Fargeat: The thing that is quite philosophically funny is that once we finished shooting the apartment, we destroyed the set and we built this theater in the same…
Read more How Do You Make ‘The Substance’? Start With “a Volcano of Blood”The film opens with generous portraits of many of the characters we’ll later follow in the mountains, as they lead relatively calm and fulfilling lives. Our main narrator…
Read more In ‘Society of the Snow,’ Precise Historical Recreation Meets Deeply Spiritual InterpretationJonathan Glazer reveals how he used AI, thermal photography, ambitious visual effects, and more to create a Holocaust film unlike any other. David Canfield Source link
Read more A Deep Dive Into The Zone of Interest’s Chilling Presentation of EvilWriter-director Andrew Haigh and his DP take Vanity Fair inside the making of their acclaimed film’s most striking scenes—from the sexiest to the saddest to, yes, the strangest.…
Read more The Heartbreaking Confessions, Hot Sex, and Sweaty Nightclubs of ‘All of Us Strangers’Yeoman: It’s very difficult to try to blend comedy and grief in the same scene. Jason was able to portray both things within the scene. We shot it…
Read more How ‘Asteroid City’ Became Wes Anderson’s Most Visually Ambitious Movie YetThis shot marks the first moment we see Gracie and Elizabeth in a mirror together, as they gather for a day of graduation-dress shopping for Gracie’s daughter, Mary…
Read more Inside Todd Haynes’s Twisted, Ingenious Vision for ‘May December’Green: This was one of the few frames we didn’t storyboard. We didn’t know that the glass break would be that big enough of a hole to be…
Read more How ‘The Royal Hotel’ Pulls Off the Most Potent Cinematic Tension of the YearIn the fourth season, Midge takes a job as comic emcee at the Wolford, a burlesque club in Manhattan. In the season finale, for which Mullen received his…
Read more Behind The Marvelous Mrs. Maisel’s Dazzling, Innovative CinematographyThe Emmy winner is joined by D.P. Nicola Daley to dive deep into standout shots from the visually striking show, a showcase of Moss’s transition from top-tier actor…
Read more Inside Elisabeth Moss’s Gorgeous, Rigorous Direction of ‘The Handmaid’s Tale’The availability of the Dresden Philharmonic, the group which stands in for Lydia’s fictional orchestra, was tight—so tight, in fact, that production had to begin with their scenes…
Read more The Images of Tár: “I Felt Like I Had to Really Step Up and Deliver Here”If there’s one international feature that has the potential to break through with multiple Oscar nominations this year, it’s looking more and more likely that it will be…
Read more The Images of ‘All Quiet on the Western Front:’ Using Light to Capture the Darkness of WarPeele: Hoyte, I want you to be able to describe as much of the technique here as you want to. There was a brief period where I offered Hoyte…
Read more The Images of ‘Nope’: How Jordan Peele Captured the ImpossibleIn a film that happens almost exclusively from Paul’s point of view, Johnny’s home life is viewed only briefly, and when he stays in Paul’s backyard, Paul seems…
Read more How ‘Armageddon Time’ Became a Ghost StoryDaniel Kwan and Daniel Scheinert, collectively known as the Daniels, first met cinematographer Larkin Seiple when they worked on a music video for Foster the People’s 2012 song “Houdini.” The most ambitious…
Read more The Images of ‘Everything Everywhere All at Once’: Absurdity, Authenticity, and a Lot of Improvisation
