If you go to hear Pat­ti Smith in con­cert, you expect her to sing “Beneath the South­ern Cross,” “Because the Night,” and almost cer­tain­ly “Peo­ple Have the Pow­er,” the hit sin­gle from Dream of Life. Like her 1975 debut Hors­es, that album had a cov­er pho­to by Robert Map­plethor­pe, whom Smith describes as “the artist of my life” in Just Kids, her mem­oir of their long and com­plex rela­tion­ship. A high­ly per­son­al work, that book also includes the text of the brief but pow­er­ful good­bye let­ter she wrote to Map­plethor­pe, who died of AIDS in 1989. If you go to hear Smith read a let­ter aloud, there’s a decent chance it’ll be that one.

“Often as I lie awake I won­der if you are also lying awake,” Smith wrote to Map­plethor­pe, then in his final hos­pi­tal­iza­tion and already unable to receive any fur­ther com­mu­ni­ca­tion. “Are you in pain, or feel­ing alone? You drew me from the dark­est peri­od of my young life, shar­ing with me the sacred mys­tery of what it is to be an artist. I learned to see through you and nev­er com­pose a line or draw a curve that does not come from the knowl­edge I derived in our pre­cious time togeth­er. Your work, com­ing from a flu­id source, can be traced to the naked song of your youth. You spoke then of hold­ing hands with God. Remem­ber, through every­thing, you have always held that hand. Grip it hard, Robert, and don’t let it go.”

Smith speaks these words in the Let­ters Live video at the top of the post, shot just a few weeks ago in The Town Hall in Man­hat­tan. “Of all your work, you are still your most beau­ti­ful,” she reads, “the most beau­ti­ful work of all,” and it’s clear that, 35 years after Map­plethor­pe’s death, she still believes it. That may come across even more clear­ly than in Smith’s ear­li­er read­ing of the let­ter fea­tured here on Open Cul­ture back in 2012. As the years pass, Robert Map­plethor­pe remains frozen in time as a cul­tur­al­ly trans­gres­sive young artist, but Pat­ti Smith lives on, still play­ing the rock songs that made her name in the sev­en­ties while in her sev­en­ties. And unlike many cul­tur­al fig­ures at her lev­el of fame, she’s remained whol­ly her­self all the while — no doubt thanks to inspi­ra­tion from her old friend.

Relat­ed con­tent:

Pat­ti Smith Remem­bers Robert Map­plethor­pe

Vin­tage Footage Shows a Young, Unknown Pat­ti Smith & Robert Map­plethor­pe Liv­ing at the Famed Chelsea Hotel (1970)

Pat­ti Smith’s Award-Win­ning Mem­oir Just Kids Now Avail­able in a New Illus­trat­ed Edi­tion

Pat­ti Smith Reads Oscar Wilde’s 1897 Love Let­ter De Pro­fundis: See the Full Three-Hour Per­for­mance

Pat­ti Smith Doc­u­men­tary Dream of Life Beau­ti­ful­ly Cap­tures the Author’s Life and Long Career (2008)

The Life and Con­tro­ver­sial Work of Pho­tog­ra­ph­er Robert Map­plethor­pe Pro­filed in 1988 Doc­u­men­tary

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Colin Marshall

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