Mao Fujita’s playing had a prettiness all its own, but he didn’t connect profoundly with all the composers on his largely safe program.
Oussama Zahr
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Review: A Young Pianist Finds His Way to Carnegie Hall
Mao Fujita’s playing had a prettiness all its own, but he didn’t connect profoundly with all the composers on his largely safe program.
Oussama Zahr
Source link
