Stone Blind
The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.
When the sea god Poseidon assaults Medusa in Athene’s temple, the goddess is enraged. Furious by the violation of her sacred space, Athene takes revenge—on the young woman. Punished for Poseidon’s actions, Medusa is forever transformed. Writhing snakes replace her hair and her gaze will turn any living creature to stone. Cursed with the power to destroy all she loves with one look, Medusa condemns herself to a life of solitude.
Until Perseus embarks upon a fateful quest to fetch the head of a Gorgon . . .
Radiant Sin
As a disgraced member of a fallen house, Cassandra Gataki has seen firsthand what comes from trusting the venomous Thirteen. But when the maddeningly gorgeous and kind Apollo asks her to go undercover as his plus-one at a week-long party hosted by a dangerous new power player…Cassandra reluctantly agrees to have his back.
On one condition: when it’s all over, and Apollo has the ammunition he needs to protect Olympus, she and her sister will be allowed to leave. For good.
Apollo may be the city’s official spymaster, but it’s his ability to inspire others that keeps him at the top. Despite what the rest of Olympus says, there’s no one he trusts more than Cassandra. Yet even as their fake relationship takes a wicked turn for the scaldingly hot, a very real danger surfaces… threatening not only Cassandra and Apollo, but the very heart of Olympus itself.
VenCo
Métis millennial Lucky St. James is barely hanging on when she learns she’ll be evicted from the tiny Toronto apartment she shares with her cantankerous but loving grandmother Stella. But then one night, something strange and irresistible calls out to Lucky. She burrows through a wall to find a tarnished silver spoon, humming with otherworldly energy, etched with a crooked-nosed witch and the word SALEM.
Lucky is familiar with the magic of her indigenous ancestors, but she has no idea that the spoon connects her to a teeming network of witches across North America who have anxiously awaited her discovery.
Enter VenCo, a front company fueled by vast resources of dark money (its name is an anagram of “coven.”) VenCo’s witches hide in plain sight wherever women gather: Tupperware parties, Mommy & Me classes, suburban book clubs. Since colonial times, they have awaited the moment the seven spoons will come together and ignite a new era, returning women to their rightful power.
But as reckoning approaches, a very powerful adversary is stalking their every move.
To find the last spoon, Lucky and Stella embark on a rollicking and dangerous road trip to the darkly magical city of New Orleans, where the final showdown will determine whether VenCo will usher in a new beginning…or remain underground forever.
Someone Else’s Shoes
Who are you when you are forced to walk in someone else’s shoes?
Nisha Cantor lives the globetrotting life of the seriously wealthy, until her husband announces a divorce and cuts her off. Nisha is determined to hang onto her glamorous life. But in the meantime, she must scramble to cope–she doesn’t even have the shoes she was, until a moment ago, standing in.
That’s because Sam Kemp – in the bleakest point of her life – has accidentally taken Nisha’s gym bag. But Sam hardly has time to worry about a lost gym bag–she’s struggling to keep herself and her family afloat. When she tries on Nisha’s six-inch high Christian Louboutin red crocodile shoes, the resulting jolt of confidence that makes her realize something must change—and that thing is herself.
Endpapers
t’s 2003, and artist Dawn Levit is stuck. A bookbinder who works in conservation at the Met, she spends her free time scouting the city’s street art, hoping something might spark inspiration. Instead, everything looks like a dead end. And art isn’t the only thing that feels wrong: wherever she turns, her gender identity clashes with the rest of her life. Her relationship, once anchored by shared queerness, is falling apart as her boyfriend Lukas increasingly seems to be attracted to Dawn only when she’s at her most masculine. Meanwhile at work, Dawn has to present as female, even on the days when that isn’t true. Either way, her difference feels like a liability.
Then, one day at work, Dawn finds something hidden behind the endpaper of an old book: the torn-off cover of a ‘50s lesbian pulp novel, Turn Her About. On the front is a campy illustration of a woman looking into a handheld mirror and seeing a man’s face. And on the back is a love letter.
Dawn latches onto the coincidence, becoming obsessed with tracking down the note’s author. Her fixation only increases when her best friend Jae is injured in a hate crime, for which Dawn feels responsible. As Dawn searches for the letter’s author, she is also looking for herself. She tries to understand how to live in a world that doesn’t see her as she truly is, how to get unstuck in her gender, and how to rediscover her art, and she can’t shake the feeling that the note’s author might be able to help guide her to the answers.
What Napoleon Could Not Do
When siblings Jacob and Belinda Nti were growing up in Ghana, their goal was simple: to move to America. For them, the United States was both an opportunity and a struggle, a goal and an obstacle.
Jacob, an awkward computer programmer who still lives with his father, wants a visa so he can move to Virginia to live with his wife—a request that the U.S. government has repeatedly denied. He envies his sister, Belinda, who achieved, as their father put it, “what Napoleon could not do”: she went to college and law school in the United States and even managed to marry Wilder, a wealthy Black businessman from Texas. Wilder’s view of America differs markedly from his wife’s, as he’s spent his life railing against the racism and marginalization that are part of life for every African American living here.
These Infinite Threads
With the heat of a kiss, the walls between Alizeh, the long-lost heir to an ancient Jinn kingdom, and Kamran, the crown prince of the Ardunian empire, have crumbled. And so have both of their lives.
Alizeh, the heir to the Jinn throne, is destined to free her people from the half-lives they’ve been forced to live under human rule. When Kamran, the heir to the human throne, falls in love with her, he’s forced to question everything he’s been taught about Jinn.
Kamran’s grandfather lays dead at the hand of Cyrus, ruler of the neighboring kingdom of Tulan. Cyrus has stolen Alizeh away to his homeland and plans to marry her there, giving her everything she needs to become the Jinn queen—and when she assumes the throne he will have fulfilled his own bargain with the devil.
Alizeh wants nothing to do with Cyrus’s deal or the devil. But without a way to escape Tulan, and with the fulfillment of her own destiny tantalizingly close, she’ll have to decide whether she can set aside her emotions to become the queen her people need.
The House of Eve
1950s Philadelphia: fifteen-year-old Ruby Pearsall is on track to becoming the first in her family to attend college, in spite of having a mother more interested in keeping a man than raising a daughter. But a taboo love affair threatens to pull her back down into the poverty and desperation that has been passed on to her like a birthright.
Eleanor Quarles arrives in Washington, DC, with ambition and secrets. When she meets the handsome William Pride at Howard University, they fall madly in love. But William hails from one of DC’s elite wealthy Black families, and his parents don’t let just anyone into their fold. Eleanor hopes that a baby will make her finally feel at home in William’s family and grant her the life she’s been searching for. But having a baby—and fitting in—is easier said than done.
With their stories colliding in the most unexpected of ways, Ruby and Eleanor will both make decisions that shape the trajectory of their lives.
The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar
The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-read for cinema and horror fans alike.
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