[ad_1] One of the most insightful movies ever made about movies, Billy Wilder’s Sunset Boulevard (1950) had former silent film star Gloria Swanson…
[ad_1] The Voice has been covering New York’s Comic Con since its debut, in 2006. The event occupied a small slice of the…
[ad_1] Back in the days of all-girl dorms, my friends and I often passed around a copy of Playgirl. Immersed in feminism, we had…
[ad_1] How do you sell the presidency to voters? New York–based artists Antoni Muntadas and Marshall Reese have posed this question for decades, compiling…
[ad_1] We lucky New Yorkers get a boost in stretching out those last days of perhaps the most fun season (barring wildfires, floods,…
[ad_1] A contemporary film reviewer’s most brutal challenge: taking on an origin-story biopic about him — He Who Shall Not Be Named —…
[ad_1] A bro-comedy director, a Method-y actor, and a pop star walk into a bar — and that’s as close to a joke…
[ad_1] You could be forgiven for thinking initially that the new German film The Universal Theory, with its epic Alpine vastness, sweeping historical…
[ad_1] A look-at-me bid for outrageousness that fairly oozes with unironic vanity, Coralie Fargeat’s The Substance does whatever it can to make news:…
[ad_1] And so it comes to pass that the Sundance indie generation of filmmakers, now mostly in their reflective 50s, have sometimes taken…
[ad_1] To paraphrase the late Dave Hickey — one-time Austin art dealer, Nashville lyricist, Art in America editor, roving music scribe, and Nevada-based…
[ad_1] It’s a sweltering Monday afternoon when Richard Lange walks into El Compadre, a cavernous, dimly lit Mexican restaurant decorated with Christmas lights,…
