‘A Year in Bloom’: The New Book’s Contributors’ Share Their Favorite Bulbs to Naturalize in the Spring

The new book A Year in Bloom has a great premise: Ask some of the world’s top garden people to talk about their favorite bulbs, thus solving one of gardeners’ biggest dilemmas—which of the many, many bulbs out there to plant. And the beautifully packaged results come as a relief, as the trend is mainly toward less artifice and less effort when it comes to bulbs.

Written and compiled by Lucy Bellamy (former editor of Gardens Illustrated) and photographed by Jason Ingram (the best in the business), the book’s contributors offer insights that make for a fun read. Not all of their comments made it into the book—and we have some of them here. Let’s take a look.

Photography by Jason Ingram.

Daffodils that look like they might have been shown at the RHS exhibition halls in Westminster 100 years ago are the ones with the right look, and yellow is not to be shied away from. Of Narcissus ‘Bath’s Flame’ (above left), Lucy writes, “Over recent years there has been a trend for more delicate forms of narcissus that sit easily in semi-wild plantings, and ‘Bath’s Flame’ is at once just wild and just cultivated enough.”

Narcissus ‘White Lady’ was chosen by admired Irish plantsman Jimi Blake, who told Lucy: “This variety was originally grown as a cut flower back in 1898. It’s pure elegance on a stem, with its pristine white petals and soft yellow cup with a delicious scent. I grow this in a border with other simple narcissus such as ‘Polar Ice’, ‘Thalia’ and ‘Segovia’. The other nominee for N. ‘White Lady’ was your own Gardenista correspondent—me. They were in the old-fashioned cottage garden of my elderly next door neighbor, and they began to drift into mine, with some help.

Lucy points out that bulbs that are good for naturalizing also look quite “natural.” Crocus are small, and they shine in the low-key surroundings of dried leaves, and under the bare limbs of shrubs and trees. There is no need to bundle up the leaves of daffodils after flowering, or tie them into neat knots; the simpler forms tend to have more demure foliage, which disappears into lengthening grass as the season progresses. It’s best to leave them alone anyway, so that seeds can disperse, and bulbs can spread underground. When they appear year on year, they are “emulating the patterns they make in nature.”

The hooped petticoat-shape of Narcissuc bulbocodium is the same yellow hue as other spring flowers, including daffodils, but its character is altogether different. Described by California landscape designer Ron Lutsko as “steadfast and cheerful,” it benefits from being away from the throng. “It is best grown in pots as a single-species group, to give the opportunity of closely observing the flowers.”

Delightfully named Narcissus pseudonarcissus is the diminutive wild daffodil of the Wye Valley and Welsh Borders, and it’s also the “go-to choice” for Sissinghurst’s head gardener, Troy Scott Smith. James Basson, garden designer and a Chelsea Flower Show star who is based in the French Alpes-Maritimes, says: “These daffodils revel in the stone cracks of karst landscapes [featuring eroded limestone], and they push through the snow to shout out in bright yellow.” This was the second most nominated bulb.