It takes a special musician to suddenly kick things into a higher gear about a decade into her recording career, but on her 2020 neo-disco breakthrough “What’s Your Pleasure?” the British pop singer Jessie Ware proved to be one of those rare gems. That release was going to be a tough one to follow, let alone top — and then came “That! Feels Good!,” a record of such effervescent joy that even its punctuation makes me grin. This new album continues her streak of lovingly detailed, sumptuously atmospheric dance music, but it’s not just “What’s Your Pleasure? II.” Ware’s fifth album has a vampy sonic ’tude all its own (cut through with a hint of new-wave sass) as you can hear on the electric and immaculately titled dance floor anthem “Freak Me Now.” (Listen on YouTube)

A good Foo Fighters song makes me want to give Dave Grohl a lozenge. Or maybe I shouldn’t, because there’s something distinctly powerful (… Grohlian?) about the way he can sound like he’s shredding his vocal cords beyond repair while still staying effortlessly in tune. I do not know how he does it, but it sounds very cool. On June 2, Foo Fighters will release “But Here We Are,” their first album since the untimely death of the drummer Taylor Hawkins, and if the first single “Rescued” is any indication, some of these songs are going to be about processing that tragedy, and at least one of them is going to make me cry. (Listen on YouTube)

Kieran Hebden, the British electronic musician who records as Four Tet, has been a known quantity in the relatively niche world of underground dance music for the past two decades, but he’s recently been getting some mainstream attention thanks to his appearances D.J.ing with the somewhat strange bedfellows Fred again.. and Skrillex. (The Three Caballeros of EDM? The Haim of EDM? I’m still workshopping a nickname.) The meditative “Three Drums” is proof that he’s not going pop just yet, though: The song contrasts live-sounding percussion with glowing gradients of synth sounds that unfurl like a sunrise. It’s bliss. (Listen on YouTube)

Avalon Emerson is known primarily as a techno D.J., but you wouldn’t guess that from listening to the serene and glacial “Entombed in Ice,” from her new album “& the Charm.” In some sense, she’s reinventing herself as a dream-pop singer-songwriter, but even her D.J. mixes had a kind of smeary intimacy that carries over into this latest release. I like the way she layers her murmured vocals, giving off the impression that the listener is eavesdropping on a conversation she’s having with herself. (Listen on YouTube)

“True Love,” from the French singer-songwriter Christine and the Queens, is a skeletally arranged low-burner, but it suddenly bursts forth with melodramatic pathos as Chris shifts into a sublime hook. “Angel of light, take me higher,” he sings in a trembling voice. “You’re making me forget my mother.” Not to leave you with a cliffhanger, but that’s a decently foreshadowing hint about the theme of Friday’s playlist. Till then! (Listen on YouTube)

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