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Tag: tower

  • Graffiti-tarnished towers in downtown L.A. remain in limbo

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    Early last year, vandals breached fencing, climbed dozens of flights of stairs and painted bold, colorful graffiti on the exterior of three unfinished high-rises that make up the abandoned Oceanwide Plaza development.

    The so-called Graffiti Towers — visible from great distances on the 110 Freeway and looming over thousands of visitors attending events across the street at Crypto.com Arena — were expected to be sold in a bankruptcy auction a year ago.

    But the long-running bankruptcy sale of downtown Los Angeles’ most spectacular eyesore drags on with no clear end in sight. Experts blame a confluence of factors, including high interest rates, rising construction costs and delays in attracting viable bidders.

    Construction on what would have been one of the city’s most notable landmarks, with high-rise housing, a hotel and a shopping center, halted in 2019 when Beijing-based conglomerate Oceanwide Holdings ran out of money to pay contractors after spending $1.2 billion on the complex that fills a large city block on Figueroa Street.

    Business leaders have expressed alarm that the graffiti some find artistic will prove embarrassing when global attention is focused on the World Cup next year and the Summer Olympics in 2028.

    Resolution of the Oceanwide Plaza saga also can’t come soon enough for many downtown stakeholders who see the graffitied towers — rising as high as 49 stories — as a dark presence besmirching the city and sending a negative message about the neighborhood.

    “The Graffiti Towers have worldwide infamy at this point,” said Cassy Horton, co-founder of the DTLA Residents Assn. “It’s like this beacon that shines and says, ‘Come create mischief down here and you won’t get in trouble. This is the spot to do it.’”

    A rendering of proposed advertising signs on the Oceanwide Plaza towers in downtown Los Angeles that are now covered with graffiti.

    (HansonLA)

    The graffiti is likely to remain until a new owner takes on the painstaking task of removing it.

    More than a year ago, a federal judge set a Sept. 17 auction of the property, saying there were several potential bidders. The winner of the auction ultimately wasn’t able to come up with the promised purchase price and negotiations commenced with other bidders.

    The real estate broker managing the sale, Mark Tarczynski of Colliers, declined to comment on the status of the sale but told real estate publication the Real Deal recently that two real estate development companies, one from the U.S. and one from abroad, are now competing as bidders. He said he anticipates closing the deal by the end of the year.

    The purchase price, which would be used to pay creditors including general contractor Lendlease and EB-5 visa investors, would just be the beginning of expenses for the new owner. Estimates to complete the project reach $1 billion, even though it is about 60% completed.

    Challenges to get it done include market conditions that are hamstringing other planned real estate developments. Builders complain of high interest rates for borrowing money to finance construction.

    New tariffs are driving up the cost of imported construction materials while raising uncertainty about how long the tariffs may last or what new ones may arise. Labor costs have also been increasing in recent years, and the recent Immigration and Customs Enforcement raids have added a destabilizing effect on the construction labor pool, industry observers have said.

    Los Angeles architect Douglas Hanson, who designed the 35-story Circa apartment complex next to Oceanwide Plaza, has an idea to shield people’s gaze from the graffitied towers and bring in some money.

    A skyscraper wrapped in a colorful patterned covering, next to other high-rises

    A rendering of a proposed covering on the east side of Oceanwide Plaza towers in downtown Los Angeles that are now awash in graffiti.

    (HansonLA)

    He suggests rolling down vinyl advertising signs that could be seen on the from the freeway on the west side of the complex and lowering other vinyl coverings on the east side that would display a beach scene or some other art.

    “You can get good money for advertising in that neighborhood,” which allows large commercial displays, Hanson said. Ad revenue would more than pay for the signs, he said.

    The buildings wouldn’t be fully wrapped like a Christo art project, he said. “Just drape them down and leave a little bit of the history of the building behind them.”

    The Oceanwide Plaza site was a sprawling asphalt lot used for event parking when Oceanwide Holdings bought it in 2014 with a vision to build a fancy, mixed-use development that was far bigger in scale than what is typically built in the U.S.

    Oceanwide set to work on the complex, which was intended to house luxury condominiums, apartments, a five-star Park Hyatt hotel and an indoor mall that would include deluxe shops and restaurants. A massive electronic sign on its facade was to bring a flavor of Times Square to Figueroa Street.

    Many of the residents and visitors were expected to be Chinese citizens, but the country’s government implemented tighter controls on money leaving the country in 2019 and the pool of potential condo buyers shrunk.

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    Roger Vincent

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  • Death Valley National Park visitor admits to toppling historic salt tram tower

    Death Valley National Park visitor admits to toppling historic salt tram tower

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    A Death Valley National Park visitor has stepped forward and taken responsibility for knocking over a 113-year-old salt tram tower last month, claiming it happened during a time of desperation and that there was no intent to harm the historic structure, park officials announced.

    “We are grateful to the dozens of people who reached out to the park with information and for all the statements of support that we received from people who care about this place and its cultural resources,” said acting Supt. Elizabeth Ibañez in a written statement. “Although we would certainly prefer that this damage hadn’t happened, we are glad that the person who did this ultimately took responsibility for their actions and came forward.”

    The confession comes three days after park officials sought help from the public about the damaged tower that was part of the Saline Valley Salt Tram, a 13-mile aerial tramway built in 1911. The officials said someone toppled it between April 1 and April 24 when they attached a winch to the tower to pull their vehicle out of the mud after driving off the main road.

    “The individual responsible for pulling over the salt tram called the tip line provided in an earlier press release, stating that this was done during a time of desperation while being deeply stuck in mud, and that it wasn’t their intent to cause harm to the historic structure,” the statement read.

    Park officials did not identify the person but an 11-minute dash cam video reported by Outside Magazine may have shown those responsible for knocking the tower down.

    An edited version of the video was posted on the magazine’s website. That version of the video, which is about two minutes long, starts with a man pulling up next to a woman wearing a pink bikini top, jean shorts and a trucker hat. The woman tells the driver that she needs a winch.

    “We went a little too far into the mud, and there’s nothing to press the winch onto,” she’s heard saying.

    The video then shows a white truck with a camper deep in mud, and at the edge of the screen is the tram tower, which appears to already be lying on its side. The video also shows the woman next to a man in a flannel shirt and jean shorts after an attempt to pull the vehicle out failed. Eventually, a second line is needed to pull the truck out, but the video ends before it can show the results of that attempt.

    It’s unclear whether the couple or any of the people seen in the video caused the tower to topple, but the magazine included a photo of the man in the flannel shirt removing a winch from the downed tower.

    A spokesperson did not respond to questions from The Times about whether the person taking responsibility was in that video.

    National Park Service said a resource management team will assess the damage to the salt tram tower and make restoration plans. It also asked the public to remain patient and not attempt to restore the tower themselves.

    The incident, officials said, was a reminder of why it’s important to carry a satellite-based communication device when traveling in areas where cellphone service is limited.

    “As Death Valley’s famous summer temperatures continue to increase, park rangers encourage people to stay on paved roads during this time of year, as help is more readily available.”

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    Ruben Vives

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  • Office tower planned for Hollywood gets new design and billion-dollar price tag

    Office tower planned for Hollywood gets new design and billion-dollar price tag

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    At a time when office landlords are struggling to attract and keep tenants, a Hollywood real estate developer is forging ahead with plans for a visually arresting high-rise on Sunset Boulevard that would cater to the entertainment industry.

    The owner of the property at 6061 Sunset, Los Angeles investor and developer Maggie Miracle, has doubled down on an earlier $500-million proposal for the site near Gower Street with a $1-billion greenery-laden “vertical campus” designed by esteemed English architect Norman Foster.

    Miracle’s family-run company on Tuesday submitted to the city revised design plans for the office tower, which has been dubbed “the Star.” Renderings show a cylindrical high-rise stitched with colorful gardens spiraling from street to roof. A rooftop restaurant will be open to the public.

    A rendering of the building, looking east on Sunset Boulevard.

    (Foster + Partners)

    Miracle made waves in 2021 with the initial plan for the tower, which was designed by MAD Architects, a Chinese firm known for daring designs such as the Lucas Museum of Narrative Art, under construction near the Los Angeles Memorial Coliseum.

    Ultimately, Miracle said, she decided to scrap that design because she wanted to incorporate garden-like outdoor spaces, which have proved increasingly attractive to office tenants since the pandemic temporarily drove workers out of confined quarters.

    Foster, who holds the title of lord, designed the pickle-shaped Gherkin skyscraper in London and the master plan for the $2-billion One Beverly Hills condominium and hotel complex under construction in Beverly Hills.

    Foster + Partners’ vision for the 22-story Star includes the type of indoor-outdoor work spaces commonly found in low-rise office campuses and is intended to appeal “to the needs of the creative community and innovators we hope to attract,” Miracle said.

    “Since COVID, the importance of a healthy workplace and access to fresh air and outdoor space has been a driver, especially for those in the entertainment and tech industries,” Miracle said. “The change in design is meant to respond to those demands.”

    The new tower would also be thinner than the one previously proposed, in order to be “more respectful to the people in the hills” who look down on Hollywood, Miracle said.

    Plans for the Star office building in Hollywood call for landscaped outdoor terraces serving tenants on each floor.

    Plans for the Star office building in Hollywood call for landscaped outdoor terraces serving tenants on each floor.

    (Foster + Partners)

    The Star’s landscaped outdoor decks, indoor gardens and rooftop restaurant would distinguish it from other office buildings, Miracle said.

    The plans also call for a pathway to loop around the tower, accessible from Sunset Boulevard on both sides of the building. A lower structure next to the tower would be wrapped with an expansive LED video screen showing digital art and images generated by tenants, Miracle said. Current rules would not allow it to be used for advertising.

    The proposal calls for restaurants, entertainment production space, a theater and exhibition space for art shows and other events on the Star’s ground level. Parking for nearly 1,300 vehicles would be underground.

    Although the plans haven’t been approved by the city, Miracle hopes to start work on the 525,000-square-foot building by late 2026 and open its doors in 2029. The Star is the first commercial development for Miracle, who is known for building deluxe single-family properties.

    With completion that far away, predicting what the office rental market will be like is difficult. Real estate brokerage CBRE reported that 22.7% of Hollywood office space was vacant in the fourth quarter, about the same as Los Angeles County overall. A healthy vacancy rate is closer to 10%, when neither landlords nor tenants typically have the upper hand in lease negotiations.

    But Hollywood has been one of the most active office leasing markets recently, analyst Petra Durnin said; the newest buildings, sporting such amenities as outdoor decks and restaurants, are getting the most attention.

    “These highly amenitized office buildings command the highest rents in the Hollywood market and account for some of the largest deals signed in the last nine months,” said Durnin, head of market analytics at Raise Commercial Real Estate. She is not involved in the Star project.

    Pent-up demand has increased leasing activity in Hollywood, in “a huge boon to a neighborhood that was disproportionately affected by the pandemic, downturn in the tech industry and strikes by writers and actors,” Durnin said.

    Miracle said she is betting that the neighborhood will continue to grow as a business center. Her Star complex would rise across the street from Sunset Gower Studios, a century-old movie studio that was once home to Columbia Pictures and now includes an office building housing Technicolor. Nearby is Columbia Square, the renovated former West Coast headquarters of CBS, and Emerson College, an architecturally noteworthy building where students live and study the arts. Netflix, the largest office tenant in Hollywood, has offices and studios nearby.

    “We believe Hollywood is a unique and irreplaceable market both geographically and from an industry perspective,” she said. “The growth of content creation and the demands of the companies that produce it are beyond what today’s current office products can accommodate.”

    The over-the-top design of the Star is intentional, she said.

    “Our goal is to create a landmark building that is synonymous with the images that Hollywood evokes: innovation, creativity, fantasy and imagination.”

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    Roger Vincent

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  • Proposed Wells Fargo signage could alter iconic uptown Charlotte building

    Proposed Wells Fargo signage could alter iconic uptown Charlotte building

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    Another uptown Charlotte tower could soon see a sign emblazoned atop the skyscraper.

    Wells Fargo is asking the city for a zoning change so it can hoist signage on top of the tower at 550 S. Tryon St., the former Duke Energy building, a rezoning petition filed with the city of Charlotte shows.

    The skyscraper — with its iconic handlebar roof and LED light show — is among the tallest and most recognizable towers in Charlotte. The bank-owned building sits adjacent to the Levine Center for the Arts and its “The Firebird” statue.

    Wells Fargo’s plan calls for one sign on each side of the existing office high-rise, according to the petition filed Sept. 22. Illustrations show each sign would be 1,880 square feet across the handlebar. The petition does not include wording for the signs.

    The signage and enhanced lighting on the building are part of a commitment and effort to make significant investments in Charlotte, Wells Fargo spokesman Josh Dunn told the Charlotte Observer on Wednesday.

    “The architecture and design … provides a consistent branding placement opportunity with clear views of the building and Wells Fargo signage,” he said. “We are proud to elevate the Wells Fargo brand and build awareness for our company through building signage, joining numerous other major companies with a presence in Uptown Charlotte.”

    Earlier during the year, he said the company earmarked $500 million over the next five years to upgrad workspaces and properties to createa better employee experience across the Charlotte region.

    Wells Fargo illustration

    Requests are reviewed by the city’s Planning Department, followed by a public hearing and a recommendation from the Planning Commission’s Zoning Committee.

    The Charlotte City Council ultimately hears and decides the fate of all requests for rezoning within the city.

    Changing Charlotte skyline

    Wells Fargo’s plan was first reported by The Charlotte Observer news partner WSOC-TV.

    In recent years, Charlotte’s skyline has been changing with more names going on buildings, including Ally, Barings and Regions.

    But some of the changes have been met with backlash.

    Charlotte-based Truist Financial Corp. said Thursday that it’s agreed to sell a chunk of its insurance business, for a hefty price tag.
    Charlotte-based Truist Financial Corp. said Thursday that it’s agreed to sell a chunk of its insurance business, for a hefty price tag. DAVID T. FOSTER III

    Three years ago when Truist put its name and logo on top of its uptown headquarters at the former Hearst Tower, the building’s architect called it vandalism and a petition pleaded take it down.

    On alternating sides of the tower, over 47 stories high are two 558-square-foot logos, opposite two 980-square-foot nameplates.

    About Wells Fargo tower

    Wells Fargo submitted this image in its rezoning request to place atop the tower at 550 S. Tyron St., a building formerly occupied by Duke Energy, and now filled with the bank’s employees.
    Wells Fargo submitted this image in its rezoning request to place atop the tower at 550 S. Tyron St., a building formerly occupied by Duke Energy, and now filled with the bank’s employees. Wells Fargo

    The 48-story, nearly 1.3 million-square-foot tower was developed by Childress Klein, based in Charlotte. The building architect was TVS Design and contractor Batson-Cook Construction, both based in Atlanta.

    The building, completed in 2010, includes a 350-seat auditorium, 40,000-square-foot of retail and eight levels of underground parking with 2,100 spaces, according to TVS Design.

    Dunn said the upgraded LED lighting on the sides and top of the building will elevate the Wells Fargo Lights program and “provides a unique opportunity to celebrate, support, and promote events, causes, programs and nonprofit organizations that directly connect with the community in Charlotte.”

    Wells Fargo moves

    In January, Wells Fargo began consolidating its East Coast hub offices in Charlotte.

    The bank moved employees out of One and Two Wells Fargo Center buildings into Three Wells Fargo Center and South Tryon Street. The South Tryon Street tower is Wells Fargo’s Charlotte headquarters.

    Wells Fargo’s has submitted a rezoning petition for two skyline signs on each side of the 550 S. Tryon St. tower in Charlotte.
    Wells Fargo’s has submitted a rezoning petition for two skyline signs on each side of the 550 S. Tryon St. tower in Charlotte.

    Wells Fargo recently renovated 21 floors at 550 S. Tryon and 14 floors at Three Wells Fargo Center at 401 S. Tryon St.

    The San Francisco-based bank has its largest employment hub in Charlotte, with about 27,000 workers.

    This story was originally published September 27, 2023, 3:44 PM.

    Related stories from Charlotte Observer

    Catherine Muccigrosso is the retail business reporter for The Charlotte Observer. An award-winning journalist, she has worked for multiple newspapers and McClatchy for more than a decade.

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