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Tag: Miquita Oliver

  • Lily Dabblin’: On Allen’s Departure from Miss Me?

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    Ever since Lily Allen “unofficially” stopped making music on a consistent basis in 2014, with the release of her third album, Sheezus (a title that now forever associates her with the ilk that once thought Kanye was god), she’s most definitely become what can be described as a dabbler. Not to say that Allen had yet fully indicated a complete “step back” from music at that time. However, the fact that it took her another four years to release the next album, 2018’s No Shame, began to infer a certain “lapse.” Or lack of interest. Not just in music, but in the industry surrounding it, especially as Allen began to realize how crushingly lonely it could be (particularly while on tour).

    As for the name of that album she now released seven years ago, No Shame, it appears to be a title that has taken on new meaning in the years to follow, in terms of indicating that, indeed, Allen has had no shame when it comes to doing whatever she wants. Career pursuit-wise. And the one thing she seemed not to want to do anymore was music. Not just because, as she’s mentioned on Miss Me?, she feels that No Shame didn’t get the kind of attention and success it deserved when it was released (though it did get nominated for a Mercury Prize). But also because of her conscious decision to recoil from the rigors of pop star life (particularly touring) for the sake of raising her two daughters, Ethel and Marnie. The children from her first marriage to Sam Cooper, a “normal” (a.k.a. a builder and decorator) who served as the primary inspiration for Allen’s No Shame. In addition to serving as “material” in her autobiography, My Thoughts Exactly, which would come out later that year. To be sure, 2018 was the last truly “big” year for Allen in terms of “output” on the tangible release front.

    Though, when it came to participating in theater and other acting endeavors (e.g., a short-lived TV series called Dreamland), Allen became rather prolific starting in 2021, when she took on her first West End play, 2:22: A Ghost Story. Then would come her mostly panned performance in a revival of Martin McDonagh’s 2003 play, The Pillowman, followed by this year’s adaptation of Henrik Ibsen’s Hedda Gabler, renamed to just Hedda and once again directed by Matthew Dunster (who also directed Allen in The Pillowman). Going even more “esoteric,” the play was put on for an extremely limited run in Bath—so yes, it was a peak example of Allen aiming to attract only the nichest of the niche in her already niche audience. Which is becoming even more so by all this dabbling (complete with her OnlyFans feet account).

    In order to “focus” on getting ready for Hedda (in other words, memorizing her lines), Allen took what can best be categorized as her umpteenth break from Miss Me?, the podcast she had started with her long-time friend, Miquita Oliver, in early 2024. In point of fact, it’s usually been Oliver that’s carried the show on her back every time Allen decided she needed to dip out. Something that didn’t only happen when she went through a bad breakup/divorce with David Harbour (a marriage itself that was a bit of a “dabble” for her), but also when she felt obliged to tap out for various trips. All the while, the only times Oliver “checked out” was when she had surgery for her fibroids and a couple of times for some trips of her own. This lopsidedness in devotion throughout Miss Me? seemed to signal some inevitable form of doom (at least for Oliver). And, in truth, it’s a wonder Allen endured as long as she did (at a whopping year and a half) without “bowing out” sooner. After all, despite the general success of the podcast, Allen faced a backlash after many of the episodes, whether it was her take on Beyoncé’s Cowboy Carter, her (lack of) will to keep a misbehaving rescue puppy or, more recently, her comments on not being able to recall how many abortions she’s had. Save for the puppy backlash, most of her podcast regaling was taken out of context and overblown. As is the way of the media (especially the British media).

    But, of course, nothing Oliver said ever made headlines. A further testament to their discrepancy in fame levels. Which is also why something about Allen’s seemingly abrupt decision to bounce feels all the more reckless in terms of leaving Oliver in the lurch as she scrambles to take the helm of the show herself. Not that she hasn’t been doing this for the most part already, having invited such guests as Jordan Stephens and Zawe Ashton on during Allen’s noticeably numerous absences. However, the BBC must have some faith in her (perhaps after monitoring the ratings she pulled in after Allen’s “tap outs”) to even consider letting her continue to do Miss Me? when the entire show was founded on the concept of them, specifically, “chatting shit.” In effect, the entire premise is centered on their friendship/rapport.

    And, yes, because they’re such good friends, Oliver was nothing but supportive when Allen publicly made the announcement on the September 11th (how fitting) episode, “Exodus.” The first show in many weeks since the two had been reunited, between Allen’s Hedda gig and Oliver going on a little vacay (no doubt, in part, to process losing her partner in crime on the podcast). And so, to come at the audience with that for their reunion was a bit…much.

    As for Allen’s explanation, it was sort of the usual. In a nutshell/to paraphrase: “I just need time to focus on other things.” Further adding/emphasizing that the podcast actually is quite a lot of work. Chiefly, the time and effort to record and edit it, not to mention its frequency (twice a week)—no radio pun intended. As for the “other things” she might be referring to, naturally, the remaining devotees of Allen’s music career were quick to speculate that her newfound commitment to finishing an album (one she’s talked about [on the podcast] being in the vague process of making) has at last taken top priority after so many years of dabbling in everything else. Having her hands in a lot of different pies (and not just the ones she’s been making at home), as it were.

    While this may or may not be the case, there are those who are clearly gunning for a “breakup album” (that at last confirms what really went down with Harbour). Though they’ll certainly take whatever they can get from Allen at this point. Even an Alright, Still re-release/anniversary tour in ‘26 (this, too, being something Oliver has encouraged her to do on Miss Me?). Just as long as she’s done dabbling in other things for a while (including her input into the creation of a line of vibrators). Because, honestly, what except going back to music, could be worth casually jettisoning a podcast with your (alleged) best friend?

    As for the fact that both Allen and Oliver are Tauruses, well, let’s just say that only one of them fits the conventional stereotype about how consistent and reliable that sign is supposed to be.

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    Genna Rivieccio

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  • A Timeline of Lily Allen and the Puppy Backlash

    A Timeline of Lily Allen and the Puppy Backlash

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    It all began, as most of Lily Allen’s controversies of late, with a glib comment on a podcast. More specifically, Lily Allen and Miquita Oliver’s podcast, Miss Me? And while it’s true that Allen has often claimed the defense of “these quotes were taken out of context” (like her assessment of Beyoncé’s Cowboy Carter album—for which, to be fair, she did have the cojones to critique rather than blindly praise), there really wasn’t much to be taken out of context with her latest snafu.

    The stage was set for the incident at the end of the podcast’s August 19th episode, “School of Lyf,” during which Allen and Oliver forewarned that the latter would be absent the following week (which was only just, considering Allen was absent for two episodes’ worth of the show, getting her husband, David Harbour, to sub in for her while she jetted off to British Columbia, one of many locales visited during her summer break). And then, as though to seal Allen’s fate of doom, Oliver said at the end of the episode, “Good luck next week, you’ll be great.” Foreshadowing indeed. For in the episode that followed (August 22nd’s “Duck, Duck, Pigeon”), Allen managed to do the exact opposite, biffing the whole show in Oliver’s absence by bringing up that she and “the girls” (her two children, Marnie and Ethel) were thinking of getting a new puppy and naming it Jude Bellingham. Choosing a footballer’s name for a puppy was how Allen brought up the subject in the first place, telling the guest co-host, Steve Jones (a former fellow presenter of Oliver’s for T4), that she and her husband don’t know the names of any sports players. And so it was that the topic of conversation leading to the mention of a new puppy potentially being named after the one sports player whose name she does know secured her ruin.

    And yes, as she soon found out, the only thing worse (in terms of public backlash) than denouncing Beyoncé is flippantly denouncing a dog. This by mentioning that even before the thought of getting another new puppy, Allen had already tried her hand at adopting a rescue during the pandemic era. And, per her account, it ultimately failed because the dog ate her passport. Which also came up only by coincidence when Jones jokingly mentioned what a big commitment getting a dog with Harbour is, despite the two already being married. In response, Allen said, “You know what? We actually did adopt a dog together already, but then it ate my passport and so I took her back to the home.” Yes, it was said that nonchalantly, with a little chuckle at the end.

    When PETA called out Allen for that chuckle (among other issues with her handling of the dog), Allen hit back with, “People laugh when they talk about painful things all the time, it’s quite normal.” And while, sure, that’s not untrue, the way Allen delivered the anecdote was utterly icy, as though it was just another “crazy story” to tell. More “fodder” for a podcast.

    Jones, perhaps not wanting to go against his co-host’s “vibe,” answered with, “Ate your passport? That’s a hungry dog.” Of course, there was no mention of where the passports were being stored that might have made them a little too accessible to a new puppy with monster chewing predilections. In that regard, Allen also came across as entitled, as though the onus wasn’t at all on her to secure the passports in a place that would be inaccessible to a dog (e.g., a safe deposit box). Nonetheless, Allen blamed only the dog as she recounted, “[Mary] ate all three of our passports, and they had our visas in [them] and I cannot tell you how much money it cost me to get everything replaced [maybe because if she did say the amount out loud, it would sound ridiculous, as her money plus Harbour’s Marvel money equals no amount is that high] ‘cause it was in Covid, and so it was just an absolute logistical nightmare. And because my, the father of my children lives in England, I couldn’t get them back to see their dad for, like, four months, five months because this fucking dog had eaten the passports. And I just couldn’t look at her, I was like, ‘You’ve ruined my life.’”

    Everything about the way she describes it sounds not only Cruella-esque (except that, nefarious purpose aside, Cruella actually wanted dogs), but, basically, like a minorly inconvenienced rich person’s viewpoint. Worse still, a rich person who doesn’t even know how to spend her money in a way that could easily have accommodated the dog staying in her home. What’s more, for someone of affluence, who can simply pay to have their problems solved, a passport being chewed is not “life-ruining” so much as inopportune. In point of fact, saying the dog ruined her life is a peak example of hyperbole. Rich white person’s hyperbole.

    Even so, Allen perhaps sensed she ought to pad the anecdote with a better reason, adding, “She was also, like…passports weren’t the only thing she ate, she was a very badly behaved dog and I really tried very hard with her, but it just didn’t work out. And the passports was the straw that broke the camel’s back, so to speak.”

    Jones then finally steered the conversation away from Lily Allen and dog ownership by asking her what last name she uses on her passport (in other words, if she ended up taking Harbour’s last name—the answer being: no). But the damage had been done. And of all the things Allen has said, this might be her most damning. The thing that revealed her to be the very type of person she claims not to be: a privileged nepo baby with no concept of how “rich white lady” she comes across. In letting the mask “slip,” as it were, Allen invoked the wrath of dog lovers the world over, with hundreds of comments flooding into her various tweets about the backlash, including, “This kind of didn’t seem like a people laugh when they’re sad situation though. It seems like you put it out there not expecting the kickback you’d get for saying it and now you’re trying to dig yourself out of a massive crater sized hole!,” “It wasn’t about the dog’s welfare though, was it? It was you screwing up and then blaming the dog. What happens if the replacement chews stuff? Do you have another home already lined up?” and “Narcissism run rampant. Lily can’t shut her mouth. She is an awful person. She’s enjoying this, @peta. Leave her be to go hang out with Lena Dunham.”

    Because yes, PETA did put Allen on blast with their tweet, “As someone high profile with a platform, what you say matters. Laughing about this ‘f******’ dog being sent back sends a dangerous message. Every move is traumatic to a homeless dog who then can never expect this home is forever.” Allen then bit back sarcastically with, “Also thank you to @peta for adding fuel to the fire. Very responsible of you.” (It reeks of Lana Del Rey saying, “…thanks for the Karen comments tho. V helpful” when she had her own unique backlash in 2020.) Few were wont to let Allen pivot the blame for the backlash on PETA, with one user replying, “What added fuel to the fire was telling the story of returning your dog to the shelter whilst having a little giggle over it.”

    Allen also attempted to paint the headlines about her comments as a “distortion” when, in fact, all the quotes from the podcast were featured in most of the ink spilled about it. It was only when she further detailed her issues with Mary on Twitter that she might have given better insight into her difficulties beyond mere passport chewing. Part of that explanation went as follows: “…she developed pretty severe separation anxiety and would act out in all manner of ways. She couldn’t be left alone for more than 10 mins, she had 3 long walks a day 2 by us and 1 with a local dog walker and several other dogs, we worked with the shelter that we rescued her from and they referred us to a behavioral specialist and a professional trainer, it was a volunteer from the shelter who would come and dog sit her when we were away, and after many months and much deliberation everyone was in agreement that our home wasn’t the best fit for Mary.” Emphasis on the word months, as in: Mary didn’t last very long at the Allen-Harbour abode. Which does make one wonder if, had she been given a little more time, there might have been a breakthrough.

    In any case, if Allen thought the dog had “ruined her life” before this metaphorical flogging, she’s surely convinced of it now. As for the Miss Me? episodes that followed “Duck, Duck, Pigeon,” another one, “Rage Against the Washing Machine,” with Jones continuing to sub in for Oliver, aired sans Allen mentioning the rage against her. This was followed by a “best of” episode called, “The Queen of MySpace,” wherein Oliver explains of Allen’s absence, “Everyone’s had quite heady summers, including Lily and I. We’ve been all around the world and we’ve been bringing you Miss Me? from wherever we’ve been and I feel we’ve done a pretty good job. But Lily Allen has finally got to a part of Italy that is so deep and rural that there is no wi-fi.” In other words, Allen needed to retreat from the noise of her detractors post-puppygate. A luxury that, yes, a rich lady can enjoy—as much as she can enjoy effectively training and acclimating a difficult/needy rescue dog… That is, if she really wanted to.

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    Genna Rivieccio

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