermiculite. If you’d prefer it, coconut coir is a suitable alternative to peat.

    Make sure that the bottom of the container has drainage holes and that its diameter is a couple of inches wider than the transplant’s root system.

    A horizontal image of a young female gardener potting up a Hawaiian ti plant in containers with fertile soil on wooden table indoors.

    Prepare a hole that’s large enough for the transplant’s root system, lower the ti plant in so that its crown is level with the soil line, backfill the hole with soil, and water it all in so that the media is nice and moist. Presto, ya done transplanted!

    For extra credit, place a saucer underneath the plant so that any water seepage doesn’t damage your flooring.

    How to Grow Hawaiian Ti Plants

    For a tropical specimen like C. fruticosa, it’s extremely important to provide suitable conditions to keep it happy and healthy. Let’s discuss how!

    Climate and Exposure Needs

    As tropical flora suitable for USDA Hardiness Zones 10 to 12, Hawaiian ti plants thrive in hot, humid conditions.

    Indoor growers should provide a temperature somewhere between 65 and 95°F, and a humidity of 40 to 60 percent. Thermostats, space heaters, grouping plants, humidifiers, and misting are all effective means of modifying temperature and humidity.

    A horizontal shot of a dark red Hawaiian ti (Cordyline fruticosa) growing in a planter box on a patio next to an outdoor pool.

    Cold and drafty areas will make the above much harder, so be sure to only “keep it breezy” in the metaphorical sense.

    Bright, indirect light will help your ti plants to flaunt those oh-so-vibrant colors. They can definitely manage with a little less light, but it’s not optimal.

    Soil Needs

    A well-draining, yet moisture-retentive mix is essential, along with a pH of 5.5 to 6.5. To meet these needs, an evenly-balanced blend of sphagnum peat moss and vermiculite is perfect.

    You want a soil mix that’s premade, fit for ti plants, and ready-to-go right out of the bag?

    Miracle Gro Tropical Potting Mix

    Try this mix that’s perfect for tropical plants, available from Miracle Gro via Amazon.

    Water and Fertilizer Needs

    Irrigation-wise, optimal means keeping the media consistently moist without letting it turn soggy.

    To pull this off, water whenever the top inch of media feels dry to the touch. During the winter months, your watering frequency will naturally go down as your ti plant’s rate of transpiration decreases.

    A horizontal image of Hawaiian ti (Cordyline fruticosa) growing in front of a house and next to other green-leaved plants outdoors.

    Ti plants are especially sensitive to fluoride, so distilled or deionized water sources would be ideal.

    You could also utilize natural sources such as rainwater, snow melt, and even the water that collects in dehumidifiers.

    To provide the necessary nutrition, apply a 20-10-20 NPK fertilizer once a month throughout the growing season according to the product’s instructions.

    Jack’s Classic Fertilizer

    If you need a recommendation, try Jack’s Classic 20-10-20 Citrus Food Fertilizer, available as a powder in one-and-a-half-pound tubs via Amazon.

    Growing Tips

    • A temperature range of 65 to 95°F works best.
    • Ensure the growing medium is water retentive and well-draining.
    • Water whenever the top inch of soil dries out.

    Pruning and Maintenance

    As a Hawaiian ti plant grows and matures, its lower leaves may turn yellow or brown. Prune these off where they meet the stem as you see them, along with any other dead, diseased, or damaged leaves.

    A horizontal closeup image of the browned tips of pink, yellow, and green leaves of an indoor Hawaiian ti plant from overhead.

    Pruning can also be used to control a specimen’s size. Cut it down to a height of six inches and you’ll rejuvenate it, as well as cause it to grow leaves lower down on the stem.

    Be sure to empty any drainage-collecting saucers if they take on water faster than it evaporates. And don’t forget to repot as necessary! A cramped root system is very much no bueno.

    Hawaiian Ti Plant Cultivars to Select

    The colorful leaves of C. fruticosa are its best feature, no doubt. And with a plethora of cultivars to choose from, you can grow one in all sorts of hues.

    But don’t get me wrong: the standard species is plenty pretty, and can be purchased in a three-gallon container from Brighter Blooms at Home Depot.

    Now, if you’d allow me to harp on my three favorite varieties…

    Black Mystique

    I know this gardening hobby is supposed to be all bright and cheery, but there’s nothing wrong with going a bit emo every now and then.

    Growing three to five feet wide and four to eight feet tall, ‘Black Mystique’ flaunts beautiful, purple-black foliage that can really stand out when placed near your standard green-leaved houseplants.

    Candy Cane

    Reaching a similar size as the standard species, this variety stands out with its uniquely tricolored foliage.

    Lush with green leaves that are streaked with light pink and cream, ‘Candy Cane’ certainly lives up to its sweet name.

    Florica

    Love colors that straddle the line between bright and dark?

    Then you’ll want to grow ‘Florica,’ a cultivar that grows up to six feet tall and eight feet wide while bearing reddish-purple to reddish-pink leaves.

    A square image of an indoor Cordyline fruticosa 'Florica' growing in a wicker basket next to a wooden bench and a blue fish sculpture.

    ‘Florica’

    For a ‘Florica’ specimen in a three-gallon pot, be sure to visit FastGrowingTrees.com.

    Morning Sunshine

    Are you a hue enthusiast? More specifically, a lot of hues? Then the standard-sized ‘Morning Sunshine’ is where it’s at.

    With leaves that come in brilliant shades of green, yellow, orange, pink, purple, and cream, ‘Morning Sunshine’ has the aesthetic goods to satisfy lovers of colors.

    Rising Sun

    Continuing with the “sun in the morning” theme… who says you have to step outside to catch the sunrise?

    At a height and width of three to five feet, ‘Rising Sun’ has vibrant, light- to dark-green leaves with pink margins.

    Juvenile leaves emerge in white bordered with pink, which provide a unique bit of visual interest during the growing season.

    A square image of an indoor 'Rising Sun' Hawaiian ti plant growing on wood flooring next to a padded wooden chair.

    ‘Rising Sun’

    You can find ‘Rising Sun’ in six-inch and three-gallon containers available at FastGrowingTrees.com

    Managing Pests and Disease

    Thankfully, houseplants don’t face as many health threats as outdoor flora. But as 24-hour bugs and actual bugs show, the home isn’t entirely free from pests and pathogens.

    Insects

    Since insects can occasionally vector disease-causing pathogens, it’s doubly important to look out for them. Here are some to keep your eyes peeled for:

    Aphids

    A common pest both indoors and out, aphids are rounded, soft-bodied, and pear-shaped insects that congregate in clusters on leaves and stems.

    Sucking the sap out of plants with their piercing-sucking mouthparts, aphids can cause stunting, wilting, reduced color, speckling, deformation, and even leaf loss.

    Plus, they also excrete honeydew, which can attract ants and lead to the formation of black sooty mold.

    A vertical closeup image of Bonide's multi-purpose insecticidal soap, in a ready-to-use spray bottle against a white background.

    Bonide Insecticidal Soap

    Sprays of insecticidal soap on infested plant parts should help a lot with control.

    Go with a product like Bonide’s ready-to-use insecticidal soap, available in various volumes at Arbico Organics. Don’t ignore the undersides of leaves and the gaps between them!

    You can learn more about aphids and how to eradicate them in our guide.

    Scale

    Scale are small, armored or soft-bodied insects that gather in sedentary clumps on leaves and stems.

    Like aphids, they use piercing-sucking mouthparts to extract plant juices, which causes chlorotic streaks that expand out from the feeding sites.

    You can scrape these pests off with an edged tool or by hand, or you can spray them with horticultural oil.

    A vertical image of a bottle of Monterey's ready-to-use horticultural oil in front of a white background.

    Monterey Horticultural Oil

    For some oil, try Monterey’s ready-to-spray horticultural oil, available in ready-to-use and concentrated forms at Arbico Organics.

    Learn more about scale insects in our guide.

    Spider Mites

    Nearly impossible to see with the naked eye, spider mites are tiny, bristly arachnids that extract plant fluids, like aphids and scale, which causes wilting, chlorosis, and stunted growth.

    Clumps of webbing will reveal their presence from afar, while a hand lens will highlight the individual pests.

    Insecticidal soap and neem oil are both effective forms of control, along with strong sprays of water to physically blast the pests off of plant surfaces. For the latter, be sure to take the specimen outside first!

    We’ve got more information about spider mites here.

    Disease

    Sterilizing your cutting implements, avoiding splashing the foliage, and promptly removing unhealthy leaves are all solid techniques for preventing possible infections.

    But for more specific disease prevention tips, read on.

    A quick note before you do, though: the following fungal diseases may be prevented by the use of fungicide sprays.

    If you opt to use them, be sure to take your specimens outside prior to application. If you’d rather not use them, no worries – cultural prevention can be just as effective.

    Fusarium Root and Stem Rot

    Caused by species of Fusarium fungi, Fusarium stem and root rot is promoted by overly wet and humid conditions.

    In conditions of high moisture, the fungus can attack the plant which causes dieback, loosening bark, and basal lesions. Internally, the woody tissue can become desiccated while the roots turn mushy and brown.

    Prevention is best achieved by ensuring adequate drainage and not overwatering. If a plant is found to be infected, go ahead and pitch it – it’s worth it in the long run.

    Phyllosticta Leaf Spot

    Thanks to a “spot” of Phyllosticta dracaenae fungi, the older leaves of specimens afflicted with Phyllosticta leaf spot will manifest small spots of a roundish, irregular shape, bordered with purple and surrounded by yellow halos.

    The spots hinder a plant’s ability to conduct photosynthesis, and are ugly to boot. Infected leaves should be pruned immediately. Excess water is a causal factor of this condition, so don’t forget to provide ample drainage and keep the soil from becoming soggy!

    Phytophthora Leaf Spot

    Caused by the fungus-like oomycete Phytophthora nicotianae, Phytophthora leaf spot causes the lower foliage to take on a water-soaked appearance and become riddled with patches of brown necrotic tissue.

    As this pathogen likes to hang out in the soil, you should dispose of the infected specimen, sanitize its container, and replace it with fresh growing media.

    As with the other diseases mentioned, reining in excess moisture makes a world of preventative difference.

    Best Uses for Hawaiian Ti Plants

    A ti plant can be used in all sorts of ways throughout the home. You can place it alone as a focal point, set it near another plant as an accent, or even group multiple specimens together in a beautiful colony!

    A horizontal image of the green and pink leaves of a Hawaiian ti plant growing among other green-leaved plants outdoors.

    And healthy leaves can make for a delightful addition to floral arrangements, if that sort of thing tickles your fancy.

    Quick Reference Growing Guide

    Plant Type: Broadleaf Evergreen Perennial Flower/Foliage Color: Lavender, pale yellow, pink, white / Purple to red, variegated
    Native to: North Australia, Southeast Asia, west Oceania Water Needs: Moderate
    Hardiness (USDA Zones): 10-12 Maintenance: Moderate
    Bloom Time: Spring to summer Tolerance Direct sun, light shade
    Exposure: Bright indirect light Soil Type: Tropical potting mix or 50:50 mix of peat moss/coconut coir and vermiculite
    Time to Maturity: 2-5 years Soil pH: 5.5-6.5
    Spacing: 18-24 inches Soil Drainage: Well-draining
    Planting Depth: Depth of root system (transplants) Order: Asparagales
    Height: 3-10 feet Family: Asparagaceae
    Spread: 2-5 feet Genus: Cordyline
    Common Pests and Diseases: Aphids, scale, spider mites; Fusarium stem and root rot, Phyllosticta leaf spot, Phytophthora leaf spot Species: Fruticosa

    For Instant Glee, Go With Some Ti

    No, not that musical dramedy television series – I’m talking about pure delight. The kind that you feel when you’ve got a beautiful Hawaiian ti plant livening up the place.

    A horizontal closeup of the dark purple, yellow- and white-striped leaves of a Hawaiian ti plant (Cordyline fruticosa).

    Fun to care for and even more fun to look at, the Hawaiian ti plant definitely deserves some real estate in your home. And after you gain some growing experience, you too will be singing its praises!

    Any questions, concerns, or remarks you have about growing C. fruticosa? Head to the comments section and let your fingers do the talking.

    Need some more houseplants to keep the tropical theme going? Then you’ll really want to add these to your indoor garden:

    Joe Butler

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  • Trending on Remodelista: Favorite New Finds for the Home – Gardenista

    Trending on Remodelista: Favorite New Finds for the Home – Gardenista

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    Sorry! As a registered member you get 10 free posts from our archive (posts more than a year old) every 30 days. You have reached your limit for this 30-day period. If you would like to access unlimited posts from the archive (ad free, too), become a subscriber today, and keep reading as many articles as you want.

    Full Access Individual Subscription

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  • Roselle Hibiscus Holiday Sauce

    Roselle Hibiscus Holiday Sauce

    Hibiscus Holiday Sauce is easy to prepare, versatile, and full of vibrant flavors that will make your festive dishes stand out.

    A New Favorite for the Festive Season: Hibiscus Holiday Sauce

    With the holiday season just around the corner, I’m always looking for ways to incorporate garden harvests into our holiday meals. Hibiscus Holiday Sauce has replaced traditional cranberry sauce at our house. I’d love for you to give it a try.

    A perfect blend of fresh hibiscus, zesty ginger, and juicy oranges, this sauce is delectably sweet and tangy and pairs perfectly with many dishes. The best part? It’s very easy to make.

    Hibiscus Holiday Sauce is easy to prepare, versatile, and full of vibrant flavors that will make your festive dishes stand out.

    If you have an abundance of roselle from the garden like me, here’s a fantastic way to make good use of them.

    Hibiscus Holiday Sauce is easy to prepare, versatile, and full of vibrant flavors that will make your festive dishes stand out.

    Roselle Hibiscus Holiday Sauce

    Ingredients

    • 1 cup water
    • 1/2-3/4 c sweetener (sugar, honey, etc.)
    • 1 cup fresh hibiscus (seed pods removed)
    • 1 cup chopped fruit (pear, apple, mango, or pineapple)
    • 2 tablespoons grated ginger
    • Juice and zest from one orange
    • Optional: cinnamon, allspice, or jalepeño to taste

    Directions

    1. Combine 1 cup of water and ½ – ¾ cups of sweetener in a medium saucepan. Bring to a simmer over medium-high heat, stirring until sugar dissolves.
    2. Add 1 cup of fresh hibiscus (remove the seed pod), and let it simmer until slightly thickened, stirring constantly.
    3. Next, add 1 cup of chopped fruit—pear, apple, mango, or pineapple.
    4. Use an immersion blender (if desired) and blend sauce lightly for a smoother consistency.
    5. Add 2 tablespoons of freshly grated ginger and the zest and juice of 1 orange.
    6. Optional: add cinnamon, allspice, or jalepeño to taste.
    7. Simmer over medium heat, stirring constantly until the sauce thickens.
    8. Remove from heat.
    9. Serve warm or chilled.
    10. Pour extra sauce into a glass jar—store sauce in the refrigerator for up to one month.
    Hibiscus Holiday Sauce is easy to prepare, versatile, and full of vibrant flavors that will make your festive dishes stand out.

    How to use Roselle Hibiscus Holiday Sauce

    This versatile Hibiscus Holiday Sauce complements a wide array of dishes. It’s delicious with turkey, roasted or grilled meats, and sweet veggies like squash and sweet potatoes. You can spread it on sandwiches or drizzle it over cakes, pies, and puddings. Try stirring it into yogurt or serving it with robust cheeses. It also makes a tasty topping for toast, muffins, pancakes, or waffles.

    Hibiscus Holiday Sauce is easy to prepare, versatile, and full of vibrant flavors that will make your festive dishes stand out.

    I highly recommend trying out this recipe if you have a garden full of fresh hibiscus. And if you have more roselle to use, check out my Roselle Citrus Tea recipe. It’s a zesty and refreshing drink that can be enjoyed hot or chilled.

    Roselle citrus tea can be enjoyed warm or cold. This tea is a delightful combination of tart and sweet flavors.
    Roselle Citrus Tea Recipe
    Pomegranate Jalapeño Cream Cheese Dip
    Pomegranate Jalepeño Cream Cheese Dip Recipe

    If you enjoyed this recipe for Hibiscus Holiday Sauce, please share it:


    Angela Judd

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  • 31 of the Best Sedum Varieties | Gardener’s Path

    31 of the Best Sedum Varieties | Gardener’s Path

    1. Angelina

    Mat-forming Sedum rupestre ‘Angelina’ has needle-like leaves in a bright shade of chartreuse, starry yellow summer blossoms, and reddish hues in the fall in the coldest regions. It prefers a full-sun placement.

    ‘Angelina’ is suited to Zones 5 to 8, where it grows to mature dimensions of four to six inches tall and 12 to 24 inches wide.

    ‘Angelina’

    Use as a companionable, weed-suppressing ground cover in bulb gardens. Sow it in the crevices between stones in rockeries and weave brilliant swaths of color across roof gardens.

    ‘Angelina’ is available from Burpee.

    2. Atlantis

    S. takesimense (syn. Phedimus kamtschaticus) ‘Nonsitnal,’ aka Atlantis™ is a ground-covering sedum with cream and green rosette-style foliage, yellow flowers in summer, and burgundy, purple, and red fall hues. It prefers full sun.

    Atlantis™ grows in Zones 4 to 9, reaching a height of four to six inches with a spread of 10 to 12 inches.

    A square image of the variegated foliage of Atlantis sedum growing in the garden.

    Atlantis

    With its variegated foliage, Atlantis™ is a showy specimen in beds, borders, and rock gardens.

    Atlantis™ is available from Nature Hills.

    3. Autumn Charm

    Sedum ‘Lajos’ (syn. Hylotelephium ‘Lajos’) aka Autumn Charm, is an upright, clumping variety with rosy late-season blooms and blue-green leaves with eye-catching cream margins. In autumn, the flowers deepen to a rich rust red.

    Plants grow in Zones 3 to 9 and reach heights of 14 to 18 inches with a spread of 12 to 18 inches. They have exceptional drought tolerance.

    A square image of the variegated leaves and red flowers of 'Autumn Charm' sedum growing in the garden.

    Autumn Charm

    The flattened, corymb flower heads make for a dense, uniform ribbon of color in beds and borders.

    Autumn Charm sedum is available from Nature Hills Nursery.

    4. Autumn Fire

    S. spectabile (syn. H. spectabile) ‘Autumn Fire,’ has an upright, clumping growth habit. Dense, rose-colored flower heads shade to coppery red in the fall.

    Plants grow well in Zones 3 to 9 and reach heights of 12 to 24 inches tall with an equally wide spread.

    A square image of 'Autumn Fire' sedum in full bloom growing in the garden.

    ‘Autumn Fire’

    Similar to ‘Autumn Joy’ described below, ‘Autumn Fire’ is exceptionally sturdy and drought tolerant.

    Showcase its bright blooms as bed specimens and in mass-planted borders.

    ‘Autumn Fire’ is available from Nature Hills Nursery.

    5. Autumn Joy

    Upright, clumping Sedum (syn. Hylotelephium) ‘Herbstfreude’ akaAutumn Joy,’ has flowers that shade from pink to rose-red to copper-red as the season draws to a close.

    Plants are suited to Zones 3 to 9. Heights range from 18 and 24 inches with an equal spread.

    A close up square image of a butterfly feeding from an 'Autumn Joy' sedum flower, pictured in bright sunshine.

    ‘Autumn Joy’

    Plants are sturdy and drought-tolerant, and show well planted en masse along walkways and as a specimen among other seasonal blooms.

    ‘Autumn Joy’ is available from Nature Hills.

    Learn more about growing ‘Autumn Joy’ in our guide.

    6. Blue Spruce

    S. reflexum (syn. Petrosedum rupestre) ‘Blue Spruce’ is a ground-covering sedum with blue-green, needle-like foliage that resembles the coniferous evergreen blue spruce tree. Yellow flowers bloom in the summer.

    Suited to Zones 3 to 9, it matures to a petite six to nine inches tall and 12 to 18 inches wide. Drought tolerance is noteworthy.

    A square image of 'Blue Spruce' sedum growing in the garden.

    ‘Blue Spruce’

    Mass plant in containers and along the fronts of borders.

    ‘Blue Spruce’ is available from Nature Hills.

    7. Brilliant

    S. spectabile (syn. H. spectabile) ‘Brilliant’ is an upright, clumping cultivar that prefers full sun.

    By late summer, pink flowers bloom and shade gradually to rust red and deep copper by season’s end.

    Plants grow in Zones 3 to 9, reaching heights of 12 to 24 inches with an equal spread.

    A square image of the bright pink flowers of 'Brilliant' sedum growing in the garden.

    ‘Brilliant’

    Plant individual clumps as specimens among late-season perennials, like asters and chrysanthemums.

    Mass plant in beds and borders for blocks of richly saturated color.

    ‘Brilliant’ is available from Nature Hills.

    8. Burrito

    S. morganianum ‘Burrito’ is a trailing sedum cultivar with short, rounded succulent leaves on long stems that spill over the side of hanging baskets and planters. Hardy in Zones 10 and 11.

    Also known as “baby burro’s tail,” this cultivar is sometimes listed as a separate species, S. burrito.

    It’s thought to be a sport of donkey’s tail, with smaller leaves and a more compact form.

    ‘Burrito’

    You can find plants in two-inch pots available from Succulents Box via Amazon.

    9. Cliff

    Cliff stonecrop, (S. cauticola, syn. H. cauticola), has gray-green foliage and pink flowers that bloom in the fall. It prefers a full-sun placement.

    A close up horizontal image of the light pink flowers and blue-green succulent leaves of Sedum causticola growing in the garden.

    Plants grow in Zones 4 to 9. Mature heights are a low-profile two to three inches. Widths are between eight and 12 inches.

    Best uses include roof gardens, ground covering between paving stones, fronts of beds and borders, and containers.

    10. Coppertone

    S. adolphi (syn. S. nussbaumerianum) aka coppertone stonecrop, is a low-growing, ground cover species that sports rosettes of two-inch, succulent, pointed leaves.

    A close up horizontal image of coppertone sedum growing in a container outdoors.

    In shady locations, the foliage is a yellowish-green color, but in a sunny spot the leaves take on a gorgeous coppery-red hue.

    Tiny star-shaped white flowers appear in spring.

    This species tops out at eight to nine inches tall and spreads two to three feet.

    It’s ideal for front of beds and borders, rock gardens, and in hanging baskets.

    A square image of a small potted coppertone sedum set on a wooden surface.

    Coppertone Sedum

    You can find coppertone sedum in 2.5-inch pots available from Hand Picked Nursery via Walmart.

    11. Coral Carpet

    S. album ‘Coral Carpet,’ aka white stonecrop, has a preference for full sun and tolerates poor, dry soil.

    The foliage is thick and needle-like, turning from green to reddish-brown in the fall. Summer blossoms are white to light pink.

    Suited to Zones 3 to 9, plants grow to a petite four to six inches tall and six to nine inches wide.

    ‘Coral Carpet’

    Best uses include naturalizing as a ground cover and placements in the fronts of borders.

    ‘Coral Carpet’ sedum is available on Amazon.

    12. Corsican

    S. dasyphyllum, or Corsican stonecrop, prefers full sun. It has gray-green foliage resembling thick flower petals that shade to purple with chilling or drought conditions.

    The flowers are white with pink accents.

    Plants grow in Zones 5 to 9 and reach a petite stature of one to two inches tall and six to eight inches wide.

    Corsican

    Naturalize as a ground cover; fill in niches in paths, rockeries, and walls; or sow in low-profile roof gardens.

    Corsican sedum is available on Amazon.

    13. Donkey’s Tail

    Donkey’s tail, S. morganianum, prefers full sun. It has tail-like foliage that resembles a burro or donkey’s tail.

    Mature dimensions reach an impressive four feet long and one and a half feet wide.

    These plants grow outdoors in Zones 10 to 11 and they are popular houseplants for all regions.

    A square image of a potted burro's tail succulent set on a wooden surface.

    Donkey’s Tail

    Let them spill over garden walls, hanging planters, and vertical green walls that emphasize the cascading tails.

    Donkey’s tail is available from Nature Hills.

    Our donkey’s tail growing guide has more information.

    14. Dragon’s Blood

    S. spurium (syn. P. spurius) ‘Dragon’s Blood,’ aka ‘Schorbuser Blut,’ prefers a full-sun placement and dry conditions. It has green leaves with red margins and pink late-season flowers.

    Suited to Zones 4 to 9, plants grow to low-profile heights of four to six inches with a spread of 12 to 18 inches.

    A square image of 'Dragon's Blood' sedum growing in the garden. To the bottom right of the frame is a black circular logo with text.

    ‘Dragon’s Blood’

    Best uses include naturalizing as a ground cover, and filling in wall crevices and border fronts.

    ‘Dragon’s Blood’ is available from True Leaf Market.

    It is also available from Nature Hills.

    15. Firecracker

    Sedum x Sunsparkler® ‘Firecracker’ prefers full sun and dry conditions.

    It emerges with mint green foliage that shades burgundy for the season. Pink flowers grace the upright stems from late summer to fall.

    This cultivar grows in Zones 4 to 10 and reaches petite heights of six to eight inches with an equal spread.

    A square image of Firecracker sedum with dark burgundy foliage and pink flowers growing in the garden.

    ‘Firecracker’

    With its deep hue, this little beauty makes a striking and unexpected ground cover for hard-to-mow slopes and an equally inviting edging for pathways.

    ‘Firecracker’ is available from Nature Hills.

    16. Firestorm

    S. adolphi Firestorm™ is a cultivated variety of the coppertone sedum, featuring greenish yellow pointed leaves with deep red edges.

    When planted in full sun locations, the foliage turns bright red.

    A close up horizontal image of the bright red foliage of Firestorm sedum growing in the garden.

    It’s a low-growing, ground cover type, with a height of just eight inches, and a spread of one to two feet.

    Firestorm™ is drought-tolerant and thrives in lean, well-draining soil. Hardy in Zones 10 and 11, it’s ideal in rock gardens and xeriscapes.

    17. Frosted Fire

    Upright, clumping ‘Frosted Fire’ is a variegated sport of ‘Autumn Fire’ that also boasts rosy flowers but has green leaves with cream margins.

    It prefers full sun and tolerates drought and salt.

    For Zones 3 to 9, ‘Frosted Fire’ grows to heights of 12 to 15 inches with a spread of 18 inches.

    A square image of 'Frosted Fire' with variegated leaves and a creamy-yellow flowers pictured in light sunshine.

    ‘Frosted Fire’

    Use it in hard-scrabble trouble spots beside paved areas and in salty, coastal regions.

    ‘Frosted Fire’ is available from Nature Hills.

    18. Frosty Morn

    S. erythrostictum (syn. H. erythrostictum) ‘Frosty Morn’ is an upright, clump-forming stonecrop with variegated foliage.

    The green, succulent leaves are edged in cream adding texture to beds and borders. In late summer, clusters of tiny pinkish-white flowers appear, lasting into fall.

    A close up horizontal image of 'Frosty Morn' sedum with fleshy variegated leaves growing in the garden.

    ‘Frosty Morn’ is hardy in Zones 3 to 9, and grows to a mature height of 10 to 12 inches, with a similar spread.

    It’s drought- and salt-tolerant, and prefers well-drained, lean soil in a full sun location.

    19. Golden Glow

    ‘Golden Glow’ is a hybrid, sometimes listed as S. adolphi. It sports thick, fleshy leaves that form loose rosettes on stems up to 12 inches long. The foliage is bright yellowish-green with orange edges.

    A square image of 'Golden Glow' sedum growing in small pot.

    ‘Golden Glow’

    It’s hardy in Zones 3 to 9 and enjoys a full sun location and well-draining soil.

    You can find ‘Golden Glow’ plants in two-inch pots available at Walmart.

    20. Goldmoss

    S. acre, aka goldmoss or biting stonecrop, grows low to the ground, forming mat-like clumps of deep green leaves and tiny yellow flowers.

    A horizontal image of goldmoss stonecrop (Sedum acre) growing in a rocky garden.

    Ideal as a ground cover in rock gardens, goldmoss sedum grows three inches tall and can spread up to two feet.

    Goldmoss will thrive in full sun to part shade, and prefers lean, well-draining soil.

    21. Jelly Bean

    S. x rubrotinctum, aka jelly bean plant or pork and beans, prefers full sun and dry conditions.

    It has plump, needle-style leaves that start green and shade red during the growing season.

    Long-term sun exposure enhances the red tones, and yellow flowers complement them in the summer.

    Enjoy jelly bean outdoors in Zones 10 to 11 and indoors in all regions. Mature heights are six to eight inches with a spread of eight to 12 inches.

    A square image of a jelly bean succulent growing in a small pot.

    Jelly Bean

    Jelly bean sedum shines in dry, pebbly areas where other plants fail to thrive.

    This species is available from Nature Hills.

    22. Lemon Coral

    Like ‘Angelina,’ S. mexicanum Lemon Coral®, aka ‘Lemon Ball,’ has needle-like chartreuse leaves and yellow summer blooms.

    However, its exceptional drought and heat tolerance and preference for dry soil make it well-suited to Zones 7 to 11, where it grows to a height of three to nine inches with a width of 12 to 24 inches.

    A close up square image of 'Lemon Ball' sedum growing in the garden.

    Lemon Coral

    Showcase this sedum variety in borders, containers, hanging planters, and sunny window boxes.

    Lemon Coral is available from Nature Hills.

    23. Lemon Drop

    ‘Lemon Drop’ is a hybrid that prefers partial shade. It has oval, scallop-shaped, spring-green foliage, and yellow flowers in late summer to fall.

    A close up square image of 'Lemon Drop' stonecrop with green leaves and yellow flowers growing in the garden.

    ‘Lemon Drop’

    Plants grow in Zones 4 to 9 and benefit from supplemental water if it doesn’t rain. Plants mature to a height of six inches with a width of eight to 12 inches.

    Display it in planters, borders, and beds.

    ‘Lemon Drop’ is available from Nature Hills.

    24. Lime Zinger

    Sunsparkler® ‘Lime Zinger’ sedum prefers full sun and is notably drought resistant. It has red-edged green foliage and late-season pink flowers.

    Plants grow in Zones 4 to 9. Mature dimensions are a petite four to six inches tall and six to eight inches wide.

    A close up square image of the fleshy green, red-edged foliage of 'Lime Zinger' sedum.

    ‘Lime Zinger’

    Its tolerance for poor soil, drought, and heat makes ‘Lime Zinger’ a useful ground cover in problem areas like gravelly driveway, roadway, and sidewalk edges.

    ‘Lime Zinger’ is available from Nature Hills Nursery.

    25. Mr. Goodbud

    ‘Mr. Goodbud’ is a hybrid sedum that prefers full sun and tolerates drought well.

    It is an upright, clumping variety with two-tone pink flowers that shade dark mauve. The flower heads are dense and exceptionally large.

    This cultivar thrives in Zones 4 to 9. It matures to 12 to 24 inches tall and wide.

    A square image of 'Mr Goodbud' stonecrop growing in the garden.

    ‘Mr. Goodbud’

    Display it as a specimen with other late-season flowers or mass plant along borders for a dramatic impact.

    ‘Mr. Goodbud’ is available from Nature Hills.

    26. October Daphne

    S. sieboldii (syn. H. sieboldii), aka October daphne is a low-growing sedum with a spreading growth habit.

    A close up horizontal image of October Daphne sedum with blue green leaves and pink flowers cascading over a stone wall.

    The blue-green leaves are borne on six- to 10-inch stems that trail attractively over the side of containers or stone walls.

    The stems grow outwards from a central crown, giving the plant a rounded appearance.

    In the summer, the foliage develops pinkish-red edging. Come fall, October daphne blooms with bright pink flowers. It’s hardy in Zones 3 to 9, and thrives in lean, well-draining soil.

    27. Purple Emperor

    ‘Purple Emperor,’ an S. telephium (syn. H. telephium) hybrid, prefers a full-sun placement. It has an upright, clumping growth habit, burgundy foliage, and pink summer-to-fall flowers.

    Plants are suited to Zones 3 to 9. Mature heights and widths are 12 to 24 inches.

    A square image of 'Purple Emperor' sedum growing in the garden.

    ‘Purple Emperor’

    Group with green-leafed annuals and perennials for a striking contrast in beds and borders.

    ‘Purple Emperor’ is available from Nature Hills.

    28. Sweet and Sour

    The foliage of S. kamtschaticum (syn. Phedimus kamtschaticus) ‘Sweet and Sour’ prefers full sun.

    The foliage starts out yellow and deepens to green for a variegated look that pops in summer gardens, especially when the yellow flowers bloom.

    A square image of 'Sweet and Sour' variegated sedum growing in a small pot outdoors.

    ‘Sweet and Sour’

    This petite cultivar grows in Zones 4 to 9, reaching mature heights of six to eight inches with a spread of 10 to 15 inches.

    Mass plant as edging around paved areas and patios.

    ‘Sweet and Sour’ is available from Nature Hills.

    29. Steel the Show

    S. cauticola (syn. H. cauticola) ‘Steel the Show’ prefers a full-sun placement. It has gray-blue foliage and rose-colored fall blooms.

    Suited to Zones 3 to 8, ‘Steel the Show’ reaches mature heights of six to eight inches with a spread of 14 to 16 inches.

    A square image of of 'Steel the Show' growing as a ground cover in the garden.

    ‘Steel the Show’

    Best uses include borders, edging, ground covers, and rock gardens.

    ‘Steel the Show’ is available from Nature Hills Nursery.

    30. Touchdown Flame

    Touchdown™ Flame is part of the Touchdown™ series of autumn stonecrops, bred by Terra Nova nurseries.

    It’s a S. telephium (syn. H. telephium) hybrid, with glossy leaves that emerge bright red and green before transforming to deep burgundy as the summer progresses.

    Compact plants top out at eight inches tall and bloom in late summer to early fall with creamy yellow flowers. It’s hardy in Zones 4 to 9, and is drought tolerant once established.

    It’s ideal for front of border placements or growing in containers.

    31. Vera Jameson

    ‘Vera Jameson’ is a naturally-occurring hybrid sedum, discovered by an English gardener of the same name.

    A close up horizontal image of 'Vera Jameson' sedum growing in a rocky garden.

    It forms attractive, nine- to 12-inch-tall clumps of purplish-green leaves, and blooms in mid- to late summer with light pink flowers.

    Hardy in Zones 3 to 9, ‘Vera Jameson’ appreciates sandy, lean soils and a full-sun location.

    Turn Up the Excitement

    If you haven’t tried sedum before, it’s time to add it to your garden planner.

    Low-profile, ground-covering varieties form a carpet of color that is dense enough to keep the weeds away but not too thick for spring bulbs to grow through.

    Use them in beds, borders, containers, rockeries, roof gardens, and vertical green walls.

    You’ll appreciate the summer blossoms and how well the foliage softens hard edges, fills in gaps, and inhibits erosion.

    A close up horizontal image of purple 'Mr Goodbud' sedum flowers growing in the garden, pictured on a soft focus background.

    Taller, upright sedums sport dense, flattened flower heads for ribbons of color that light up beds and borders with red, rose, and russet as the growing season winds down.

    It’s time to turn up the excitement in your outdoor living space with the richly-hued succulent foliage and starry blossoms of sedum.

    Do you grow sedum? What are your favorites? We invite you to tell us in the comments section below.

    If you enjoyed this article and have a passion for succulent plants, we recommend reading the following next:

    Nan Schiller

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  • Behind The Mower – Meet Steven

    Behind The Mower – Meet Steven

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    This week we are introducing Steven, a member of our Plant Health Care team. Steven is the right hand man of PHC manager, Richard and has been instrumental in keeping your plant material in tip top shape!

     

    This edition of #behindthemower is more of a #behindthetreatment version, considering Steven’s main focus on client’s properties. To learn more about these services visit the PHC page on our website! Plant Healthcare – Farmside Landscape & Design

     

    Steven joined the Farmside team during our Spring season of 2023 with a passion for plants and their general growth.  His proudest work is planting and fertilizing our client’s landscapes. Steven says, “Knowing the plants will be beautiful for years to come gives me joy.”

     

    When he isn’t caring for our client’s award winning landscapes, Steven can be found hiking, camping, skiing or just generally, outside!

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    “I appreciate that I work for a company with a friendly and professional attitude!”

    The post Behind The Mower – Meet Steven appeared first on Farmside Landscape & Design.

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  • in brandywine valley gardens, the du pont family legacy

    in brandywine valley gardens, the du pont family legacy

    IT’S HARD TO THINK of another place so rich with major gardens as the Brandywine Valley in Chester County, Pa., and an adjacent portion of Delaware. Five of those gardens have a historic connection—a family connection—as they were all by members of the du Pont family.

    A new book, “Du Pont Gardens of the Brandywine Valley” (affiliate link) portrays the story of those places, and its photographer and writer took me on some virtual visits to these must-see gardens.

    The book profiles five gardens created by generations of the du Pont industrial family—Longwood, Winterthur, and Mt. Cuba among them—in photographs by Larry Lederman and words by Marta McDowell, my guests.

    Read along as you listen to the Oct. 16, 2023 edition of my public-radio show and podcast using the player below. You can subscribe to all future editions on Apple Podcasts (iTunes) or Spotify or Stitcher (and browse my archive of podcasts here).

    the du pont gardens of the brandywine

     

     

    Margaret: Marta, it’s good to talk to you again. I haven’t talked to you in a while, but I hope all as well in both of your worlds. It looks like you two did some garden visiting, and certainly studying up on some of these gardens. Because wow, it’s a big book full of photographs and text as well.

    As I said in the introduction, the five gardens, it’s not like they’re related entities managed by the same organization or anything, are they? They’re related by human ancestry. Is that right, Larry?

    Larry: Yes. They have their unique histories and different branches of the family. I spent about a year and a half photographing them, and I went down every two weeks and stayed for two or three days. When I went down, I had a place at Longwood where I could stay. It was actually my COVID project, so I started in 2021 in the spring. I usually like to start in the winter, but I took two springs to do this, because spring is such an important part of the gardens and the process. So that’s basically the arc of it, the experience.

    Margaret: Right. Now, Marta, like Larry, you’ve both been to many gardens. I’ll ask both of you but I’ll ask Marta first: Do you guys think there’s any other that small an area geographically that really rivals the Brandywine Valley in terms of its… It has the nickname, “America’s Garden Capital,” right? It’s really amazing the riches of horticulture that are… I think there’s like 30 gardens within 30 miles of Philadelphia that are visitor-friendly types of places.

    Marta: It is one of those beacons, Margaret. There are beautiful gardens all around the world, but this is really a concentration. I have a friend who just came up from North Carolina, and she went just to that area, and I think in two days saw 10 gardens and sort of had total overload. But it’s doable there.

    Margaret: Yeah. Yeah. Larry, is there any other place you can think of that has such… I can’t come up with something, but…

    Larry: No, it’s interesting. When I was called to do this, the person who called me had been on the board of Winterthur [above], and he suggested one or two gardens, and I said all five of the public gardens, because they’re so close. But I realized that—it’s in the book—Marta says that these together are around 5 square miles. So if you think about it, it’s huge in its own way. And yet each is discreet, and you can see them, and each is diverse. So that, in a sense, your palette doesn’t get jaded by going to one garden and then another. Each is a different experience.

    Margaret: Yeah. So I want to talk a little bit about that. As you were just referring to, I think it says in the book that the five du Pont family gardens that are in this book cover more than 3,500 acres in total landscape, so between naturalistic areas, like woodlands and so forth, and formal gardens.

    Today we know these places as public gardens, but they were private homes in this different era of times. So let’s talk just a little bit scene-setting. Because I think you write in the book, Marta, that it wasn’t the first du Pont who came from France—was he E.I. du Pont; did he come in 1800? It wasn’t the first du Pont who made all these gardens. It was grandchildren or great-grandchildren, I forget, but descendants. So it was a long lineage of garden-makers. Is that right?

    Marta: Absolutely. They were all tree planters, I should say, and they all gardened to some extent. But the really great generation of garden-makers were those people in the really country-place era, so those first decades of the 20th century. The great du Pont fortunes had already been made, and they continued to work. So many of these garden-makers worked in various aspects of the du Pont Corporation. But they were exercising, I don’t know, they were flexingl they had this money, and this was one way that they expressed themselves, not the only way, but one important way.

    Margaret: Right. So history. From the start, and I can’t pronounce his proper name, but E.I. du Pont, when he came in January 1800, I think, to the United States, there’s a quote in the book that says he wrote a letter to someone and said, I guess back home or whatever, it said: “When I began building my establishment here, it was like settling in a back country. No road, no decent house, no garden.” And then he added, “Being without a garden was the greatest deprivation, and it’s the first thing that occupied my time.”

    So he was a determined garden-maker, for sure. Now, his garden, Larry, that is at Hagley, yes? [Above, the Crowinshield garden, at Hagley, is unrestored.]

    Larry: That’s Hagley. Yes. What’s interesting is that in the book, we show a picture of the stone barn they built, which is huge. It’s monumental. It’s a bank barn, so that you can drive up or get a cart up into the second floor and so forth. It was in fact, when they started, basically their home, which they shared with the animals, and then they branched out and built the house, and then years later, they built the office.

    Then the garden was very early, because they needed the food and the crops. So that in a sense, it’s a true American story in a way. It’s agrarian in that way. And yet, they then use the river to create this great industrial empire, because it is the power, that water power, which they use as the energy to move the mills, to move the turbines, and so forth.

    Margaret: Larry, as a photographer, looking at Hagley—I haven’t been there, but I’ve read a lot about it, and I’ve talked to the person who’s charged with bringing it back—its bones are there, but a lot of it’s in ruin, almost. It’s not  fancy… It doesn’t look like Longwood [laughter], let’s put it that way.

    Larry: Well, it’s actually the most enticing in its own way. It has its industrial history. I had not been expecting when I got there to see the ruin which the Crowninshield family had built. They had built a fantasy world, where they had this Italianate garden, and you walked down from the house, and you walked into a classical environment with a huge gate, which they had taken parts of from Italy and so forth.

    And they had statuary, and it has a classic quality to it, and it has an industrial quality to it, because they used the great iron steel cauldrons that were used in the mill to create ornaments and so forth.

    So I was surprised by it when I got there, and it was raining that day, or it had been raining, and it had this kind of quality to it. The air and the light had this quality to it, a fog and so forth, and mystery. And they said, “Oh god, the weather’s not very good.” I said, “No, this is magnificent.” [Laughter.] I said, “It’s a fairy tale, and this is a way to tell it.”

    Margaret: Yeah. So Marta, to write about it, it’s different from a lot of gardens, right? Because it’s not all gussied up. There are plants that still come back through all the overgrowth and whatever, things that were planted there a long, long time ago. This is an old garden, again, the remnant of an old garden. Right?

    Marta: The wonderful thing about Hagley is, it’s really two gardens, and they’re on two sides of the old homestead, if you will, the original du Pont house. Up the hill from the house, there’s this French potager, and it’s in beautiful condition because it was restored, I think in the 1970s. It’s still beautifully tended, just what you’d expect. The espaliered fruit trees, and beautiful pruning, and all very precise.

    Then if you go down the hill to the back of the house, you find this other garden that Larry’s describing, and it was created over 100 years after the first one. So again, this is the one created by that first du Pont, E.I. du Pont’s great-granddaughter—I’ve got my generations confused, too—and her husband, the Crowninshields.

    It’s really, really magical. As Larry said, it’s either fairytale, or to me, it was kind of haunting. It’s vaguely in ruin. It’s a feeling in a garden that I have not had often. There was the the Lost Gardens of Heligan, which I saw once in Cornwall. It’s really nothing I’ve seen in the U.S. So it’s got so much potential. And as you say, part of this magic is, in the spring, the bulbs that Louise Crowninshield planted still come up and bloom. Some of the trees are there, so that’s very cool.

    Margaret: Yeah, it’s very, very crazy. Yeah.You hinted at it before, Marta, you said something about “they were all tree-planters.” But I was thinking as I looked through the book and read through the book that it’s not just horticulture, and this was horticulture on a grand scale at these estates, but there’s also arboriculture. There’s the love and the care of trees and so forth. So Larry, as someone looking at these places, figuring out how to showcase them in photography, trees are such an important signature of these gardens, and they’re also such big characters in any photograph, yeah? So you must have had quite a time. There’s a lot of pictures that involve important trees, and allees of trees, and so forth. Yes?

    Larry: Well, yes. Well, I started photography because I got an interest in trees, and I just loved them. I once thought I would make an inventory of the trees I had on my property, but I’m not an inventory kind of person. Somebody said to me, “Why don’t you get a camera and take pictures of them?” So I went out and bought a camera, and that’s how I actually started. I developed my interest in photography, and then I did a book on the trees of the New York Botanical Garden, because that was my real interest before I started doing gardens, the whole garden. [Above, at Nemours.]

    So when I got down to Wilmington and looked at the trees, I couldn’t believe it. The basis for Longwood was Peirce’s Woods, which was a couple of hundred years old before Pierre bought it. And he bought it because he wanted to save the trees, and they had planted all kinds of specimen trees. So I had a field day there.

    Then Winterthur has these wonderful trees, poplars, that are huge, and so does Mt. Cuba. In a way, I hadn’t seen trees like this before. The New York Botanical Garden has an allee of poplars, and because they’re all in a group, they wound up very, very branchy. But these trees really grow to the sky, and in the 19th century, they used to make masts for sailing ships.

    So it gives you a sense of what was there, and what was there for the purposes of photography. Then in Winterthur, the one thing that Henry did was he created what was called the March Bank. He under-planted all these trees so that when March and the spring starts, the woodland just starts to become a fairy land.

    Margaret: Yes, it does. It certainly does. It’s famous for that. Anyone who’s a garden lover should make a trip to this area, if only for that in the spring. But there’s so much spring going on. So you mentioned Pierre, and you mentioned Henry. So let’s just quickly, Marta, maybe you can help us, let’s just go through the five quickly, the five gardens. We’re talking Pierre du Pont and Henry du Pont and so forth. So we started with E.I. du Pont, who came from France in 1800, and he made the garden, built the place at Hagley and so forth. And that was the beginning. So the other four, who’s who in this mix?

    Marta: O.K., so we’ll go to Pierre. Pierre Samuel du Pont created Longwood. His cousins included Henry Francis du Pont, who created Winterthur, and Louise du Pont Crowninshield, who created that other garden at Hagley. As well as Alfred du Pont, who creates Nemours.

    Then one generation down, you have Lammot du Pont Copeland, who with his wife, Pamela Copeland, creates Mt. Cuba. So that’s the gang.

    Margaret: So formality to informality, I am going to guess that… And again, none of them is informal. These are all grand places relative to how most of us live [laughter]. But I’m going to guess that I would put Mt. Cuba as the least formal landscape in a way, of all of these. And I don’t know which one I would say is the most formal. How would you guys rate them, which are…

    Larry: Well, in terms of formality, Nemours [above] is at the top, because it’s a French garden. French garden.

    I would say, as a woodland garden, which is interesting, I would say Winterthur is probably the most interesting of the gardens, as a woodland garden. Mt. Cuba, I would say, ranks next to it in that regard, because it has woodlands and natural lands. There’s about a thousand acres. And so that’s how I would rate it on that basis.

    And Hagley is the least. It’s basically a family garden, really, and a museum in part. Did I cover everybody? I think I covered everybody. Yes. Longwood is a display garden. Pierre was a showman, so Longwood is a display garden. It has wonderful woods, it has everything. But the centerpiece is the fact that it has idea gardens and walks of flowers. In the book, you’ll see as far as the eye can see, there are photographs showing flowers.

    Margaret: Yeah, yeah, no. I want to spend some of our time or a lot of our time that’s remaining talking about what you guys take away from doing a project where you focus on gardens of this scale and laden with this much history and so forth. Because obviously, again, most of us don’t have a landscape of this scale or of this history or any of the degree of formality in these.

    So what are some of the things that—and Marta, we can start with you, we can go back and forth—really you think, “Wow, O.K., my place is really different, but that’s a lesson for me.” What are some of the takeaways that stand out in your mind?

    Marta: I’m going to start with the hardest one [laughter], I think, and that was Nemours, which, it’s a French garden. So that isn’t my style of gardening, in this kind of, I don’t know, Versailles-esque style. Yet when I think about it, what Nemours offers—and a careful walk through Nemours, not just looking at the view and then going inside and saying, “O.K., we’re done,” but walking through—you find things that reveal themselves one at a time.

    So you walk down this grand vista, and all of a sudden, you come to this maze garden, which wasn’t visible from above. Or you go down this grand allee of trees, the approach to the house, and you look to the side, and you realize that they’ve opened up windows, if we want to use a fancy word, it’s like “fenestrated,” where you get this peek, and you go, “Yeah, I could do that in my garden,” by positioning shrubs and trees in a certain way, or maybe putting up a trellis so that you have to go around it. So that’s one takeaway from Nemours.

    Margaret: O.K. So that’s kind of a hide and reveal; “Don’t let me see the whole picture all at once.” That reminder for a gardener in any scale. O.K.

    Marta: Absolutely.

    Margaret: Yeah. Larry, do you have one that sticks out for you?

    Larry: Yeah, well, I start this way, not being trained at all [laughter]. So I ask the questions, do you walk, or do you sit? Is there a journey? The use of water? In other words, is there a bridge to cross? Do shrubs make rooms? And is there a place where you have a retreat that’s totally closed to you, and you can contemplate? So that’s the way I look at it.

    Then the gardens sort of fit into that kind of experience. So you take Nemours, it’s basically a grand surprise. You start at the top, and you have the sense, as Marta said, of having seen everything. But as you walk down what’s called “the long walk,” everything gets revealed.

    In Longwood [above], you go from display to display to display to display. So it’s not really a… But there are lots of places to sit. So you can get there, you can walk, and you can sit.

    What’s interesting about Mt. Cuba [above], I think of it as a series of concentric circles. Around the house, there’s a formal garden where you can sit. Then as you move past the center and move out into the periphery, and as you radiate out, you get to a meadow, and then you get to a pond, and so forth. So there’s a kind of a surprise there as it changes. And the sense is, as the family spread its wings, all these things began to develop.

    And with Winterthur, what you have is, you have something which is decorated, but it is playful. For example, the Sundial Garden used to be the tennis court, and Henry couldn’t resist pulling it up and planting it. And there are all these gazebos around, so that you always have a sense of where things are in relation to everything else. So he organizes in a sense that garden, which is huge, by monuments in different places as far as you can see.

    Margaret: I think for me, looking through the book, and all your great photographs, Larry, and reading the stories you’ve told of each garden, Marta, the other thing I feel is the power of formality against a naturalistic… As we’ve talked about, each of these places also has some woods or something; there are some parts that are less structured, less formal. The power of formality: It’s something that as we get wilder in our gardens and focused more on natives and so forth, I think it makes a great juxtaposition, even in a loose meadow, to have some formal element. Do you know what I mean?

    Marta: Absolutely. So you take Mt. Cuba. Mt. Cuba does such a stellar job of studying and displaying plants of the Piedmont region, and yet it also has composition and focal points, right? It has something that draws your eye into it. It’s got paths that move you through it. As Larry says, you’ve got places to sit. It’s definitely got the compositional elements that we would call more formal. So that’s the thing to remember. Sometimes I see people doing valiant efforts at native-plant gardens or native-plant yards, and they haven’t quite remembered that part.

    Margaret: Right, the structure. Right. Well, I could talk to you about these beautiful gardens a lot longer, but we’ve run out of time [laughter], and I want to congratulate you both. Larry, congratulations for making this happen, and Marta, for bringing it to life with the words, because the stories of these gardens are very interesting as well. So thank you both for making time today. I really appreciate it.

    (All photos by Larry Lederman, from the book. Used with permission.)

    prefer the podcast version of the show?

    MY WEEKLY public-radio show, rated a “top-5 garden podcast” by “The Guardian” newspaper in the UK, began its 14th year in March 2023. It’s produced at Robin Hood Radio, the smallest NPR station in the nation. Listen locally in the Hudson Valley (NY)-Berkshires (MA)-Litchfield Hills (CT) Mondays at 8:30 AM Eastern, rerun at 8:30 Saturdays. Or play the Oct. 16, 2023 show using the player near the top of this transcript. You can subscribe to all future editions on iTunes/Apple Podcasts or Spotify or Stitcher (and browse my archive of podcasts here).

    margaret

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  • When to Plant Hyacinth Bulbs: Advice on Timing and Planting

    When to Plant Hyacinth Bulbs: Advice on Timing and Planting





















    When to Plant Hyacinth Bulbs: Advice on Timing and Planting












    Tara Nolan

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  • Last Call for SCRUBFEST II | The Survival Gardener

    Last Call for SCRUBFEST II | The Survival Gardener

    This is it! Saturday is SCRUBFEST II in Orange Springs, Florida, at the amazing Scrubland Farmz Nursery.

    Hope to see you there. Even if you don’t get tickets ahead of time, you can still buy them at the gate.

    Safe travels.

    Share this post!

    [ad_2] David The Good
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  • Late Summer in Patsy’s Garden – FineGardening

    Late Summer in Patsy’s Garden – FineGardening

    We’re visiting with Patsy LaHue today.

    My husband and I (80 and 84) have been gardening in Grand Junction, Colorado, since 1976, when the hill was nothing but 2,000 elm tree twigs. My husband and I have spent many fun hours moving rocks, planting trees, and digging holes. I tend to move plants around a lot because I am always looking for the perfect combination. We’re in Zone 6, and our average rainfall is 7 inches a year. Needless to say, we have supplemental water for our flowers. I have been featured on the GPOD once before (Patsy’s Tiered Garden), and thought I would send pictures from late summer.

    Echinacea (Zones 5–9) with a cactus sculpture

    garden bed with various sedums and ornamental grassThis section of the garden features several types of sedum, including Sedum ‘Autumn Joy’ (Zones 3–9), which is my favorite plant. It looks good year-round and does not require much maintenance.

    close up of tiered garden bed with brick wallsThere are three different garden levels, with a path between the second and third levels.

    bright red rose in front of tiered garden bedA sculpture presides over the brick wall that makes up one of the terraces, with a red rose blooming below.

    various red flowers in the gardenRed Crocosmia and Echinacea bloom on the lower level, while white datura (Datura sp., annual) shows off above.

    bright pink Phlox next to bright yellow flowersPatsy has had this beautiful phlox (Phlox paniculata, Zones 5–9) for so long that she’s lost the name of the variety. What great color and what beautiful, healthy foliage.

    large Stachys foliage in the garden‘Helen von Stein’ lambs’ ears (Stachys byzantina ‘Helen von Stein’, Zones 4–8) boasts extra large leaves.

    bright red flowers in the gardenRed cannas (Canna hybrid, Zones 8–10 or as a tender bulb), Sedum, Echinacea, and a red rose bush

    white and yellow flowers in the gardenMostly white flowers look great combined with a cheery yellow Rudbeckia triloba (Zones 4–8).

     

    Have a garden you’d like to share?

    Have photos to share? We’d love to see your garden, a particular collection of plants you love, or a wonderful garden you had the chance to visit!

    To submit, send 5-10 photos to [email protected] along with some information about the plants in the pictures and where you took the photos. We’d love to hear where you are located, how long you’ve been gardening, successes you are proud of, failures you learned from, hopes for the future, favorite plants, or funny stories from your garden.

    Have a mobile phone? Tag your photos on Facebook, Instagram or Twitter with #FineGardening!

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    GPOD Contributor

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  • Easy DIY Halloween Decorations: Floating Brooms

    Easy DIY Halloween Decorations: Floating Brooms

    The Ohio-based homeware store, A.J, Soseby sells “everyday tools for the home that are meant to be seen.” At this time of year, shopkeepers Adam and Jonathan take that dictum quite literally by displaying their wooden brooms on the exterior of their nearby Victorian home.

    An understated seasonal display of brooms at ‘The Witches’ House.’ On the top floor, a trio of hand brooms adorn the windows.
    Above: An understated seasonal display of brooms at ‘The Witches’ House.’ On the top floor, a trio of hand brooms adorn the windows.

    Their turreted home occupies a prominent plot in Old Town East and is known locally as “The Witches’ House.” “With this title, it only made sense to create a parking lot for all the brooms,” explains Adam.

    The couple sourced the brooms from Home Depot.
    Above: The couple sourced the brooms from Home Depot.
    Even the birdhouse has its own miniature ride.
    Above: Even the birdhouse has its own miniature ride.
    Curious about the exterior house paint color? You’ll have to wait. “The paint color was created by me,” says Adam. “We’re working with a paint vendor hoping to create it for market.
    Above: Curious about the exterior house paint color? You’ll have to wait. “The paint color was created by me,” says Adam. “We’re working with a paint vendor hoping to create it for market.
    Installation day.
    Above: Installation day.

    The annual installation also provides the owners with a chance to spruce up their evergreen exterior: “We love the idea of simple installation,” says Adam. “We use screws to affix the brooms to our home. At the end of the season we remove the brooms, patch and paint the areas. We use this as an opportunity to apply a fresh coat of paint to highly trafficked areas of our home.”

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