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  • Rolling Stone Future of Music Recap: Meet the Artists Shaping The Music Scene Today

    Rolling Stone Future of Music Recap: Meet the Artists Shaping The Music Scene Today

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    It seems like there’s a new “emerging artist” every day. TikTok viral hits become international earworms overnight, propelling artists to instant, but fleeting, fame. It makes sense then, that artists with staying power have often toiled away for years before achieving mainstream success.


    It’s easy to believe that, these days, the music industry values virality above all. But the artists shaping music as we know it rarely emerge from nowhere.

    Just look at the
    2024 Grammy Award Winner for Best New Artist, Victoria Monét. Monét released five EPs before her debut studio album, Jaguar II (2023), and its lead single, “On My Mama,” gave her commercial success. But before Monét’s solo career took off, she was a frequent collaborator of Ariana Grande. She’s also worked on songs and albums for artists like Nas, Travis Scott, Blackpink, Fifth Harmony, T.I., Lupe Fiasco, Chrisette Michele, Brandy, Coco Jones, Chloe x Halle, and more. Over a decade in the industry prepared her to become the verifiable star she is now.

    Some of our other
    artists to watch for 2024 have experienced similar tenures in the industry before finally garnering long-term success. Sabrina Carpenter started her career with Disney and has finally become the popstar she was born to be with Emails I Can’t Send — her fifth studio album. Same with queer trailblazer Renee Rapp, who starred in Mean Girls: The Musical on Broadway before landing the role in the film adaptation and bursting onto the music scene with her debut album Snow Angel.

    What sets these artists apart from the bright but brief flames sparked on TikTok is their dedication to their artistry and self-image. Years of learning how to perform, sharpen their sound, and crafting their public persona prime them for impact and longevity. It takes time to hone lasting talent. And time makes it more satisfying when a musician or a band finally punches through to the mainstream.

    Many artists thrive in niche subcultures playing to curated crowds. Those are some of my favorites — there’s nothing like a basement show packed shoulder-to-shoulder with a small group of people who share your private music obsession. But the artists that shape music as we know it today are coming from all genres. They manage to transcend their niches and add to the collective conversation in a fresh way. But how do they do it? And how do we know which artists are changing music in real-time?

    What is the Rolling Stone Future of Music Showcase?

    Everyone fancies themselves a music critic these days. I’m not immune to this. I watch deep dives on my favorite artists on TikTok, curate my
    Spotify playlists like they’re museums, and wax poetic about why my favorite albums deserved Grammys.

    Here at Popdust, we know a thing or two about emerging artists. Which is why we went down South to Austin, Texas for SXSW to catch some of this year’s most exciting acts in person.

    SXSW 2024 was bigger and better than ever. Its crowning jewel is the Rolling Stone Future of Music Showcase, which brings together the buzziest and best music acts across genres. The four-night event caps off each evening at SX, bringing an array of artists and audiences together in Austin, Texas.

    What an ideal compliment to the dive bar shows and daytime music showcases. But this high-octane event is more than just a flashy festival. It’s a great predictor of the artists who will prove themselves influential in the coming years. “Artists of tomorrow,” as
    Rolling Stone likes to call them.

    Last year’s performers included artists like Coco Jones, Remi Wolf, Chlöe Bailey, Blondshell, and others who have only become even bigger stars over the past year.

    After this year’s lineup, wiill
    Rolling Stone’s penchant for successful predictions be proven again? Given the record-level excitement for the event, all signs point to yes.

    Emerging Artists to Watch From the Rolling Stone Future of Music Showcase 2024

    With 40,000 fans RSVP’ing for the ACL Live event, Austin’s iconic Moody Theater was packed. Each night, fans lined up for hours for a chance to make it into the venue — some for over 14 hours — with the line for Música Mexicana superstar Peso Pluma stretching for blocks and blocks. Sponsors like StockX, ~Pourri, and Bacardi also put on activations and events to celebrate the music and the fans.

    With this much fan excitement, the lineup simply
    had to deliver. Genres included urbano, Southern rock, Afrobeats, hip-hop, amapiano, soul, funk, and good old indie-alt.

    Here is each day’s lineup:

    • Day 1 (Tuesday, March 12) — Teezo Touchdown, Veeze, Lola Brooke, and Chase Shakur
    • Day 2 (Wednesday, March 13) — Peso Pluma, Young Miko, Kevin Kaarl, J Noa, and Pink Pablo
    • Day 3 (Thursday, March 14) — Flo Milli, Pheelz, Preacher, Uncle Waffles, Black Sherif, and Flyana Boss
    • Day 4 (Friday, March 15) — Faye Webster, Red Clay Strays, Scowl, Dylan Gossett, and Jackie Venson

    Take note — you’ll be seeing these names everywhere soon.

    Recap: Everything you missed at Rolling Stone’s SXSW Showcase

    While all of the artists highlighted at this year’s
    Rolling Stone Future of Music Showcase are sure to be somewhat influential, we’re most excited to see the trajectory of the headliners who are changing the game right now.

    Here’s a recap of their performances and why, if you’re not already a fan, you will be soon.

    Teezo Touchdown

    Texas’s own Teezo Touchdown headlined opening night. You’ve probably heard him on “RunItUp” by Tyler, the Creator; “Modern Jam” by Travis Scott; or “Amen” by Drake. After years of high-level features, he finally released his debut album
    How Do You Sleep at Night? in September 2023. On stage at SXSW, it’s clear that Teezo’s experience opening for Tyler, the Creator in 2022, and Travis Scott last year has contributed mightily to his magnetic stage presence. Running across the stage brandishing a microphone wrapped in a flower bouquet, Teezo’s energy was infectious. And the crowd ate it up.

    His blend of rock, rap, and pop music is telling of his generation — one who resists genres and embraces the fluidity of form. He also shared a heartwarming story about how he busked at SXSW in 2018. Look at him now! He recently announced a single “MASC” with Doja Cat and A$AP Rocky for Doja’s
    Scarlet 2 Claude Deluxe album. Touchdown’s only getting hotter and hotter.

    Peso Pluma

    Mexico’s favorite rockstar headlined Night 2. After earning the longest lines in SXSW history, his performance proved well worth the wait. Peso Pluma’s signature brand of “música mexicana,” took the crowd to exciting heights. His youthful energy filled the theater — especially when he joined the audience in the pit. It was a sight to behold.

    Dubbed the “Mexican Mick Jagger,” the Gen Z star will release his new album this summer. His undeniable charisma is embedded in his music, earning him a fanatic base of loyal listeners and a chokehold on the music scene. Just wait, he’ll soon transcend boundaries beyond Latinx Pop and hit everyone’s speakers this summer.

    Flo Milli

    Flo Milli had a lot to celebrate as she headlined Night 3 literally as her second album dropped. Iconic behavior. She took the crowd through familiar favorites, her new songs, and premiered a new remix featuring Cardi B and SZA — not bad co-signs for an emerging artist.

    I saw Flo Milli perform in 2020, and watching her on the giant Moody Theater stage was like watching her come alive on a whole new level. After her song “Never Lose Me” got massive attention last year, Flo Milli is poised to be one of music’s next It-Girls. Her versatility is thrilling and admirable, so is her personality and signature tag — if you know, you know.

    Faye Webster

    Like Flo Milli, I’ve seen Faye Webster before. Not once, not twice, but three times. The first was in 2017 — how can it be six and a half years ago? My penchant for “sad girl music” drew me to Webster’s artfully whiny voice and nostalgic yearning. But the Atlanta native is more than another girl whining about her breakups (even though, from Taylor Swift to Olivia Rodrigo, I eat them all up).

    Webster was signed to a rap label and takes lyrical influence from hip-hop and blues artists. She has an energetic stage presence that matches her quirky sound that kept the crowd moving all throughout her set.

    From the sultry sweetness of her TikTok viral hit “Kingston” to the high kicks and guitar riffs pulled off during songs like “I Think I’m Funny Ha Ha” and “In A Good Way,” Faye proves herself to be music’s ultimate cool girl. Rockstar and cry-inducing crooner in one? It’s giving Billie Eilish.

    What to learn from the Rolling Stone Future of Music Showcase 2024

    The future of music, according to Rolling Stone, is genre-fluid, youthful, and packed with energy. It also has one important factor: the ability to connect to an audience. Whether it’s on stage of through headphones, all the emerging artists have managed to connect with their ideal audiences and stay there thanks to their dedicated artistry and unique perspectives.

    I’m excited to see what all these acts have in store for us next. And for
    Rolling Stone Future of Music Showcase at SXSW 2025!

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    Jai Phillips

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  • Your Weekend Playlist: New Music To Listen To This Friday

    Your Weekend Playlist: New Music To Listen To This Friday

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    After a week full of 60+ degree weather in New York, I’m officially read to slam the laptop shut and enter the weekend. I’m bathing suit shopping online, I’m spending time basking in the short-lived early spring weather, and I’m absolutely gearing up to make another playlist to get through the weekend.


    Since this weekend is St. Patrick’s Day, I’m sure many of you are traveling to hotspots like Boston and New York for parades and soul-crushing crowds. The only way to get through this weekend of horrors? Lots of music, and even more green beer. Doctor’s orders.

    But, you can’t keep replaying your same old playlist with songs your friends have heard come over your speakers time and time again. People will stop letting you get aux if you can’t deliver a dance-worthy playlist that’s both refreshing and timeless. That’s where I come in, dear reader.

    I love to deliver a playlist filled with new music releases today, March 15, 2024. So get your Spotify accounts ready, because it’s time to see what’s in store for this week! Let’s get listening.

    ZAYN- “What I Am”

    He’s baaaacckkk. Former member of One Direction, Zayn Malik, left the band (and should be paying my therapy bills for this) in 2015 and completely switched direction (pun intended). Now an R&B soul god, ZAYN has found his stride with “What I Am.”

    I think just being where I was at that time, staying away from things and living with my own thoughts inspired me to want to write something from that place. I’ve got to put this out as a whole body of work, it’s something for myself, not even just for the world,” says Zayn.

    I worried at first that ZAYN wouldn’t be able to create a stylistically different track without sounding repetitive. “What I Am” highlights his vocals without going overboard, conveys yearning, longing, and melancholy all in one. It’s an easy listen. Zayn Malik, you’ll always be famous.

    Cardi B- “Enough (Miami)”


    If you’ve been missing Old Cardi, she’s here. With “Enough (Miami)”, Cardi goes back to her roots: classic rap, biting lyrics, a hook that gets you out of your seat. It’s reminiscent of classics like “Bodak Yellow”, where Cardi tells it as it is: you can’t beat her, you can’t even be her.

    Kacey Musgraves- “The Architect”


    With one of the most satisfyingly crisp voices in country music, Kacey Musgraves delivers “The Architect” on a silver platter. It’s introspective, beckoning the listener to really look inside themselves and wonder who’s the architect of their lives. A song about not fully understanding someone, something, or everything, “The Architect” is one-of-a-kind.

    Ahead of her new album, Deeper Well, which she promises to be a “cleanse” of sorts for listeners, “The Architect” is a great intro.

    Zack Bia, Teezo Touchdown- “DAMN”

    Any weekend should be met with house music, which is why Zack Bia and Teezo Touchdown’s “DAMN” is a perfect fit. Something light and easy, “DAMN” is the perfect track to lead off a night out, or to help you get hyped up while getting ready. Zack Bia is known for his commitment to the nightlife scene, so it’s no surprise that this track embodies a night out with your friends.

    Sydney Sherrill- “Boy In The Blue Cadillac”

    Alongside her debut album, 17 Young and Stunning, Sydney Sherrill releases vocal powerhouse single, “Boy In The Blue Cadillac.” Few singer-songwriters can belt out a commanding chorus riddled with guitar trills and have such an impact as Sydney Sherrill does.

    Singing from the perspective of her 17-year-old self, 17 Young and Stunning, takes us through the throes of adolescence. From finding your first love to figuring out who you really are in the world, Sherrill knows how confusing growing up can be. “Boy In The Blue Cadillac” sends you back in time in the best way.

    Cloonee- “Sippin’ Yak (We Like)”

    Cloonee is in high demand: with both weekends of Coachella booked, a headline LIV Beach Las Vegas residency, a show at the Brooklyn Mirage, and more, fans flock to see a performance no matter where he is. After teasing “Sippin’ Yak” on socials and in live sets, Cloonee is finally releasing the track ahead of all of these major performances.

    “Sippin’ Yak (We Like)” is an instant hit for fans of tech house with an intricate eye for production and style.

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    Jai Phillips

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  • Three generations of Detroit hip-hop featured in Eminem’s new ‘Doomsday Pt. 2’ music video

    Three generations of Detroit hip-hop featured in Eminem’s new ‘Doomsday Pt. 2’ music video

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    click to enlarge

    Screenshot, YouTube

    A still from Eminem’s “Doomsday Pt. 2.”

    Chicago-based video production company Lyrical Lemonade released its debut compilation album All Is Yellow on Jan. 26, featuring a full track by Eminem titled “Doomsday Pt. 2.” On March 13, aka Detroit’s 313 Day, it dropped a music video for the song featuring three generations of Detroit hip-hop on-screen: Eminem, Big Sean, and BabyTron.

    It’s a good gift to the city to celebrate the holiday, especially since new releases from Eminem happen far less often than they used to.

    “Doomsday Pt. 2” is the only track on All Is Yellow where there is only one main vocalist. The song is a diss track aimed at Eminem’s long-time rival Benzino, including usual sharp-hitting rapid-fire lines like: “What is the opposite of Benzino? A giraffe. ‘Go at his neck,’ how the fuck is that? How can I go at somethin’ he doesn’t have? Arms so short he can’t even touch his hands.”

    Ypsilanti-born rapper BabyTron is also part of the Lyrical Lemonade project, featured on the track “Equilibrium” with G. Herbo. Detroit-born rapper Big Sean is actually not on the album, other than some backup vocals, even though he was originally confirmed to be. However, Lyrical Lemonade founder and videographer Cole Bennett revealed that the collaboration will be used for something else in the future. There’s already talk of a second Lyrical Lemonade album in the works, so hopefully we get Big Sean and more Detroit artists on that one.

    Alongside Big Sean and BabyTron, rappers Denzel Curry, Teezo Touchdown, JID, Swae Lee, and Cordae are all featured on the Lyrical Lemonade project, and also pop up on the screen in the newly released music video.

    However, Detroit artists are at the forefront, demonstrating the impact of the city’s hip-hop music and culture spanning decades.

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    Layla McMurtrie

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