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Tag: Sundance Institute

  • One Lesson in Leadership from Robert Redford

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    As an Academy Award winning director, actor, producer, and the founder of Sundance Film Festival, the late Robert Redford, 89, was undoubtedly an impressive individual. But what made him a great leader was his “generosity to incubating new talent,” according to Michelle Satter, the founding senior director of Artist Programs at the Sundance Institute, who worked with Redford for 44 years.

    Satter penned a homage to Redford’s leadership style in TIME Magazine, where she noted that despite his many talents, Redford was very “humble” and a “good listener.” At the beginning of their professional relationship, Satter admitted she struggled with being in the presence of someone so accomplished.

    “It felt like the most important person in the world was sitting next to me,” Satter wrote. “I would often wonder to myself, how could I just be me, authentically, around someone of that stature? But Bob was uniquely humble. I quickly discovered that he only wanted us to be ourselves, and be completely present.”

    Evidently, Redford was aware of how nervous he made aspiring filmmakers, and other types of professionals trying to break into Hollywood. So how did he make these folks feel comfortable? He listened, Satter said. Perhaps business leaders can take a page out of Redford’s playbook to build the next generation of talent.

    “Watching him as a creative advisor guiding the emerging filmmakers was truly mesmerizing,” she said. “With an awareness of his own presence, he would intentionally start by listening and inspiring filmmakers to find their voice, their stories, and the confidence and skills they needed as directors and writers.”

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    Kayla Webster

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  • Sundance Institute, Gold House Launch Multicultural Filmmakers Fund

    Sundance Institute, Gold House Launch Multicultural Filmmakers Fund

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    As more and more cultural affinity groups plant their flags at Sundance each year, Gold House has united a handful of organizations, in partnership with the Sundance Institute, for a shared mission: to tangibly support filmmakers from historically excluded backgrounds.

    The Sundance Institute | One House Filmmakers Fund provides $10,000 in unrestricted financing as well as mentorship, training and programmatic promotion. The filmmakers were chosen by a selection committee comprised of Gold House, Sundance Institute, the East West Bank Foundation (which is providing the monetary support) as well as executives from GLAAD, the NAACP Hollywood Bureau, Latinx House and RespectAbility.

    “The East West Bank Foundation is proud to be a founding partner of the One House Filmmakers Fund,” East West Bank chair and CEO Dominic Ng said in a statement. “One of our main goals is to advance diversity and inclusion in all industries, including entertainment and the arts. Strengthening storytelling by diverse filmmakers is a powerful way to build bridges between communities.”

    The inaugural One House cohort includes Bhutanese filmmaker Arun Bhattarai, whose film Agent of Happiness will screen in the World Cinema Documentary Competition at Sundance this month. The other nine filmmakers and their projects are Naveen Chaubal (Pinball), Marissa Chibás (1972), StormMiguel Florez (Welcome to Roswell), Jalena Keane-Lee (Standing Above the Clouds), Sura Mallouh (Untitled Sura Mallouh Project), Walé Oyéjidé (Chiaroscuro), Otilia Portillo Padua (The Queendom), Shrihari Sathe (Doha – The Rising Sun) and Julie Forrest Wyman (Untitled Dwarfism Project).

    “Sundance Institute has been championing artists to tell stories that reflect their lived realities for over 40 years. We are excited for the opportunity to partner with Gold House to provide vital funding to multicultural artists working in fiction and nonfiction to advance their projects and increase representation on and off screen,” Sundance Institute Artist Accelerator Program director Hajnal Molnar-Szakacs said in a statement. “The ten filmmakers selected for the inaugural year of the One House Filmmaker Fund are important voices working in independent film today, and we are thrilled to be able to continue elevating these voices.”

    The One House fund is an application of Gold House’s second phase, dubbed Gold Bridge. The idea, which the Asian Pacific impact collective first unveiled at its glitzy annual Gold Gala, speaks to making connections across industries but also across cultural communities, which it is doing under its One House banner. Gold House has expanded its theater buyout model Gold Open to support opening weekend for movies centering on other historically excluded backgrounds; its One House Leadership Coalition works with multicultural funds to diversify corporate boards; and at Sundance last year, it partnered with The Asian American Foundation and Daniel Dae Kim’s 3AD to throw the festival’s first-ever Multicultural House Party, a celebration co-hosted by Latinx House, RespectAbility and other groups including Blackhouse, IllumiNative and Macro.

    “Communities demand that the world we watch reflect the world we live in – on both sides of the camera,” Gold House Creative Equity Fund general manager Christine Yi said in a statement. “We’re thankful for the financial support of East West Bank Foundation and the partnership of our peer-leading multicultural organizations as we invest formidable capital, resources and platforms to create a first-of-its-kind investment and convening vehicle for the next generation of pioneering multicultural filmmakers. If we’re stronger together, then we’d better start now.”

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    Rebecca Sun

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  • Disney and Sundance Institute Team to Launch Finishing Fund for Historically Excluded Directors (Exclusive)

    Disney and Sundance Institute Team to Launch Finishing Fund for Historically Excluded Directors (Exclusive)

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    The Sundance Institute’s storied artist programs for directors from historically excluded backgrounds just added another major benefit.

    Nine narrative filmmakers have been chosen to receive a $25,000 unrestricted grant, courtesy of Sundance and The Walt Disney Studios’ new Project Advancement and Completion Fund, along with access to other Sundance programs such as the digital classroom Sundance Collab and professional development track Sundance Elevate.

    “Diverse communities often encounter formidable barriers when striving to break into the industry,” Sundance Institute founding senior director of artist programs Michelle Satter said in a statement. “We are thrilled to join forces with The Walt Disney Studios to champion the essential work of nurturing underrepresented voices. We’re honored to create this pioneering program in support of nine exceptional filmmakers during the inaugural year of this initiative.”

    Added Mahin Ibrahim, director of Creative Talent Pathways, representation and inclusion strategies at Disney, “After working with several Sundance filmmakers, we know how important it is for directors to develop their first independent feature films in order to take on larger projects at the studio level. At Disney, we believe in the power of diverse voices and storytelling, and this initiative reaffirms our commitment to empowering underrepresented talent in the industry.”

    The nine inaugural grantees are:

    Ramzi Bashour, a New York-based Syrian American filmmaker whose project Tomahawk Springs is about a teenage boy on a cross-country road trip with his Lebanese mother.

    Dania Bdeir, a Lebanese-Canadian filmmaker whose first feature, Pigeon Wars, was selected for the Sundance Screenwriters Lab.

    Caledonia Curry, a contemporary artist whose project, Sibylant Sisters, takes place in the world of ogres, gnomes, toads, paper dolls, witches and magic.

    Rashad Frett, a New York-based Caribbean American filmmaker whose project Ricky is about a formerly incarcerated man looking to regain a sense of normalcy in life.

    Masami Kawai, a Los Angeles-born descendant of Japan’s Ryukyu Islands whose feature, Valley of Tall Grass, follows a discarded TV/VCR combo set as it passes through the hands of various working-class Indigenous people in an Oregon town.

    Walter Thompson-Hernández, a southeast Los Angeles native who is adapting his Sundance Film Festival-winning short If I Go Will They Miss Me, about a 12-year-old boy who sees mysterious people, into a feature.

    Sean Wang, a Bay Area-based filmmaker whose project Dìdi (弟弟) is a coming-of-age story set in his Fremont hometown in 2008.

    Keisha Rae Witherspoon, a Miami-born filmmaker whose first feature, ABC, is a mystery involving a hurricane, possible extraterrestrial life and an ex-government operative.

    Yuan Yuan, an NYU Tisch Grad Film alumna whose project Late Spring is about a Chinese factory worker who comes to New York for her daughter’s college graduation and discovers that the girl is missing.

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