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Tag: Mariachi

  • Best Bets: Name of the Game, Essays in Motion and With Malice Towards None

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    Kids are back in school, and we’re well on our way to fall, even if it doesn’t feel like it temperature-wise. You can still beat the heat and avoid the rain with our mostly indoor best bets. This week, we’ve got world premiere dance works, bravura filmmaking, and live music. Keep reading for these and more below.


    NobleMotion Dance
    returns to the MATCH tonight, August 21, at 7:30 p.m. with Pressure Point, a program featuring four world premieres and returning fan favorite KinkyKool Fan Blowing Hard. Andy Noble, NobleMotion’s co-artistic director with wife Dionne Sparkman Noble, recently told the Houston Press, “It moves quickly from one section to the next, and it gives you a taste of how we play with structure and form, how we play with line, how we play with a little bit of humor and being a little irreverent, how we play with metaphor, and how physical we want our dances to be. It showcases all of that in 12 minutes.” Additional performances are scheduled for 7:30 p.m. Friday, August 22, and Saturday, August 23. Thursday night’s performance is pay-what-you-can (minimum $5), with tickets to the other performances priced at $20 to $35. Tickets are available here.


    Though the exact origin of the word mariachi is unknown, the “music is an unmistakable symbol of Mexico and Mexican culture throughout the world,” born from a long history “of revolution, urbanization, industrialization, yearning for the past, and the quest to forge a uniquely Mexican national identity.”  On Friday, August 22, at 7 p.m., you can hear some of the best mariachi musicians from across the state and some of the best ballet folklórico dancers when Performing Arts Houston opens the 6th Annual Mariachi Festival. Mariachi Imperial de America, Mexico en Danzas Grupo Folklórico, University of Houston Mariachi Pumas, and the Mariachi High School All-Star Group will open the three-day festival, with tickets available here for $29 to $149. The festival continues at 7 p.m. Saturday, August 23, and 3 p.m. Sunday, August 24.

    If Magic Mike and Chippendales are your only points of reference for male exotic dancing, get a different perspective, one from South Central Los Angeles in the late 1980s until the early 2000s, in Name of the Game, a 2023 documentary directed by William Forbes and Douglas Skinner. The film is now making its way around art house theaters, including River Oaks Theatre, where it will screen on Friday, August 22, at 7:15 p.m., followed by a special Q&A with the filmmakers and documentary participants. Of the film, Skinner has said, “This is Black male exotic. It’s a little different. There’s not really a category or a lane for this. So, we said we’re going to be the ones to spearhead this and get this out.” Tickets to the screening can be purchased here for $16.

    A host of special guests, including Houston Poet Laureate Emeritus Deborah D.E.E.P. Mouton, members of Houston Ebony Opera Guild and Houston Chamber Choir, will join Apollo Chamber Players at Miller Outdoor Theatre on Friday, August 22, at 8 p.m., when the ensemble presents With Malice Toward None. The program that will pull works from its 2021 album of the same name and newer pieces from their upcoming album BAN: Stories of Censorship, which will also be released Friday. The performance is free, and you can reserve a ticket here starting at 10 a.m. today, August 21, or you can plan to sit on the Hill, where no ticket is required. If you can’t make it out to Miller, the concert will be livestreamed on the Miller Outdoor Theatre website, YouTube channel, and Facebook page.

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    Creative Minds Collaborative will present an evening of dance on Saturday at the MATCH.

    Photo by Nao Kusuzaki

    Houston leader Donna Fujimoto Cole went from a divorced 27-year-old with a young daughter and only $5,000 in the bank to the president and CEO of a company with revenues exceeding $80 million. Cole inspired Mandala, a trio choreographed by Nao Kusuzaki, a former Houston Ballet soloist and current executive and artistic director of Creative Minds Collaborative. On Saturday, August 23, at 2:30 p.m. at the MATCH, the organization will present Essays in Motion, a dance program also featuring a duet from Hayden Stark of Houston Ballet and dancer-choreographer Shohei Iwahama; a reworked version of Jennifer Mabus’s Tuning to Grace, originally created for 6 o’Clock Dance Theatre; and Kusuzaki’s world premiere She, Unfolding. The program will be performed a second time on Saturday at 6:30 p.m. Tickets can be purchased here for $20 to $30.

    Saturday Night Live cast member Marcello Hernández made his first appearance as “Domingo” on the long-running sketch comedy show back in October and quickly went viral, with his “other man” character even popping up during SNL50: The Anniversary Celebration in another viral sketch featuring the likes of Sabrina Carpenter, Bad Bunny, and Pedro Pascal. Hernández continues to ride the wave of pop culture popularity with a recent role in Happy Gilmore 2 and a soon-to-be filmed Netflix stand-up special in his hometown of Miami, Florida. But if you can’t wait, on Saturday, August 23, at 7 p.m., you can enjoy Hernández’s stand-up set when he performs at Cullen Performance Hall. But if you want to see the show, you have to be quick: Only a few tickets remain here for $51 to $115.

    When Akira Kurosawa’s High and Low made it to American shores in 1963, The New York Times declared it “one of the best detective thrillers ever filmed,” a sentiment that has not changed over the last 60 years (see Spike Lee’s recent reimagined Highest 2 Lowest with Denzel Washington and A$AP Rocky). Kurosawa’s film, adapted from an American pulp novel, finds the family of a wealthy Japanese industrialist the target of a kidnapping scheme, with the result “a model of its genre, pegged on a harassed man’s moral decision, laced with firm characterizations and tingling detail and finally attaining an incredibly colorful crescendo of microscopic police sleuthing.” The film will close the Museum of Fine Arts, Houston’s Akira Kurosawa: The Eternal Master series on Sunday, August 24, at 5 p.m. Tickets can be purchased here for $7 to $9.
    Since its release in 2003, Dan Brown’s The Da Vinci Code has sold over 80 million copies and launched a three-film series starring Tom Hanks as protagonist Robert Langdon that has “made a combined $1.47 billion in worldwide box office.” On Sunday, August 24, at 6 p.m., you can catch the Harvard symbologist’s most popular adventure, which finds him going from a murder in the Louvre to a conspiracy with a secret about the Holy Grail at its heart, on the big screen when the Alley Theatre and Houston Cinema Arts Society present The Da Vinci Code at River Oaks Theatre. Tickets for the screening are available here for $16. And don’t miss The Da Vinci Code on stage when the Alley opens the play on Friday, September 19. You can learn more here.

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    Natalie de la Garza

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  • Eden Muñoz Leads a Showcase of Mexican Music at 713 Music Hall

    Eden Muñoz Leads a Showcase of Mexican Music at 713 Music Hall

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    Eden Muñoz
    Como En Los Viejos Tiempos Tour
    713 Music Hall
    August 17, 2024

    I wasn’t expecting to cry at a concert, but last night my emotions got the best of me and the tears rolled down my face. On stage was Eden Muñoz, formally of the Norteño-Banda group Calibre 50, and the song that caused me to shed a tear was “Corrido De Juanito.” It tells a story of a Mexican man who crossed over to work in the United States to obtain a better life, working long, hard hours in constant fear of deportation, all the while longing to revisit his home and family back in Mexico. His mother dies and he isn’t able to pay his last respects, and all he wants to do is hug his father once again.

    And yet, through all of this, he’s still supremely proud to be “Mexicano hasta al tope!” After a quick scan through the crowd, I wasn’t the only one feeling sentimental while listening to this song. It just hits so hard, especially hearing it live in a room full of your fellow Mexican community, knowing that we have all experienced some form of these hardships at least a few times in our life.

    But like true Mexicans, with good music playing we are able to transition from sadness to joy in an instant. And out of all the Regional Mexican concerts I’ve seen this year, Eden Muñoz has probably been my favorite so far. He began the show with “A La Antigüita” which provided a jolt of energy into the crowd, causing yelps of joy and dancing through 713 Music Hall.

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    Eden Muñoz exudes a love for life and country that resounds loudly in his music.

    Photo by Marco Torres

    I remember being introduced to the music of Muñoz’s former band Calibre 50 while I was visiting Monterrey, Nuevo Leon over 10 years ago. There was something magical about his attitude and songwriting, a love for life and country that resounded loudly in his music.

    Muñoz was surrounded on stage by a large banda orchestra, with an entire brass section of trumpets, tuba, and trombones joining in harmony with the saxophones, clarinets, and accordion. He wore an oversized button up shirt, jeans, boots, and a dark black cowboy hat, which he often tilted down and at an angle to cover his gaze, providing a mysterious aura around him.

    Do you ever see somebody and say “that guy really loves his job!” That’s exactly what I felt as I watched Muñoz dance across the stage, playing his accordion and laughing with the crowd. “I get emotional when I drink” he said en Español, holding his glass of tequila (or maybe whiskey) high as he toasted the crowd with a “salud, raza!”

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    Eden Muñoz provided an energetic and lively set during his performace at 713 Music Hall.

    Photo by Marco Torres

    He took a seat and traded his accordion for a guitar, strumming the opening notes to “Simplemente Gracias” along with the piano player and saxophone. A fan near the front row took this opportunity to propose to his girlfriend at his very moment. They caught the attention of Muñoz, who stumbled over his lyrics as he congratulated the couple.

    “I wrote that song six years ago for my soon-to-be wife, specifically to sing at our wedding” said Muñoz as the crowd clapped for the happy couple. He asked their names, which were Luis and Riley, and toasted his best wishes once again.

    Les gustan los corridos, Houston?!” he asked before playing “Javier El De Los Llanos” and “Consejos Gratis.” I swear, the list of hits that Eden has written is so extensive, and all are crazy good.

    One of the highlights of the evening was the “Ruleta de Homenajes” that picked a seemingly random Mexican music legend for the band to cover. Last night, this included tributes to Selena, Valentin Elizalde, Vicente Fernandez, Joan Sebastian, Chalino Sanchez, Ramon Ayala, and Marco Antonio Solis. My favorite though was probably the cover of “Como Estás Tú” by the cumbia group Liberacion. If I had a date to this show, I definitely would have danced to this one!

    This show really felt like a celebration, as if the banda was playing en la feria or at a jaripeo. I’m sure Muñoz and his banda could easily play another two or three more hours, but alas… all good things come to an end.

    Gracias Eden. Simplemente, gracias!

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    Marco Torres

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