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  • The 25 Best Pop Songs Of 2025: Taylor Swift, Sabrina Carpenter, Olivia Dean, & More!

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    2025 was truly the best year in pop music we’ve had in a while! It seems like artists are simply locking back into what makes a true pop song and mastering that art. Narrowing this list down to simply 25 songs was quite the challenge, but we think this list is the best of the best throughout all facets of pop music! From Olivia Dean and Chappell Roan to Greyson Chance and so many more, let’s jump in!

    Taylor Swift – ‘The Fate of Ophelia’

    There is no way to talk about the great pop resurgence of 2025 without highlighting The Life of a Showgirl by Taylor Swift. For us, the entire album is full of examples of a true-to-form pop song, but we had to choose to highlight ‘The Fate of Ophelia’ due to it being inescapable since its release. This song is pure ear candy, and will get stuck in your head for hours even after just hearing a few seconds.

    Olivia Dean – ‘Man I Need’

    Olivia Dean is taking the pop music world by storm with ‘Man I Need,’ and to us that makes perfect sense. In anyone else’s discography, ‘Man I Need’ would be an easy career highlight, and yet, it’s one of many songs on Olivia’s most recent album, The Art of Loving, that blew us away upon the first listen and could have easily taken this spot.

    Sabrina Carpenter – ‘House Tour’

    Man’s Best Friend is stacked top to bottom with pop gold, but after listening back through the album, ‘House Tour’ had to be our choice! Everything from that infectious chorus to the “my house is on pretty girl avenue” line made this one of those songs that will soundtrack nights out for us through the foreseeable future.

    Jonas Brothers – ‘Love Me To Heaven’

    The Jonas Brothers have been experts at the pop music game since Nick first uttered the words ‘red dress’ back in 2008, so it’s no surprise to us that they are only getting better and better 17 years later. Their newest record, Greetings From Your Hometown, had an obvious stand-out to us the first time we listened, and that was ‘Love Me To Heaven.’

    Audrey Hobert – ‘Phoebe’

    Who’s The Clown? by Audrey Hobert was truly on an endless loop here at THP! Upon first listen, it was automatically clear that we were witnessing the artistic birth of someone who had a crystal clear understanding of how to bring themselves through in the music, be specific while staying relatable, and develop a sound that was particularly hers. We could have easily put any song from the album here, but ‘Phoebe’ is a forever favorite of ours!

    Greyson Chance – ‘Waiting Outside The Lines ‘25’

    No, we are not trying to transport you back to 2011, but there is so much beauty in taking a certified nostalgia-packed hit and reimagining it with years of life lived and heightened vocal ability to back it up. We can’t help but have a permanent smile on our face listening to this track and diving into Greyson’s current catalog (which everyone should do themselves the favor of doing)!

    Jensen McRae – ‘Novelty’

    If you asked us what album impacted us the most this year, one of the easiest answers would be I Don’t Know How But They Found Me! Anyone who has dived into Jensen’s discography knows what a savant she is. Her relationship to her pen is one of one, and this album may be the best example of that in her discography so far. ‘Novelty’ is the song that immediately jumps out at us as a must-listen.

    Lady Gaga – ‘How Bad Do U Want Me’

    Lady Gaga is synonymous with pop music at this point. She has always had the skill on lock, and in many ways, has influenced so much of what the modern genre looks like. MAYHEM was a true return to form for Lady Gaga, and showed that her knowledge and talent with the pop music world has never faltered. ‘How Bad Do U Want Me’ is an instant smash and is still on repeat.

    5 Seconds of Summer – ‘NOT OK’

    We will forever preach our love for 5 Seconds of Summer and how they get better with every release! (If you didn’t know, this band is literally why THP exists!) EVERYONE’S A STAR came out just over a month ago and is the band’s most ambitious, larger-than-life project yet. But of course, every element was nailed perfectly. Each of the guys has so many standout moments, but there are even more moments when it is so clear why they continue to make music together: everything flows seamlessly.

    Sadie Jean – ‘She’s Dating My Boyfriend’

    Sadie Jean is the exact singer-songwriter your playlist is in need of, and we had to highlight a track off her debut album, Early Twenties Torture! Every song on this record feels like Sadie had a insider’s look at our deepest thoughts and struggles, was able to turn them poetic, and then put them to music. That skill of relatability is rare. ‘She’s Dating My Boyfriend’ is our favorite example of that peek inside our minds.

    Laufey – ‘Lover Girl’

    Laufey has seamlessly blended the worlds of pop and jazz music and made a fusion that leaves us regularly at a loss for words. A Matter of Time is Laufey’s most recent album. And upon our first listen, it was clear that this is a generational album, one of those records where anyone who gives it a chance will fall in love with it. ‘Lover Girl’ is our favorite song off the record, so we had to highlight it!

    Amber Mark – ‘Let Me Love You’

    Amber Mark is the pop star you’ve been looking to add to your playlists! If you’re a fan of artists like Sabrina Carpenter and Olivia Dean, Amber’s album, Pretty Idea, and specifically our favorite track, ‘Let Me Love You,’ is going to be right up your alley! We are predicting that 2026 is going to be a huge year for Amber! And with music of this quality, it makes complete sense!

    Justin Bieber – ‘Yukon’

    ‘Yukon’ was one of our most-streamed songs of the year; it’s that serious to us! SWAG, for us, felt like Justin coming back into his own, making the music that feels true to form. With ‘Yukon,’ that infectious chorus we’ve come to know and love from Justin Bieber is the shining star, which definitely adds to why we are constantly playing this track on a loop.

    Lydia Night – ‘The Bomb’

    You may know Lydia Night from her time with the band The Regrettes, but trust us when we say she has turned into a full-blown solo pop star. Lydia released her debut album, Parody of Pleasure, back in August, and all thirteen songs are expertly crafted! ‘The Bomb’ has been a standout since we first dove into this album. The song is playful and reminiscent of early 2000s pop.

    Role Model – ‘Sally, When The Wine Runs Out’

    Obviously, ‘Sally, When The Wine Runs Out’ has taken the world by storm this year, so there was no way we weren’t going to give Role Model his flowers. We haven’t heard a chorus quite as infectious as ‘Sally, When The Wine Runs Out’ in quite a long time. It’s impossible not be in an instant good mood when it hits.

    Myles Smith – ‘Stay (If You Wanna Dance)’

    If you were as obsessed with Myles Smith’s ‘Stargazing’ as we were, then ‘Stay (If You Wanna Dance)’ is the perfect addition to your playlists! Myles is someone who you continue to find new things about his artistry to dig into with each listen.

    Zara Larsson is a pop star in the truest sense of the word. Her entire album, Midnight Sun, is a pop masterclass, in which she’s the only person equipped to teach. When we first heard the title track ‘Midnight Sun,’ we knew that this was a whole new ball game in terms of pop music, and that we would take every opportunity to praise what Zara is doing with her artistry.

    HAIM – ‘Relationships’

    This song is pure ear candy and truly a discography highlight from one of our favorite trios! The chorus has serotonin woven into every line and lyric. And it makes us want to be out at night in the city with friends, dancing to every word. Their most recent album, i quit, is chock-full of tracks where you will see these themes.

    Conan Gray – ‘Vodka Cranberry’

    Conan Gray was born to make the exact music he’s making right now. He releases such infectious pop tracks with lyrics that both feel true to self for Conan and still connect deeply with his audience. ‘Vodka Cranberry’ blew up this year, and to us, it only makes perfect sense. This is a solidified hit.

    Tate McRae – ‘Sports Car’

    If you didn’t know, Tate McRae is a name that we have been screaming from the rooftops since we got to interview her years ago (which you can read here!). Tate blends musicality with dance seamlessly to draw people into who she is as a musician. ‘Sports Car’ and its visual components showcase exactly why Tate has quickly become a household name.

    Avery Cochrane – ‘Shapeshifting On A Saturday Night’

    Hailing from Seattle, Avery Cohrane is bound to be the name you can’t escape this next year in pop music! This year, she released her track, ‘Shapeshifting on a Saturday Night,’ and blew us away with the established pop sound she was crafting. If you’re a fan of artists like Chappell Roan or Olivia Rodrigo, we think you will love Avery!

    Addison Rae – ‘Headphones On’

    It’s no secret that Addison Rae has had a massive year. From the success of ‘Diet Pepsi’ and her tour to her debut album, Addison, everything about her career so far has been the beginning of a pop star who will be talked about and celebrated for years to come. For Addison, pop is a true work of performance art, following in the footsteps of the likes of Britney Spears. ‘Headphones On’ off her debut album summarizes everything we love most about Addison as an artist.

    Reneé Rapp – ‘I Think I Like You Better When You’re Gone’

    We yell the chorus to ‘I Think I Like You Better When You’re Goneat truly astronomical levels. Everything about this track resonates with us. Something that Reneé Rapp never fails to do is draw the listener in and weave her story in a way that feels relatable to others. On top of the lyrical content of the song, Reneé’s vocals are otherworldly here.

    Demi Lovato – ‘Joshua Tree’

    The 2025 version of Demi Lovato is the only artist who could craft an album like It’s Not That Deep. This record is a amalgamation of someone who has gone through it all. Someone who has experienced hardships and heartache and is in the complete opposite space now. And a lot of it is backtracked with songs you want to be in the club dancing to. That’s the duality of pop and of Demi, and it’s beautiful. To us, ‘Joshua Tree’ best represents the album as a whole.

    Chappell Roan – ‘The Subway’

    Ending our best 2025 pop songs with one that is still inescapable like ‘The Subway’ only felt right. Chappell Roan is a once-in-a-lifetime artist. She creates with such intention and really takes her time with each project, which comes through in the music. ‘The Subway’ will be looked at years from now as one of the great songs of the decade.

    Check out more of our end of year coverage here!

    We would love to hear from you! What is your favorite pop song of 2025? Is it something off the new Taylor Swift album? Maybe a Conan Gray song? Or an Olivia Dean song? Let us know by commenting below or by tweeting @TheHoneyPOP! We are also on Facebook, Instagram, and TikTok!

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    Hailey Hastings

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  • Remi Wolf Blows the Doors Off White Oak Music Hall

    Remi Wolf Blows the Doors Off White Oak Music Hall

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    A peek at videos on social media of the Austin City Limits Festival last weekend can quickly demonstrate the power of this new generation of female pop singers. Chappell Roan played to a massive sea of people who all seemed to know the words to her songs.

    Remi Wolf may not have the massive stage show, backup dancers and costumes of Roan or Sabrina Carpenter or Renee Rapp, but man, does she have the pipes to stand toe-to-toe with any of them. And the energy. She brought both to White Oak Music Hall Thursday night in front of an absolutely jam packed crowd (mostly women) who knew Wolf’s material like the ACL crowd knew Roan’s “Hot to Go!”

    Originally, the show was scheduled for the lawn and with temperatures in the 70s, that seemed like a great plan. But, for reasons unknown, we all crammed inside instead. In truth, everyone was better for it. The intimacy it provided seemed almost tailor made for Wolf’s entire vibe.

    I first encountered Wolf, 28, the way most people find music now: on TikTok. It was a raucous, insanely energetic live version of her song “Quiet on Set” from her debut full-length album, Juno released in 2021. Her music is a quirky mix of modern pop, funk and indie rock, and her voice ranges from an almost cloying affected Betty Boop cuteness (she wore a Boop T-shirt this night) to upper register wailing worthy of Janis Joplin or Freddie Mercury. On record, all of her music education (she attended the USC Thornton School of Music) shines with modern production and tight musicianship (think indie rock Lizzo with a side of Prince). On stage, she is a tiny blur of loud, frenetic energy, a rock star with pop songs that everyone wants to dance to.

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    Remi Wolf at White Oak Music Hall.

    Photo by Violeta Alvarez

    In a near constant haze of fog machine smoke, Wolf twirled and gyrated her way through an electric set of songs heavily weighted towards her July release Big Ideas. Standing on the edge of the stage, she said that this recent album was very personal, written in a short time after a long stretch of touring. “Alone in Miami,” she explained, was written about a week she spent with “crypto bros” in Florida, partying and “wearing Gucci head to toe.”

    Lyrically, she is incredibly frank, wildly clever, and pretty damn funny. Performing, she is a dynamo, constantly bouncing and dancing across the stage yet not once having that exertion compromise her jaw dropping vocals. Several songs in, she asked the crowd to perform a series of exercises with her designed to connect her and the audience. I wondered if maybe she just needed to warm up because the stamina one would need to get through this performance was remarkable.

    Backed up by a relatively simple setup of drums, percussion, bass, keys and a pair of guitars, it felt positively pedestrian compared to other artists of her genre. But, it was that simplicity that made it so refreshing. Sans huge light shows and carefully choreographed dance moves, the band just dug in and rocked complete with (shock) extended guitar solos and the occasional funny pre-planned moments — at one point bassist Maddie Jay joined Wolf at the front of the stage to shake their booties in unison directly in the faces of breathlessly screaming fans.

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    Remi Wolf (left) at White Oak Music Hall.

    Photo by Violeta Alvarez

    The energetic peak of the show was “Sexy Villain” followed by a delightful cover of Tom Cochrane’s “Life is a Highway.” Then came an improvisational moment for the band when Wolf asked the audience for a word they could use to create a song on the spot. She recently was forced to sing a song about “Poo” in Atlanta, apparently.

    Well, if only H-Town had chosen poo. At first, someone shouted “Houston” to which the audience rightfully booed. The next request, however, nailed it: foreskin. So, Wolf and bandmates put together a song roughly called “Foreskin in Houston” featuring Wolf singing the lyric “it is nasty and it’s your fault” while pointing at the offending party who gave her the idea. After her foray into foreskin, Wolf probably wishes she could go back to poo.

    By the time she reached some of her more well-known tunes like crowd favorite “Disco Man” and pop anthem “Soup,” the audience was in a full dance party frenzy. The singing and cheers were deafening, easily as loud as the band, and Wolf was enthralled.

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    Remi Wolf (right) at White Oak Music Hall.

    Photo by Violeta Alvarez

    So often, pop singers are so carefully crafted that the fun can be missing. Not for Wolf. If there was one defining feature of her performance, it was the smiling, from her band to her crowd to her own face. It was a goddamn party and, for one night, we were all invited.

    Her next stop is Austin for ACL this weekend and a date with an outdoor stage (this time for real). Roan, Carpenter and others found massive followings after seminal performances at festivals like Austin’s annual Zilker Park extravaganza. This could be Wolf’s moment. She certainly deserves it. If you are going, do yourself a favor and pile in front of the stage for Wolf’s slot, Saturday night before Rapp, Houston’s own Khruangbin, and headliner Dua Lipa.

    It will absolutely not disappoint.

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    Jeff Balke

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  • ‘I have so many issues with our government in every way’: Chappell Roan confirms why she hasn’t endorsed Kamala Harris for president

    ‘I have so many issues with our government in every way’: Chappell Roan confirms why she hasn’t endorsed Kamala Harris for president

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    The influence of celebrity when it comes to election races should not be underestimated, and it isn’t something new either. The 2024 Presidential Election has seen celebrities come out in droves to voice their support for their candidate, but artist Chappell Roan is not getting involved.

    Vice President Kamala Harris has seen a huge turnout from the celebrity crowds as she runs for office, with online sessions such as White Dudes for Harris seeing the likes of Jeff Bridges, Mark Ruffalo, and Mark Hamill turn up to endorse her. The big golden goose that many were hoping, and fearing, would join the discussion was Taylor Swift, whose influence is not to be sniffed at. The artist has tried to steer clear of making a public decision in the past, but after Trump won the 2016 election she has been a lot more vocal, and has thrown her immense influence behind Harris.

    Of course, some celebrities wish to remain clear of the whole ordeal, either for their own privacy or, in Roan’s case, because they don’t have faith in the government in general. The singer has rocketed to fame in the last year, having just finished her tour in the UK over the previous weekend. Her hit song ‘Femininomenon’ has been co-opted by the Harris campaign which has called for a “femininomenon” at the polls, sharing images alongside images of Trump and Harris on their social media.

    Speaking to The Guardian about her position on the upcoming election, Roan stated,

    “I have so many issues with our government in every way. There are so many things that I would want to change. So I don’t feel pressured to endorse someone. There’s problems on both sides. I encourage people to use your critical thinking skills, use your vote – vote small, vote for what’s going on in your city.”

    The singer has also declined an invitation to the White House to perform at its Pride event, telling crowds at the Governor’s Ball festival in June, “We want liberty, justice, and freedom for all. When you do that, that’s when I’ll come.” Roan is a staunch ally of LGBTQ+ issues and trans rights, with £1 for every UK tour ticket sold going to the charity Kaleidoscope Trust. She states that her biggest hope for change is “Trans rights. They cannot have cis people making decisions for trans people, period.”


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    Laura Pollacco

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