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Tag: Ivan Cornejo

  • Bad Bunny wins album of the year at the 2025 Latin Grammys, capping an electric night

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    It should come as a shock to no one: The 2025 Latin Grammy Awards were all about Bad Bunny. The Puerto Rican superstar won album of the year for his landmark release “Debí Tirar Más Fotos.” After thanking his family and all those who worked on the album, he ended his speech with “Puerto Rico, I love you, thank you.”

    Those are powerful words honoring a record that doubles as a love letter for his island.

    “I want to dedicate this award to all the children and young people of Latin America, especially those of Puerto Rico. Never stop dreaming, never stop being yourselves, no matter where you come from. Never forget where you come from, but never forget where you are going,” he said. “There are many ways to show patriotism and defend our land: we choose music.”

    The artist born Benito Antonio Martínez Ocasio was destined to dominate from the jump. He also won the first award of the night, for música urbana album. Halfway through the show, the singer found himself back on stage accepting the música urbana song trophy for “DTmF.” “I never practice my speeches,” he said in Spanish. And then he showed up for a third time: to perform “Weltita” with Chuwi.

    He wasn’t the only one with reason to celebrate: Song of the year went to Karol G, Andrés Jael Correa Ríos and Édgar Barrera for “Si Antes Te Hubiera Conocido.” And Alejandro Sanz took home record of the year for “¿Y Ahora Qué?”

    Live from Sin City, the 26th annual Latin Grammys were both energetic and eclectic. Take Raphael, the 2025 Person of the Year, who launched into an emotive rendition of “Qué Sabe Nadie” and “Mi Gran Noche,” inviting the crowd to sing along.

    That was after Santana kicked things off — specifically, Maluma singing Santana’s 1970 hit “Oye Como Va” with the guitar legend himself.

    It was just the beginning of a memorable medley, talents of today celebrating Santana — Christian Nodal joining in for “Corazón Espinoza” and Grupo Frontera for their 2025 collaboration with the virtuosic musician, “Me Retiro.”

    Performances hit hard and fast: Aitana brought her dreamy electro-pop, Sanz delivered a medley of “El Vino De Tu Boca” and “Las Guapas,” Rauw Alejandro channeled Puerto Rico in Vegas with “Khé?,” the bachata “Silencio,” “Falsedad” and “Carita Linda.” Then: Danny Lux, Kakalo and Ivan Cornejo brought contemporary Mexicana sounds. Pepe Aguilar followed, with his life-affirming mariachi — “El Cihualteco” into “El Fuereño.”

    Elena Rose slowed things down with “Me Lo Merezco.” Karol G and the legendary Mexican singer Marco Antonio Solís dueted the romantic ballad “Coleccionando Heridas.”

    Two of the biggest groups in regional Mexican music – Grupo Frontera and Fuerza Regida – launched into their joint hit, “Me Jalo,” before the latter took over for “Marlboro Rojo.” That’s a cut from their record-breaking 2025 album “111xpantia.” Carín León’s lovely raspy vocal tone carried throughout “Ahí Estabas Tú”; then he was joined by Kacey Musgraves for “Lost in Translation.” Not long after, León took home the trophy in competitive contemporary Mexican album category for “Palabra De To’s (Seca).”

    Morat brought the pop-rock with “Faltas Tú” and Ca7riel and Paco Amoroso brought a kind of outsider, artistic spirit. Joaquina delivered a full-bodied “Quise Quererte.” Any aspiring artists watching would be wise to take a page out of the Brazilian singer Liniker’s book; “Negona Dos Olhos Terríveis” was one of the night’s most joyful. The same, of course, should be said about norteño band Los Tigres del Norte.

    The coveted best new artist trophy was handed out to Paloma Morphy.

    Traditional tropical album went to Gloria Estefan for “Raíces.” Not long afterward, she hit the stage for “La Vecina” and “Chirriqui Chirri,” joined by Nathy Peluso for the latter.

    Then ranchero/mariachi album went to Christian Nodal for “¿Quién + Como Yo?”

    Most of the evening’s awards were handed out during a pre-televised Premiere Ceremony. That included: Bad Bunny’s “Voy A Llevarte Pa Pr” winning for reggaeton performance. Argentinian duo Ca7riel and Paco Amoroso cleaned house then, too: taking home their first Latin Grammys for short and long form music video, alternative song, as well as alternative music album for “Papota,” and pop song for “El dia del amigo.” That’s five wins, making them the most awarded act at the 2025 show.

    The three-hour award show aired live from Las Vegas’ MGM Grand Garden Arena. It was hosted by the dynamic duo of Maluma and actor, producer and musician Roselyn Sánchez.

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    This story has been updated to correct that Maluma helped open the Latin Grammys, not Miguel.

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  • Ivan Cornejo Sings Therapeutic Love Songs in his RodeoHouston Debut

    Ivan Cornejo Sings Therapeutic Love Songs in his RodeoHouston Debut

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    Ivan Cornejo
    RodeoHouston
    NRG Stadium
    March 3, 2024

    Most RodeoHouston concerts start off with a bang. Literal explosions of colorful fireworks, a cacophony of music and noise, and brilliant flashes of lights fill the entire stage and arena.

    Sunday evening’s Ivan Cornejo show was the exact opposite. In lieu of the traditional Rodeo concert video intro and pyrotechnic opening, the stage and house lights went dark, and everything was silent. The crowd wriggled in their seats with anticipation, finally letting go of a loud roaring applause when the name “Ivan Cornejo” appeared on the video boards.

    After a few more minutes of silence, the spotlight shined bright on the young 19-year-old singer-songwriter from Riverside, California. He is one of the brightest new stars of the Corrido Tumbado movement, a segment of the Regional Mexicano genre that is experiencing a popularity surge over the last few years.

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    Cornejo is one of the brightest new stars of the Corrido Tumbado movement, a sub-genre of Regional Mexicano music.

    Photo by Jennifer Lake

    Not only was this Cornejo’s RodeoHouston debut, but it was also his first time performing in a stadium. He has been on his “Terapia” Tour since last August, and has been selling out venues, theaters, and arenas, including two sold-out shows at 713 Music Hall back on October.

    Cornejo took to the stage in an all black charro outfit, decorated in gold glitter cacti, fireworks, and Mexican emblems. He strolled around the stage in black pants, shiny Stacy Adams dress shoes, and his signature headband.

    Como andamos, Houston?!” said Cornejo as he greeted his fans. His voice, movements, and overall demeanor are smooth, warm, and gentle. Throughout the evening he smiled wide and charmed the audience with his soft eyes. “I’m super grateful to be here tonight because Texas always shows love, especially Houston!” he continued.

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    Cornejo played two sold-out shows here in Houston back in October, and this was his RodeoHouston debut.

    Photo by Jennifer Lake

    Most of his set list was full of songs that could be considered as indie/emo, mostly about love and heartbreak, which actually translates perfectly to a country/western/rodeo setting. The crowd joined in by singing the lyrics to most songs, and did so loudly. All the fans who were featured on the video screens were singing passionately at the top of their lungs.

    One of the definitive highlights of the show was when Cornejo and his band played a cover of “Desvelado” by Tejano legend Bobby Pulido. “We added our own little country twist to this cover!” he mentioned after finishing the track. It was absolutely delightful.

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    Ivan Cornejo played many fan favorites and a couple of covers during his RodeoHouston debut.

    Photo by Jennifer Lake

    ‘Before I go, I would like to sing one last song, but please, turn on your flashlights” he requested from the large crowd. They obliged, and filed the room with dazzling lights. Connejo proceeded to sing “La Curiosidad,” one of his biggest hits from his 2022 album Dañado. The crowd went wild, and grooved and sang along at full volume. Near the end of the track, the music shifted into a Reggae cover of Bob Marley’s “Is This Love?” — a perfect ending to a beautiful set.

    As the sun set outside NRG Stadium, Ivan then jumped onto the back of the Ford F-150 truck, armed with a bucket of red roses, and began to throw them one by one to his fans near the arena floor. A superstar in the making, riding off into the sunset.

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    Cornejo is a superstar in the making, with smooth moves, soft voice, and awesome vibes all around.

    Photo by Jennifer Lake

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    Marco Torres

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