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Tag: Nelly Furtado

  • Will Sabrina Carpenter and Olivia Rodrigo Work It Out on the Remix?

    Will Sabrina Carpenter and Olivia Rodrigo Work It Out on the Remix?

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    We’re in the best of times (brat summer), but we’re also in the worst of times (constantly fielding articles by Some Guy about how brat summer is dead). But how could brat summer be over if I feel it in my heart? If they’re still playing “Guess ft. Billie Eilish” at Tenants of the Trees in LA (where Charli XCX herself had her birthday party for some reason)? And if the impact of brat summer is still causing ripples through the culture it cannot be over.


    No, I’m not talking about Kamala’s brat green rebrand. I’m talking about something more substantial — the very same thing that had last summer in the same chokehold: the infectious and irresistible power of girlhood.

    Last summer caused a vibe shift. Culture started catering to women. Let’s be real: Women have been the drivers of pop culture for a long time. I, for one, will never forget that artists like The Beatles and Elvis, who are still taken seriously as iconic musical artists today, caused fanatical frenzies, not unlike artists like Justin Bieber and One Direction. Yet, despite our clear good taste, women have historically been written off as fickle while culture catered to men.

    Just think of how the 2000s were defined by blockbuster summer movies. Usually, an action movie would dominate, followed by a “chick flick” that was relegated to date nights or the whims of teenage girls. Yet, when
    Barbenheimer resurrected this dynamic, one had a clear chokehold on the internet and the world. And since I haven’t seen Oppenheimener-flavored Olipops, no prizes for guessing which one it was.

    This summer isn’t defined by movies (Twisters and It Ends With Us aren’t the Barbenheimer redux we wanted) it’s characterized by music. And while the guys gave it the old college try — Kendrick did release the ultimate hater anthem with Not Like Us in the Spring — the girls take it yet again.

    And despite seasonal albums from established pop stars like
    Dua Lipa and Ariana Grande, queer (or queer-coded) female artists have blown up this summer. All of them have also been grafting behind the scenes for years before finally getting their flowers. But now the world is listening. We’re learning. And we’re obsessed.

    Of course, there’s the princess of the summer,
    Sabrina Carpenter, who is the latest Disney veteran to make it big. We’ll get to her Disney drama later, but this summer, it’s all about our Short n Sweet queen’s infectious earworms. We called it earlier this year: she is the moment. Her rise to fame has been inevitable.

    Then there’s the surprise star of the year,
    Chappell Roan. So glad bisexual women decided not to gatekeep this absolute star. The fact that I’ve been listening to Chappell since 2020 and I’m still not tired of “Pink Pony Club” says a lot.

    But
    Charli XCX’s mainstream moment is arguably the most surprising. Charli is a giant to music lovers and, of course, the queer community. A real dyed-in-the-wool party girl, she grew up in the clubs and doesn’t just talk the talk, she throws the parties. Despite her collaborations with literally everyone, her Grammys, and her hits, Charli XCX is only now becoming a household name. Why? Because we’re finally ready for her.

    Girlhood is brat. Brat is girlhood. Girl, it’s so confusing, but it’s about being a girl

    Girlhood is the name of the game and Charli writes for the girls and the gays. Her album speaks to the desire to hold on to the feeling of youth juxtaposed with the realities of growing up. Who can’t relate? She talks about themes integral to girlhood: going on vacation and thinking it will change your life, going to a party and thinking it will change your life, and having dinner with a girl and thinking she hates you.

    @thepopupdates The best duo everrrr #charlixcx #lorde #girlsoconfusing #brat #popmusic #music #foryou #foryoupage #fyp #viral ♬ original sound – Pop Throwbacks & Updates

    The latter was the impetus for the internet-breaking track “The girl, so confusing version with lorde.” After Charli released the original version of “girl, so confusing,” the internet rightly assumed it was about her years-long pseudo-beef with
    Lorde. Lyrics like: “I’m all about throwing parties / You’re all about writing poems,” and “People say we’re alike, they say we’ve got the same hair,” added fuel to the fire of their reported feud. So imagine our surprise when Charli released a version with Lorde herself. Like Miss Ella, honestly, we were speechless.

    Lorde knew what she was doing when she said: “When we put this to bed, the internet will go crazy.” Sure enough, the internet erupted. And it did the same once again when footage was released of the two scream-singing their instant classic of a collab at Charli’s birthday party. What a way to put the feud rumors to bed.

    Will Sabrina Carpenter and Olivia Rodrigo work it out on the remix?

    @ce__1l girl girl 💚 // #ce__1l #fyp #foryoupage #lyricsvideo #music #sabrinacarpenter #oliviarodrigo #brat ♬ Girl, so confusing featuring lorde – Charli xcx & Lorde

    After Lorde and Charli worked out their decade of competition over a Jack Antonoff beat, the internet speculated: who would be next to quell their beef with the power of song? If it seems like the plot of a Disney movie, get in for the ride — the Disney of it all has just begun.

    A few weeks ago, sources reported that former Disney stars turned stadium-selling pop stars Olivia Rodrigo and Sabrina Carpenter might be collaborating on a song. With the upcoming release of Carpenter’s highly anticipated album sneaking up on us, fans speculate that this could be a surprise track waiting on the record.

    If you don’t understand how earth-shattering this is, let me take you back to 2021, when
    Olivia Rodrigo first took the world by storm with her song “drivers license.” The song, and subsequent album, chronicled her heartbreak about how her costar and ex-boyfriend Joshua Bassett left her for “that blonde girl.” The blonde in question? Sabrina Carpenter.

    That’s right. Our very own me espresso was the villain in
    the “drivers license” saga. And you mean to tell me the two of them have put their boy drama aside to collaborate? Please, please, please tell me if this is true. If it is, I’ll be sat watching it unfold. As if I needed another reason to eagerly await the release of Short N Sweet.

    In the meantime, I’m making a list and checking it twice about all the other celebs I want to see quell their beef. And yes, the list gets more and more unhinged as you go down, tis the summer of collabs. And our favorite artists are proving that magic can be made if they do it together. Billie and Charli did it. Kendrick and the entire rap community did it. Who is next?

    @kittywaless their lore😍 (pls keep the comments respectful) #catherineprincessofwales #princessofwales #princesscatherine #princesskate #catherinemiddleton #katemiddleton #duchessofcambridge #brat #girlsoconfusing #britishroyalfamily ♬ Girl, so confusing featuring lorde – Charli xcx & Lorde

    People we want to see work it out on the remix:

    One Direction

    This is my ultimate dream. The
    Paris Olympics may have made you fantasize about what life would be like if you hadn’t quit JV basketball, but it made me dream about seeing my beloved One Direction again. After all, I can’t watch an opening ceremony without thinking about their performance at the 2012 London Games. Stranger things have happened than a boyband reuniting. The second they announce a tour, I’m quitting my job and dedicating my life to following them around on tour. Hold me to that.

    Hilary Duff and Lindsay Lohan

    The Sabrina Carpenter and Olivia Rodrigo feud is the closest our generation will ever get to experiencing the magnitude of drama caused by Lindsay Lohan and Hilary Duff. As the two defining Disney sensations turned movie stars of their time, Duff and Lohan were pitted against each other by the media. Everybody knew it: the two were rivals in their careers and in their relationships. We’ll never experience that kind of TMZ-stoked animosity again. But we’re older now. Duff and Lohan are both in new phases of their careers. If they worked it, the (millennial side of the) internet really would go crazy.

    Shawn Mendes and Justin Bieber

    These two divas have been competing to be the prince of pop for years. And their silent feud runs deep. In a radio interview at the beginning of Shawn’s career, Justin responded to a question about the other Canadian crooner with the dismissive and deadly, “who’s Shawn Mendes?” Then, after Mendes appeared with Hailey Baldwin at the Met Gala in 2018, Bieber quickly reignited his relationship with our favorite nepo baby and married her. Talk about winning the battle. The two already have a song together, “
    Monster,” but no one is buying that they’ve really worked it out. I want to see Shawn at Justin and Hailey’s baby shower or bust.

    Justin Bieber and Harry Styles

    Speaking of pop feuds, Bieber and Styles have been toeing a tension-laden line since 2012. Rumors swirled that One Direction was supposed to open for Bieber on his
    Believe tour but the plans were canceled — and dreams died. Reasons abound as to why but I suppose we’ll never know. As someone who attended that Believe tour, I have been waiting for them to work it out on the remix ever since.

    Selena Gomez and Demi Lovato and Miley Cyrus and The Jonas Brothers

    Other feuds from my childhood I want fixed: the Disney Channel stars involved in the seminal sustainability single, “Send It On.” That was our Fleetwood Mac
    Rumors. With loyalties crossed, relationships breaking friendships, and a whole lot of teen angst going on, the Disney Channel producers had one song and one song only to change lives. While we were watching “Send It On” play during Disney breaks, we had no clue about the drama simmering beneath the surface. But imagine if they put that to bed? The internet would go crazy.

    Joe Jonas and Taylor Swift

    Of all of Taylor’s exes, she’s clearly already worked it out with Taylor Lautner — who was backflipping across her Eras tour stages for a brief stint last summer. But the reconciliation I really want is between Taylor and Joe. Sure, she’s written some scathing songs about him. And she told the world on
    Ellen that he broke up with her in 17 seconds. And she’s befriended Sophie Turner. But for a brief moment, Taylor made up with Kanye West, so stranger things have happened. Can you imagine a mashup between “SOS” by The Jonas Brothers and “The Story of US” by Taylor Swift? My Spotify Wrapped would become unshareable.

    Katy Perry and Taylor Swift

    Though allegedly this feud started due to the backup dancers, Perry has become one of
    Swift’s famed list of enemies. And as the queen of “Karma,” Swifties know that all of Taylor’s adversaries never fare well — just look at Ye or Scooter Braun. Katy Perry’s comeback might be another one of these casualties. Ouch. If the two managed to reconcile their “Bad Blood,” imagine the album Katy Perry would create.

    Nelly Furtado and Fergie

    Remember the song “
    Give It To Me” by Timbaland, Nelly Furtado, and Justin Timberlake? Thanks to TikTok, the song experienced a recent resurgence. But did you know the entire song is a diss track? Justin Timberlake’s verse is about Prince (more insane than “what tour? The world tour”), Timbaland’s verse is about Scott Storch, and Nelly Furtado’s verse is about Fergie. But what if we stopped pitting two pop icons against each other and instead begged them both to have a comeback … together?

    The Don’t Worry Darling Cast

    The
    Don’t Worry Darling press tour pitted all our favorite stars against each other in the public arena: Harry Styles, Florence Pugh, Olivia Wilde, Chris Pine, and Gemma Chan. And while that trainwreck of a movie doesn’t need a sequel, I would animatedly watch one just to keep keen eyes on the press tour.

    The It Ends With Us Cast

    If we thought there would never be another press tour as dramatic as
    Don’t Worry Darling, Justin Baldoni of the It Ends With Us cast just hired Johnny Depp’s lawyer — so it’s inarguably surpassed its dramatic predecessor. With Blake Lively and Baldoni both waging a press war, some are hoping It Ends With Us will just … end. But I need a little entertainment to tide me over into fall. And if the movie itself won’t provide it, the hope of a last-gasp reconciliation might.

    Kendrick Lamar and Drake

    I know this will never happen. In fact, if it did, I’d
    lose some respect for Kendrick, honestly. But sometimes I like to imagine that all of this was just marketing for a joint album a la “Watch the Throne.”

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    LKC

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  • Nelly Furtado, Tove Lo and SG Lewis Want You To Know That It Hurts So Good When “Love Bites”

    Nelly Furtado, Tove Lo and SG Lewis Want You To Know That It Hurts So Good When “Love Bites”

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    Of all the collaborative duos one might have anticipated to come together in 2024, Nelly Furtado and Tove Lo probably weren’t on anyone’s bingo card. Sure, SG Lewis is in the mix too, but he often is whenever Tove Lo appears (hear: Dirt Femme’s “Call On Me” and “Pineapple Slice”). As for Furtado, “Love Bites” marks the first single from her forthcoming seventh album, which is promised to have plenty of “club bangers.” It would seem “Love Bites” is among them, with an opening beat that immediately reels the listener in as Tove Lo urges, “Go ahead, go ahead now.” And with that instruction, we’re off on an escapist journey. 

    Escapism is, in fact, the keyword for Furtado right now, for, as she explained of creating new music this time around, “I realized how much people like to dance and escape to my music. It’s the healthiest vice you can have, and I love the opportunity to write music that lets people escape more than anything.” “Love Bites” is no exception to Furtado’s rule. And in the accompanying “visualizer” (which looks like a pretty legit music video that even has a director—Gemma Warren—attached…but who knows, maybe they’ll make a “real” one later), Nelly and Tove appear at ease against a vibrant red backdrop as they lounge on a couch and the top of a car, respectively, before then standing up in the next scenes (these ones contrasted by black backdrops) to bump and grind against each other. 

    Oozing with sensuality, Furtado delivers the first verse, “​​And I can tell it from your mouth that you’re/Real good at working with your mouth and you’re/Not really tryna fuck with my mind and/Good at pretending that you could be mine.” Because, as Dua Lipa points out on Radical Optimism’s “Illusion,” “I really like the way you’re movin’/Yeah, I just wanna dance with the illusion.” In other words, it’s easier to be attracted to the, let’s say, two-dimensional persona presented by someone you initially encounter on a dance floor than it is to be by whoever they really are behind that false projection. Thus, as Lewis ramps up the beat, it reaches its climaxing crescendo when Tove Lo sings the chorus, “I want your body all mine/Boy, you’re looking too fine/The way your love bites/Got me dreamin’ ‘bout that/Time left your mark on my mind/Give me more of that kind/The way your love bites/Got me dreamin’ ’bout ‘cha.” Yes, it’s definitely the perfect song to soundtrack any sexually-charged vampire movie. 

    As for the phrasing of “about you” into “‘bout ‘cha,” well, it speaks perhaps to Furtado’s continued devotion to 00s musical and language sensibilities. After all, one can’t think of “‘cha” without tying it to The Pussycat Dolls 2004 hit, “Don’t Cha.” As for Furtado’s own musical evolution since her album supremacy (Whoa, Nelly!, Folklore [that’s right, Furtado named her album that before Taylor] and Loose) in the early and mid-00s, it’s clear she’s waited a bit longer this time to release another record because she wants to return to the eclectic, pulsing sounds that made her stand out from the herd in the first place. Tove and SG are the perfect pair to help reintroduce her to a new decade (with Furtado’s last album, The Ride, released in 2017), complementing her naturally dance-oriented style with their own more direct “Eurodance” one. 

    Furtado lends more depth to the average “sweaty dance track,” however, with her unique brand of lyricism continuing in the second verse, “And I can tell it from the signs you show/That you just wanna put me on your wall/So we gonna keep riding this whole wave/Because I know it’s written on each page/Help me, I can’t tame me, you can try/Connect me with your eyes/Can’t even hold me too tight.” This idea of being out of control and untameable yet also wanting someone who will make it seem worthwhile to be “tamed” matches the musical dichotomies presented in the single as well. Elsewhere, Furtado channels “Justify My Love” imagery and sensuality by demanding, “Call me/Taste me/Want me/Need me” as Tove Lo chants, “Go ahead, go ahead now” in between each command.

    The visuals intensify (including Tove Lo writhing more bombastically on the floors of the various backdrops) as the song continues—which, again, gives it a more outright music video feel as opposed to just a “visualizer” one. Complete with Tove Lo and Furtado styled in clothes that can best be described as futuristic yet sophisticated “clubwear.” In short, they’re grown enough now not to be fuckin’ with cheap fare of the Forever 21 variety. And yet, “Love Bites” is the kind of track designed to prove that just because a woman grows older, it doesn’t mean her club-connected spirit dies out. Quite the contrary, as a matter of fact. Kylie Minogue also proved that recently with “Padam Padam,” a song that features lyrics that, once upon a time, no fifty-something woman would have been “allowed” to sing without being laughed at mercilessly (and yes, singers like Minogue and Furtado have Madonna to thank for enduring the most vitriol as she blazed a trail for them by continuing to say such things well past the “accepted period” of her youth). 

    As “Love Bites” comes to a close, Furtado brings it back to the 00s again by declaring the names of the featured artists, sensually telling us, “SG Lewis” before Tove Lo delivers an “oh-oh-oh” type utterance that provides the perfect lead-in for Furtado to then say, “Tove Lo.” It smacks of what Missy Elliott did for the end of 2001’s “Lady Marmalade.” Indeed, Elliott came out of the woodwork to comment favorably on Furtado’s live performance of “Get Ur Freak On” for NPR’s Tiny Desk Concert. It wasn’t totally random, though—Furtado jumped on a remix of “Get Ur Freak On” when it was initially released. Thus, to bring it back now seemed an exercise in reminding people of her diverse musical prowess. Elliott tended to agree, praising, “Those who remember this know this remix was fye. Still izzzzzz. You did dat @NellyFurtado.” With “Love Bites,” she’s also brought a new kind of “fye” to the 2020s that’s been sorely lacking.

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    Genna Rivieccio

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  • Nelly Furtado, Timbaland And Justin Timberlake Tease Reunion In Studio: ‘Da Dream Team’

    Nelly Furtado, Timbaland And Justin Timberlake Tease Reunion In Studio: ‘Da Dream Team’

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    By Emerson Pearson.

    They’re the trio that defined the aughts.

    Acclaimed and generation-defining producer Timbaland, 51, shared a snap of his reunion in the studio with pals and long-time collaborators Justin Timberlake, 42, and Nelly Furtado, 44, on Wednesday.

    Timbaland, real name Timothy Mosley, shared the snap of himself FaceTiming the Canadian songbird alongside J.T. to his 4 million Instagram followers.


    READ MORE:
    Nelly Furtado Returns To Studio With Timbaland: ‘Reunited!’

    They were all flashing bright smiles, showcasing that they were just as pumped as the fans were, and it didn’t stop there. Timbaland also shared an uber-quick snippet of a track they’re seemingly working on. Furtado’s vocals could be heard in the vid, alongside a shot of the producer and singer enjoying the song.


    READ MORE:
    Nelly Furtado Says Drake Told Her To ‘Boss Up’ And Make New Music: ‘I Listened’

    Timbaland was the mastermind behind Timberlake and Furtado’s chart-dominating mega-smash 2006 albums, Future Sex/LoveSounds and Loose, which both sold millions of copies and earned No. 1 singles for both artists, so their bond with him is definitely unbreakable.

    “Am I throwing you off? 😛” Furtado playfully commented underneath the post, referencing their six-week No. 1 single, “Promiscuous”.

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    Emerson Pearson

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