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Tag: Middle-earth

  • Extended cut of Lord of the Rings trilogy back in theaters for 25th anniversary

    The best, definitive way to watch Peter Jackson’s “Lord of the Rings” trilogy is possible right now, but only for a short time in theaters.

    Re-released to celebrate their 25th anniversary, the extended versions of these movies are being screened until Thursday, Jan. 29.

    Each of the movies — The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) — all have additional scenes that were cut when they were first released a quarter-century ago. At a total run time of 11 hours and 25 minutes, moviegoers are in for a long but rewarding theater experience.

    But whether a longtime fan or newbie, seeing the LOTR trilogy — as dubbed by fans — on a big screen with Dolby Atmos sound is, almost literally, magical. The journey to Mordor feels even longer and more dangerous, the world of Middle-earth feels richer, and Legolas feels even cooler.

    It is how every viewer should experience director Jackson’s version of author J.R.R. Tolkien’s world at some point.

    Sets like Hobbiton and Rivendell (a home for some elves) are breathtaking, the makeup and prosthetics of the orcs still terrifying, and the costumes ethereal and otherworldly.

    J.R.R. Tolkien wrote The Lord of the Rings.
    J.R.R. Tolkien wrote The Lord of the Rings. The News & Observer

    The battle at Helm’s Deep was not only impressive for its use of practical effects and forced perspective, but because viewers could actually see the scene filmed at night, in the rain. Legolas riding a shield down castle steps as he’s firing arrows at orcs couldn’t be clearer — something that feels increasingly rare 25 years later.

    Sure, some of the CGI is dated and a bit noticeable at times, like when Merry and Pippin are riding on Treebeard’s shoulders, but it’s easily forgiven when the rest of the movie visuals easily suck you in.

    And it’s easy to forget that clunky CGI when the story continues to pay off in major ways. Like when that same duo finally convinces Treebeard and the other Ents to join the battle at Isengard, after seeing their tree friends were cut and burned down by villain Saruman and the orcs.

    a360 photography
    Frodo Baggins a360

    But even if you don’t know what any of those words mean, you’ll still enjoy the movie, especially with the additional scenes that add even more depth and flavor.

    I saw the movies at a south Charlotte AMC, but they’re also being shown at other Charlotte region theaters as well. Tickets can be purchased on the Fathom Entertainment website.

    Extra scenes add depth

    The extended versions of these movies make going back to the theatrical cuts difficult. That is not to say the theatrical versions are bad, but given the density of Tolkien’s work and Jackson’s movies, the additions give the story and many characters room to breathe.

    Some additional scenes are short, but add levity and color to the movies, like Frodo Baggins and Samwise Gamgee using elven rope, gifted by Galadriel, to rappel down a mountain in Two Towers.

    Gandalf (Ian McKellen) and Frodo (Elijah Wood) in The Fellowship of the Ring.
    Gandalf (Ian McKellen) and Frodo (Elijah Wood) in The Fellowship of the Ring. Wichita Eagle courtesy photo

    It may not move the plot forward or feel necessary, but for a few seconds the audience had a good laugh when Sam, who thought he’d have to abandon the rope because of his superior knot skills, pulled it down with a light tug.

    Orlando Bloom played Legolas in Peter Jackson’s “Lord of the Rings” trilogy, which is now in theaters again with extended scenes.
    Orlando Bloom played Legolas in Peter Jackson’s “Lord of the Rings” trilogy, which is now in theaters again with extended scenes. PIERRE VINET/NEW LINE PROD VNU

    Other new scenes are longer and not only help build out author J.R.R. Tolkien’s world, but connect plot points to future story beats.

    A more memorable extended scene occurs in Fellowship, when Frodo and Sam are in a forest, watching wood elves make the journey to the Undying Lands. It’s a moving scene, accompanied by a beautiful score that eventually makes the end of Frodo’s journey in Return of the King more rewarding and bittersweet.

    And some characters, like Éomer, the nephew of King Théoden, benefitted from the extra footage showing him discovering his cousin, Théodred, wounded. Éomer’s exile from Rohan and eventual return during the battle of Helm’s Deep in Two Towers felt more emotional and triumphant.

    Jackson’s commentary

    But before the movies began, director Jackson gave some commentary, reflecting on the success of the movies, as well as sharing memorable behind-the-scenes moments.

    While the movies were in production, Viggo Mortensen, who plays Aragorn, came to the set with a swollen, black eye from a surfing accident, Jackson said. Because of the injury, shots of Mortensen battling in the Mines of Moria in Fellowship of the Ring are from the side of his face.

    Jackson said during this commentary that he was shocked that people would pay money to see the movies again in theaters. But he said he spoke to someone who said he was too young to see them in theaters when they came out, and who had only watched the DVDs and Blu-rays. The re-release was his first time he’d be able to see them on a big screen.

    Peter Jackson, who won best director for "Lord of The Rings: The Return of The King," poses for photographers in the press room at the 76th Annual Academy Awards on February 29, 2004.
    Peter Jackson, who won best director for “Lord of The Rings: The Return of The King,” poses for photographers in the press room at the 76th Annual Academy Awards on February 29, 2004. STAFF KRT

    That enthusiasm poured over into the theater’s audience. People of all ages packed the seats, some dressed up, chatting before Howard Shore’s score sucked viewers into Middle Earth. Many shared their favorite characters or moments, or when and where they first dove into Tolkien’s work.

    Despite movie-watching typically being an individual experience, the audience seemed connected for this trilogy. It felt reminiscent of something Frodo said to Sam in Return of the King:

    “I’m glad you are with me, here at the end of all things.”

    This story was originally published January 23, 2026 at 9:40 AM.

    Related Stories from Charlotte Observer

    Jeff A. Chamer

    The Charlotte Observer

    Jeff A. Chamer is a breaking news reporter for the Charlotte Observer. He’s lived a few places, but mainly in Michigan where he grew up. Before joining the Observer, Jeff covered K-12 and higher education at the Worcester Telegram & Gazette in Massachusetts.

    Jeff A. Chamer

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  • Lord of the Rings Fanfic Writer Sues Amazon, Tolkien Estate For $250M

    Lord of the Rings Fanfic Writer Sues Amazon, Tolkien Estate For $250M

    Some guy is currently suing Tolkien and Amazon to the tune of $250 million. That alone takes serious bravery. But what’s notable about this lawsuit is the reason he’s suing: Copyright infringement over his Lord of the Rings fanfic. Specifically, he’s arguing that Amazon lifted elements of his fan-fiction for its own Tolkien adaptation TV series, The Rings of Power.

    Demetrious Polychron wrote a book, a work of fan-fiction set in J.R.R. Tolkien’s Middle-earth, called The Fellowship of the King, which he copyrighted in 2017 and which later were published and made available for sale, including on Amazon. According to PC Gamer, Polychron sent a letter to the Tolkien Estate asking for a manuscript review. That’s right: This man asked J.R.R. Tolkien’s grandson Simon to sign off on his fanfic. Unsurprisingly, he did not get a response.

    In September of 2022, the month that Polychron published The Fellowship of the King, Amazon also began airing its extremely expensive Lord of the Rings spin-off series, The Rings of Power.  hundreds of millions of dollars on developing an adaptation called Lord of the Rings: The Rings of Power. Now, Polychron is arguing that the Amazon TV show lifts elements from his novel.

    According to RadarOnline, which has seen documents pertaining to the suit, Polychron alleges that characters and storylines he created for his book “compose as much as one-half of the 8-episode series,” and that in some cases the show “copied exact language” from his book. However, the claims seem spurious. For instance, the lawsuit purportedly points to the fact that both his book and the show feature a hobbit named Elanor, with the Elanor in his book being the daughter of Samwise Gamgee, while the Elanor featured in The Rings of Power is a Harfoot. Images purporting to be the lawsuit circulating online include a host of other circumstantial connections or similarities to back up Polychron’s argument that the writers of Rings of Power lifted ideas from his fanfic for their own story.

    Polychron’s lawsuit for copyright infringement, filed on April 14, names Amazon and the Tolkien Estate as defendants in the U.S. District Court For The Central District of California. Polychron claims that his novel was “inspired” by LOTR, but is an “original” work. Nobody is convinced, not even the reviewers who had kind things to say about it. “While unabashedly derivative, The Fellowship of the King offers LOTR fans a fun, appropriately epic return to Middle-earth,” wrote Edward Sung for IndieReader. Ouch. It doesn’t sound like the book scores any points for originality, even if it’s a fun enough read.

    At the time of writing, it appears that Polychron’s book has been delisted from Amazon. Kotaku reached out to Amazon to ask when it was removed, but did not receive a response by the time of publication.

    While no one believes that Polychron will win against the Tolkien Estate, there are concerns that the lawsuit might negatively impact the legality of fanworks in general. Hopefully, fanfic writers will be fine as long as they’re not trying to extort Tolkien’s grandson.

    Sisi Jiang

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