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  • Avatar Fire and Ash Box Office Collection Day 10: James Cameron’s movie surpasses THESE two sci-fi movies of all time, earns… | Bollywood Life

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    Avatar Fire and Ash Box Office Collection Day 10: James Cameron’s movie surpasses THESE two sci-fi movies of all time, earns…










































    The Avatar movies continue to be profitable long after their theatrical debuts, and they often do better internationally than just domestically (Fire & Ash made $57.6M in China, somewhat more than The Way of Water’s opening weekend).

    Avatar Fire and Ash Box Office Collection Day 10: James Cameron's movie surpasses THESE two sci-fi movies of all time, earns...

    Avatar Fire and Ash Box Office Collection Day 10: James Cameron appears to be on a roll. The third instalment of his Avatar franchise, Avatar: Fire & Ash, raked in $64 million over the Christmas weekend, thereby continuing its run as the top-grossing movie, and that amount does not include the $88 million that has already been collected since last Thursday. So, Avatar 3 is now officially more successful than the other two sci-fi masterpieces- Interstellar and Dune: Part Two.

    The highest-grossing science fiction films of all time are still the original Avatar movie and Avatar: The Way of Water. This could see Fire & Ash claiming the number one position in the box office for the year 2026 and beyond because its predecessors had the same 7-week consecutive reign and a well-deserved win since the film received a lot of love from the fans.

    Avatar Fire and Ash box office collection day 10

    The overall collection of Avatar: Fire and Ash are still very good. The movie has collected around Rs 137.65 crore net within ten days. The extraordinary collections of the last few days stood as a reason to give a strong opening to this movie, because of which, despite a hold pace witnessed in the second week, the overall collections of this movie can be considered satisfactory. As far as the presence of the audience and occupancy is concerned, the overall English occupancy of the film on Sunday was calculated at 48.31, with morning shows at 28.42%, afternoon shows at 62.63%, and further increasing the evening shows at 68.92% and night shows at 33.27%

    Avatar 3 worldwide collection

    The science fiction epic Avatar: Fire and Ash, directed by James Cameron, is still doing well at the box office worldwide. Through the second weekend, the third instalment in the popular Avatar trilogy has surpassed $750 million globally and is approaching the coveted billion-dollar club.

    Can Avatar Fire and Ash Pass $1B?

    It’s really likely. The Avatar movies continue to be profitable long after their theatrical debuts, and they often do better internationally than just domestically (Fire & Ash made $57.6M in China, somewhat more than The Way of Water’s opening weekend). Also, they continue to accelerate throughout the holidays for a considerable period of time; as of Christmas, Fire & Ash had reached the $500 million milestone.



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  • Dharmendra DIES at 89: Chiranjeevi, Ravi Teja. Allu Arjun mourn the loss of ‘remarkable human being’ | Bollywood Life

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    Dharmendra DIES at 89: Chiranjeevi, Ravi Teja. Allu Arjun mourn the loss of ‘remarkable human being’










































    Veteran Bollywood star Dharmendra died on Monday, November 24, 2025. Numerous Bollywood stars expressed their condolences on social media for the Sholay actor, while several South Indian figures also grieved his passing.

    Dharmendra DIES at 89: Chiranjeevi, Ravi Teja. Allu Arjun mourn the loss of 'remarkable human being'

    Esteemed Bollywood actor Dharmendra died on Monday, November 24, 2025. His death has not just shocked the film industry, but the whole country, and everyone is mourning his death. Many Bollywood celebrities like Kriti Sanon, Akshay Kumar, and others took to social media to pay tribute to the late actor, and even South Indian celebrities mourned the veteran actor’s death.
    Allu Arjun tweeted, “Deeply saddened to hear about the passing of Legendary actor #Dharmendra ji. A legend who touched millions of hearts . My heartfelt condolences to the family, friends and fans (sic).”

    The RRR actor Jr NTR wrote, “Deeply saddened to hear about the passing of Dharmendra ji… An era he defined can never be replaced and the warmth he brought to Indian cinema will stay with us forever. My heartfelt condolences and prayers to the entire family (sic).”

    Ravi Teja tweeted, “Dharmendra ji was one of the warmest, most genuine souls I’ve ever had the privilege of meeting. His passing leaves an irreplaceable void in Indian cinema, and we have lost a legend with a golden heart. My deepest condolences to his family during this painful time (sic).”

    Chiranjeevi wrote, “Sri Dharmji was not only a legendary actor but also a remarkable human being. The humility and warmth I experienced every time I met him deeply touched my heart. I will forever cherish the fond memories and personal moments I shared with him. My heartfelt condolences on his passing. May his noble soul rest in eternal peace. My thoughts and prayers are with his family, especially my dear friends Sunny Deol and Bobby Deol. His legacy will continue to live on in the hearts of millions. Om Shanti (sic).”



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  • THIS actress was Shah Rukh Khan’s ‘mother-in-law’ and Juhi Chawla’s…, but still she could never… | Bollywood Life

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    THIS actress was Shah Rukh Khan’s ‘mother-in-law’ and Juhi Chawla’s…, but still she could never…












































    This actress was recognized for strong maternal roles in Hindi films. However, tired of monotonous roles, she exited acting in 2006 after a 26-year career.

    THIS actress was Shah Rukh Khan's 'mother-in-law' and Juhi Chawla's..., but still she could never...

    Maya Alagh, a celebrated actress in Indian cinema, is recognized for her powerful representations of motherly characters in both film and television. From portraying Amrita Singh’s mother in Aaina (1993) to Aishwarya Rai’s mother in Umrao Jaan (2006), her roles made an impact, but her career concluded way too silently.

    Maya Alagh started her acting career in 1980, and throughout the 26 years, she established a profession characterized by powerful, emotional performances, mostly as a mother. Her character in Aaina, as the mother of Amrita Singh and Juhi Chawla, was especially unforgettable. Her portrayal of a powerless mother while her daughter flees from home struck a chord with viewers.

    In Guddu (1995), she played the role of Shah Rukh Khan’s mother-in-law, a performance that received critical praise.

    A Remarkable Career, But Overlooked

    Although she collaborated with prominent figures like Shah Rukh Khan, Akshay Kumar, Ajay Devgn, Hrithik Roshan, and Aishwarya Rai, Maya Alagh never attained the broad acclaim her skills warranted.

    Her body of work consists of more than 25 films and 10 television series, but her name has slipped from public awareness.

    An Unexpected Exit From The Limelight

    Maya Alagh withdrew from acting following the debut of Umrao Jaan in 2006. While no formal explanation was provided, she allegedly became weary of being given monotonous roles.

    This signified a sudden conclusion to a fruitful and emotionally profound career that lasted over twenty-five years.

    A Tradition Of Impactful Displays

    While she may no longer grace screens, Maya Alagh’s legacy endures through the memorable roles she brought to life. Her portrayals of mothers, strong, emotional, and deeply human, remain some of the most heartfelt in Hindi cinema.
    Though now largely forgotten by the mainstream, her contribution to Indian film and television remains significant.




























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  • The 14th Annual South Asian International Film Festival Announces Its Glittering 2017 Film Line-Up

    The 14th Annual South Asian International Film Festival Announces Its Glittering 2017 Film Line-Up

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    The World Premiere of ‘LONG LIVE BRIJ MOHAN’ Officially Kicks Off the Festival on Wednesday, Dec. 13, at 7:30 pm. at Sunshine Cinema, NYC

    The South Asian International Film Festival, presented by HBO, is celebrating its 14th year by showcasing the very best in South Asian independent cinema to the New York City cinephile community with all screenings taking place at Landmark Sunshine Theater at 143 East Houston Street in the East Village, New York City. With over 50 percent world premieres this year and over 25 percent North American premieres, along with three New York premieres and one international premiere, SAIFF ’17 takes on epic proportions with critically acclaimed filmmakers, international actors and celebrated film personalities in attendance. Additionally, there will be an inaugural Opening Night Presentation hosted by the New York film industry. With star-studded premieres, thought-provoking interactive sessions, networking opportunities for industry professionals and Tinseltown members from both corners of the world, SAIFF ’17 promises to be a cultural force to reckon with.

    The festival throws open its doors with the opening night world premiere of Long Live Brij Mohan, before going on to showcase its centerpiece film Na Maloom Afraad 2 and celebrates a successful close to its 14th year with the New York premiere of Ribbon on the closing night with cast and crew in attendance.

    OPENING NIGHT FILM: Long Live Brij Mohan
    Directed by Nikhil Nagesh Bhat / 2017 / India / In Hindi (with English subtitles)
    Narrative Feature / World Premiere / 105 mins.
    Wednesday, Dec. 13, 7:30 p.m.
    Brij Mohan, a hosiery shop owner in a busy middle-class market in Delhi, is fed up with his ball-crusher wife and mounting debts. In a desperate attempt to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi … but in the process, ends up committing a botched-up murder. He then runs off with his younger girlfriend, hopeful of making a new beginning. But instead, as luck would have it, he finds himself trapped in a web of his own karma.

    CENTERPIECE FILM: Na Maloom Afraad 2
    Directed by Nabeel Qureshi / 2017 / Pakistan / In Urdu (with English subtitles).
    Narrative Feature / North American Premiere / 118 mins.
    Saturday, Dec. 16, 7:30 p.m.
    Na Maloom Afraad 2 is an upcoming sequel to the 2014 Pakistani hit thriller film Na Maloom Afraad. The leading cast returning includes Fahad Mustafa, Javed Sheikh, Mohsin Abbas Haider and Urwa Hocane, along with Hania Amir in the lead and Marina Khan in her debut performance. The film is a hysterical comedy of errors when an extravagant Sheikh arrives in Cape Town with his precious and infamous “Gold Pot” – a toilet bowl made of gold! The Pot mistakenly finds its way to the three misfits – who call themselves Na Maloom Afraad – and are clueless about what to do with it. The movie unfolds as the South African police, smugglers and the Sheikh’s entourage start looking for the Gold Pot as the three misfits do their best to escape unscathed.

    CLOSING NIGHT FILM: Ribbon
    Directed by Rakhee Sandilya / 2017 / India / In Hindi (with English subtitles).
    Narrative Feature / New York Premiere / 105 mins.
    Sunday, Dec. 17, 7:30 p.m.
    After a sudden pregnancy, a young urban couple is overwhelmed by their baby girl and discover that parenthood comes with its own challenges. And it takes more than just love to stick through all of life’s curveballs.

    SAIFF 2017’s Feature Competition line-up includes the following highly anticipated titles:

    Mona Darling   
    Directed by Shashi Sudigala / India / 2017 / In Hindi (with English subtitles)
    Narrative Feature / International Premiere / 111 mins.

    In English We Say
    Directed by Harish Vyas / India / 2017 / In Hindi (with English subtitles)
    Narrative Feature / World Premiere / 104 mins.

    Half Widow
    Directed by Danish Renzu / India / 2017 / In Urdu (with English subtitles)
    Narrative Feature / World Premiere / 91 mins.

    Maacher Jhol 
    Directed by Pratim D. Gupta / India / 2017 / In Bengali and French (with English subtitles)
    Narrative Feature / New York Premiere / 108 mins.

    Code Name Abdul 
    Directed by Eshwar Gunturu / India / 2017 / In Hindi (with English subtitles)
    Narrative Feature / North American Premiere / 114 mins.

    SAIFF 2017’s Feature Spectrum line-up includes the following highly anticipated titles:

    Azad
    Directed by Rehan Sheikh / Pakistan / 2017 / In Urdu (with English subtitles)
    Narrative Feature / World Premiere / 121 mins.

    Coma Café
    Directed by Avi Vasu / India / 2017 / In English and Hindi (with English subtitles)
    Narrative Feature / North America Premiere / 104 mins.

    SAIFF 2017’s Short Film & HBO Competitors line-up includes the following highly anticipated titles:

    Please Don’t Call The Cops
    Directed by Kartikye Gupta / United States / 2017 / In Hindi (with English subtitles)
    Narrative Short / World Premiere / 15 mins.

    Safeword (HBO Competitor)
    Directed by Mukesh Vidyasagar / United States / 2017 / English
    Narrative Short / World Premiere / 3 mins.

    Cobbler’s Dream (HBO Competitor)
    Directed by Sydney Chandrasekara / Sri Lanka / 2017 / In Sinhalese (with English subtitles)
    Narrative Short / World Premiere / 15 mins.

    Diwal’oween (HBO Competitor)
    Directed by Shilpa Mankikar / United States / 2017 / English
    Narrative Short / World Premiere / 33 mins.

    The Pits (HBO Competitor)
    Directed by Shetu Modi / Canada / 2017 / English
    Narrative Short / New York Premiere / 6 mins.

    The Language of the Ball (HBO Competitor)
    Directed by Ramón Rodríguez / United States / 2017 / English
    Narrative Short / New York Premiere / 9 mins.

    The Fourteenth (14th) Annual South Asian International Film Festival runs from Wednesday, Dec. 13, 2017, to Sunday, Dec. 17, 2017, in New York City. For additional information on SAIFF 2017, including screening dates, locations, featured guests and ticketing information, please visit www.saiff.org.

    2017 Festival Sponsors & Patrons: HBO, SANA, ZEE CINEMA, Air India, Microsoft, The New York Times and 20+ South Asian community organizations and associations.

    About SAIFF: 
    The South Asian International Film Festival (SAIFF) is a 501(c)(3) not-for-profit organization dedicated to supporting South Asian/Indian filmmakers in the U.S. seeking maximum visibility and absolute distribution. SAIFF was founded in New York City due to the lack of support for emerging filmmakers and the overall underrepresentation of Indian cinema in a capital that is recognized by the world as the birthplace of independent filmmaking. The festival is committed to exhibiting films from South Asia (i.e. India, Pakistan, Sri Lanka, Bangladesh and Nepal) and within the Indian diaspora. For more information, visit www.saiff.org.

    About HBO:
    Home Box Office Inc. is the premium television-programming subsidiary of Time Warner Inc., providing two 24-hour pay television services – HBO and Cinemax – to over 40 million U.S. subscribers. The services offer the most popular subscription video-on-demand products, HBO On Demand and Cinemax On Demand, as well as HBO on Broadband, HD feeds and multiplex channels. Internationally, HBO’s branded television networks, along with the subscription video-on-demand products are highly sought after for its exclusive content. HBO programming is sold in over 150 countries worldwide. For more information, visit www.hbo.com.

    Press and Media Contact:
    Shalinee Khemraj
    Phone: 646-330-4172
    Email: press@saiff.org

    Source: South Asian International Film Festival

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