Hokusai’s The Great Wave off Kanagawa Now Appears on Japanese Banknotes

Hokusai’s The Great Wave off Kanagawa Now Appears on Japanese Banknotes

Hokusai’s The Great Wave off Kanagawa Now Appears on Japanese Banknotes

If you’ve lived or trav­eled in Japan, you know full well how much of dai­ly life in that cash-inten­sive soci­ety involves the use of thou­sand-yen bills. Once con­sid­ered the equiv­a­lent of the Amer­i­can ten-spot, the yen’s late­ly hav­ing fall­en to its low­est val­ue in decades means that it’s now worth clos­er to six U.S. dol­lars. This is good news for tourists, and espe­cial­ly so for tourists who appre­ci­ate the wood­block-print art of Hoku­sai, whose famous Great Wave off Kana­gawa adorns the brand new ¥1000 ban­knote. Issued just yes­ter­day by the Bank of Japan, it also bears the image of bac­te­ri­ol­o­gist Kitasato Shibasaburō, who co-dis­cov­ered the infec­tious agent of a bubon­ic plague out­break in 1894.

The last revi­sion of the ¥1000, twen­ty years ago, also fea­tured a bac­te­ri­ol­o­gist: Noguchi Hideyo, who iden­ti­fied syphilis as the cause of pro­gres­sive par­a­lyt­ic dis­ease. Before Noguchi, it bore the image of Nat­sume Sōse­ki, one of the most cel­e­brat­ed writ­ers in the his­to­ry of Japan­ese let­ters.

The Bank of Japan tends to roll out ban­knote designs for each offi­cial era, which begins when­ev­er a new emper­or ascends to the throne; the cur­rent one began in May of 2019, after Emper­or Aki­hi­to stepped down and his son Naruhi­to stepped up. Oth­er his­tor­i­cal fig­ures pic­tured on the cur­ren­cy of this Rei­wa era, as it’s called, include Tsu­da Uni­ver­si­ty founder Tsu­da Umeko and “father of Japan­ese cap­i­tal­ism” Shibu­sawa Eiichi.”

A not just respect­ed but pop­u­lar and com­mer­cial­ly suc­cess­ful artist, Hoku­sai knew a thing or two about cap­i­tal­ism him­self. Yet he also had an uncom­mon eye for the beau­ty of Japan, his dis­tinc­tive per­cep­tions of which have been high­ly influ­en­tial in both East­ern and West­ern art for near­ly two cen­turies now. Japan­ese ban­knotes have pre­vi­ous­ly fea­tured images of Mount Fuji, Oga­ta Kōrin’s six-pan­el paint­ing of iris­es, and a scene from the Tale of Gen­ji. But this is the first time any has drawn from ukiyo‑e, the “pic­tures of the float­ing world” of which Hoku­sai was one of sev­er­al mas­ters who worked from the sev­en­teenth through the nine­teenth cen­tu­ry. A Great Wave bill is some­thing to cel­e­brate, but giv­en that today hap­pens to be the Fourth of July, let it be said that the pyra­mid with the eye is also pret­ty cool.

Relat­ed con­tent:

An Intro­duc­tion to Hokusai’s Great Wave, One of the Most Rec­og­niz­able Art­works in the World

The Evo­lu­tion of Hokusai’s Great Wave: A Study of 113 Known Copies of the Icon­ic Wood­block Print

Watch Hokusai’s The Great Wave off Kana­gawa Get Entire­ly Recre­at­ed with 50,000 LEGO Bricks

Hokusai’s Action-Packed Illus­tra­tions of Japan­ese & Chi­nese War­riors (1836)

Alan Tur­ing Will Be Fea­tured on England’s New £50 Ban­knote

‘Pride and Prej­u­dice’ Author Jane Austen Will Appear on the £10 Note

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Colin Marshall

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